For small-town bar owner Hank (Jeremy Gardner), his 10-year relationship with Abby (Brea Grant) has been storybook-quality. Abby, however, wants more: marriage, to be exact, which Hank doesn’t seem ready to initiate anytime soon. As a result, she leaves him without so much as a note or any subsequent communication. Hank is crushed. Even worse, Abby’s departure seemingly triggers the arrival of an unseen monster that claws at Hank’s front door at night. As the nocturnal threat intensifies, Hank must figure out how to not only save his relationship, but also himself. Co-director Christian Stella (Jeremy Gardner) stops by to talk about the multi-layered film that is After Midnight (Something Else) and his creative cinematography that gives the film its lyrical power.
“Something Else promises monsters but delivers more demons of the human experience variety, as this sweet and sincere creature feature is far more romantically heartfelt than expected.” – Matt Donato, We Got This Covered
“Sublime and emotional, Something Else is one hell of a love story, a nightmarish monster movie, and an overall fantastical experience.” – Michelle Swope, Dread Central
“There’s an honesty in Something Else that makes this man against (his) monsters story one that’ll give you deep meaning, beautiful cinematography, and just the right amount of wtf.” – Kristy Strouse, Film Inquiry
“Jeremy Gardner and Christian Stella’s winsome tale of thirtysomething angst, romance and existential terror, is beautifully written and played.” – Jennie Kermode, Eye for Film
Bruce Franks Jr. is a 34-year-old battle rapper, Ferguson activist and state representative from St. Louis, Missouri. Known as Superman to his constituents, he is a political figure the likes of which you’ve never seen – full of contradictions and deep insights, who has overcome unspeakable loss to become one of the most exciting and unapologetic young leaders in the country. This short verité documentary follows Bruce at a critical juncture in his life, when he is forced to deal with the mental trauma he’s been carrying for the nearly 30 years since his 9-year-old brother was shot and killed in front of him, in order to find peace and truly fulfill his destiny as a leader for his community. Co- director Smriti Mundhra (Sami Khan) join us to talk about how a dynamic and charismatic man from a traumatized community took tragedy and turned into action.
About the filmmakers:Smriti Mundhra’s A SUITABLE GIRL premiered at Tribeca in 2017 and won the Albert Maysles Award for Best New Documentary Director. KHOYA, Sami Khan’s feature debut, was selected for the Tribeca Film Institute’s Tribeca All Access® fellowship.
WALK RUN CHA-CHAhas been nominated for Documentary Short Subject at the 92nd Academy Awards®. Directed by Laura Nix, the film follows Paul and Millie Cao, who lost their youth to the aftermath of the Vietnam War. Forty years later, they have become successful professionals in Southern California-and are rediscovering themselves on the dance floor. WALK RUN CHA CHA is now streaming on New York Times Op-Docs.
About the Filmmaker: Director Laura Nix Laura Nix is an award-winning fiction and nonfiction filmmaker based in Los Angeles. WALK RUN CHA-CHA is adapted from a feature-length documentary in progress. It was produced by Concordia Studio for The New York Times Op-Docs and premiered at the 2019 Tribeca Film Festival. Laura’s work also includesother work includes her feature documentary INVENTING TOMORROW, about teenagers from around the globe tackling environmental issues through science, THE YES MEN ARE REVOLTING, a comedy about activism and climate change, the documentary THE LIGHT IN HER EYES, about a Syrian Qur’an school for women and she was a writer on the Emmy-nominated documentary CALIFORNIA STATE OF MIND: THE LEGACY OF PAT BROWN. In 2001, Nix co-founded the production company Automat Pictures, where she produced and/or directed over 100 presentations, including the feature documentary WHETHER YOU LIKE IT OR NOT: THE STORY OF HEDWIG, which played in over a dozen film festivals in the U.S. and worldwide. Previously she was a member of Oscar-winning filmmakers Rob Epstein and Jeffrey Friedman’s production company Telling Pictures, where she was Associate Producer on THE CELLULOID CLOSET.
“Laura Nix’s WALK RUN CHA-CHA is a moving, poignant portrait of two aging refugees who have endured a great deal, and who now face one of life’s biggest challenges: figuring out how to stay in love. Through them, Nix also evokes the textures, tastes, and sounds of Vietnamese refugee life, and mixes them in with everything that is good about the United States. Ultimately, WALK RUN CHA-CHA is an optimistic film about both love and hope—the hope that our country will continue to believe in welcoming strangers from other lands, who in the end are not that strange at all.”– Viet Thanh Nguyen, Pulitzer Prize-winning author of The Sympathizer
ISLAND OF THE HUNGRY GHOSTS takes place off the coast of Indonesia, in the Australian territory of Christmas Island, inhabited by migratory crabs traveling in their millions from the jungle towards the ocean, in a movement that has been provoked by the full moon for hundreds of thousands of years. Poh Lin Lee is a “trauma therapist” who lives with her family in this seemingly idyllic paradise. Every day, she talks with the asylum seekers held indefinitely in a high-security detention centre hidden in the island’s core, attempting to support them in a situation that is as unbearable as its outcome is uncertain. As Poh Lin and her family explore the island’s beautiful yet threatening landscape, the local islanders carry out their “hungry ghost” rituals for the spirits of those who died on the island without a burial. They make offerings to appease the lost souls who are said to be wandering the jungles at night looking for home. ISLAND OF THE HUNGRY GHOSTS is a hybrid documentary that moves between the natural migration and the chaotic and tragic migration of the humans, which is in constant metamorphoses by the unseen decision-making structures. Director Gabrielle Brady joins us to talk about her beautiful and quietly powerful tale of desperate people trapped in a place of pervasive uncertainty and a woman trying to help them cope.
