The Price of Freedom – Director Judd Ehrlich

The Price of Freedom is an unflinching look at the gun violence epidemic in America and the role the National Rifle Association, with its outsized political and cultural influence, has played over time. The NRA believes the deaths of innocent Americans are a necessary price to pay for the freedom to own firearms without restrictions. By manipulating the narrative around guns and backing politicians who commit to upholding their agenda, the NRA has cost us far more than we realize. Featuring passionate pleas from President William J. Clinton, Representative Lucy McBath (D-GA) and Senator Chris Murphy (D-CT); NRA Board Member and former NRA President David Keene, and activists on all sides of the issue, The Price of Freedom presents a compelling case for those brave enough to take a stand against the NRA in defense of our communities and collective future. Director Judd Ehrlich joins us for a conversation on how the NRA has abandoned its founding principles of promoting safe and responsible gun ownership through locally-based training programs into a shameless shill for gun manufacturers and more recently into a pernicious, corrosive and ruthlessly divisive political force in American culture and governance.

 

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For news and updates go to: thepriceoffreedommovie.com

In theatres now: thepriceoffreedommovie.com/ Find a theatre

About the filmmaker – Judd Ehrlich – Grand Clio and Emmy Award-winning director and producer is the son of an architect and schoolteacher. He grew up in lower Manhattan and, at fourteen, was the youngest feature reporter at a New York newspaper. Ehrlich’s recent documentaries KEEPERS OF THE GAME and WE COULD BE KING, produced with Tribeca Studios and The Dick’s Sporting Goods Foundation, forged a new model for documentary production and premiered at the Tribeca Film Festival and on ABC television. KEEPERS was a New York Times Critics’ Pick and nominated for a Critics’ Choice Award and KING won an Emmy and Grand Clio Award. Both films are part of the US State Department’s American Film Showcase. Ehrlich was nominated for Emmy Awards for the Tribeca Premiere RUN FOR YOUR LIFE and the PBS broadcast MAYOR OF THE WEST SIDE. His award-winning MAGIC CAMP was optioned for narrative remake and NOTES FROM LIBERIA won several awards. Ehrlich directed two television series for ESPN and a series for The CW Network. He collaborated on the editing of Sundance-winner FAMILY NAME and Ric Burns’ Emmy-winning series, NEW YORK. Ehrlich was an editor and producer at CBS News and directed film programs at BAM, Brooklyn College, JCC Manhattan and the Brooklyn Museum, hosting notables like Darren Aronofsky, Steve Buscemi and Willem Dafoe. Ehrlich is represented by Saville Productions, joining a roster that includes Wim Wenders, Barry Levinson, Oliver Stone and Werner Herzog, and directs content for Bose, Tough Mudder, MLS, Van Cleef & Arpels, Barilla, Atlantic Philanthropies, US Cellular, and the Serena Williams Fund, to name a handful. Before film, Ehrlich was a caseworker in NYC for Project Renewal, Homes for the Homeless and YAI. He lives with his wife and two children in Flatbush, Brooklyn, where his family lived for five generations. Ehrlich is a Vassar College graduate and teaches filmmaking. For more go to: flatbushpictures.com

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100% on Rotten Tomatoes

“An absorbing, disturbing, and scrupulously well-researched documentary that lays out the nuts and bolts of the National Rifle Association’s history.” – Owen Gleiberman, Variety

“What makes The Price of Freedom a film that should be on your must-see list is the way Ehrlich presents all of this.” – Sabina Dana Plasse, Film Threat

“An unflinching and powerful look at what the NRA means to American politics and how it has used manipulation and scare tactics.” – Nathaniel Muir, AIPT

“Clear-eyed, compassionate and compelling, the documentary “The Price of Freedom” efficiently unpacks and debunks the myths it posits the National Rifle Assn. of America has deployed to further its all-guns-all-the-time agenda and foster a culture war.” – Gary Goldstein, Los Angeles Times

Landfall – Director Cecilia Aldarondo

Through shard-like glimpses of everyday life in post-Hurricane María Puerto Rico, LANDFALL is a cautionary tale for our times. Set against the backdrop of protests that toppled the The United States colony’s governor in 2019, the film offers a prismatic portrait of collective trauma and resistance. While the devastation of María attracted a great deal of media coverage, the world has paid far less attention to the storm that preceded it: a 72-billion-dollar debt crisis crippling Puerto Rico well before the winds and waters hit. LANDFALL examines the kinship of these two storms-one environmental, the other economic-juxtaposing competing utopian visions of recovery. LANDFALL explores the intertwining legacies of colonialism, exploitative industries and disaster capitalism and the barriers to recovery they create. As opportunists looking to make a profit descend upon the island, the Puerto Rican diaspora comes together to create unprecedented forms of community-led mutual aid when assistance from the federal government and traditional NGOs fails to appear.  LANDFALL features intimate encounters with Puerto Ricans as well as the newcomers flooding the island, LANDFALL reflects on a question of contemporary global relevance: when the world falls apart, who do we become? Director Cecilia Aldarondo joins us for frank conversation on US colonialism, Puerto Rico as a laboratory for social experimentation and the crypto-libertarian grifters peddling economic fairy-tales about freedom and financial independence.

 

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For news and updates go to: landfallfilm.com

Landfall is a co-production of POV and ITVS, in association with Latino Public Broadcasting. Mark your calendars, LANDFALL to broadcast on PBS’ POV July 12An official selection of the Tribeca Film Festival and winner of the Viewfinders Grand Jury at 2020 DOC NYC, Landfall is Aldarondo’s second documentary film to broadcast on POV after her Season 30 title, Memories of a Penitent Heart. Offering a prismatic portrait of collective trauma and resistance and set against the backdrop of the 2019 protests in the wake of Hurricane María in Puerto Rico that toppled the governor, the film assembles scenes from all over the island, spotlighting the different ways each community addresses its own recovery. 

Director’s Statement – As a Puerto Rican from the diaspora, I watched Hurricane María unfold from afar while cut off from loved ones, including my grandmother who would die six months after the storm. Reeling from the debt crisis, which unleashed a wave of austerity, poverty and migration that María only intensified, the Puerto Rico depicted in Landfall is a laboratory for greed, privatization, gentrification, the dismantling of social services, and the devastating effects of climate change. We may have a new President and Puerto Rico a new governor, but little has changed since María hit, as evidenced by the recent privatization of Puerto Rico’s electric grid. The Puerto Rican people are still fighting to end the profit-driven policies that have proved disastrous ever since President Obama signed them into existence. In Landfall I wanted to balance a cautionary tale for our times, while also prioritizing a dignified image of Puerto Ricans who have banded together to fight for their sovereignty. – Cecilia Aldarondo 

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92% on Rotten Tomatoes

“An impressive, impressionistic and intimate overview of the unhappy “Island of Enchantment” as it stands today, years after Hurricane Maria hit.” – Roger Moore, Movie Nation

“Cecilia Aldarondo’s intelligent, insightful documentary captures how a natural disaster served to expose the man-made troubles that have blighted the island down the centuries.” – Allan Hunter, Screen International

“Impressionistic rather than explanatory, Landfall seldom spells out the complex set of issues still afflicting an island long beset by “the colonial disease.” But it still makes a powerful statement…” – Dennis Harvey, 48 Hills

“A studied and sober look at Puerto Rico’s dire state.” – Jordan Mintzer, Hollywood Reporter

“Aldarondo’s impressionistic, kaleidoscopic take offers a more accurate picture of the chaos than any standard narrated documentary ever could.” – Janet Smith, Georgia Straight

The Phantom – Director Patrick Forbes

On a cold February night in 1983, Wanda Lopez was stabbed to death while she worked at a Corpus Christi Texas gas station. 21 year old Carlos DeLuna was arrested, and over the next six years, through his trial and subsequent imprisonment he protested his innocence, declaring that it was another Carlos who committed the crime. The prosecution insisted that this other Carlos was a “phantom’ and didn’t exist. THE PHANTOM tells the story of one of the darkest episodes in the long history of American justice. A story of how the State of Texas knowingly sent an innocent man to his death and left a serial killer at large. A case in which — for the first time — it can be conclusively proven that the US courts executed a blameless man. This film uncovers the shocking truth behind a tale of murder, corruption and lies that unfolded in  the dusty, desperate streets of a Texas oil town nearly thirty years ago.   Through illuminating interviews with witnesses, Carlos DeLuna’s family members, and legal experts the film asks, for the first time since 1983, if the judicial system executed an innocent man, examining key evidence that calls into question whether or not Carlos DeLuna was right about the other Carlos. Was he a phantom after all, or was he a brutal killer, and did a poor Hispanic young man have any chance within a justice system and a society that by its actions seemed to regard him as disposable? Director Patrick Forbes (The Widowmaker, Brexit: A Very British Coup) joins us for a conversation on a criminal justice system that spends more time obfuscating and dodging questions about their investigation and prosecution of an innocent man than reforming a system that makes a fatal mistake possible and coming clean about why Carlos DeLuna was really put to death.

 

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For news and updates go to: the-phantom

RELEASING IN THEATERS – FRIDAY, July 2

About the filmmaker- Director, Producer, Writer Patrick Forbes career began as a very junior researcher on a BBC series, when he was arrested after discovering Britain had a (secret) spy satellite. At that moment it was clear that documentaries offered a lot more excitement and interest than his previous career a bank economist. He’s gone on to become one of Britain’s best documentary directors – winning the best director Bafta for his Channel 4 series ‘The Force’, best series Bafta for ‘The National Trust’ (BBC), and having his documentary feature about Julian Assange, ‘Wikileaks; Secrets & Lies’, premier at SXSW, before being seen around the world. Patrick believes that documentary is an art form that is as vital, exciting and uplifting as the best drama – a view confirmed by his recent films tracking Britain’s tumultuous exit from the European Union, where everyone involved talks with extraordinary candour about this defining moment of history.

