Making Waves: The Art of Cinematic Sound, Director Midge Costin

Making Waves: The Art of Cinematic Sound reveals the hidden power of sound in cinema . . . and our lives. Few have “ears to hear” or comprehend the emotional storytelling impact sound plays in so-called visual media. Francis Ford Coppola and George Lucas have both declared  “sound is 50% of the movie,” with Steven Spielberg noting, “Our ears lead our eyes to where the story lives.” Through film clips, interviews and archival footage–an enlightening and nostalgic look at many of Hollywood’s biggest box office hits–the film captures the history, impact and unique creative process of this overlooked art form and the artists behind it. Filled with insights from legendary directors–including George Lucas, Steven Spielberg, Barbra Streisand, Robert Redford, David Lynch, Ang Lee, Sofia Coppola and Ryan Coogler, among others–who share revealing stories about the award-winning work their sound collaborators help to create. In Making Waves, we witness the wild creativity of some of the industry’s most-respected key sound designers–including Oscar winners Walter Murch (Apocalypse Now), Ben Burtt (Star Wars), Gary Rydstrom (Saving Private Ryan) and Lora Hirschberg (Inception); and Oscar-nominees Cece Hall (Top Gun), Anna Behlmer (Braveheart) and Bobbi Banks (Selma)–who, in pursuing their art and desire to push the medium, are the very people who will go down in the history of cinema as developing sound into the immersive storytelling force it is today. Audiences will discover many unsung collaborators for the key creative artists they are, in a domain that has for too long been characterized as “technical.” Director Midge Costin joins us to evangelize on the power and glory of sound and the visionaries who have pioneered a new frontier in cinema.

 

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100% on Rotten Tomatoes

“Accessible, illuminating and entertaining, it’s a documentary of huge value, something that will enhance not just your understanding but your future experience of film.” – Emma Simmonds, The List

“A practically perfect primer for anyone interested in the history and craft of filmmaking, answering most of the pertinent, baseline questions while leaving plenty of room for supplemental research.” – William Bibbiani, TheWrap

“Provides an exhaustive history of the medium right before our ears and eyes, jumping quickly from decade to decade and bringing it all together as a comprehensive cinematic dissertation of aural complexity.” – John Fink, The Film Stage

“Making Waves will likely inspire viewers to seek out their favorite films and experience them with fresh ears.” – John DeFore, Hollywood Reporter

Hesburgh, Director Patrick Creadon

In Patrick Creadon’s illuminating new documentary, HESBURGH, shines a bright light on a unique public figure whom came to light during one of the country’s most divisive political and social storm. His name is Reverend Theodore Hesburgh, C.S.C, president of the University of Notre Dame for more than 35 years. This revered figure worked his entire adult life to advance of peace and equal rights for all people. As the most dynamic member of the U.S. government’s Civil Rights Commission Hesburgh pushed Presidents Dwight Eisenhower and Lyndon Johnson to enact legislation that culminated in the landmark 1964 Civil Rights Act. HESBURGH offers a unique glimpse at more than fifty years of American history. Educator, civil rights champion, advisor to presidents, envoy to popes, theologian and activist, Hesburgh was called on by countless world leaders to tackle the most challenging issues of the day. He built a reputation as a savvy political operator with a penchant for bridging the divide between bitter enemies. Through it all, he remained a man armed with a fierce intelligence, a quick wit and an unyielding moral compass — a timeless example of bipartisan leadership that would serve us in today’s increasingly polarized times. Director Patrick Creadon (Wordplay, If You Build It , Ski Bum: The Warren Miller Story), joins us for a conversation on a man who’s life’s work harkens back to a time when compromise and cooperation were the political norms and not the exception.