“ Island of the Hungry Ghosts is one of the year’s most impressively made documentaries, a film that’s as occasionally surreal as it is persistently moving. Island of the Hungry Ghosts is a true discovery.” – JOSHUA BRUNSTING, CRITERION CAST
“A documentary overflowing with empathy, poetry, and elemental power.” – HUBERT VIGILLA, FLIXIST
“Hauntingly beautiful Island of the Hungry Ghosts combines multiple narratives…into one glorious whole… A mesmerizing work of visual wonder, the breathtaking images forming an evocative setting for a vital discussion of human rights… A stunning, visceral first feature, announcing the director as a major talent to watch” – CHRISTOPHER LLEWELLYN REED, FILM FESTIVAL TODAY
“The best documentary award goes to a film that demonstrates extraordinary mastery of the full symphonic range of cinematic tools: cinematography, editing, score, sound design and, perhaps greatest of all, an exquisite use of metaphor. To a film that moved us deeply, impressed us immensely and made us feel we were witnessing nothing less than the emergence, fully formed, of a major new cinematic talent” – TRIBECA JURY
** Update – MIDNIGHT FAMILY is a shortlisted nominee for the 2020 ACADEMY AWARD FOR BEST DOCUMENTARY
MIDNIGHT FAMILY has won more than 25 national and international awards, played in 135 film festivals around the world. MIDNIGHT FAMILY is set in Mexico City, where the government operates fewer than 45 emergency ambulances for a population of 9 million. This has spawned an underground industry of for-profit ambulances often run by people with little or no training or certification. An exception in this ethically fraught, cutthroat industry, the Ochoa family struggles to keep their financial needs from jeopardizing the people in their care. When a crackdown by corrupt police pushes the family into greater hardship, they face increasing moral dilemmas even as they continue providing essential emergency medical services. MIDNIGHT FAMILY is an enthralling. harrowing, and intimate look at a family business of dedicated professionals who often fo more than simple transport the helping the people who end up in their ambulance. Director, Producer, Cinematographer, Editor Luke Lorentzen joins us to talk about his mesmerizing film and the challenges of capturing all the different facets of the Ochoa family.
About the filmmaker:Director, Producer, Cinematographer, Editor Luke Lorentzen is a graduate of Stanford University’s department of Art and Art History. His first film, Santa Cruz del Islote (2014) – a short documentary about a small and densely populated fishing community in Colombia – won awards at over ten international film festivals including the San Francisco International, Full Frame Documentary, Camden International, and Chicago International. Midnight Family (2019) – Luke’s first feature documentary out of school – tells the story of a family-run ambulance business in Mexico City. Midnight Family has played at over 130 film festivals around the world and has won over 25 awards including a Special Jury Award for Cinematography at the Sundance Film Festival and the Grand Jury Award at Sheffield Doc/Fest. Midnight Family will be released theatrically around the world in December of 2019. Luke is also a director and producer on the Netflix documentary series, Last Chance U. His work explores elements of everyday life, often through rigorous formal means, questioning and experimenting with the ways in which non-fiction stories are told. Originally from Connecticut, Luke currently lives in San Francisco.
