For Sama, Directors Waad al-Kateab and Edward Watts

FOR SAMA is both an intimate and epic journey into the female experience of war. A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much. FOR SAMA took home the Best Documentary Award at this year’s 2019 Cannes Film Festival, FOR SAMA had its world premiere at SXSW Film Festival where it won the Grand Jury Prize and the Audience Award for Best Documentary.  Since then, it continues to gather more awards every time it screens.  The growing awards list includes the aforementioned SXSW; Cannes Film Festival; and Sheffield Doc/Fest; Telluride MountainFilm; Nantucket Film Festival; River Run; LA Asian Pacific Film Festival; Hot Docs; and Newport Beach Film Festival. Co-directors Waad al-Kateab and Edward Watts join us for a conversation on the courage to document the unimaginable horror of a brutal regime and what it means to believe in something so deeply that you are willing to risk everything for it. 

 

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For news, screenings and updates go to: ForSamaFilm.com

For Sama – Q&A with directors Waad al-Kateab and Edward Watts and  Dr. Hamza al-Kateab following the 4:30 pm show on Sunday, 7/28.

Social Media:

facebook.com/forsamafilm

twitter.com/forsamafilm

instagram.com/forsamafilm

100% on Rotten Tomatoes

WINNER – Best Documentary – 2019 Cannes Film Festival
WINNER – Documentary Grand Jury Prize – 2019 SXSW Film Festival
WINNER – Audience Award – 2019 SXSW Film Festival
WINNER – Jury Prize – 2019 HotDocs Film Festival
WINNER – Grand Jury Award – International Docu – 35th LA Asian Pacific Film Festival
WINNER – Indomitable Spirit Award – 2019 MountainFilm
WINNER – Special Jury Mention – 2019 Sheffield Doc/Fest
WINNER – Audience Award – 2019 Sheffield Doc/Fest
WINNER – Best Documentary Jury Prize – 2019 Newport Beach Film Festival
WINNER – Audience Award – 2019 Nantucket Film Festival
WINNER – Best Cinematography – 2019 RiverRun Film Festival

“Simple in concept and shattering in execution, blending hard-headed reportage with unguarded personal testimony, it’s you-are-there cinema of the most literal order.” – Guy Lodge, Variety

“For Sama is undoubtedly difficult to watch, but you cannot close your eyes when watching such an urgent film. An endlessly powerful and absolutely essential work, it’s a must-see when it is released this autumn.” – Musanna Ahmed, Film Inquiry

“If not turning away is how we must confront the violence, inhumanity and senselessness of war, this brutal, heart-wrenching film is essential viewing.” – Loren King, AWFJ Women on Film

“For Sama is an astonishing achievement. A moving memorial to all who died in the pursuit of freedom.” – Rob Aldam, Backseat Mafia

Marianne & Leonard: Words of Love, Director Nick Broomfield

Marianne & Leonard: Words of Love is renowned filmmaker Nick Broomfield’s most personal and romantic film of his career. The Marianne & Leonard: Words of Love starts on the Greek island of Hydra in 1960, where Leonard Cohen, then a struggling and unknown fiction writer, and Marianne Ihlen, a single mother with a young son, became part of community of expat artists, writers and musicians. Never-before-seen footage shot by Broomfield and legendary documentarian D.A. Pennebaker make for a unique portrait of an idyllic 1960’s bohemia.  The time on Hydra left a lasting imprint on both Marianne and Leonard, whose friendship would last another fifty years before their deaths in 2016. It was on Hydra in 1968 that director Broomfield, then aged 20, first himself met Marianne. She introduced him to Cohen’s music and encouraged Nick to make his first film.   As she was with so many artists, Marianne was an enormous influence on Broomfield, who went on to direct award-winning documentaries, many about iconic music legends including Whitney Houston, (Whitney Houston: Can I Be Me) Tupac Shakur and Biggie Smalls, (Tupac and Biggie) Kurt Cobain and Courtney Love (Kurt & Courtney). Director Nick Broomfield joins us to talk about his relationship with Marianne, the undeniable talent and charisma of Cohen, and the profound impact his time on Hydra had on his personal and professional life.