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100% on Rotten Tomatoes

“A fascinating and ultimately infuriating look at a fatal miscarriage of justice in Texas.” – Joe Leydon, Variety

“A cinematic true-crime gem.” – Kurt Halfyard, ScreenAnarchy

“Adapting research that is, by now, hardly breaking news, Forbes has some solid strategies for making the material cinematic.” – Ben Kenigsberg, New York Times

“The incident and its aftermath has an entire thriller’s worth of twists and turns, and the film makes persuasive arguments regarding racial bias and the death penalty.” – Todd Jorgenson, Cinemalogue

“The first part of The Phantom could almost be a summation to the jury by the prosecution.” – Nell Minow, RogerEbert.com

The Neutral Ground – Director C.J. Hunt

In December 2015, the New Orleans City Council voted to remove four Confederate monuments from public grounds. A forceful group of critics protested the decision, and fearing retaliation, no work crew would agree to remove the statues. For comedian and Daily Show with Trevor Noah producer and writer CJ Hunt, these protestors’ fanatical loyalty to the losing side of a 160 year-old war seemed like ideal material for a short, satirical internet video. But as he filmed the conflict surrounding the monuments, a bigger story began to reveal itself. THE NEUTRAL GROUND confronts the Lost Cause—the Southern campaign that mythified the Confederacy—with refreshing clarity.With New Orleans as the main backdrop of the story, the film expands its scope to the country at large, bringing to light the fabricated histories born out of the Civil War and the hard truths much of America has yet to face about slavery. Throughout, Hunt’s radical openness leads to staggering, often personal conversations with advocates and opponents of Confederate monuments alike. Turning a sharp eye to the tangled thread between past and present, THE NEUTRAL GROUND targets necessary change centuries in the making that might—finally—be catching up to itself. Director / screenwriter and subject joins us for a candid conversation on America’s implacable racism, latent white violence towards historic truths about slavery, the urgent need to respond to blatant hatred, and The Neutral Ground’s premiere at the 2021 Tribeca Film Festival.

 

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For news and updates go to: neutralgroundfilm.com

Playing at the Laemmle theatre in Glendale, CA – July 2 – 8

Premiering Monday July 5 on PBS’ award-winning POV

Premiering on Monday July 5 on PBS’ award-winning documentary program POV, The Neutral Ground documents New Orleans’ fight over monuments and America’s troubled romance with the Lost Cause. CJ sets out to understand why a losing army from 1865 still holds so much power in America

About the filmmaker – A comedian and filmmaker living in NYC, CJ is currently a field producer on The Daily Show with Trevor Noah. He has also served as a staff writer for A&E’s Black and White, and afield producer for BET’s The Rundown with Robin Thede. Before working in late night, CJ spent nine years living in New Orleans where – in 2015 – he began filming what he thought would be a quick and easy confederate monument removal. CJ is an alumnus of Firelight Media’s Doc Lab and New Orleans Film Festival’s Emerging Voices program. He is also a 2020 New America Fellow and a regular host of The Moth. A graduate from Brown University’s Africana Studies department, CJ is endlessly fascinated by race and comedy’s ability to say what we can’t.

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let me come in – Director Bill Morrison

Produced and directed by filmmaker Bill Morrison, “let me come in” features a new song by Pulitzer Prize-winning composer David Lang performed by soprano Angel Blue, one of opera’s brightest stars. The short film incorporates rediscovered (and heavily damaged) footage from the lost 1928 silent film Pawns of Passion to astonishing effect. Filmmaker Bill Morrison, director of the highly acclaimed films Decasia and Dawson City: Frozen Time, has long been fascinated with ancient, decayed nitrate film stock from long-forgotten films—what he describes as “goopy, sticky films deemed not worth saving.” For “let me come in,” he has resurrected footage from what may be the last surviving reels of the 1928 German silent romance Pawns of Passion,  discovered in a Pennsylvania barn in 2012. After decades of expanding in hot summers and contracting in freezing winters, the deteriorated nitrate film stock now reveals, in Morrison’s words, “imagery that seems to be pulled from a state of semi-consciousness, asleep but dreaming.” Morrison describes Lang’s song as “a rumination on love and the borderline separating two souls, seemingly from the precipice of consciousness. When I heard Angel Blue’s incredible interpretation, my mind immediately recalled the ambiguous tension in this scene from Pawns of Passion.Left to rot in a barn, and then scanned and archived again for another eight years on my own personal hard drive, it has found a new life through David’s words and music, and Angel Blue’s voice. It was very exciting to see how quickly it came together and how perfectly the image, words and sound meshed.” Director Bill Morrison joins us for conversation on his inspired interpretation of hauntingly beautiful film fragments. 

 

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“let me come in” will receive its broadcast premiere as part of the TCM Classic Film Festival on May 7.

About the filmmaker – Bill Morrison  makes films that reframe long-forgotten moving images. His films have premiered at the New York, Rotterdam, Sundance, and Venice film festivals. In 2014 Morrison had a mid-career retrospective at MoMA. His found footage opus Decasia  (2002) was the first film of the 21st century to be selected to the Library of Congress’ National Film Registry. The Great Flood (2013),was recognized with the Smithsonian Ingenuity Award of 2014 for historical scholarship. Dawson City: Frozen Time  (2016) was included on over 100 critics’ lists of the best films of the year, and on numerous lists ranking the best films of the decade, including those of the Associated Press, Los Angeles Times and Vanity Fair. His work has previously been seen at LA Opera in productions of David Lang’s “anatomy theater” (2016) and David T. Little’s Soldier Songs (2019). Co-presented by Los Angeles Opera with composer David Lang and soprano Angel Blue. Special thanks to the Library of Congress National Audio-Visual Conservation Center. For more go to: billmorrisonfilm.com/bio-filmography

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“Morrison’s world is one of the most breathtaking and haltingly disturbing cinematic realms of our time”.  – Glenn Kenny, RogerEbert.com


Paris Calligrammes, Director Ulrike Ottinger

PARIS CALLIGRAMMES is an epic self-portrait of Ulrike Ottinger, one of Germany’s most prominent contemporary avant-garde artists, known for her paintings, photographs, and, above all, her films. An impressive and extensive archive of sensorial memories, historical photographs, and documentary footage traces the early influences of Ottinger’s life in Paris in the 1960s. This was a time marked by her integration into the rich intellectual and cultural circles of the city, but also engagement in the political and social eruptions around the Algerian War and May 1968. These varied dimensions of her experience make PARIS CALLIGRAMMES an essential historical time capsule, beautifully interwoven with the most precious of memories and images. In a rich torrent of archival audio and visuals, paired with extracts from her own artworks and films, Ottinger resurrects the old Saint-Germaindes-Prés and Latin Quarter, with their literary cafés and jazz clubs, and revisits encounters with Jewish exiles, life with her artistic community, the world views of Parisian ethnologists and philosophers, the political upheavals of the Algerian War and May 1968, and the legacy of the colonial era. Director Ulrike Ottinger (Seven Women, Seven Sins, Ticket of No Return, Johanna d’Arc of Mongolia) joins us for a conversation on her life as young painter in Paris in the 1960s, and her personal memories of Parisian bohemianism and the serious social, political and cultural upheavals of the time into a cinematic “figure poem” (calligram) in “Paris Calligrammes”.

For news and updates on the Ulrike Ottinger go to: ulrikeottinger.com

Watch: Paris Calligrammes at Icarus Films

Watch via Virtual Theatre go to: icarusfilms.com/ Paris Calligrammes

“In Paris Calligrammes, the artist Ulrike Ottinger casts a highly personal and subjective gaze back to the twentieth century. At the heart of her film is Paris: its protagonist is the city itself, its streets, neighborhoods, bookstores, cinemas, but also its artists, authors, and intellectuals. It is a place of magical appeal, an artistic biotope, but also a place where the demons of the twentieth century still confront us.” – Bernd Scherer

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100% on Rotten Tomatoes

“One of the great works of first-person cinema. Ottinger’s personal and political masterwork. Extraordinary; a work of vital and energetic modernism.” – Richard Brody, The New Yorker

“Enriching, stimulating; vital and contradictory. Captures the zeitgeist as experienced by a young woman eager to soak up the cultural riches around her, which she then distilled through her own sensibility to create paintings reflecting the era’s upheavals.” – Jay Weissberg, Variety

“Never a dull moment; the work of a consummate artist who understands the importance of the form matching the story.” – Kaleem Aftab, Cineuropa

“Her cinema is restless, Odyssean: full of stories of exile and adventure. [‘Paris Calligrammes’ is] an homage to the intellectual and artistic life of the city in the 1960s.” – Amy Sherlock, Frieze Magazine

Bill Traylor: Chasing Ghosts – Director Jeffrey Wolf / Producer Sam Pollard

Jeffrey Wolf’s illuminating documentary BILL TRAYLOR: CHASING GHOSTS explores the life of a unique American artist, a man with a remarkable and unlikely biography. Bill Traylor was born into slavery in 1853 on a cotton plantation in rural Alabama. After the Civil War, Traylor continued to farm the land as a sharecropper until the late 1920s. Aging and alone, he moved to Montgomery and worked odd jobs in the thriving segregated black neighborhood. A decade later, in his late 80s, Traylor became homeless and started to draw and paint, both memories from plantation days and scenes of a radically changing urban culture. Having witnessed profound social and political change during a life spanning slavery, Reconstruction, Jim Crow segregation, and the Great Migration, Traylor devised his own visual language to translate an oral culture into something original, powerful, and culturally rooted. He made well over a thousand drawings and paintings between 1939-1942. This colorful, strikingly modernist work eventually led him to be recognized as one of America’s greatest self-taught artists and the subject of a Smithsonian retrospective. Using historical and cultural context, BILL TRAYLOR: CHASING GHOSTS brings the spirit and mystery of Traylor’s incomparable art to life. Making dramatic and  surprising use of tap dance and evocative period music, the film balances archival photographs and footage, insightful perspectives from his descendents, and Traylor’s striking drawings and paintings to reveal one of America’s most prominent artists to a wide audience. Director Jeffrey Wolf (James Castle: Portrait of an Artist) and Producer Sam Pollard (Eyes on the Prize, MLK/FBI) join us for a conversation on the remarkable life and the unsettling times that infused the strikingly direct and unfettered work of a deeply intuitive artist.