Special Jury Award for Cinematography, U.S. Documentary, Sundance Film Festival
IDA Documentary Awards, Winner, Best Editing
IDA Documentary Awards, Nominee, Best Feature
IDA Documentary Awards, Nominee, Best Cinematography
Cinema Eye Honors, Best Film Nominee
Cinema Eye Honors, Best Cinematography Nominee
Cinema Eye Honors, Best Production Nominee
Cinema Eye Honors, Unforgettables Award, Juan Ochoa, Nominee
Golden Frog for Best Documentary, EnergaCAMERIMAGE
Best Documentary, Films from the South, Oslo
Maysles Brothers Award, Special Jury Mention, Denver Film Festival
Best Film, WatchDocs IFF, Warsaw
FIPRESCI Rellumes Award for Best Director, Gijón Film Festival
100% on Rotten Tomatoes
“10 Best Movies of Sundance 2019″
“Fantastically shot by the director Luke Lorentzen, the documentary develops an urgency that suits the life-or-death stakes onscreen. By turns terrifying and exhilarating, “Midnight Family” unfolds with such velocity that it may take a while for your ethical doubts to catch up to what’s happening. When they do, they leave you gasping.” – Manohla Dargis, New York Times
“Arguably the most exhilarating documentary to come out of Sundance this year, Midnight Family follows the Ochoa family—the gruff but compassionate Fer and his two underage sons, Juan and Josué—at intensely close range on these Sisyphean missions of mercy.” – Museum of Modern Art and Film Society of Lincoln Center
“A deft mix of big-picture doc-making and intimate moments… not to mention a wild — and remarkably eye-opening — ride.” – David Fear, Rolling Stone
“An intimate verite documentary… the Ochoas emerge as fascinating embodiments of a country working overtime to correct its shortcomings and keep the lights on. This bracing U.S. competition documentary is poised to provide a personal window into the fast-paced mayhem of Mexico after dark.” – Eric Kohn, Indiewire
QUEEN OF HEARTS tells the story of Anne, a brilliant and dedicated lawyer specializing in children and young adults, living what appears to be the picture perfect life with her doctor-husband, Peter, and their twin daughters. When her estranged teenage stepson, Gustav, moves in with them, Anne’s escalating desire leads her down a dangerous rabbit hole which, once exposed, unleashes a sequence of events that threatens to destroy her world. Denmark’s official entry for the 2019 Academy Award for Best Foreign Film, QUEEN OF HEARTS explores the making of a tragic family secret step by step, as the consequences of hubris, lust and lies conspire to create an unimaginable dilemma. With bold and astonishing vision, co-writer/director May el-Toukhy masterfully builds Anne’s world, seducing the viewer into complicity before maneuvering her protagonist onto an unsettling and shocking path. Trine Dyrholm, one of Denmark’s finest dramatic actresses, skillfully inhabits the complicated Anne. In a finely calibrated performance, Dyrholm humanizes Anne’s contradictions and unpredictable behavior, creating an even more disconcerting character. A riveting and provocative film, QUEEN OF HEARTS is a portrait of a woman who manages to lose everything and nothing at the same time. Director and co-screenwriter May el-Toukhy joins us for a lively conversation on her shattering tale of power, family andself-preservation.
“Shot in icy blues and whites and among the hard edges of a modernist home, there’s nothing very comfortable about this environment; el-Toukhy doesn’t want us to get cosy.” – Alex Heeney, Seventh Row
“Queen of Hearts is certainly not a comfortable watch, let alone a pleasant one. But it is a fearless, important film whose impact explodes primarily out of the core collaboration between its masterful director and her main actor.” – Alexandra Heller-Nicholas, AWFJ Women on Film
“A challenging sit, especially when Anne’s actions shift from ethically bankrupt to outright despicable, making her one of the most complicated female villains of recent memory.” – Tomris Laffly, RogerEbert.com
“Dyrholm, who remains one of Denmark’s most accomplished contemporary performers, adds another signature performance to her filmography as Anne, a good person who, like everyone, has the capability of doing terrible things.” – Nicholas Bell, IONCINEMA.com
The documentary Gay Chorus Deep South chronicles one community’s response to a wave of discriminatory anti-LGBTQ laws in Southern states and the divisive 2016 election. The San Francisco Gay Men’s Chorus embarks on a tour of the American Deep South. Led by Gay Chorus conductor Dr. Tim Seelig and joined by The Oakland Interfaith Gospel Choir, the tour brings a message of music, love, and acceptance to communities and individuals confronting intolerance. Over 300 singers travelled from Mississippi to Tennessee through the Carolinas and over the bridge in Selma. They performed in churches, community centers, and concert halls in hopes of uniting us in a time of difference. The journey also challenges Tim and other Chorus members who fled the South to confront their own fears, pain, and prejudices on a journey towards reconciliation. The conversations and connections that emerge offer a glimpse of a less divided America, where the things that divide us – faith, politics, sexual identity – are set aside by the soaring power of music and humanity. Director David Charles Rodrigues joins us to talk about the expectations and realities that comes with traveling to communities with the hope of changing hearts and minds.
WINNER AUDIENCE AWARD – BEST DOCUMENTARY – 2019 TRIBECA FILM FESTIVAL
WINNER AUDIENCE AWARD – BERKSHIRE INTERNATIONAL FILM FESTIVAL
WINNER AUDIENCE AWARD – TOP 5 NONFICTION FAVORITES – 2019 TRAVERSE CITY FILM FESTIVAL
“Successfully harnessing the power of both music and message, documentary Gay Chorus Deep South draws its strength not only from its subject, but also the effective way in which it it presents its arguments.” – Nikki Baughan, Screen International
“What makes the film especially compelling, though, are the all-too-human narratives involving those who were at one time badly victimized because of their sexual orientation; they want to forgive, but may never be able to.” – Phil Guie, Film-Forward.com
“There’s a lesson here that applies to more than just LGBT political causes: To heal the country and move on, we must reach across the divide and listen to one another.” – Peter Debruge, Variety
Marianne & Leonard: Words of Love is renowned filmmaker Nick Broomfield’s most personal and romantic film of his career. The Marianne & Leonard: Words of Love starts on the Greek island of Hydra in 1960, where Leonard Cohen, then a struggling and unknown fiction writer, and Marianne Ihlen, a single mother with a young son, became part of community of expat artists, writers and musicians. Never-before-seen footage shot by Broomfield and legendary documentarian D.A. Pennebaker make for a unique portrait of an idyllic 1960’s bohemia. The time on Hydra left a lasting imprint on both Marianne and Leonard, whose friendship would last another fifty years before their deaths in 2016. It was on Hydra in 1968 that director Broomfield, then aged 20, first himself met Marianne. She introduced him to Cohen’s music and encouraged Nick to make his first film. As she was with so many artists, Marianne was an enormous influence on Broomfield, who went on to direct award-winningdocumentaries, many about iconic music legends including Whitney Houston, (Whitney Houston: Can I Be Me) Tupac Shakur and Biggie Smalls, (Tupac and Biggie) Kurt Cobain and Courtney Love (Kurt & Courtney). Director Nick Broomfield joins us to talk about his relationship with Marianne, the undeniable talent and charisma of Cohen, and the profound impact his time on Hydra had on his personal and professional life.