 

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For news and updates go to: marianneandleonardwordsoflove.com

Social Media for Marianne and Leonard:

facebook.com/marianneandleonardwordsoflove

Social Media for Nick Broomfield:

twitter.com/nickbroomfield1

“Love stories are like Tolstoy’s unhappy families: no two of them are alike. But even given that, the relationship chronicled in “Marianne & Leonard: Words of Love” has a quality very much its own.” – Kenneth Turan, Los Angeles Times

“An impossibly heartfelt portrait of this woman, and her impossible relationship with a brilliant man.” – Katie Walsh, Tribune News Service

“Broomfield’s personal engagement and his embrace of the complexities of life and love elevate this film, which travels across decades and continents to show the lasting power of one connection.” – Joe BlessingThe Playlist

“Unmissable.” – Rolling Stone

Phil, Director Greg Kinnear

Directed by Academy Award nominated actor Greg Kinnear (As Good as It Gets, Little Miss Sunshine, The Matador) with an outstanding cast that includes; Emily Mortimer (Mary Poppins Returns), Luke Wilson (Bottle Rocket, Meadowland), Bradley Whitford (Get Out, West Wing), Jay Duplass (Beatriz at Dinner, Landline), Robert Forster (Jackie Brown, The Descendants), and Kurt Fuller (Midnight in Paris, Auto Focus). PHIL is the story of a depressed dentist whose life is falling apart. Phil is shocked when one of his patients, Michael Fisk (Bradley Whitford),  a man who seemed to have the perfect life, kills himself. Determined to find out what would drive a man who had everything to end his life, Phil pretends to be a handyman and integrates himself in to the dead man’s life, befriending his wife (Emily Mortimer) and daughter. How long can Phil keep up this double life when he is determined to end his normal one? Director and lead actor Greg Kinnear joins us to talk about the challenges and rewards of a first-time director, finding the humanity in a story of personal tragedy and working with an incredibly talented group of artists.

 

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For news and updates go to: bronstudios.com/productions/phil

PHIL screens in Los Angeles July 5 – 11 at the Arena Cinelounge.

Social Media:

https://twitter.com/realgregkinnear

“Greg Kinnear combines acting with directing in a role that exudes nice-guy-ness that few other performers can duplicate as well.” – Shockya.com

Framing John DeLorean, Co-Directors Don Argott and Sheena M. Joyce

Money, power, politics, drugs, scandal, and fast cars. The incredible story of John DeLorean is the stuff of a Hollywood screenwriter’s dreams. But who was the real John DeLorean? To some, he was a renegade visionary who revolutionized the automobile industry. To others, he was the ultimate con man. For the first time, Framing John DeLorean recounts the extraordinary life and legend of the controversial automaker, tracing his meteoric rise through the ranks of General Motors, his obsessive quest to build a sports car that would conquer the world, and his shocking fall from grace on charges of cocaine trafficking. Interweaving a treasure trove of archival footage with dramatic vignettes starring Alec Baldwin, Framing John DeLorean is a gripping look at a man who gambled everything in his pursuit of the American Dream. Co-directors Don Argott (The Art of the Steal) and Sheena M. Joyce (The Atomic States of America) talk about the complex, brilliant and driven man behind the salacious headlines and explore with us just how far was he willing to go to realize his dreams.

 

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For news and updates go to: ifcfilms.com/films/framing-john-delorean

“A smart, hook-filled blend of documentary and fictionalized re-enactments…” – Glenn Kenny, New York Times

“Framing John DeLorean deftly tells the bigger-than-life tale of one man’s bold quest to build a timeless sports car.” – Ryan McCaffrey, IGN Movies

“Most compelling of all are the interviews with the two people who come closest to answering, or at least addressing, the question that overwhelms this entire project: DeLorean’s daughter Kathryn and son Zach.” – ElizabethWeltzman, The Wrap

“Framing John DeLorean is an entertaining, high wire filmmaking experiment that does well by the controversial visionary at its centre.” – Andrew Parker, The Gate