 

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For news and updates go to: hesburghfilm.com

To find a theatre near you go to: hesburghfilm.com/tickets

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“[A] thoroughly engaging documentary chronicle of the life and turbulent times of longtime Notre Dame president Father Theodore M. Hesburgh, whose tenure coincided with a particularly pivotal stretch of American history.” – Micheal Rechtshaffen, Los Angeles Times

“This moving, illuminating slice of American life and social history serves as a stirring example that we should all do much better. And we can start right now.” – Ann Hornaday, Washington Post

“A portrait of a man who can be seen as not merely blameless, but genuinely heroic.” – GlennKenny, New York Times

“As described by many of those who, in the movie, talk about Hesburgh, he comes across as a man of conscience and conviction, who was willing to walk his own path no matter whom he rankled or angered.” – Bob Bloom, Journal and Courier

The Brink, Director Alison Klayman

When Steve Bannon left his position as White House chief strategist less than a week after the Charlottesville “Unite the Right” rally in August 2017, he was already a notorious figure in Trump’s inner circle, and for bringing a far-right ideology into the highest echelons of American politics. Unconstrained by an official post – though some say he still has a direct line to the White House – he became free to peddle influence as a perceived kingmaker, turning his controversial brand of nationalism into a global movement. Alison Klayman’s THE BRINK follows Bannon through the 2018 mid-term elections in the United States, shedding light on his efforts to mobilize and unify far-right parties in order to win seats in the May 2019 European Parliamentary elections. To maintain his power and influence, the former Goldman Sachs banker and media investor reinvents himself – as he has many times before – this time as the self-appointed leader of a global populist movement. Keen manipulator of the press and gifted self-promoter, Bannon continues to draw headlines and protests wherever he goes, feeding the powerful myth on which his survival relies. Director and Cinematographer Alison Klayman (Ai WeiWei: Never Sorry, On Her Shoulders) joins us for a conversation on gaining access and the confidence of a man who has maneuvered his way into the darkest corners of white-wing global brinksmanship.

 

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For news and updates go to: thebrinkfilm.com

For more information on Alison Klayman go to: alisonklayman.com/the-brink

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“STARTLING.” Steven Zeitchik, Washington Post.

“GRIPPING.” Kenneth Turan, Los Angeles Times.

“A MUST SEE.” Manohla Dargis, New York Times.

“The Brink” is an impeccably crafted verité ramble – an engaging and enraging, disturbing and highly revealing movie…” – Owen Gleiberman, Variety

“What makes The Brink so different from just another platform for this professional troll? Though Klayman sticks to a largely vérité approach of following her subject around and observing his various interactions, she also provides important context.” – Bilge Ebiri, New York Magazine / Vulture

2019 Oscar Nominated Short Films, with ShortsTV Chief Executive, Carter Pilcher

For over a decade, ShortsTV has proudly brought the Oscar© Nominated Short Films to audiences across the globe. This exclusive release features the year’s most spectacular short films and for a limited time is available to watch on the big screen. Each nominee is released in one of three distinct feature-length compilations according to their category of nomination: Live Action, Animation or Documentary. The films go into theaters around the world shortly after nominations are announced and are not released anywhere else until a few days before the Oscars©, when they are also made available via on demand platforms, including iTunes, Amazon Instant Video, Google Play and Vimeo on Demand. The release ensures the greatest number of viewers can see all the nominees before the ceremony, while providing short filmmakers with an unprecedented opportunity to commercialize their movies. Carter Pilcher founded Shorts International in 2000. Coming from a background in both investment banking and law, Carter has made Shorts International the world’s leading short movie Entertainment Company, functioning as distributor, broadcaster and producer. Carter has extensive experience in short movie production and short movie entertainment. He is a voting member of the British Academy of Film and Television Arts and a member of the Short Film and Feature Animation Branch of The US Academy of Motion Pictures, Arts and Sciences (AMPAS) – the guys who pick the Oscars. For the last five years Carter Pilcher has been the highlight of Oscar season here on Film School. His insight, commitment and love of the short film format and the dedicated people who create them insures a lively and informative conversation on some of the best films you will see all year.