“Love stories are like Tolstoy’s unhappy families: no two of them are alike. But even given that, the relationship chronicled in “Marianne & Leonard: Words of Love” has a quality very much its own.” – Kenneth Turan, Los Angeles Times
“Broomfield’s personal engagement and his embrace of the complexities of life and love elevate this film, which travels across decades and continents to show the lasting power of one connection.” – Joe Blessing, The Playlist
In the quietly powerful documentary, THE PROPOSAL, director Jill Magid explores the life, death and profoundly moving work of Luis Barragán.Known as “the artist among architects,” Barragán is among the world’s most celebrated architects of the 20th century. Upon his death in 1988, much of his work was locked away in a Swiss bunker, hidden from the world’s view. In an attempt to resurrect Barragán’s life and art, boundary redefining artist Jill Magid creates a daring proposition that becomes a fascinating artwork in itself—a high-wire act of negotiation that explores how far an artist will go to democratize access to art.
Director’s Statement – The Proposal is my first feature film and the last chapter of a larger project I began in 2013 called The Barragán Archives. The project explores the contested legacy of Luis Barragán, Mexico’s most famous architect, and how his legacy is affected by the fact that a private corporation, Vitra, owns his archives and controls the rights in his name and work. For more than twenty years, this corporation has made his work largely inaccessible to the public. The film questions whether a single actor should be exclusively in control of how the world can engage with Barragán’s work. Almost as an invitation for image-making, Barragán was known to adjust a buildings’ design so that it would photograph better. With this film, I wanted to capture the overwhelming beauty of his work while simultaneously questioning the legal challenges one faces to do so. The film is in itself a proposal: A way to elicit dialogue about access to legacy and its proprietary nature, and not simply if the proposal will be accepted.– Jill Magid.
“Captivatingly wily. ‘The Proposal’ meditates on the meaning of artistic legacy. Most of all, it shines an ingeniously media-savvy spotlight on Barragán’s work.” – Jeannette Catsoulis, THE NEW YORK TIMES – Critic’s Pick
“A thoughtful, elegantly hypnotic exploration of ownership, access, and moral responsibility. “A multi-layered and thought-provoking work of art. Magid’s inspired response to a complex situation makes for an intriguing and approachable film.” – Allan Hunter, SCREEN INTERNATIONAL
“The documentary doesn’t bring closure to her fight for Barragán’s archive, but it will work its way under a viewer’s skin and leave them with persistent ideas to consider.” – Dan Schindel, HYPERALLERGIC
With its measured pacing and haunting ambience, Magid’s hypnotic film is an engaging examination of artistry, diplomacy, and posterity at a crossroads.” – Manuel Betancourt, REMEZCLA
“Beguiling. An unforgettable consideration of who should have ownership of an artist’s legacy.” – Stephen Saito, MOVEABLE FEST
In this unforgettable documentary we meet Gemma, a teenage troublemaker, a so called ‘Scheme Bird’ who introduces us to her world. The police know her by the way she runs – and she brags that she’ll end up either ”knocked up or locked up”. But in addition to fighting she loves her grandfather Joseph. He’s been like a father to her since her own mom abandoned her as a baby because of a drug addiction.Grandpa Joseph is sick and tired of the gang fights that has plagued the area for generations. But he likes pigeons. In fact he likes pigeons more than he likes most people. And when he turns the local boxing gym into a beauty contest for pigeons things start to change. With great care the men of the scheme pick out the most beautiful pigeons and suddenly they have something to live for. But despite Joseph’s efforts Gemma isn’t interested in the birds at all. She doesn’t want to disappoint her grandpa but the violent world of the scheme is also part of who she is. But what happens when the childish games turns into serious crime? Co-directors Ellen Fiske and Ellinor Hallin join us to talk about how they connected with Gemma, seamlessly blending into her world and can people escape patterns of destructive behaviorand find positive ways to navigate a community of “lost causes.”
Ollie (Tessa Thompson) is barely getting by in Little Woods, an economically depressed fracking boomtown in North Dakota. She has left her days of illegally running prescription pills over the Canadian border behind, eyeing a potential new job that would finally break her out of the small town. But when her mother dies, she is reunited with her estranged sister Deb (Lily James), who faces a mounting crisis: the combined effect of an unplanned pregnancy and a deadbeat ex (James Badge Dale). The two find they have one week to settle the mortgage on their mother’s house or face foreclosure. As both bills and pressure mount, Ollie faces a choice: whether to return to a way of life she thought she’d left behind for just one more score, or to leave it all behind. Writer-director Nia DaCosta’s debut is an emotionally charged small-town thriller that weaves themes of economic downturn and the opioid crisis into its intimate story of two sisters trying to get by. An unvarnished film anchored by an authentically drawn sibling bond, LITTLE WOODS speaks to both the biggest and smallest elements of the working-class struggle in rural America. Director and writer Nia DaCosta joins us for a conversation on her debut feature film and the crushing burden of a life without options or access to opportunity or education and the toll it takes on well intentioned people.
