In the Last Days of the City, Director Tamer El-Said

A film within a film IN THE LAST DAYS OF THE CITY, Tamer El Said’s ambitious debut feature, tells the fictional story of a filmmaker from downtown Cairo played by Khalid Abdalla (The Kite Runner, United 93, Green Zone, The Square) as he struggles to capture the soul of a city on edge while facing loss in his own life. IN THE LAST DAYS OF THE CITY is a haunting yet lyric chronicle of recent years in the Arab world, where revolutions seemed to spark hope for change and yield further instability in one stroke. The more things change, the more they stay the same. Shot in Cairo, Beirut, Baghdad and Berlin during the two years before the outbreak of revolution in Egypt. Throughout, friends send footage and stories creating a powerful, multilayered meditation on togetherness, the tactile hold of cities, and the meaning of homeland. Shot in 2008 and completed in 2016, the film explores the weight of cinematic images as record and storytelling in an ongoing time of change. IN THE LAST DAYS OF THE CITY is a multi-layered stories are a visually rich exploration of friendship, loneliness and life in cities shaped by the shadows of war and adversity.  Director, producer and writer Tamer El-Said joins us for a conversation on his remarkably accomplished film debut.

 

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For news and updates go to: inthelastdaysofthecity

AWARDS
Caligari Film Prize at Berlinale
Critics Award for Best Arab Film in 2016, Arab Cinema Center 
Grand Prix of New Horizons International Film Festival
Grand Prix of Festival des 3 Continents, Nantes
Best Film, San Francisco Arab Film Festival, USA, 2016 
Best Director at Buenos Aires International Film festival (BAFICI)

82% on Rotten Tomatoes!

“Without doubt the most important event in Egyptian cinema, if not Arab cinema, in a very long time.” — Jean-Michel Frodon, Slate.com

“A melancholic love-hate poem to Cairo and the role of filmmakers in any city in pain.” —Jay Weissberg, Variety

“Majestic… a lionhearted elegy for the Egyptian capital, artistic heritage in the Arab world, inspired politics, and hope itself” —Kaelen Wilson-Goldie, Artforum

“Beautifully lensed and complexly edited in a dense patchwork of people, feelings and events”  —Deborah Young, The Hollywood Reporter

Beauty and the Dogs, Director Kaouther Ben Hania

BEAUTY AND THE DOGS tells the harrowing story of Mariam, an attractive young Tunisian woman, starts off the evening in carefree spirits at a student party with her girlfriends, where she meets a handsome young man and goes for a walk with him on the beach in the moonlight. In the next scene, she is seen disheveled, running through the streets at night, flinching at every passing car, with her male companion trailing behind. She has been raped by police officers. But her harrowing ordeal has just begun, as she attempts to find help, report the crime, and seek justice, battling overwhelming obstacles to make those guilty accountable. Employing impressive cinematic techniques and anchored by a fiery tour-de-force performance from newcomer Mariam Al Ferjani, Beauty and the Dogs tells an urgent, unapologetic, and important story head-on. A rare film from a female Tunisian writer and director, Kaouther Ben Hania’s startling drama is a striking critique on a repressive society and a forcefully feminist rallying cry. Director and writer Kaouther Ben Hania stops by to talk about her moving portrait of a woman who slowly but surely comes to grips with her increasingly desperate situation.

 

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For news and updates go to: Beauty and the Dogs site at Oscilloscope Films

Beauty and the Dogs is playing at the NuArt Theatre in Los Angeles beginning Friday, March 23 (check out the Nuart listing)

71% on Rotten Tomatoes!

“Beauty and the Dogs plays like an actual, unending nightmare.”

“A crescendo of humiliation, anxiety and abuse, “Beauty and the Dogs” plays like a horror movie where every choice is a Catch-22 and every door a trap.” – Jeanette Catsoulis, New York Times

“Her experience becomes an incendiary account of bureaucracy built to overwhelm, a complex commentary on political capital and how justice for one can be justice for all.” – Jared Mobarak, Film Stage

“It’s not an easy watch. But, with its feminist spin on the continued battle for basic legal rights following the 2011 ousting of Tunisia’s Ben Ali regime, it feels like an important one.” – Wendy Ide, Screen International

“A harrowing and necessary film in only nine shots.” – Boys van Hoeij, Hollywood Reporter