Lois Vossen, Independent Lens Executive Producer

Lois Vossen is the Executive Producer of Independent Lens and has been with the show since its inception as a primetime series on PBS. Lois is responsible for commissioning new films, programming the series and working with filmmakers on editorial and broadcast issues. Independent Lens films have received 17 Emmy Awards, 16 George Foster Peabody Awards, five Alfred I. DuPont-Columbia Journalism Awards and eight Academy Award nominations. The series was honored in 2013, 2014, 2015  and 2017 with the International Documentary Association (IDA) Award for Best Series. Before joining ITVS, Lois was the Associate Managing Director of Sundance Film Festival and Sundance Labs. Lois is a member of the Television Academy Board of Governors, representing the documentary branch. She has served on the jury at  Shanghai Festival, Toronto International Film Festival, SXSW, DOC New Zealand and Palm Springs International Film Festival, among others. Under her leadership, films funded or co-produced by Independent Lens include I Am Not Your Negro, Always in Season, Bedlam, One Child Nation, Black Memorabilia, The King, People’s Republic of Desire, Won’t You Be My Neighbor, TOWER, Newtown, Best of Enemies, The Black Panthers: Vanguard of the Revolution, (T)ERROR, The House I Live In, The Invisible War, and The Trials of Muhammad Ali, among many others. Widely regarded as one of the most influential supporters of independent and documentary filmmaking, Lois Vossen joins us for a conversation on the role that Independent Lens /POV and Public Broadcasting has had in maintaining the highest standards for innovative storytelling in non-fiction cinema.

 

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For news and updates go to: pbs.org/independentlens/films

Social Media:

facebook.com/independentlens

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instagram.com/independentlens

Lifeboat, Director Skye Fitzgerald

In a political environment increasingly hostile to immigrants and refugees, documenting the real-life plight of those fleeing war and oppression is more vital and important than ever. The short form documentary film LIFEBOAT bears witness to refugees desperate enough to risk their lives in rubber boats leaving Libya in the middle of the night, despite a high probability of drowning. With few resources but certain that civil society must intervene, volunteers from a German non-profit risk the waves of the Mediterranean to pluck refugees from sinking rafts.  In a real-life context with dire consequences, LIFEBOAT puts a human face on one of the world’s greatest contemporary, global crises and provides a spark of hope surrounding how civil society can intervene in the refugee crisis in a meaningful way. Director Skye Fitzgerald joins us for a conversation on the extremely dangerous and inhospitable world awaiting most of the desperate people fleeing for their lives across the vast expanse of the Mediterranean Sea.

For news and updates go to: lifeboatdocumentary.com

LIFEBOAT nominated as BEST SHORT of 2018 by International Documentary Association

LIFEBOAT wins BEST SHORT at world premiere at Mountainfilm in Telluride!

LIFEBOAT WINS Best Short Doc at Woodstock Intl. Film Festival

LIFEBOAT WINS Special Jury Award at BendFilm!

LIFEBOAT honored with JURY AWARD at Traverse City Film Festival

LIFEBOAT wins social justice ACT NOW award at Crested Butte Film Festival

LIFEBOAT WINS at Dublin International Shorts Film Festival

Monrovia, Indiana – Director Frederick Wiseman

Located in mid-America, MONROVIA, INDIANA, (population 1,063) founded in 1834, is primarily a farming community. MONROVIA, INDIANA is about the day-to-day experiences living and working in Monrovia, with emphasis on community organizations and institutions, religion and daily life in this farming community. These towns were once the backbone of American life. While their number and populations have shrunk, the importance of rural America as a formative center of American politics and values was demonstrated in the 2016 presidential election. The film explores the conflicting stereotypes and illustrates how values like community service, duty, spiritual life, generosity and authenticity are formed, experienced and lived. MONROVIA, INDIANA gives a complex and nuanced view of daily life in Monrovia and provides some understanding of a rural, mid-American way of life that has always been important in America but whose influence and force have not always been recognized or understood in the big cities on the east and west coasts of America and in other countries. Since  1967,  Frederick  Wiseman  has  directed  42 documentaries — dramatic, narrative films that seek to portray ordinary human  experience in a wide  variety  of  contemporary social  institutions. His films include TITICUT FOLLIES, HIGH  SCHOOL, WELFARE, JUVENILE COURT, BOXING GYM, LA  DANSE,  BALLET, CENTRAL PARK, BALLET, LA COMEDIE FRANCAISE, BELFAST, MAINE, and EX LIBRIS – The New York Public Library. At the 2016 Academy Awards ceremony Frederick Wiseman received an Honorary Award (Governors Awards) for a lifetime of brilliant filmmaking. He joins us to talk about his latest cinematic treasure, Monrovia Indiana.