Tribeca Film Festival – Nominated, Best Narrative Feature – Nia DaCosta
Heartland Film – Winner, Truly Moving Picture Award – Nia DaCosta
Fargo Film Festival –Winner Best Narrative Feature – Nia DaCosta
97% on Rotten Tomatoes
“DaCosta has made a suspense film in which we root for the heroes to break the law, and then she sends us home to ponder all the reasons they need to.” – Ty Burr, Boston Globe
“The film smartly never goes the direction one might assume, embracing full-blown character study that shines a scorching light on many prevailing problems within the underclass of American society” – Robert Kojder, Flickering Myth
“Nia DaCosta’s absorbing debut is laced with urgent dread, experienced by characters you care deeply about.” – Sam Weisberb, pillage Voice
“Little Woods is a story we don’t often see told from a black woman’s lens, especially not in this particular setting. It’s a story of sisters who band together and fight against every complication.” – Aramide Tinubu, Shadow and Act
Lois Vossen is the Executive Producer of Independent Lens and has been with the show since its inception as a primetime series on PBS. Lois is responsible for commissioning new films, programming the series and working with filmmakers on editorial and broadcast issues. Independent Lens films have received 17 Emmy Awards, 16 George Foster Peabody Awards, five Alfred I. DuPont-Columbia Journalism Awards and eight Academy Award nominations. The series was honored in 2013, 2014, 2015 and 2017 with the International Documentary Association (IDA) Award for Best Series. Before joining ITVS, Lois was the Associate Managing Director of Sundance Film Festival and Sundance Labs. Lois is a member of the Television Academy Board of Governors, representing the documentary branch. She has served on the jury at Shanghai Festival, Toronto International Film Festival, SXSW, DOC New Zealand and Palm Springs International Film Festival, among others. Under her leadership, films funded or co-produced by Independent Lens include I Am Not Your Negro, Always in Season, Bedlam, One Child Nation, Black Memorabilia, The King, People’s Republic of Desire, Won’t You Be My Neighbor, TOWER, Newtown, Best of Enemies, The Black Panthers: Vanguard of the Revolution, (T)ERROR, The House I Live In, The Invisible War, and The Trials of Muhammad Ali, among many others. Widely regarded as one of the most influential supporters of independent and documentary filmmaking, Lois Vossen joins us for a conversation on the role that Independent Lens /POV and Public Broadcasting has had in maintaining the highest standards for innovative storytelling in non-fiction cinema.
Located in mid-America, MONROVIA, INDIANA, (population 1,063) founded in 1834, is primarily a farming community. MONROVIA, INDIANA is about the day-to-day experiences living and working in Monrovia, with emphasis on community organizations and institutions, religion and daily life in this farming community. These towns were once the backbone of American life. While their number and populations have shrunk, the importance of rural America as a formative center of American politics and values was demonstrated in the 2016 presidential election.The film explores the conflicting stereotypes and illustrates how values like community service, duty, spiritual life, generosity and authenticity are formed, experienced and lived. MONROVIA, INDIANA gives a complex and nuanced view of daily life in Monrovia and provides some understanding of a rural, mid-American way of life that has always been important in America but whose influence and force have not always been recognized or understood in the big cities on the east and west coasts of America and in other countries.Since1967,FrederickWisemanhasdirected42documentaries — dramatic, narrative films that seek to portray ordinary humanexperience in a widevarietyofcontemporary socialinstitutions. His films include TITICUT FOLLIES, HIGHSCHOOL, WELFARE, JUVENILE COURT, BOXING GYM, LADANSE,BALLET, CENTRAL PARK, BALLET, LA COMEDIE FRANCAISE, BELFAST, MAINE, and EX LIBRIS – The New York Public Library. At the 2016 Academy Awards ceremony Frederick Wiseman received an Honorary Award (Governors Awards) for a lifetime of brilliant filmmaking. He joins us to talk about his latest cinematic treasure, Monrovia Indiana.