 

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For news and updates go to: kinolorber.com/film/bill-traylor-chasing-ghosts

Watch Bill Traylor: Chasing Ghosts and other Kino Lorber films

For more news go to: billtraylorchasingghosts.com

Director’s Statement – My introduction to artist Bill Traylor came with the 1982 watershed exhibit “Black Folk Art in America” in DC. I had applied for a small grant to film the opening, and interview the featured living artists who attended. Traylor’s iconic art was used for the exhibit’s poster and still hangs in my office. Since encountering Bill Traylor’s art some 35 years ago, I have long contemplated his work, wanting to unravel and dig deeper into his world. Today, Bill Traylor is one of the most celebrated self-taught artists, with one of the most remarkable and unlikely biographies. Now, coming full circle, my documentary film Bill Traylor: Chasing Ghosts will premiere at the opening of a retrospective of his work at the Smithsonian American Art Museum, organized by Leslie Umberger, curator of Folk and Self-Taught Art. Bill Traylor: Chasing Ghosts strives to broaden our understanding of this period of transformation, a time when black people prospered as business professionals in Montgomery, in spite of living through the fear and volatility of Jim Crow South that impacted daily life. Traylor created his own visual language as a means to communicate and record the stories of his life. Traylor’s art is the sole body of work made by a black artist of his era to survive. He made well over a thousand drawings and paintings on discarded cardboard between 1939 and 1942. Bill Traylor did not begin to draw until he was an old man; and when he did, his burst of creativity demonstrated a unique mastery of artistic technique. Without setting out to do so, he became a chronicler of his times. – Jeffrey Wolf

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100% on Rotten Tomatoes!

“Critic’s Pick! A sincere, nourishing account of the artist. Wolf makes excellent use of photo and film archives, laying out the territory that fed Traylor’s vision.” – Glenn Kenny, The New York Times

“Brings the spirit and mystery of Traylor’s art to life and shines a spotlight on a creative gift that was long ignored and marginalized.” – Dave McNary, Variety

“Jeffrey Wolf’s exceptional documentary Bill Traylor: Chasing Ghosts seeks to tells its subject’s story in a deeply personal way, while also pulling back when needed to contextualize his work.” – G. Allen Johnson, San Francisco Chronicle

“Speaks volumes on the life and times of the artist. The pieces themselves… lend those ghosts of his past a persistent, ethereal relevance.” – Michael Rechtshaffen, Los Angeles Times

“A celebration of art and the best of humanity transcending poverty, racism and despair.” – Southern Poverty Law Center

“In Traylor, we can see the power of individual voice… the work is transcendent and essential.” – Jerry Saltz, New York Magazine

“An extraordinary artist… Traylor’s pictures stamp themselves on your eye and mind.” – Peter Schjeldahl, The New Yorker

 

GUNDA – Director Victor Kossakovsky

Where his prior film, the acclaimed epic AQUARELA, was a reminder of the fragility of human tenure on earth, in GUNDA, master filmmaker Viktor Kossakovsky reminds us that we share our planet with billions of other animals. Through encounters with a mother sow (the eponymous Gunda), two ingenious cows, and a scene-stealing, one-legged chicken, Kossakovsky movingly recalibrates our moral universe, reminding us of the inherent value of life and the mystery of all animal consciousness, including our own.  Experiential cinema in its purest form, GUNDA chronicles the unfiltered lives of a mother pig, a flock of chickens, and a herd of cows with masterful intimacy. Using stark, transcendent black and white cinematography and the farm’s ambient soundtrack, Master director Victor Kossakowsky invites the audience to slow down and experience life as his subjects do, taking in their world with a magical patience and an other worldly perspective. GUNDA asks us to meditate on the mystery of animal consciousness, and reckon with the role humanity plays in it.

 

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For news and updates go to: gunda.movie

For GUNDA theatrical release go to: neonrated.com/films/gunda

“GUNDA is a mesmerizing perspective on sentience within animal species, normally – and perhaps purposely – hidden from our view. Displays of pride and reverence, amusement and bliss at a pig’s inquisitive young; her panic, despair and utter defeat in the face of cruel trickery, are validations of just how similarly all species react and cope with events in our respective lives. Victor Kossakovsky has crafted a visceral meditation on existence that transcends the normal barriers that separate species. It is a film of profound importance and artistry.” – Executive producer Joaquin Phoenix

Director’s Statement – Growing up I was very much a city kid, but at the age of four I spent a few months in a village in the countryside, where I met my best friend Vasya. He was much younger than me – just a few weeks old when we met – but over time he became my dearest friend and the times we spent together are some of the most cherished memories from my childhood. One day, when we were still young, Vasya was killed and served as pork cutlets for a New Year’s Eve dinner. I was devastated and immediately became (probably) the first vegetarian kid in the Soviet Union. As a consequence, since I became a filmmaker I have always wanted to make a film about the creatures with whom we share the earth, a film about animals as living, feeling beings in their own right. I wanted to make a film without patronizing or humanizing them, without any sentimentality, and without vegan propaganda. However, as the film I had in mind is not about dolphins, elephants, pandas or other cute animals we love to love, it was impossible to finance. I tried for almost three decades until I finally met Norwegian producer Anita Rehoff Larsen from Sant & Usant who took the risk on making it. We were unbelievably lucky to meet Gunda in the Norwegian countryside on the very first day of our research trip. Gunda is on the screen for over half of the runtime of the final film and is an extraordinarily powerful character – you do not need an interpreter to understand her emotions and experiences. As such I decided to make this film without any captions, voice-over, or music, you just need to watch it and allow yourself to feel. For me, the essence of cinema is showing, not telling. I do not make films if I want to tell an audience something I have no interest in prescribing an opinion. I make films if there is something I want people to see and to allow them to find their own conclusion. Documentary cinema is a great tool to show the realities of the world, to show things that we do not see by ourselves, that we do not want to see, or that we have collectively agreed that we do not see, and so we allow ourselves not to think about. With GUNDA I want people to see these animals as sentient beings and to encourage them to think about the possibility of their consciousness and selfhood. With that I feel that GUNDA is the most personal and important film I have made as a filmmaker and as a human being. – Victor Kossakovsky

NOMINEE – Best Feature – IDA Documentary Awards 2021
FEATURES SHORTLIST – DOC NYC 2020
TOP 10 FILM OF THE YEAR – The New York Times

“GUNDA is pure cinema. This is a film to take a bath in – it’s stripped to its essential elements, without any interference. It’s what we should all aspire to as filmmakers and audiences – pictures and sound put together to tell a powerful and profound story without rush. It’s jaw dropping images and sound put together with the best ensemble cast and you have something more like a potion than a movie.” – Paul Thomas Anderson

98% on Rotten Tomatoes

“Sublimely beautiful and profoundly moving, it offers you the opportunity to look – at animals, yes, but also at qualities that are often subordinated in narratively driven movies, at textures, shapes and light.” – Manohla Dargis, New York Times

“Kossakosky’s achingly beautiful black-and-white documentary is ground-breaking and wondrous for its intimacy,” – Radheyan Simonpillai, NOW Toronto

“”Gunda” may be a meditational slow-burn, but as it unfurls its immersive audiovisual tapestry it hovers between non-fiction observation and lyrical insight, and to that end feels like an advancement of the nature documentary form.” – Eric Kohn, indieWire

“It is hard to fully articulate how, but Gunda is as much a damning meditation on the human condition as it is a glowing, thought-provoking portrayal of a mother’s love for her children, a sow’s love for her piglets.” – Matthew Anderson, CineVue

Little Fish – Director Chad Hartigan

LITTLE FISH, the fourth feature film from director Chad Hartigan, is a romance set in a near-future Seattle teetering on the brink of calamity. The film imagines a world where a pandemic has broken out, that strikes with no rhyme or reason, and causes its victims to lose their memories. This is the world that newlyweds Emma and Jude find themselves in, not long after meeting and falling in love. When Jude contracts the disease, the young couple will do anything to hold onto the memory of their love.  Starring Olivia Cooke (Sound of Metal, Thoroughbreds) as Emma, Jack O’Connell (’71, Starred Up) as Jude, Soko and Raul Castillo, LITTLE FISH, opens in the midst of a global epidemic: Neuroinflammatory Affliction, a severe and rapid Alzheimer’s-like condition in which people’s memories disappear. Couple Jude Williams and Emma Ryerson are grappling with the realities of NIA, interspersed with glimpses from the past as the two meet and their relationship blooms. But as NIA’s grip on society tightens, blurring the lines between the past and the present, it becomes more and more difficult to know what’s true and what’s false. Director Chad Hartigan (Morris From America, This is Martin Bonner) joins us for a conversation on the making of his  subversively sly sci-fi / love story and how the on-screen artistry of the two lead actors helped shape this prescient tale of love in an age of isolation and mistrust.

 

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For news and updates go to: littlefish.movie

About the filmmaker – Writer/director Chad Hartigan is best known for his award-winning feature films THIS IS MARTIN BONNER and MORRIS FROM AMERICA. Hartigan won the John Cassavetes Award at the 2014 Independent Spirit Awards, as well as the “Best of NEXT” Audience Award at the 2013 Sundance Film Festival, for THIS IS MARTIN BONNER. Hartigan won the Waldo Scott Screenwriter Award at the 2016 Sundance Film Festival for his film MORRIS FROM AMERICA. LITTLE FISH marks the third collaboration between childhood friends Hartigan, composer Keegan Dewitt (HEARTS BEAT LOUD) and cinematographer Sean McElwee (THE INCREDIBLE JESSICA JAMES). Based on Aja Gabel’s short story, the film is written by up and coming screenwriter Mattson Tomlin who co-wrote the latest Batman film, THE BATMAN, and wrote the Netflix hit PROJECT POWER.