 

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For news and updates on all of Frederick Wiseman’s work go to: zipporah.com

“He’s arguably the most brilliant, brave and innovative person working in his field.” – Terry Atkinson, Los Angeles Times

“Rigorously shot, impeccably edited and at times startling in their beauty, these films usher us into often otherwise anonymous spaces and lives, and help make the invisible visible.” – Manohla Dargis, The New York Times

Social Media: facebook.com/pages/Zipporah Films

90% on Rotten Tomatoes

“The result is surprisingly companionable and enjoyable, an unhurried look at a location that is in no kind of rush, a place that is concerned most of all with preserving the way it’s always been.” – Kenneth Turan, Los Angeles Times

“Legendary documentarian Frederick Wiseman turns his camera on a pro-gun, pro-God Midwestern town and gives us a landmark view of what it looks like to live in Trump’s America.” – Peter Travers, Rolling Stone

“A calmly analytical film in which-as ever in Wiseman’s work-extended discussions and public debates are developed with an absorbing dramatic power.” – Richard Brody, New Yorker

“The unavoidable political implications of “Monrovia, Indiana” give its observations an undeniable urgency.” – A.O. Scott, New York Times

Colette, Director Wash Westmoreland

After marrying a successful Parisian writer known commonly as “Willy” (Dominic West), Sidonie-Gabrielle Colette (Keira Knightley) is transplanted from her childhood home in rural France to the intellectual and artistic splendor of Paris. Soon after, Willy convinces Colette to ghostwrite for him. She pens a semi-autobiographical novel about a witty and brazen country girl named Claudine, sparking a bestseller and a cultural sensation. After its success, Colette and Willy become the talk of Paris and their adventures inspire additional Claudine novels. Colette’s fight over creative ownership and gender roles drives her to overcome societal constraints, revolutionizing literature, fashion and sexual expression. Director and screenwriter Wash Westmoreland stops by to talk about the story behind a remarkable trailblazing feminist, writer, performer and cultural icon whose influence has inspired artists for the last 100 years.

 

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For news and updates go to: bleeckerstreetmedia.com/colette

“Knightley is exceedingly well-equipped to carry this magnificent film on her own — an Oscar-nominated performance for sure.” – Jeanne Kaplan, Kaplan vs. Kaplan

“A witty, spirited portrait of the great French writer and libertine during the early Belle Époque years of her career.” – Justin Chang, Los Angeles Times

“This timely and gorgeously shot account of a beloved French writer foregrounds Colette’s remarkable freedom from conventional norms as she finds her artistic voice.” – Erica Abeel, Film Journal International

“At first presenting itself as a tightly corseted Big Eyes set during the Belle Époque, Colette erupts into a fun, frothy, and unmistakably feminist biopic.” – David Ehrlich, IndieWire

“The film has a towering performance from Keira Knightley, who plays Colette with such warmth and fiery feminism, that it would be hard not to make woman’s past run parallel with today’s world.” – Jordan Ruimy, The Playlist

Carrie Lozano, Director IDA Enterprise Documentary Fund

The International Documentary Association (IDA) is dedicated to building and serving the needs of a thriving documentary culture. Through its programs, the IDA provides resources, creates community, and defends rights and freedoms for documentary artists, activists, and journalists. IDA is the only group advocating specifically for the documentary filmmaking community. In many ways, this makes IDA’s advocacy work the most important and relevant work we do. Documentary storytelling expands our understanding of shared human experience, fostering an informed, compassionate, and connected world. The Enterprise Documentary Fund is one of the many logistical and financial programs offered by IDA.