“He’s arguably the most brilliant, brave and innovative person working in his field.” – Terry Atkinson, Los Angeles Times
“Rigorously shot, impeccably edited and at times startling in their beauty, these films usher us into often otherwise anonymous spaces and lives, and help make the invisible visible.” – Manohla Dargis, The New York Times
“The result is surprisingly companionable and enjoyable, an unhurried look at a location that is in no kind of rush, a place that is concerned most of all with preserving the way it’s always been.” – Kenneth Turan, Los Angeles Times
“Legendary documentarian Frederick Wiseman turns his camera on a pro-gun, pro-God Midwestern town and gives us a landmark view of what it looks like to live in Trump’s America.” – Peter Travers, Rolling Stone
“A calmly analytical film in which-as ever in Wiseman’s work-extended discussions and public debates are developed with an absorbing dramatic power.” – Richard Brody, New Yorker
“The unavoidable political implications of “Monrovia, Indiana” give its observations an undeniable urgency.” – A.O. Scott, New York Times
Oscar-winning director Morgan Neville (20 Feet from Stardom) tells the provocative story of legendary director Orson Welles during the final 15 years of his life. No longer the “wonder boy” of Citizen Kane, Welles in 1970 was an artist in exile looking for his Hollywood comeback with a project called The Other Side of the Wind. For years, Welles worked on his project about an aging film director trying to finish his last great movie. Welles shot the picture guerrilla-style in chaotic circumstances with a devoted crew of young dreamers, all the while struggling with financiers and fate. In 1985, Welles died, leaving as his final testament the most famous unfinished film in movie history. The negative stayed in a vault for decades until now. With revelatory new insights from Welles collaborators including Peter Bogdanovich, Frank Marshall, Oja Kodar and daughter Beatrice Welles, They’ll Love Me When I’m Dead is the untold final chapter of one of the greatest careers in film history: brilliant, innovative, defiant and unbowed. Director Morgan Neville (20 Feet From Stardom, Won’t You Me My Neighbor, Cool School) joins us for a conversation about his hurly-burly look at the making of a ragged masterpiece by cinema’s greatest auteur.
“The impeccably assembled production employs Neville’s virtuoso touch to provocative effect.” – Michael Rechtshaffen, Los Angeles Times
“For cinephiles, it’s a high-calorie, clip-and-interview-laden feast of biography, insight, and gossip.” – Robert Abele, The Wrap
“Neville’s film may reveal little that hardcore Wellesians don’t already know. But it offers a lively evocation of the great man’s brilliance, waywardness and pained relationship to Hollywood history.” – Jonathan Romney, Screen International
“A fascinating account of an agonizing creative process.” – Todd McCarthy, Hollywood Reporter
“A cinephiles’ delight.” – Kimberly Myers, The Playlist
The International Documentary Association (IDA) is dedicated to building and serving the needs of a thriving documentary culture. Through its programs, the IDA provides resources, creates community, and defends rights and freedoms for documentary artists, activists, and journalists. IDA is the only group advocating specifically for the documentary filmmaking community. In many ways, this makes IDA’s advocacy work the most important and relevant work we do. Documentary storytelling expands our understanding of shared human experience, fostering an informed, compassionate, and connected world. The Enterprise Documentary Fund is one of the many logistical and financial programs offered by IDA.
About the Enterprise Documentary Fund:
“In the face of an all-out assault on the press, IDA is committed to standing behind the independent storytellers and watchdogs that make up our community—in large part, through the newly created Enterprise Documentary Fund. Made possible by a generous grant from the John D. and Catherine T. MacArthur Foundation, the fund will disburse $1 million per year for the next four years, in the form of production grants up to $100,000 and development grants up to $15,000. The fund is intended to support primarily mid-career filmmakers producing feature-length, in-depth explorations of original, contemporary stories with a journalistic foundation or that incorporate journalistic practice into the filmmaking process. The mission of the Enterprise Documentary Fund is admittedly ambitious: It seeks to provide valuable resources and support systems (not unlike those in newsrooms) for filmmakers taking on the critical stories of our time. Originally sparked by the findings in “Dangerous Documentaries,” the fund is a response to pleas from filmmakers themselves. In interviews recently conducted by Toni Bell, IDA’s Filmmaker Services Manager, filmmakers reiterated the major findings in “Dangerous Docs”: They want access to information about digital and physical security, research databases, legal and other experts, public relations strategists and mentors. Exercising our rights to free speech and freedom of the press are critical for a healthy democracy. As I write this, these rights are clearly under assault, and we owe it to ourselves and to the public to staunchly call ourselves journalists and artists—they are not mutually exclusive.” – Carrie Lozano, Director of the Enterprise Documentary Fund
America has the most technologically advanced health care system in the world, yet preventable medical harm has become one of the leading causes of death, and the overwhelming majority of high-risk implanted devices never require a single clinical trial. In THE BLEEDING EDGE, Academy Award nominated filmmakers Kirby Dick and Amy Ziering (THE INVISIBLE WAR, THE HUNTING GROUND) turn their sights on the $400 billion medical device industry, examining lax regulations, corporate cover-ups, and profit driven incentives that put patients at risk daily.Weaving emotionally powerful stories of people whose lives have been irrevocably harmed, the film asks: what life-saving technologies may actually be killing us? Director Kirby Dick and Producer Amy Ziering join us for a conversation on the lack of integrity in the medical device industry, lax regulatory oversight by the Federal Food and Drug Administration and the potentially deadly combination that it can become.