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“In the midst of a flurry of pandemic-themed media coming out which tries to reflect the [present] situation, LITTLE FISH manages to distinguish itself from the crowd with its brilliant leads and emotional resonance.” – Oluwatayo Adewole, The Spool

“The result is better than smart, it’s stirring. With the NIA pandemic as a pretext, the essential subject becomes memory — its fragility, its wondrousness, its centrality to our existence as sentient beings.” – Joe Morgenstern, Wall Street Journal

“Hartigan’s moody evocation of Emma and Jack’s love – and the way in which it, like so much else, is predicated on knowledge of the past – casts a moving spell.” – Nick Schager, Variety

“Chad Hartigan’s Little Fish drips with equal doses of beauty and poignancy – an affecting dive into love and memory, and how it defines who we are.” – Natasha Alvar, Cultured Vultures

Dear Comrades! – Director Andrei Konchalovsky and Lead Actor Julia Vysotskaya

DEAR COMRADES! is based on a true story surrounding a strike by factory workers on June 1st and 2nd, 1962 in the city of Novocherkassk. The raising of food prices and the lowering of wages at the local factory led to a spontaneous uprising by thousands of area residents that eventually leading to violent reaction by local and federal officials. The events of those two days was kept secret until the nineties. DEAR COMRADES! focuses on the life and family of Lyudmila (Julia Vysotskaya) is a Party executive and devout communist who had fought in WWII for Stalin’s ideology. Certain that her work will create a communist society, the woman detests any anti-Soviet sentiment. During a strike at the local electromotive factory, Lyudmila witnesses a laborers’ piquet gunned down under orders from the government that seeks to cover up mass labor strikes in USSR. After the bloodbath, when survivors flee from the square, Lyudmila realizes her daughter has disappeared. A gaping rift opens in her worldview. Despite the blockade of the city, mass arrests, and the authorities’ attempts to cover up the massacre, Lyudmila searches for her daughter. We don’t know how the search will end, but realize that the woman’s life won’t ever be the same. Director Andrei Konchalovsky (Uncle Vanya, Siberiade, Runaway Train, The Inner Circle) and lead actor Julia Vysotskaya join us for a conversation on the importance of telling an unknown story, the role of art and storytelling and how Lyuda’s saga reflexes a broader perspective on Soviet-era repression.

 

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For news and updates go to: neonrated.com/films/dear-comrades

Russia’s official submission to the 2021 Academy Awards® for Best International Film

Director’s Statement – The process of making films about the 1960s is increasingly becoming the process of restoring the historical authenticity of the era, a fairly difficult task all in itself. Recently we’ve been seeing plenty of films where the 60s-70s-80s of the 20th century look fake and contrived, without any resemblance to the Soviet films made at the time, like “The Great Cranes Are Flying” or “Ballad of a Soldier”. So, my goal was to scrupulously and in great detail reproduce the era of the USSR’s 1960s. I think that the Soviet people of post-war time, the ones who fought in the WWII until victory, deserve to have a movie that pays tribute to their purity and the tragic dissonance that followed the realization of how different the communist ideals were from the reality around them. – Andrei Konchalovsky

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100% on Rotten Tomatoes

“KONCHALOVSKY’S MASTERPIECE. The artistry is calm, controlled, persuasively detailed… Catch it if you can. Beautiful and damning, DEAR COMRADES! is also an act of remembrance.” – Anthony Lane, The New Yorker

“A scintillating, surgical exposé of Khrushchev-era oppression… A 1962 massacre in the Soviet Union is reclaimed from its historical cover-up by Andrei Konchalovsky’s pristine, extraordinary drama… Perversely beautiful and coldly furious… meticulous and majestic, epic in scope and tattoo-needle intimate in effect.” – Jessica Kiang,  Variety

“Now in his 80s, Andrei Konchalovsky, the veteran Russian director… has made one of his most Russian, and most accomplished, latter-day films… Carried off with evocative precision and a cannily underplayed emotional tug. The drama keeps a well-calibrated balance between political horror, the matter-of-fact texture of everyday life, and the rhetoric that keeps the Soviet machinery oiled – and that Lyuda is struggling to see through. The film’s magnetic centre is a strong performance from Vysotskaya, working from a base line of initial testiness to rising anxiety and terror in face of the oppression that she realizes she has been enabling.” – Jonathan Romney, Screen Daily

“Although at first sight this dramatization of a 1962 strike at a factory in the U.S.S.R. may seem a long way from the interests of contemporary audiences, it is surprising how much resonance the film has with the political struggles of our own time. much credit due to Julia Vysotskaya and her uncommonly gripping perf in the main role.” – Deborah Young, – The Hollywood Reporter

Acasa, My Home – Director Radu Ciorniciuc

ACASA, MY HOME is set in the wilderness of the Bucharest Delta, an abandoned water reservoir just outside the bustling metropolis, Radu Ciorniciuc’a striking debut feature documentary follows the Enache family. The Enache’s have lived in perfect harmony with nature for two decades, sleeping in a hut on the lakeshore, catching fish barehanded, and following the rhythm of the seasons. When this area is transformed into a public national park, they are forced to leave behind their unconventional life and move to the city, where fishing rods are replaced by smartphones and idle afternoons are now spent in classrooms. As the family struggles to conform to modern civilization and maintain their connection to each other and themselves, they each begin to question their place in the world and what their future might be. With their roots in the wilderness, the nine children and their parents struggle to find a way to keep their family united in the concrete jungle. With an empathetic and cinematic eye, ACASA, MY HOME filmmaker Radu Ciorniciuc offers viewers, in his feature debut, a compelling tale of an impoverished family living on the fringes of society in Romania, fighting for acceptance and their own version of freedom. Director Radu Ciorniciuc stops by to talk about his profoundly personal exploration into the insulated and untamed lives of the Enache family as they navigate the grinding reality of an urban existence that threatens to tear them apart.

For news and updates go to: zeitgeistfilms.com/film/acasamyhome

About the filmmaker – In 2012, Radu Ciorniciuc co-founded the first independent media organization in Romania – Casa Jurnalistului, a community of reporters specialized in in-depth, long-form and multimedia reporting. Since then, he has been working as a long-form writer and undercover investigative reporter. His researches are focused on human rights, animal welfare and environmental issues across the globe. His investigative and reporting work was published on most of the major international media organizations in the world – Channel 4 News, The Guardian, Al Jazeera, etc. – and received national and international awards. His journalistic work was acknowledged by Royal Television Society UK (2014), Amnesty International UK (2014), Harold Wincott Awards for Business, Economic and Financial Journalism (2016), and by other international and national prestigious institutions. 

WINNER – Special Jury Prize for Cinematography Sundance Film Festival
WINNER – Phoenix Prize Best Documentary Cologne Film Festival
WINNER – Main Competition – Dok.Fest Munchen
WINNER – Olden Horn Award – Krakow Film Festival
WINNER –  Best Moral Approach – 2020 Makedox
WINNER – Human Rights Award – Sarajevo Film Festival 
WINNER – Special Jury Prize  – Thessaloniki Documentary Film Festival
WINNER – ZagrebDox  – FIPRECI Award | Big Stamp Award | Little Stamp Award

 

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100% on Rotten Tomatoes

“Lyrical and provocative. Timeless and of-the-moment, vividly specific and universally resonant. -Sheri Linden, The Hollywood Reporter

“Stunningly intimate. Beautifully crafted.” -Jordan M. Smith, Nonfics

“It’s both intimate and analytical, a sensitive portrait of real people undergoing enormous change and a meditation on what that change might mean.” – A.O. Scott, New York Times

“The secret of this beautiful, bittersweet film about a group of people like no other is that, in the end, it’s all so shockingly relatable.” – Bilge Ebiri, New York Magazine/Vulture

“A heart-rending documentary with investigative undertones.” -Andrew Stover, Film Threat

MLK/FBI – Director Sam Pollard

MLK/FBI is the first film to uncover the extent of the FBI’s surveillance and harassment of Dr. Martin Luther King, Jr. Based on newly discovered and declassified files, utilizing a trove of documents obtained through the Freedom of Information Act and unsealed by the National Archives, as well as revelatory restored footage, the documentary explores the government’s history of targeting Black activists, and the contested meaning behind some of our most cherished ideals. MLK/FBI is an essential expose of the surveillance and harassment of Dr. Martin Luther King, Jr. (labeled by the FBI as the “most dangerous” Black person in America), undertaken by J. Edgar Hoover and the U.S. government. Featuring interviews with key cultural figures including former FBI Director James Comey, MLK/FBI tells this astonishing and tragic story with searing relevance to our current moment. Directed by Emmy® Award-winner and Oscar®-nominee Sam Pollard, MLK/FBI recounts a tragic story with searing relevance to our current moment. Sam Pollard joins us for a conversation on how incredibly important Dr. King work and influence continues to illuminate every aspect of race relations, criminal justice, housing, wealth inequality, education access and political leadership.

 

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For news, screenings and updates go to: mlkfbi.com

Sam Pollard is an Emmy Award-winning and Oscar-nominated director and producer. His films for HBO, PBS, and the Discovery Channel include the documentaries Four Little Girls, When the Levees Broke: A Requiem in Four Acts, Slavery by Another Name, Sammy Davis, Jr.: I Gotta Be Me, ACORN and the Firestorm, Why We Hate, and Atlanta’s Missing and Murdered: The Lost Children.  Pollard also directed two episodes of the groundbreaking series Eyes on the Prize. Since 1994 Pollard has served on the faculty of New York University’s Tisch School of the Arts. He is a member of the Academy of Motion Picture Arts and Sciences and lives in New York City.