About the Enterprise Documentary Fund: 

In the face of an all-out assault on the press, IDA is committed to standing behind the independent storytellers and watchdogs that make up our community—in large part, through the newly created Enterprise Documentary Fund. Made possible by a generous grant from the John D. and Catherine T. MacArthur Foundation, the fund will disburse $1 million per year for the next four years, in the form of production grants up to $100,000 and development grants up to $15,000. The fund is intended to support primarily mid-career filmmakers producing feature-length, in-depth explorations of original, contemporary stories with a journalistic foundation or that incorporate journalistic practice into the filmmaking process. The mission of the Enterprise Documentary Fund is admittedly ambitious: It seeks to provide valuable resources and support systems (not unlike those in newsrooms) for filmmakers taking on the critical stories of our time. Originally sparked by the findings in “Dangerous Documentaries,” the fund is a response to pleas from filmmakers themselves. In interviews recently conducted by Toni Bell, IDA’s Filmmaker Services Manager, filmmakers reiterated the major findings in “Dangerous Docs”: They want access to information about digital and physical security, research databases, legal and other experts, public relations strategists and mentors. Exercising our rights to free speech and freedom of the press are critical for a healthy democracy. As I write this, these rights are clearly under assault, and we owe it to ourselves and to the public to staunchly call ourselves journalists and artists—they are not mutually exclusive.”Carrie Lozano, Director of the Enterprise Documentary Fund

 

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For news and updates go to: documentary.org

For updates on funding resources go to: documentary.org/funding

America to Me, Executive Producer Steve James

Chicago’s Oak Park and River Forest High School’s (OPRF) student population encompasses a racial, economic and cultural mix that reflects the nation as a whole. Located in a mostly affluent, progressive suburb, the school attracts families of all races and means, many of whom make great sacrifices to secure their children a place there. But even in this diverse and liberal community, ensuring an educational experience that equally benefits all students poses challenges for the school’s dedicated and well-meaning teachers, administrators and parents. In the multipart unscripted documentary series AMERICA TO ME, Academy Award-nominated filmmaker Steve James (Hoop Dreams, The Interupters, Life Itself, Abacus: Small Enough to Jail) and his team follow a diverse selection of the school’s 3,400 students, including artists, athletes, scholars, underachievers and iconoclasts, to present an indelible account of their dreams, fears, triumphs and aspirations. Posing complex and controversial questions, the film wrestles with crucial issues, including the effects of race and privilege on education as seen through the eyes of young Americans on the precipice of adulthood. Candid and relatable portraits of 12 students who are just beginning to come into their own provide moving insights into the teenage search for personal identity in today’s world. Director Steve James joins us with his impressions on the state of secondary education, how best to facilitate better outcomes for students and the role racial stereotyping plays in achieving success.

 

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For news and update go to: kartemquin.com/films/america-to-me

100% on Rotten Tomatoes

“The 10-part documentary series from Steve James (Hoop Dreams) is profound and thoughtful, taking a detailed look at inequality in America through the lens of a storied high school in Chicago.” – Sophie Gilbert, The Atlantic

“[America to Me] is an invaluable look at where inequity begins, as well as the difficulty of getting to the place where it ends.” – James Poniewozik

“Even in a series this expansive, you keep wishing you could spend more time with more people, but its scope allows James and his team to show both victories and defeats fade into the past, how fragile and yet how resilient its protagonists can be.” – Sam Adams, Slate

“[James] captures the specific moments that are hard to explain without being there – like a young black girl who feels uncomfortable with a white teacher’s constant attempts to relate to her – and the larger systemic issues that are harder to upend.” – Ben Travers, IndieWire

https://youtu.be/-uNhmWJ4l5k

Bleeding Edge, Director Kirby Dick and Producer Amy Ziering

America has the most technologically advanced health care system in the world, yet preventable medical harm has become one of the leading causes of death, and the overwhelming majority of high-risk implanted devices never require a single clinical trial. In THE BLEEDING EDGE, Academy Award nominated filmmakers Kirby Dick and Amy Ziering (THE INVISIBLE WAR, THE HUNTING GROUND) turn their sights on the $400 billion medical device industry, examining lax regulations, corporate cover-ups, and profit driven incentives that put patients at risk daily.  Weaving emotionally powerful stories of people whose lives have been irrevocably harmed, the film asks: what life-saving technologies may actually be killing us? Director Kirby Dick and Producer Amy Ziering join us for a conversation on the lack of integrity in the medical device industry, lax regulatory oversight by the Federal Food and Drug Administration and the potentially deadly combination that it can become.  

