Lois Vossen is the Executive Producer of Independent Lens and has been with the show since its inception as a primetime series on PBS. Lois is responsible for commissioning new films, programming the series and working with filmmakers on editorial and broadcast issues. Independent Lens films have received 17 Emmy Awards, 16 George Foster Peabody Awards, five Alfred I. DuPont-Columbia Journalism Awards and eight Academy Award nominations. The series was honored in 2013, 2014, 2015 and 2017 with the International Documentary Association (IDA) Award for Best Series. Before joining ITVS, Lois was the Associate Managing Director of Sundance Film Festival and Sundance Labs. Lois is a member of the Television Academy Board of Governors, representing the documentary branch. She has served on the jury at Shanghai Festival, Toronto International Film Festival, SXSW, DOC New Zealand and Palm Springs International Film Festival, among others. Under her leadership, films funded or co-produced by Independent Lens include I Am Not Your Negro, Always in Season, Bedlam, One Child Nation, Black Memorabilia, The King, People’s Republic of Desire, Won’t You Be My Neighbor, TOWER, Newtown, Best of Enemies, The Black Panthers: Vanguard of the Revolution, (T)ERROR, The House I Live In, The Invisible War, and The Trials of Muhammad Ali, among many others. Widely regarded as one of the most influential supporters of independent and documentary filmmaking, Lois Vossen joins us for a conversation on the role that Independent Lens /POV and Public Broadcasting has had in maintaining the highest standards for innovative storytelling in non-fiction cinema.
Violence has overrun El Salvador. El Salvador remains one of the most dangerous non-war zones in the world. Violent turf wars between rival gangs and the government threatens Salvadorans’ day-to-day life. This is highlighted by a continued migration crisis where families, and unaccompanied youth attempt to flee to neighboring countries or the United States, with hopes of a safer future. The emergency medical unit Los Comandos de Salvamento is standing up to the gangs’ reign of terror. Sixteen-year-old Mimi is a dedicated Comando caught in the cross hairs. When her fellow Comando, 14-year-old Erick, is gunned down while serving, she faces pressure to flee El Salvador and head north. Co-directors Juliana Schatz-Preston and Joshua Bennett join us for a conversation on their ripped from today’s headlines project and the importance of putting a human face on the plight of these beleaguered people.
The Comandos de Salvamento (Los Comandos) provide a potentially life saving alternative for young people who want to avoid being recruited by gangs. Because the group does not discriminate when attending to victims, Los Comandos have earned a certain degree of respect from the gangs. Many of the volunteers find the Comandos base safer than home.Suport Los Comandos
KIND protects unaccompanied children who enter the US immigration system alone to ensure that no child appears in court without an attorney. Ensuring that no child appears in immigration court without high quality legal representation.Support KIND
GLASSWING help young people who remain in El Salvador or return after deportation, life is a daily struggle. Not only do they face extreme violence and poverty, but cycles of massive migration and social upheaval are also exacerbating issues of family disintegration, school dropout, early pregnancy, and limited economic opportunities. Youth face persistent stigma, social exclusion, and exposure to extreme violence and trauma. They lack opportunities to develop the core skills they need to thrive. Support Glasswing International
• Winner of Best Documentary Short at Austin Film Festival (Oscar® qualifying award)
• Winner of Best Short at Los Angeles Cinefest
• Finalist for CINE Golden Eagle award for Best Documentary Short
In the endlessly clever and bittersweet documentary My Dead Dad’s Porno Tapes filmmaker Charlie Tyrell Seeks to better understand his emotionally distant late-father through personal belongings he left behind… including a stack of his VHS dirty movies. Director / producer Charlie Tyrell joins us for an engaging conversation on the universality of inter-generational silence and obfuscation surrounding the backgrounds and traumas that shaped the lives of parents, grandparents and great-grandparents. And how this wall of that silence can lead to unwarranted alienation and resentment between fathers and sons.