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WINNER – Visionaries Tribute Lifetime Achievement Award 2020
WINNER – Career Achievement Award – IDA Documentary Award 2021
WINNER – Best Archival Doc – Critics Choice Documentary Awards 2020
NOMINEE – Best Feature – IDA Documentary Awards 2021
NOMINEE – Best Director – IDA Documentary Awards 2021
OFFICIAL SELECTION – Double Exposure Investigative FF 2020
OFFICIAL SELECTION – Masters – DOC NYC 2020

100% on Rotten Tomatoes

“RIVETING. A timely reminder that King’s struggle for racial justice wasn’t straightforward, nor is it close to complete.” – THE ATLANTIC, David Sims

“A blunt fable of state power and a nuanced essay on the fallibility of heroes and the ethics of historical inquiry. Rigorously focused on the facts of the past, the movie is also as timely as an alarm clock.” – THE NEW YORK TIMES, A.O. Scott

“SEARING. Serves as a chilling reminder that white supremacy is not solely a partisan problem; it’s a cruelty baked into the fabric of our political system, poisoning it at every level. Change comes when we allow ourselves to challenge the stories we have been told about our history.” – THE HOLLYWOOD REPORTER, Jourdain Searles

“It’s an argument for the humanity of our revolutionaries, flaws and all, a humanity that has been either systematically denied, or weaponized against them.” – Katie Walsh, Tribune News Service

Phoenix Rising – Co-directors Ian Bonhôte and Peter Ettedgui

RISING PHOENIX tells the extraordinary story of the Paralympic Games. From the rubble of World War II to the third biggest sporting event on the planet, the Paralympics sparked a global movement which continues to change the way the world thinks about disability, diversity & human potential.The film features breathtaking footage and compelling interviews with several Medal-Winning Paralympians including Tatyana McFadden (Para Athletics, United States), Bebe Vio (Wheelchair Fencing), Jean-Baptiste Alaize (Para Long Jump), Ntando Mahlangu (Para Track & Field), Matt Stutzman (Para Archery, United States), Jonnie Peacock (Para Sprint Runner), Ryley Batt (Para Wheelchair Ruby), Ellie Cole (Para Swimming), and Cui Zhe (Powerlifting). It also features an interview with Prince Harry, The Duke of Sussex. RISING PHOENIX Co-directors Peter Ettedgui and Ian Bonhôte makers of the BAFTA nominated McQueen, join us to talk about remarkable athletes who have worked most of their lives to fulfill the dream of being an Olympic champion as well as the story of the ParaOlympic founder, Ludwig Guttman, a Jewish doctor who rescued people from Nazi camps and believed in the power of community to heal and empower.

 

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To watch go to: netflix.com/Rising Phoenix

To coincide with the UN’s International Day of Persons with Disabilities, the film team have launched an educational website for RISING PHOENIX that includes a down-loadable Education Guide, providing a framework and resources to enable teachers to delve deeper into the subject matter in the classroom.

About the filmmaker – Peter Ettedgui’s ‘Rising Phoenix’ marks Peter’s second feature documentary as writer and director with Ian Bonhôte, following their collaboration on ‘McQueen’ in 2018. Described as “supremely engrossing and elegant” by Variety, the film was nominated for two Baftas (British Film and Documentary). Previously, Peter had cut his teeth in the non-fiction arena as writer of ‘Everything Or Nothing’ (the story of James Bond) and ‘Listen to Me, Marlon’ (a film biography of Marlon Brando told through the actor’s audio archive), for which Peter was the recipient of a Peabody Award and the IDA (Independent Documentary Award) for best writing in a documentary. Peter began his career in narrative fiction. He worked as director’s assistant and co-writer to Ken Russell on a number of feature and television projects, before writing screenplays including the Bafta-nominated ‘Onegin’, an adaptation of Pushkin’s classic tale of unrequited love, which starred Ralph Fiennes and Liv Tyler. He went on to produce films such as ‘Kinky Boots’, starring Joel Edgerton and Chiwitel Ejiofor, which became a hit Broadway/West End musical, and ‘Unmade Beds’ for Film4.Beyond his work as writer and producer, Peter has worked extensively as a development consultant and story editor including on ‘Spectre’ the 2017 Bond movie.  For more go to: misfitsentertainment.com

About the filmmaker – IAN BONHÔTE is a two times BAFTA nominated director and producer for MCQUEEN, a feature documentary on Alexander McQueen the iconic fashion designer. RISING PHOENIX is Ian’s second documentary which he has co-written and co-directed alongside Peter Ettedgui. The film covers the story of the Paralympics from its humble beginning to becoming the third biggest sporting event in the world. Ian’s directorial debut, ALLEYCATS, was distributed internationally by Universal pictures in over 25 territories and by Filmmode in the US/Canada. Following this, Ian co-founded MISFITS ENTERTAINMENT alongside Andee Ryder, the producer of Alleycats. In 2018 Misfits Entertainment produced VIKING DESTINY, an action adventure film starring Terence Stamp. Prior to this, Ian co-founded PULSE FILMS in 2005 alongside Thomas Benski and Marisa Clifford. Pulse Films recently produced GANGS OF LONDON and AMERICAN HONEY (2016 Jury Prize Cannes Winner). The company is now a part of the VICE MEDIA GROUP. Ian has also directed international campaigns, music videos and fashion films for clients such as Puma, Nike, Pepsi, Mumford & Sons, Tom Jones, and fashion designers Matthew Williamson and Hussein Chalayan. For more go to: misfitsentertainment.com

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90% on Rotten Tomatoes

“‘Phoenix’ is a testament to resiliency, determination and passion, and is one of the best documentaries of 2020.” – Randy Myers, San Jose Mercury News

“There are athletes all across the spectrum of sport who would kill to have a documentary portray them as heroic, epic and badass as Ian Bonhôte and Peter Ettedgui paint the superstars in “Rising Phoenix. – Roger Moore, Movie Nation

This is profoundly inspiring… It is an extraordinary look at what makes us human.” – Wade Major, FilmWeek (KPCC – NPR Los Angeles)

“Gives sports fans a jolt of greatness, inspiration, history and drop-dead gorgeous photography” – Carole Horst, Variety

“Slick, rousing documentary” – Tim Grierson, Screen Daily

Nasrin – Director Jeff Kaufman and Producer Marcia S. Ross

Directed, produced, and written by Jeff Kaufman and produced by Marcia S. Ross (Terrence McNally: Every Act of Life) NASRIN is an immersive portrait of one of the world’s most courageous human rights activists and an outspoken leader of Iran’s remarkably resilient women’s rights movement. She is currently in the fifth week of a hunger strike and serving a long sentence in Iran’s notorious Evin Prison. Millions of people from over 200 nations have called for Nasrin’s release including President-elect Joe Biden; journalist Christiane Amanpour; journalist/activist Gloria Steinem; author Margaret Atwood; Canadian Prime Minister Justin Trudeau, former US Secretary of State Hillary Clinton, New York Times columnist Nicholas Kristof, and many others. Secretly filmed in Iran by men and women who risked arrest, NASRIN features interviews with acclaimed filmmaker Jafar Panahi, Nobel Peace laureate Shirin Ebadi, journalist Ann Curry, and Nasrin’s husband and fellow-activist Reza Khandan. NASRIN is narrated by Oscar® winning actress Olivia Colman and also features an original song by Tony Award®-winning composers Lynn Ahrens and Stephen Flaherty and performed by 4-time Grammy® winner Angélique Kidjo. In addition, Washington Post columnist and former political prisoner Jason Rezaian serves as one of the film’s Executive Producers. Director Jeff Kaufman and Producer Marcia S. Ross join us to talk about one of the world’s most courageous woman and about the daily challenges she and other civil and women’s rights activist face in one of the world’s most repressive regimes.

Update on Nasrin: As of today, Nasrin Sotoudeh has been ordered back to prison in Iran. Earlier last month, she was released from prison due to health reasons and the corona -19 virus. Then, she had just ended her 40+ day hunger strike at the end of October in Iran’s notorious Evin Prison. Please join us in telling her story and amplifying her voice for her freedom. Nasrin hashtag #StandUp4NASRIN continues to grow daily.

 

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For news, screenings and updates go to: nasrinfilm.com  

About the filmmaker – Jeff Kaufman produced, directed, and wrote the documentaries Every Act Of Life (2018 Tribeca premiere, aired June 2019 on American Masters), The State of Marriage, Father Joseph, The Savoy King: Chick Webb and the Music That Changed America, Brush With Life: The Art of Being Edward Biberman, and Education Under Fire, plus a number of short films for Amnesty International, and programs for The Discovery Channel, and The History Channel. He also edited/designed a book based on the film Every Act Of Life, contributed cartoons to The New Yorker, and illustrations to The Los Angeles Times and The New York Times, wrote/illustrated several children’s books, and hosted daily radio shows in Vermont and Los Angeles.

About the filmmaker – Marcia Ross produced the documentaries Every Act Of Life, The State of Marriage, Father Joseph, and The Savoy King. Additionally she has an over 3-decade career as an independent casting director and casting executive, serving 16 years as EVP for Casting at Walt Disney Motion Pictures, and 5 years as VP for Casting and Talent Development at Warner Brothers TV. Some of her film and television credits include Clueless, Cujo, thirtysomething, Murder in Mississippi, 10 Things I Hate About You, The Princess Diaries, Romy and Michele’s High School Reunion, The Lookout, Enchanted, Oblivion, and Parental Guidance. She has received career achievement awards from the Casting Society of America and the Hollywood Film Festival.

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“A terrific documentary by Jeff Kaufman.” – Peter Rainer, FilmWeek (KPCC – NPR Los Angeles)

“Nasirin reaffirmed my faith in the humanity and courage of those in Iran who struggle against a repressive regime.”- Robert Denerstein, Denerstein Unleashed

“Nasrin is a moving portrait of an unforgettable fighter and a vital film that should be seen by audiences around the globe.” – Loren King, AWFJ Women on Film

“This is fortitude writ large.” – Brian Shaer, Film Threat

Finding Yingying – Jiayan “Jenny” Shi

FINDING YINGYING follows the nightmarish story of a 26-year-old Chinese student, Yingying Zhang, who comes to the U.S. to study. In her detailed and beautiful diaries, the aspiring young scientist and teacher is full of optimism, hoping to also be married and a mother someday. Within weeks of her arrival, Yingying disappears from the campus. Through exclusive access to Yingying’s family and boyfriend, Finding Yingying closely follows their journey as they search to unravel the mystery of her disappearance and seek justice for their daughter while navigating a strange, foreign country. But most of all, Finding Yingying is the story of who Yingying was: a talented young woman loved by her family and friends. Director Jiayan “Jenny” Shi joins us for a conversation on documenting a heartbreaking story, gaining the trust and confidence of a grieving family dealing with some very difficult truths.