For news and updates go to: bleedingedgedoc.com/

See Bleeding Edge in a theatre

Get involved at: bleedingedgedoc.com/act

Find out more at: bleedingedgedoc.com/resources

Also available at: netflix.com/thebleedingedge

Social Media

twitter.com/bleedingedgedoc

facebook.com/bleedingedgedoc

instagram.com/BleedingEdgeDoc

100% on Rotten Tomatoes

“A terrifying eye-opener… Exposes the massive health problems caused by the $400 billion medical device industry. – The Hollywood Reporter

“You’ll wish [these interviews] were heard by every government official.” – The New York Times

“Enlightening… A shocking expose of the medical device industry… [with] unnerving immediacy.” – Indiewire

“Equally infuriating and enlightening… I yelled, ‘Oh, my God!’ multiple times while watching.” – Village Voice

Reversing Roe, Co-directors Ricki Stern and Annie Sundberg

Forty-five years after it revolutionized abortion law in America, the landmark 1973 US Supreme Court case Roe v. Wade is once again at a crossroads. In their timely new documentary REVERSING ROE, filmmakers Ricki Stern and Annie Sundberg (THE DEVIL CAME ON HORSEBACK, MARATHON: THE PATRIOT’S DAY BOMBING) present a deeply illuminating look of the state of abortion and women’s rights in America. The film offers candid and riveting interviews with key figures from both sides of the divide, among them doctors Colleen McNicholas and Curtis Boyd; feminist icon Gloria Steinem; Operation Rescue president Troy Newman; and National Right to Life president Carol Tobias. Intense and unflinching in its commitment to telling the whole story, REVERSING ROE provides a gripping look at what’s happening on the ground in 2018. Drawing from a wealth of historical footage, it charts the period leading up to the Roe decision-and documents the opposition that has followed ever since. Regardless of where you stand on the issue of abortion, REVERSING ROE is essential viewing to understand how the country got here-and where it may be going. Co-directors Ricki Stern and Annie Sundberg join us for an informed conversation on the long history and politics swirling around one of the country’s most divisive issues.

 

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Netflix

Laemmle Music Hall Theater

9036 Wilshire Blvd, Beverly Hills

Times:12:00, 2:30, 5:00, 7:30, 10:00pm

80% on Rotten Tomatoes

“As contentiousness turned into real-world consequences, “Reversing Roe” reminds us that the more women get involved regarding their rights, the more likely we’re to see a fair, principled fight.” – Robert Abele, Los Times

“Nothing new here but a good primer for those who never thought that politics has anything to do with their lives.” – Harvey S. Karten, Big Apple Reviews

“Solid and valuable but familiar.” – Caryn James, Hollywood Reporter

“Provides a clear and accessible overview of more than 50 years of the social and legal history of the issue in the United States.” – Ben Kenigsberg, New York Times

The Rider, Actor Brady Jandreau

In the beautifully realized story of struggle and determination, young cowboy Brady Blackburn (Brady Jandreau), once a rising star of the rodeo circuit and an uniquely gifted horse trainer, is warned that his riding days are over after a horse badly crushed his skull at a rodeo and put him in a three-day coma. Back home on the Pine Ridge Indian Reservation, South Dakota, Brady struggles with the physical and emotional complications of the accident. He is comforted by his inimitable little sister Lilly (Lilly Jandreau), who has Asperger’s Syndrome, while tensions between him and his gambling father, Wayne (Tim Jandreau), approach a breaking point when Wayne resorts to selling Brady’s favorite horse to keep their trailer home. Brady finds himself wondering what he has to live for when he can no longer do what gives him a sense of purpose: to ride and compete. In an attempt to regain control of his fate, Brady undertakes a search for new identity and tries to redefine his idea of what it means to be a man in the heartland of America. Lead actor Brady Jandreau talks about his journey from the rodeo to his portrayal of a fictionalized version of his own brush with death, depression, and recovery, and the thrill of working with family and friends in this celebrated film debut by award-winning (Cannes Film Festival Directors’ Fortnight, Best Picture) director/writer /producer Chloe Zhao (Songs My Brother Taught Me).