 

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For news and updates on the Oscar Shorts go to: shortstv – theoscarshorts

For screening information go to: theoscarshorts/theatrical release

Live Action (Short)    

Detainment 

Madre

Fauve    

Skin    

Marguerite 

 

Documentary (Short)

Black Sheep

Night at the Garden

End Game

Period. End of Sentence

Lifeboat

Animation (Short)

Animal Behavior

One Small Step

Bao

Weekends

Late Afternoon

 

Lois Vossen, Independent Lens Executive Producer

Lois Vossen is the Executive Producer of Independent Lens and has been with the show since its inception as a primetime series on PBS. Lois is responsible for commissioning new films, programming the series and working with filmmakers on editorial and broadcast issues. Independent Lens films have received 17 Emmy Awards, 16 George Foster Peabody Awards, five Alfred I. DuPont-Columbia Journalism Awards and eight Academy Award nominations. The series was honored in 2013, 2014, 2015  and 2017 with the International Documentary Association (IDA) Award for Best Series. Before joining ITVS, Lois was the Associate Managing Director of Sundance Film Festival and Sundance Labs. Lois is a member of the Television Academy Board of Governors, representing the documentary branch. She has served on the jury at  Shanghai Festival, Toronto International Film Festival, SXSW, DOC New Zealand and Palm Springs International Film Festival, among others. Under her leadership, films funded or co-produced by Independent Lens include I Am Not Your Negro, Always in Season, Bedlam, One Child Nation, Black Memorabilia, The King, People’s Republic of Desire, Won’t You Be My Neighbor, TOWER, Newtown, Best of Enemies, The Black Panthers: Vanguard of the Revolution, (T)ERROR, The House I Live In, The Invisible War, and The Trials of Muhammad Ali, among many others. Widely regarded as one of the most influential supporters of independent and documentary filmmaking, Lois Vossen joins us for a conversation on the role that Independent Lens /POV and Public Broadcasting has had in maintaining the highest standards for innovative storytelling in non-fiction cinema.

 

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Los Comandos, Co-directors Juliana Schatz-Preston and Joshua Bennett

Violence has overrun El Salvador. El Salvador remains one of the most dangerous non-war zones in the world. Violent turf wars between rival gangs and the government threatens Salvadorans’ day-to-day life. This is highlighted by a continued migration crisis where families, and unaccompanied youth attempt to flee to neighboring countries or the United States, with hopes of a safer future. The emergency medical unit Los Comandos de Salvamento is standing up to the gangs’ reign of terror. Sixteen-year-old Mimi is a dedicated Comando caught in the cross hairs. When her fellow Comando, 14-year-old Erick, is gunned down while serving, she faces pressure to flee El Salvador and head north. Co-directors Juliana Schatz-Preston and Joshua Bennett join us for a conversation on their ripped from today’s headlines project and the importance of putting a human face on the plight of these beleaguered people.

For news and updates go to: loscomandos.film

The Comandos de Salvamento (Los Comandos) provide a potentially life saving alternative for young people who want to avoid being recruited by gangs. Because the group does not discriminate when attending to victims, Los Comandos have earned a certain degree of respect from the gangs. Many of the volunteers find the Comandos base safer than home. Suport Los Comandos

KIND protects unaccompanied children who enter the US immigration system alone to ensure that no child appears in court without an attorney. Ensuring that no child appears in immigration court without high quality legal representation. Support KIND

GLASSWING help young people who remain in El Salvador or return after deportation, life is a daily struggle. Not only do they face extreme violence and poverty, but cycles of massive migration and social upheaval are also exacerbating issues of family disintegration, school dropout, early pregnancy, and limited economic opportunities. Youth face persistent stigma, social exclusion, and exposure to extreme violence and trauma. They lack opportunities to develop the core skills they need to thrive.  Support Glasswing International

• Winner of Best Documentary Short at Austin Film Festival (Oscar® qualifying award)
• Winner of Best Short at Los Angeles Cinefest
• Finalist for CINE Golden Eagle award for Best Documentary Short

My Dead Dad’s Porno Tapes, Director Charlie Tyrell

In the endlessly clever and bittersweet documentary My Dead Dad’s Porno Tapes filmmaker Charlie Tyrell Seeks to better understand his emotionally distant late-father through personal belongings he left behind… including a stack of his VHS dirty movies. Director / producer Charlie Tyrell joins us for an engaging conversation on the universality of inter-generational silence and obfuscation surrounding the backgrounds and traumas that shaped the lives of parents, grandparents and great-grandparents. And how this wall of that silence can lead to unwarranted alienation and resentment between fathers and sons.

 

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For news and updates go to: mydeaddadspornotapes.com

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