 

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For news, screenings and updates go to: findingyingying.com

To watch the film go yo: findingyingying.com/see-the-film

About the filmmaker – Jiayan “Jenny” Shi is a Chicago-based documentary filmmaker and video journalist who is passionate about social justice issues regarding people of color. She shoots, edits and produces video stories and short documentaries about immigration, race and crime in Chicago for multiple outlets. She is also working on several projects as a researcher, digital content editor and translator including the ITVS co-produced web series Pulling The Thread and the 2020 Academy Award-winning Higher Ground Netflix film, American Factory. Jenny is a graduate of Kartemquin’s Diverse Voices In Docs program, a TFI Network alum, the winner of the Paley DocPitch Competition 2018 and a fellow of 2020-2021 Women at Sundance | Adobe Fellowship. Jenny is named one of the DOC NYC “40 Under 40” filmmakers.

About Kartemquin – Sparking democracy through documentary since 1966, Kartemquin is a collaborative community that empowers documentary makers who create stories that foster a more engaged and just society. Kartemquin’s films have received four Academy Award® nominations and won many more major prizes, including six Emmys® and four Peabody Awards. Recognized as a leading advocate for independent public media, Kartemquin has helped hundreds of artists via its filmmaker development programs and championing of documentary.Kartemquin is a 501(c)3 not-for-profit organization based in Chicago.

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100% on Rotten Tomatoes

“It’s remarkable how Finding Yingying gets away from the traditional framework that governs how these stories are told, allowing the Zhangs to be seen separately from the horrific situation they find themselves in…” – Stephen Saito, Moveable Fest

“’Finding Yingying proves that centering the lives lost and the loved ones left behind can make for an intriguing a true-crime documentary.” – Jonita Davis, The Black Cape

“Compelling, heartfelt, and just as frustrating to watch – Finding Yingying not only makes for one of the most essential watches of the year but also for the sake of much-needed change.” – Andrew J. Salazar, Geeks of Color

“Intimate and haunting.” – Sheri Linden, Hollywood Reporter

Tandem Pictures, Founder Julie Christeas and COO Jonathan Blitstein

Tandem Pictures is a leader in conceiving and implementing eco-sustainable filmmaking practices in the indie film space, with all of their productions following Environmental Media Association standards and the Producers Guild’s Green Best Practices. They’re also an advocate for how these practices – from using hybrid vehicles on set, to having the sound and camera teams use rechargeable batteries, to composting and using metal straws – can and should be adopted industry-wide. Female owned and operated, it is Tandem’s mission is to bring female talent and narratives to the forefront. They embrace female-centric storytelling, and pride themselves on the fact that the casts and crews of their films are composed of underserved and underrepresented minority groups, LGBTQIA, and women.  tandempictures.com

 

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ABOUT TANDEM PICTURES Since 2010, TANDEM PICTURES has elevated and given a platform to misrepresented and underrepresented ideas. We are filmmakers, driven by justice and representation for both people and the planet. We strive to not only tell stories, but to share learnings with the industry in order to grow positive filming practices across our community.  Past films include acclaimed festival films THE SURROGATE, BLOODSTRIPE, THE EYES OF MY MOTHER, THE SLEEPWALKER, WILDLIKE, GHOST TEAM and more.  tandempictures.com

JULIE CHRISTEAS – Tandem Pictures – Founder, Chief Executive Officer        Julie’s recent films include BLACK BEAR (Sundance 2020) starring Aubrey Plaza, Christopher Abbott and Sarah Gadon which will be released later this year by eOne/Momentum and THE SURROGATE (SXSW 2020/Monument Releasing) . She also executive produced the cult horror favorite THE EYES OF MY MOTHER (Sundance 2016/Magnet Releasing), MONOGAMY (Best NY Narrative, Tribeca Film Festival 2010), the feature doc DUKALE’S DREAM starring Hugh Jackman, and GHOST TEAM starring Jon Heder, David Krumholtz, Justin Long, Amy Sedaris and Melonie Diaz. Previously she produced BLOOD STRIPE (Jury Prize for Best Narrative Film, LA Film Festival 2016), WILDLIKE starring Bruce Greenwood and Brian Geraghty (HIFF), and THE SLEEPWALKER starring Christopher Abbott and Brady Corbet (Sundance 2014/IFC). 

JONATHAN BLITSTEIN – Tandem Pictures – Co-owner, Chief Operating Officer Jonathan’s most recently produced the acclaimed films THE SURROGATE, and BLACK BEAR (SUNDANCE, EOne/Universal release) starring Aubrey Plaza. Prior to Tandem he worked in production and branded entertainment for Vudu, Sony and Disney, supporting Fortune 500 Brands such as Walmart, Sprint and Covergirl. At Oracle (formerly CrowdTwist), he initiated the creation of Marvel Studios’ first nationwide fan loyalty program Marvel Insider. In his early career, he made two micro-budget feature films LET THEM CHIRP AWHILE and ANOTHER KIND which both premiered at the Woodstock Film Festival which were distributed on Netflix and VOD. Early career roles include marketing arthouse films such as Park Chan Wook’s OLD BOY, and Noah Baumbach’s SQUID AND THE WHALE. 

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Gay Chorus Deep South, Director David Charles Rodrigues

UPDATE: MTV Documentary Films’ Gay Chorus Deep South directed by David Charles Rodrigues premieres Sunday, December 20 at 9:00PM ET/PT on Pop, Logo and Pluto

The documentary Gay Chorus Deep South chronicles one community’s response to a wave of discriminatory anti-LGBTQ laws in Southern states and the divisive 2016 election. The San Francisco Gay Men’s Chorus embarks on a tour of the American Deep South. Led by Gay Chorus conductor Dr. Tim Seelig and joined by The Oakland Interfaith Gospel Choir, the tour brings a message of music, love, and acceptance to communities and individuals confronting intolerance. Over 300 singers travelled from Mississippi to Tennessee through the Carolinas and over the bridge in Selma. They  performed in churches, community centers, and concert halls in hopes of uniting us in a time of difference. The journey also challenges Tim and other Chorus members who fled the South to confront their own fears, pain, and prejudices on a journey towards reconciliation. The conversations and connections that emerge offer a glimpse of a less divided America, where the things that divide us – faith, politics, sexual identity – are set aside by the soaring power of music and humanity. Director David Charles Rodrigues joins us to talk about the expectations and realities that comes with traveling to communities with the hope of changing hearts and minds.

 

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For news, screenings and updates go to: gaychorusdeepsouth.com

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WINNER AUDIENCE AWARD – BEST DOCUMENTARY – 2019 TRIBECA FILM FESTIVAL

WINNER AUDIENCE AWARD – BERKSHIRE INTERNATIONAL FILM FESTIVAL

WINNER AUDIENCE AWARD – TOP 5 NONFICTION FAVORITES – 2019 TRAVERSE CITY FILM FESTIVAL

“Successfully harnessing the power of both music and message, documentary Gay Chorus Deep South draws its strength not only from its subject, but also the effective way in which it it presents its arguments.” – Nikki Baughan, Screen International

“What makes the film especially compelling, though, are the all-too-human narratives involving those who were at one time badly victimized because of their sexual orientation; they want to forgive, but may never be able to.” – Phil Guie, Film-Forward.com

“There’s a lesson here that applies to more than just LGBT political causes: To heal the country and move on, we must reach across the divide and listen to one another.” – Peter Debruge, Variety

“With good folks like this, from both sides of the aisle, there is hope for humanity yet.” – Christopher Llewellyn Reed, Hammer to Nail

Songs of Repression, Co-directors Marianne Hougen-Moraga and Estephan Wagner

The incredible story that lies at the heart of Songs of Repression begins and ends at  the foot of the Andes Mountains in Chile in the picturesque German colony of Colonia Dignidad (Colony of Dignity). The beauty of the place belies a grim past. In 1961, a German preacher named Paul Schäfer and his congregation moved to Chile with the stated aim of helping the poor. They established Colonia Dignidad, which transformed into a closed sect where child abuse, collective beatings and slave-like living conditions were an ongoing reality for 45 years. Many in the colony assisted Pinochet’s dictatorship in torturing and killing political prisoners and burying them in mass graves on their own 40,000-acre land. In 2007, Schäfer was arrested and the colony opened up. During that process, the community changed its name to Villa Baviera (Bavarian Village), now a tourist resort where you can relax, eat German cuisine and listen to yodeling. It remains the home of several generations of perpetrators and victims of the cult, inexplicably coexisting without reckoning with decades of abuse. Co-directors Marianne Hougen-Moraga and Estephan Wagner join us to talk about their chilling exploration of the community through the experiences of its surviving members.

 

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For news and updates go to: estephanwagner.com/songs-of-repression

About the filmmaker – Marianne Hougen-Moraga (Director) Graduated with a Master’s degree in film studies from Copenhagen University. She also holds a master in Screen Documentary from Goldsmiths College. Hougen-Moraga has directed a number of short documentaries, such as ‘Returned’ (2011), which premiered at CPH:DOX, and ‘Sea of Sorrow – Sea of Hope’ (2017), which was nominated for a Danish Robert Award for best short documen- tary. Her feature documentary debut is ‘Songs of Represvsion’ (2020), which she has directed with Estephan Wagner. 

About the filmmaker – Estephan Wagner (Director and Editor). Graduated from the National Film and Television School in London. Originally trained as an editor in Germany. Wagner has been working as a documentary director for more than a decade. He directed ‘Last Dreams’ (2013) that premiered at CPH:DOX. His feature documentary ‘Les Sau- teurs’ (2016) had theatrical distribution in Germany, France, the UK and Italy, has been screened at more than 70 film festivals and has won more than 15 awards including at the Ecumenical Jury Award at the Berlinale and the Cinema Eye Spotlight award. 