 

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For news and update go to: sonyclassics.com/therider

Social Media

facebook.com/theridermoviepage

twitter.com/sonyclassics

instagram.com/sonyclassics

96% on Rotten Tomatoes

“The Rider marries the majestic vistas of the greatest American westerns with a deeply interior story of a cowboy having to renegotiate his identity.” – Ben Croll, The Wrap

“It’s just plain excellent.” – Michael Phillips, Chicago Tribune

“A remarkable, deeply moving melding of fact and fiction.” – Jeffrey M. Anderson, San Francisco Examiner

“Filmmaker Chloé Zhao turns the story of real-life bronc rider Brady Jandreau into a gritty, graceful character study. Once The Rider hooks you – and believe me, it will – there’s no way you will ever forget it.” – Peter Travers, Rolling Stone

“One of the year’s most arresting and unforgettable films.” – Nick Schager, The Daily Beast

Actor Piper Laurie (Snapshots)

In her latest project,SNAPSHOTS, legendary actor Piper Laurie plays family matriarch Rose.. The story will resonate with every person who has lived through the complexity of family relationships, It reminds us that if we are loved no secret is too difficult to hear and accept. Or is it? Rose (Gran) is the matriarch. She has lived in this house for over fifty years. She and her deceased husband Joe raised their daughter Patty in this home. Patty, now a widow in her early 50’s, lives in St. Louis. Each year Patty and her newly married daughter Allison spend a laughter filled girl’s weekend with Gran. This year will be different. Piper Laurie joins us for a conversation on the making of her latest project (Snapshots) in a legendary film career that includes three Academy Award nominated performances (The Hustler, Carrie, Children of a Lesser God) and an Emmy nomination for David Lynch’s groundbreaking television serial (Twin Peaks).

 

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For news and updates go to: snapshotsthefilm.com

Social Media:

Facebook:facebook.com/threewomeninabox

Twitter:@SNAPSHOTSmovie

Instagram: @Snapshotsthefilm

“Performances all around are strong, with Piper Laurie’s Rose taking the lead and directing us through the story’s narrative. We are invited to soak in the retro atmosphere as the story unfolds at a leisurely pace.” – Paul Parcellin, Film Threat

Generation Wealth, Director Lauren Greenfield

For the past 25 years acclaimed photographer and filmmaker Lauren Greenfield has travelled the world, documenting with ethnographic precision and an artist’s sensitivity a vast range of cultural movements and moments. Yet, after so much seeking and searching, she realized that much of her work pointed at one uniting phenomenon: wealth culture. With her new film, Generation Wealth, she puts the pieces of her life’s work together for in an incendiary investigation into the pathologies that have created the richest society the world has ever seen. Spanning consumerism, beauty, gender, body commodification, aging and more, Greenfield has created a comprehensive cautionary tale about a culture heading straight for the cliff’s edge. Generation Wealth, simultaneously a deeply personal journey, rigorous historical essay, and raucously entertaining expose, bears witness to the global boom-bust economy, the corrupted American Dream and the human costs of capitalism, narcissism and greed. Emmy-award-winning photographer / filmmaker, Lauren Greenfield’s expansive artistry includes her monographs (Girl Culture, Fast Forward, THIN, Generation Wealth), and documentaries (THIN, kids+money, The Queen of Versailles). The Queen of Versailles won her the 2012 Best Documentary Director Award at Sundance Film Festival. Director Lauren Greenfield joins us to talk about her sweeping film and the damning indictment of a profligate world of depraved indifference, hell-bent on stockpiling pointless possessions.