Forty-five years after it revolutionized abortion law in America, the landmark 1973 US Supreme Court case Roe v. Wade is once again at a crossroads. In their timely new documentary REVERSING ROE, filmmakers Ricki Stern and Annie Sundberg (THE DEVIL CAME ON HORSEBACK, MARATHON: THE PATRIOT’S DAY BOMBING) present a deeply illuminating look of the state of abortion and women’s rights in America. The film offers candid and riveting interviews with key figures from both sides of the divide, among them doctors Colleen McNicholas and Curtis Boyd; feminist icon Gloria Steinem; Operation Rescue president Troy Newman; and National Right to Life president Carol Tobias.Intense and unflinching in its commitment to telling the whole story, REVERSING ROE provides a gripping look at what’s happening on the ground in 2018. Drawing from a wealth of historical footage, it charts the period leading up to the Roe decision-and documents the opposition that has followed ever since.Regardless of where you stand on the issue of abortion, REVERSING ROE is essential viewing to understand how the country got here-and where it may be going. Co-directors Ricki Stern and Annie Sundberg join us for an informed conversation on the long history and politics swirling around one of the country’s most divisive issues.
“As contentiousness turned into real-world consequences, “Reversing Roe” reminds us that the more women get involved regarding their rights, the more likely we’re to see a fair, principled fight.” – Robert Abele, Los Times
“Nothing new here but a good primer for those who never thought that politics has anything to do with their lives.” – Harvey S. Karten, Big Apple Reviews
“Solid and valuable but familiar.” – Caryn James, Hollywood Reporter
“Provides a clear and accessible overview of more than 50 years of the social and legal history of the issue in the United States.” – Ben Kenigsberg, New York Times
In the beautifully realized story of struggle and determination, young cowboy Brady Blackburn (Brady Jandreau), once a rising star of the rodeo circuit and an uniquely gifted horse trainer, is warned that his riding days are over after a horse badly crushed his skull at a rodeo and put him in a three-day coma. Back home on the Pine Ridge Indian Reservation, South Dakota, Brady struggles with the physical and emotional complications of the accident. He is comforted by his inimitable little sister Lilly (Lilly Jandreau), who has Asperger’s Syndrome, while tensions between him and his gambling father, Wayne (Tim Jandreau), approach a breaking point when Wayne resorts to selling Brady’s favorite horse to keep their trailer home. Brady finds himself wondering what he has to live for when he can no longer do what gives him a sense of purpose: to ride and compete. In an attempt to regain control of his fate, Brady undertakes a search for new identity and tries to redefine his idea of what it means to be a man in the heartland of America. Lead actor Brady Jandreau talks about his journey from the rodeo to his portrayal of a fictionalized version of his own brush with death, depression, and recovery, and the thrill of working with family and friends in this celebrated film debut by award-winning (Cannes Film Festival Directors’ Fortnight, Best Picture) director/writer /producer Chloe Zhao (Songs My Brother Taught Me).
“The Rider marries the majestic vistas of the greatest American westerns with a deeply interior story of a cowboy having to renegotiate his identity.” – Ben Croll, The Wrap
“It’s just plain excellent.” – Michael Phillips, Chicago Tribune
“A remarkable, deeply moving melding of fact and fiction.” – Jeffrey M. Anderson, San Francisco Examiner
“Filmmaker Chloé Zhao turns the story of real-life bronc rider Brady Jandreau into a gritty, graceful character study. Once The Rider hooks you – and believe me, it will – there’s no way you will ever forget it.” – Peter Travers, Rolling Stone
“One of the year’s most arresting and unforgettable films.” – Nick Schager, The Daily Beast
In her latest project,SNAPSHOTS, legendary actor Piper Laurie plays family matriarch Rose.. The story will resonate with every person who has lived through the complexity of family relationships, It reminds us that if we are loved no secret is too difficult to hear and accept. Or is it? Rose (Gran) is the matriarch. She has lived in this house for over fifty years. She and her deceased husband Joe raised their daughter Patty in this home. Patty, now a widow in her early 50’s, lives in St. Louis. Each year Patty and her newly married daughter Allison spend a laughter filled girl’s weekend with Gran. This year will be different. Piper Laurie joins us for a conversation on the making of her latest project (Snapshots) in a legendary film career that includes three Academy Award nominated performances (The Hustler, Carrie, Children of a Lesser God) and an Emmy nomination for David Lynch’s groundbreaking television serial (Twin Peaks).
“Performances all around are strong, with Piper Laurie’s Rose taking the lead and directing us through the story’s narrative. We are invited to soak in the retro atmosphere as the story unfolds at a leisurely pace.” – Paul Parcellin, Film Threat
Scotty and the Secret History of Hollywood is the deliciously scandalous story of Scotty Bowers, a handsome ex-Marine who landed in Hollywood after World War II and became confidante, aide de camp and lover to many of Hollywood’s greatest male — and female — stars. In the 1940s and ’50s, Scotty ran a gas station in the shadow of the studio lots where he would connect his friends with actors and actresses who had to hide their true sexual identities for fear of police raids at gay bars, societal shunning and career suicide. An unsung Hollywood legend, Bowers would cater to the sexual appetites of celebrities – straight and gay – for decades. In 2012, he finally spilled his secrets in the New York Times bestselling memoir “Full Service,” which revealed a dramatic, pre-Stonewall alternate history of Hollywood. While the studio PR machine were promoting their stars as wholesome and monogamous,Bowers was fulfilling the true desires of many of them. This cinema-vérité documentary tells his story, as well as presents eye-opening takes on icons from the Hollywood Golden Age including Cary Grant, Katharine Hepburn, Spencer Tracy, Lana Turner, Ava Gardner and many more. Director Matt Tyrnauer (Studio 54, Citizen Jane: Battle for the City, Valentino: The Last Emperor) joins us for spirited conversation on the days when the Hollywood PR machine mattered more than the lives of the artist who made it successful and the role Scotty Bowers played in breaking that stranglehold on them.