Social Media
twitter.com/HougenMoraga

 

I AM GRETA, Director Nathan Grossman

In 2018, 15-year-old Swedish climate activist Greta Thunberg held a school strike outside her country’s Parliament building in Stockholm. At first she sat alone, handing out information and answering questions from passersby. Slowly, others began to join her—and within months she had sparked a worldwide movement. I AM GRETA offers a personal and inspiring glimpse inside Greta’s path to becoming an internationally known environmental activist. Shot in the style of cinéma vérité and with support from the Thunberg family, cameras capture Greta’s meetings with government leaders, headline-making public appearances, and global protests. But they also depict Greta’s life outside of the moments visible on news channels worldwide: laughing at home with her family, writing impassioned speeches, and trying to handle the mounting stress of nonstop travel, public scrutiny and becoming the face of the climate change cause. The film culminates with Greta’s arduous two-week journey by sailboat to the UN Climate Action Summit in New York City, where she’s greeted by crowds chanting her name. (Greta stopped flying because of the high emissions caused by air travel.) Today, her #FridaysForFuture movement has organized climate strikes on every continent except Antarctica. As she tells the UN, “The world is waking up, and change is coming whether you like it or not.” Director Nathan Grossman joins us to talk about his filmmaker instinct to document Greta Thunberg’s first days in front of the Swedish Parliament, the remarkable level of trust he had with Greta and her family as he chronicled the tale of a young woman determined to hold the most powerful people in the world accountable for their pathological abuse of Planet Earth.

 

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For news and updates go to: iamgretafilm.com

A Statement from Greta – “I really like the film and I think it gives a realistic image of myself and my daily life. I hope anyone who watches the film can finally understand that we young people aren’t school striking just for fun. We are protesting because we don’t have a choice. A lot has of course happened since I started school striking, but sadly we are still stuck on square one. The changes and the level of awareness needed are nowhere to be seen today. All that we ask for is for our society to treat the climate crisis as a crisis, and give us a safe future. I think the film shows just how far that is from happening right now. It shows that the urgency of the scientific message isn’t getting through.” – Greta Thunberg

About the filmmaker – Nathan Grossman is educated at The Stockholm Academy of Dramatic Arts. He started his career as a stills photographer for Rolling Stone India and later moved into documentary filmmaking, mainly focusing on environmental issues. In 2015 Nathan got the world’s attention for his short film The Toaster Challenge where an athlete tries to generate energy to toast a slice of bread. The video became a global phenomenon with over 15 million views. 2017 Nathan completed his first full-length tv-series for public broadcaster SVT, about the growing meat consumption in Sweden. The show sparked a big discussion about meat consumption in Sweden and got nominated for best factual program of the year. 

Social Media
twitter.com/GretaThunberg
twitter.com/nathangrossman
twitter.com/DogwoofSales
@GretaThunberg
#IAmGreta

 

78% on Rotten Tomatoes

“FASCINATING. A close-up, behind-the-headlines portrait of a passionately committed, media-savvy young woman.” – Caryn James, The Hollywood Reporter

“ABSORBING. An uplifting, inspirational story.” – Lee Marshall, Screen International

“INTIMATE AND URGENT. Thunberg’s very existence has been politicized by both friend and foe, but “I Am Greta” is intent on reminding people that she’s really just a kid who has a big dream.” – Kate Erbland, IndieWire

“[Grossman’s] straightforward yet utterly compelling documentary invites us into the life of a remarkable teenager who is sure to accomplish even more remarkable things in the years to come.” – Andrew Collins, Radio Times

Collective, Director Alexander Nanau

The latest documentary film from award-winning director Alexander Nanau is a verite  look behind the curtain of the pervasive corruption of Romania’s Health Ministry. Collective is a scathing examination of the 2015, a fire at Bucharest’s Colectiv club. A fire that leaves 27 dead and 180 injured. Soon, more burn victims begin dying in hospitals from wounds that were not life-threatening. When a doctor blows the whistle on the misuse and abuse of medical protocols and treatments at the facility specializing in burn victim recovery a team of investigative journalists jump into the fray. One revelation leads to another as the journalists start to uncover vast health care fraud. When a new health minister is appointed, he offers unprecedented access to his efforts to reform the corrupt system but also to the obstacles he faces. Following journalists, whistle-blowers, burn victims, and government officials, Collective is an uncompromising look at the impact of investigative journalism at its best. Collective Director Alexander Nanua joins us for a conversation on his remarkable access to the inner circle of the reform-minded new minister and how naked greed and corruption led to deaths of far too many innocent victims.

 

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For news, updates and screenings go to: collectivemovie.com

About the filmmaker – Alexander Nanau was born in Bucharest, Romania in 1979. His family belongs to the Transylvanian Saxons, a cultural minority of German descent who lived since generations in Romania. 1990 they emigrated to Germany and became German citizens. Nanau studied Film Direction at the renowned DFFB in Berlin. His first feature documentary Peter Zadek inszeniert Peer Gynt was released 2006 in Germany and Austria. In 2007 he was a scholarship holder of the Academy of Arts in Berlin. In 2008/2009 he co-produced with HBO Romania, directed and shot the documentary The World According to Ion B. about a 62 years homeless man who starts a career in the international art world with collages he made over the last 30 years. The documentary was selected for over 40 international film festivals and won the prestigious ‘International Emmy Award’ for Arts Programming in 2010. His third feature documentary Toto and His Sisters, produced together with HBO Europe, premiered at the San Sebastian Film Festival in the ‘New Directors’ section. The film won major awards at the international film festivals in Angers, Zurich, Warsaw, Jihlava, Leipzig and Sarajevo. It was nominated as ‘Best Documentary’ at the European Film Awards 2015 and won the international Cinema Eye Honors’ Spotlight Award 2016.

Social Media
facebook.com/CollectiveMovie
twitter.com/collectivemovie
instagram.com/collectivemovie
@Collectivemovie

99% on Rotten Tomatoes

“Collective gives us a glimpse of the top-the gangster hospital managers and the government functionaries who appointed them, all helping themselves to taxpayer money while providing care that kills.” – Amy Taubin, Artforum

“Collective is a documentary that grows progressively more frightening, infuriating, and illuminating the longer one sits with it.” – Andrew Parker,The Gate

“A documentary pulsing with an urgency that’s impossible to ignore and a furious sense of anger that’s genuinely palpable.” – Doug Jamieson, The Jam Report

Although he is dealing specifically with one instance in Romania, it’s easy to see evidence of greater global malaise reflected here. – Amber Wilkinson, Eye for Film

Coded Bias, Director Shalini Kantayya

CODED BIAS explores the fallout of MIT media lab researcher Joy Buolamwini’s startling discovery, technology based bias is real. Modern society sits at the intersection of two crucial questions: What does it mean when artificial intelligence increasingly governs our liberties? And what are the consequences for the people AI is biased against? When MIT Media Lab researcher Joy Buolamwini discovers that most facial-recognition software does not accurately identify darker-skinned faces and the faces of women, she delves into an investigation of widespread bias in algorithms. As it turns out, artificial intelligence is not neutral, and women are leading the charge to ensure our civil rights are protected. Director Shalini Kantayya (Catching the Sun) joins us for a conversation on computerized racial, political, sexual, social, financial, cultural bias and how it is here now and what, if any, way that people can do anything reform it or stop it from determining our collective future.  

 

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For news, updates and screenings go to: codedbias.com

Learn more and take action go to: codedbias.com/take-action

About the filmmaker: Director Shalini Kantayya’s feature documentary, CODED BIAS, premiered at the 2020 Sundance Film Festival. She directed an episode of the National Geographic television series Breakthrough, Executive Produced by Ron Howard, broadcast globally in 2017. Her debut feature film Catching the Sun, premiered at the Los Angeles Film Festival and was named a New York Times Critics’ Pick. Catching the Sun released globally on Netflix on Earth Day 2016 with Executive Producer Leonardo DiCaprio, and was nominated for the Environmental Media Association Award for Best Documentary. She is an Associate of the UC Berkeley Graduate School of Journalism. shalinikantayya.net

Social Media
facebook.com/codedbiasmovie
facebook.com/shalini.kantayya
twitter.com/shalinikantayya
instagram.com/shalinikantayya
instagram.com/codedbias

“Racial bias, algorithms, facial recognition and badass women of color put our government on blast for using technology while rolling back privacy and Civil Rights in America. Joy Buolamwini and Shalini Kantayya should get a Nobel Peace Prize!” – Carla Renata, The Curvy Film Critic

“In a time where we as consumers instill unrelenting trust in the people behind the screen, there has never been a more vital documentary.” – Stephanie Archer, Film Inquiry

“Without shying away the issue’s enormity or its devastating consequences, Coded Bias gradually works toward almost inspirational vibe, as Buolamwini and others get to work solving the problem they’ve identified. – Angie Han, Mashable

“Kantayya makes a strong and compelling argument that everyone needs to pay attention to. Not only do we need to be talking about this, but we, the people, need to be doing more about this.” – Amyana Bartley, QBP Reviews

Dirty God, Director Sacha Polak

Sacha Polak’s DIRTY GOD is a film about a young mother from London who must pick up the pieces after an acid attack leaves her with severe facial burns. Prior to the attack, with limited education and opportunities, Jade’s main currency was her looks. Her face has been reconstructed, but her beauty is gone. Jade must set about rebuilding herself – and this is a gargantuan task. Cast adrift from her young daughter, Jade finds solace in the hidden world of online liaisons where she uncovers the passion and connection she’s craved in an often humorous and celebratory way. However, the actions of a stranger threaten to turn her life upside down once more, and those around her are ill-equipped to halt her descent. As family life and friendships start to crumble, her lowest ebb proves the inspiration that Jade needs. Jade takes drastic action, finally finding her path back to her daughter and herself. Finalist for the 2019 Sundance Grand Jury Prize (World Cinema Dramatic) DIRTY GOD is a powerful film about motherhood, courage and self-acceptance.  Director Sacha Polak joins us for a conversation on how Jade’s story resonated with lead actor Vicki Knight’s own recovery and the trust and bonding that the entire cast and crew experienced during the making of this compelling film.