 

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For news and updates go to: generation-wealth.com

“[An] alarming film…” – Anthony Lane, New Yorker

“Through her dedication to other people’s lives, and with such open-book storytelling of her own, Greenfield is able to make a stunningly deeply resonant documentary about notions as seemingly obvious as the value of love over wealth itself.” – Nick Allen, RogerEbert.com

“Greenfield makes a compelling argument for a society on the brink of precipitous decline, choosing to interpret the runaway vanity and rampant materialism observed in her own work as harbingers of our imminent destruction.” – Peter DeBruge, Variety

“This personal approach gives the film a sharp intimacy, and from here Greenfield pulls out to reveal how similar patterns are reshaping lives and families the world over.” – Nikki Baughan, Screen International

Half the Picture, Director Amy Adrion

HALF THE PICTURE celebrates the groundbreaking work of female film directors and investigates the systemic discrimination that has, for decades, denied opportunities to far too many talented women in Hollywood. The film consists of interviews with high profile women directors including Ava DuVernay, Jill Soloway, Lena Dunham, Catherine Hardwicke and Miranda July, among many others, who discuss their early careers, how they transitioned to studio films or television, how they balance having a demanding directing career with family, as well as challenges and joys along the way. HALF THE PICTURE also includes interviews with experts about gender inequality in Hollywood including the ACLU’s Melissa Goodman, Sundance Institute’s Caroline Libresco, Vanity Fair’s Rebecca Keegan, USC’s Dr. Stacy Smith and San Diego State University’s Dr. Martha Lauzen, who establish the magnitude of this employment discrimination issue as women are shut out, across the board, of an industry that systemically denies their expression and point of view. HALF THE PICTURE Director / Producer Amy Adrion joins us to talk about a unique time in the film industry where systemic change seems possible and whether, unlike previous efforts to address gender inequality in Hollywood, will this time be different?

 

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For news and updates go to: halfthepicture.com

Social Media:

facebook.com/halfthepicture

instagram.com/halfthepicture

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100% on Rotten Tomatoes

“Half the Picture is a vital, comprehensive documentary on a subject that’s so fundamental to the industry it’s about, you have to wonder why dozens of movies on this scale or bigger haven’t already been made.” – Leslie Felperin

“Half The Picture is an inspiring, important documentary that should be seen by as many people as possible, particularly those who aren’t aware of the problems women face in Hollywood.” – Manon de Reeper, Film Inquiry

“Half the Picture, Amy Adrion’s no-frills documentary, offers a diligent, straightforward overview of the innumerable obstacles facing today’s female directors, both aspiring and accomplished.” – Natalia Winkelman, Film Threat

“A platform for those who want to hear about the reality of being a woman in Hollywood from dozens of women who have lived it, it’s an invaluable resource.” – Rebecca Pahle, Film Journal International

“It’s experiential revelation as advocacy filmmaking, an incisive and inviting example of the personal as political.” – Serena Donadoni, Village Voice

The Interpreters, Co-directors Andres Caballero and Sofian Khan

More than 50,000 local interpreters helped protect U.S. troops on the ground during the wars in Iraq and Afghanistan, enabling soldiers to communicate with the local population. But those who took the job were often considered traitors in their own countries. From the acclaimed filmmakers of “Gaucho del Norte,” Andrés Caballero and Sofian Khan, comes the new feature documentary The Interpreters, making its World Premiere at Telluride Mountainfilm Festival on Memorial Day Weekend on Saturday, May 26 and Monday, May 28. The film tells the story of three interpreters woven together over the course of two years, following them as they struggle for safety in the aftermath of war and attempt to rebuild their lives. The idea for The Interpreters came after meeting Phillip Morris,said directors Andrés Caballero and Sofian Khan.We were immediately curious about his journey from the moment he started working with U.S. forces until his arrival to the U.S. with the help of Paul Braun. But simply telling Phillip’s journey would not be enough to tell the full story. We also wanted to know about the stories of the interpreters who were still in hiding, waiting for their Special Immigrant Visas, and those who had given up on the visas and left for Europe as refugees. Our goal with the film is to inform viewers about an important issue, which became even more relevant after the last U.S. election, without overshadowing the personal journeys of the characters.” Co-directors Andres Caballero and Sofian Khan stop by to talk about the challenges and imminent danger that thousands of men and women have faced by assisting US soldiers attempting to connect with local communities.

 

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The Interpreters will have its world premiere at Telluride Mountainfilm Festival on Memorial Day Weekend, Saturday, May 26 and Monday, May 28.