“Scotty” is more than just a portrait of the man, also serving as a history lesson on how the film industry once tried to project a repressive, clean-cut image to satisfy moral watchdogs” – Tim Grierson, Screen International
“A nicely filled-out look at different eras, one secrecy-ridden and dedicated to the preservation of illusion, the other wide open and blasé about personal predilections.” – Todd McCarthy, Hollywood Reporter
“There’s plenty of gossip to be found here, but there’s also no shortage of humanity.” – Alonso Duralde, The Wrap
“The present-day footage is more compelling than any of the gossipy bits, which turn out to be the hook that pulls the film into more fraught and complex directions.” – Kevin Ritchie, NOW Toronto
“’Scotty and the Secret History’ is a fascinating portrait that neither lionizes nor judges its subject. It merely lets you take him for what he is.” – Jason Bailey, Flavorwire
For the past 25 years acclaimed photographer and filmmaker Lauren Greenfield has travelled the world, documenting with ethnographic precision and an artist’s sensitivity a vast range of cultural movements and moments. Yet, after so much seeking and searching, she realized that much of her work pointed at one uniting phenomenon: wealth culture. With her new film, Generation Wealth, she puts the pieces of her life’s work together for in an incendiary investigation into the pathologies that have created the richest society the world has ever seen. Spanning consumerism, beauty, gender, body commodification, aging and more, Greenfield has created a comprehensive cautionary tale about a culture heading straight for the cliff’s edge. Generation Wealth, simultaneously a deeply personal journey, rigorous historical essay, and raucously entertaining expose, bears witness to the global boom-bust economy, the corrupted American Dream and the human costs of capitalism, narcissism and greed. Emmy-award-winning photographer / filmmaker, Lauren Greenfield’s expansive artistry includes her monographs (Girl Culture, Fast Forward, THIN, Generation Wealth), and documentaries (THIN, kids+money, The Queen of Versailles). The Queen of Versailleswon her the 2012 Best Documentary Director Award at Sundance Film Festival. Director Lauren Greenfield joins us to talk about her sweeping film and the damning indictment of a profligate world of depraved indifference, hell-bent on stockpiling pointless possessions.
“Through her dedication to other people’s lives, and with such open-book storytelling of her own, Greenfield is able to make a stunningly deeply resonant documentary about notions as seemingly obvious as the value of love over wealth itself.” – Nick Allen, RogerEbert.com
“Greenfield makes a compelling argument for a society on the brink of precipitous decline, choosing to interpret the runaway vanity and rampant materialism observed in her own work as harbingers of our imminent destruction.” – Peter DeBruge, Variety
“This personal approach gives the film a sharp intimacy, and from here Greenfield pulls out to reveal how similar patterns are reshaping lives and families the world over.” – Nikki Baughan, Screen International
In Rachel Israel’s endearing feature debut Keep the Change, we meet aspiring filmmaker David (Brandon Polansky), mandated by a judge to attend a social program at the Jewish Community Center, whois sure of one thing: he doesn’t belong there. But when he’s assigned to visit the Brooklyn Bridge with the vivacious Sarah (Samantha Elisofon), sparks fly and his convictions are tested. Their budding relationship must weather Sarah’s romantic past, David’s judgmental mother (Jessica Walter), and their own pre-conceptions of what love is supposed to look like. Under the guise of an off-kilter New York romantic comedy, Keep the Change does something quite radical in offering a refreshingly honest portrait of a community seldom depicted on the big screen. Rarely has a romcom felt so deep and poignant. Thoroughly charming and quite funny, the film’s warmth and candor brings growth and transformation to the characters, and ultimately, to us. Director and writer Rachel Israel stops by to talk about her friendship with lead actor Brandon Polansky, making the short film version of Keep the Change as well as the personal and artistically rewarding process of making this beguiling film.
Best U.S. Narrative Feature – Tribeca Film Festival
Best New Narrative Director – Tribeca Film Festival
Special Mention, Nora Ephron Prize – Tribeca Film Festival
100% on Rotten Tomatoes
“This gently humorous, fiercely honest indie film is a step forward in the quest for a move inclusive Hollywood, which seems to one of the themes of the cultural moment.” – Kerry Lengel, Arizona Republic
’“Keep the Change” is not a seamlessly crafted movie, but it’s awfully tenderhearted and thoroughly disarming. It deserves to be widely seen.’ – Glenn Kenny, New York Times
“What distinguishes it are Israel’s empathetic characterizations – she’s known Polansky for 15 years – and the winning performances, not only by the leads but also by the supporting players” – Mark Jenkins, Washington Post
“Hilarious and warm, finding its own voice as Israel creates a special space for her cast to shine, preserving idiosyncrasies and timing to best reinforce the unusual atmosphere of pure personality on display.” – Brian Orndorf, blu-ray.com
“An ode to self-discovery and acceptance that’s as funny as it is sweet.” – Nick Schager, Variety