 

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For news, updates and screenings go to: modernfilms.com/dirtygod

2019 Sundance Film Festival – World Cinema Dramatic Competition

2019 Rotterdam Film Festival – World Premiere

Dark Star Pictures will release DIRTY GOD with a virtual release through Laemmle Theaters in LA, Gateway Film Center (Virtual) in Columbus, and more theaters to be announced on November 13, 2020. The film will also be made available on digital platforms such as iTunes, Amazon, Google Play, Fandango Now, Direct TV, and through local cable providers on December 15, 2020.

Social Media
instagram.com/polaksacha
twitter.com/VickyKnight95
instagram.com/dirtygodfilm/
#dirtygod
@BIFA_film

“a raw, brilliant film“— Film Stories

“Vicky Knight makes an electric debut“— Empire

“Knight’s fiery, sensitive performance ignites the core of a movie that has a lot to say, but never sacrifices an ounce of truth in order to make its point.” – Tom Beasley. Flickering Myth

“In a frank but sensitive way, [Sacha] Polak delves into areas that most other filmmakers would be far too timid to go near.” – Geoffrey Macnab, Independent (UK)

“Knight’s Jade feels authentic in her mood swings, from frustrated to questioning, from hopeful to devastated and back, sometimes within a single scene.” – Boyd van Hoeij, Hollywood Reporter

“Dirty God isn’t always an easy watch, but it’s a rewarding one that marks both Knight and Polak as exceptional talents.” – Anna Smith, The List

Rebuilding Paradise, Producer Sara Bernstein

Oscar winning Director Ron Howard’s gripping new documentary. Rebuilding Paradise, movingly recounts and expands on the devastating events of Nov. 8, 2018. A tragedy that began with a spark from a transmission line in Northern California, coupled with climate-impacted conditions, quickly grew into a devastating firestorm that engulfed the picturesque city of Paradise, California. By the time the Camp Fire was extinguished, it had killed 85 people, displaced 50,000 residents and destroyed 95% of local structures. It was the deadliest U.S. fire in 100 years — and the worst ever in California’s history. As residents faced the damage to their lives, to their homes and to more than 150,000 acres in and around their 141-year-old town, they did something amazing: They worked together to heal. The community members went on to forge a bond stronger than what they had before the catastrophe, even as their hope and spirit were challenged by continued adversity: relocations, financial crises, government hurdles, water poisoning, grief and PTSD. From the moment the crisis began, The Camp Fire and its overwhelming aftermath became a de facto lesson in what we all must do: protect our environment, help our neighbors, plan for future dangers and remember to preserve the traditions that unite us — just as these resilient citizens did when they began the important task of REBUILDING PARADISE. Producer Sara Bernstein joins us for a conversation on how the production team, led by Oscar-winning director Ron Howard gained the confidence and trust of families scarred by one of the most devastating fires in California as well as documenting the resiliency and character of the people rebuilding Paradise.

 

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For news and updates go to: nationalgeographic.com/rebuilding-paradise

About the filmmaker – Sara Bernstein is an award-winning producer and Executive Vice President at Imagine Documentaries the newly launched documentary division of Ron Howard and Brian Grazer’s, Imagine Entertainment. Recent feature films she has executive produced include Once Were Brothers: Robbie Robertson and the Band (2019) and Dads (2019) which premiered at the Toronto International Film Festival. The Ron Howard-directed documentary film, Rebuilding Paradise (2020), for National Geographic Films, D.Wade: Life Unexpected (2020) for ESPN Films and the documentary feature film on legendary chef Julia Child, Julia (2021) directed by Academy Award nominees Julie Cohen and Betsy West. Prior to joining Imagine, Bernstein was Senior Vice President, HBO Documentary Films over seeing nonfiction development and production for HBO. Credits include Academy Award-winner Citizenfour (2014), Academy Award-winner Music by Prudence (2010), Academy Award nominees Burma VJ: Reporting from a Closed Country (2008), Iraq In Fragments (2006), The Children of Leningradsky (2005), Poster Girl (2010). Emmy-nominated The Inventor: Out for Blood in Silicon Valley (2019), Emmy-nominated The Case Against Adnan Syed (2019), Judd Apatow’s Emmy-winning The Zen Diaries of Garry Shandling (2018), Emmy winners Going Clear: Scientology and the Prison of Belief (2015), White Light, Black Rain: The Destruction of Hiroshima and Nagasaki (2007) and Mea Maxima Culpa: Silence in the House of God (2012). Emmy-nominated The Case Against 8 (2014), Mapplethorpe: Look At The Pictures (2016), Chris Hegedus & D.A. Pennebaker’s Emmy-nominated Unlocking The Cage (2016); Beware the Slenderman (2016), I Love You Now Die (2019) and Mommy Dead and Dearest (2017). Bernstein has garnered 10 Emmy wins, 29 Emmy nominations and 11 Peabody Awards. Documentaries she has supervised have garnered 2 Oscars and 13 Oscar nominations.

Social Media
facebook.com/natgeodocs/videos
twitter.com/hashtag/RebuildingParadise
twitter.com/sarabdocs
twitter.com/natgeodocs
instagram.com/natgeodocs
instagram.com/sarabdocs
@RealRonHoward
@sarabdocs
@HansZimmer

92% on Rotten Tomatoes

“Rebuilding Paradise might easily have blazed with righteous fury, but its conclusions are quieter and bleaker.” – Ellen E Jones, Guardian

“Filmmaker Howard admittedly does a superb job of immediately drawing the viewer into the briskly-paced proceedings…” David Nusair, Reel Film Reviews

“Howard’s documentary is not so much about the fire as it takes a looks at the resilience members of the community showed. It is both painful and inspirational.” – Rick Bentley,Tribune News Service

“Mr. Howard wants us to know that greater challenges lie ahead… Yet his documentary also dramatizes the resilience and resourcefulness we can bring to bear in meeting them. Calamity, the film says, isn’t destiny.” – Joe Morgenstern, Wall Street Journal

Slay the Dragon, Co-directors Barak Goodman and Chris Durrance, Journalist David Daley

After the 2008 election, a secretive, well-funded partisan initiative poured money into state legislative races in key swing states to gain control of their redistricting processes and used high-tech analytics to dramatically skew voting maps based on demographic data. The result is one of the greatest electoral manipulations in U.S. history, one that poses a fundamental threat to our democracy and exacerbates the already polarized atmosphere in Congress and state houses across the country.  Gerrymandering, the practice of redrawing electoral maps to serve the party in power, has been around for centuries. But in today’s hyper-partisan political environment it has been taken to unprecedented extremes, fueled by the elimination of corporate campaign contribution limits and the availability of vast amounts of personal information. The effects of this insidious strategy have continued to bear fruit through the 2018 midterms. But voters, fed up with cynical efforts to sidestep the will of the majority, have begun fighting back. In one example, a grassroots movement led by a young with no political experience gathered hundreds of thousands of signatures to put an anti-gerrymandering initiative on the ballot in Michigan. The new documentary SLAY THE DRAGON shines a light on this timely issue, and follows a handful of citizens’ groups, outraged by what they see as an attack on the core democratic principle that every person’s vote should count equally, as they battle party operatives and an entrenched political establishment to fix a broken system. Co-directors Barak Goodman and Chris Durrance stop by to talk about their approach to tackling a complex issue, and finding the grassroots activists who have shown that there is a way to affect real change despite the overwhelming odds.

 

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For news, screenings and updates go to: slaythedragonfilm.com

Watch Slay the Dragon AND support local Theatres: slaythedragonfilm.com/tickets

To learn more about the filmmakers and their work go to: ark-media.net

Social Media
facebook.com/SlayTheDragonFilm
twitter.com/SlayTheDragon
instagram.com/slaythedragonfilm

 

“The most important political film of the year. It may prove to be one of the key political films of the decade. There is no issue more threatening to the future of American democracy than gerrymandering.” – Owen Gleiberman, VARIETY

“Slay the Dragon does an extraordinarily good job of taking a complex issue and connecting the dots, which seems particularly appropriate for a documentary about gerrymandering.” – Brian Lowry, CNN.com

“Outrage is a likely reaction.” – Karen Martin, ARKANSAS DEMOCRAT-GAZETTE

“Shocking. It changes the way you see everything.”- Adrian Horton, THE GUARDIAN

After Midnight (Something Else), Co-directors Christian Stella (Jeremy Gardner)

For small-town bar owner Hank (Jeremy Gardner), his 10-year relationship with Abby (Brea Grant) has been storybook-quality. Abby, however, wants more: marriage, to be exact, which Hank doesn’t seem ready to initiate anytime soon. As a result, she leaves him without so much as a note or any subsequent communication. Hank is crushed. Even worse, Abby’s departure seemingly triggers the arrival of an unseen monster that claws at Hank’s front door at night. As the nocturnal threat intensifies, Hank must figure out how to not only save his relationship, but also himself. Co-director Christian Stella (Jeremy Gardner) stops by to talk about the multi-layered film that is After Midnight (Something Else) and his creative cinematography that gives the film its lyrical power.

 

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For news and updates go to: facebook.com/somethingelsefilm

Social Media
facebook.com/FilmAfterMidnight
twitter.com/MrJeremyGardner
twitter.com/ChristianStella
instagram.com/crankedupfilms
instagram.com/aftermidnightfilm
#aftermidnight
 @GoodDeedEntertainment

 

“Something Else promises monsters but delivers more demons of the human experience variety, as this sweet and sincere creature feature is far more romantically heartfelt than expected.” – Matt Donato, We Got This Covered

“Sublime and emotional, Something Else is one hell of a love story, a nightmarish monster movie, and an overall fantastical experience.” – Michelle Swope, Dread Central

“There’s an honesty in Something Else that makes this man against (his) monsters story one that’ll give you deep meaning, beautiful cinematography, and just the right amount of wtf.” – Kristy Strouse, Film Inquiry

“Jeremy Gardner and Christian Stella’s winsome tale of thirtysomething angst, romance and existential terror, is beautifully written and played.” – Jennie Kermode, Eye for Film