Higher Love, Director Hasan Oswald

Hasan Oswald’s gripping, feature documentary debut, HIGHER LOVE takes a raw look at addiction, poverty, love, and broken promises through the life Daryl Gant a Camden, New Jersey native, father of eight, and printing press operator. Daryl was raised by a single mother and strives to be a better father than his own, who abandoned him at birth. His girlfriend, Nani, is the love of his life but her crippling crack and heroin addiction, is destroying any hope of a sustainable relationship. Nani finds herself pregnant with their new baby boy, Darnez. The pregnancy becomes Daryl’s new-found purpose to forge a better future for the both of them. Despite Nani’s struggles Darnez os born healthy, but in need of specialized care. Their friend, Iman, was once a drug dealing kingpin in Camden in the 1990s. He was also a father and a mechanical engineer until he caught a dealer’s habit selling dope. He embodies the spirit of many disaffected residents of Camden, taking the viewer on a tour of post-industrial American decay. His own quest to sobriety will eventually force the hand of Nani to make a change, as they forge parallel paths to recovery. Director Hasan Oswald joins us for a conversation on how immersing himself into the shattering reality of opioid users affected him and how much does poverty and the lack of economic opportunity impact the people on the business end of a needle.

 

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For news, updates and screenings go to: higherlovefilm.com

Gravitas Ventures will release HIGHER LOVE on VOD and Digital platforms including iTunes, Amazon, Apple TV, Google Play, Fandango Now and all major cable/satellite platforms on Tuesday, November 3.  

About the filmmaker – Hasan Oswald, Director / Producer / Cinematographer entered the film world only four years ago. In that short period of time Hasan Oswald has quickly established a unique ability to capture the human experience through verité cinema. His unfettered access to and intimacy with his characters creates a seamless veneer between the filmmaker and subject. In making HIGHER LOVE Oswald used a Robert Rodriguez inspired zero-budget strategy to make the film, selling his blood-plasma, racking up no interest credit card bills, and learning all things films on youtube tutorials in lieu of film school.His work first caught the eye of award-winning filmmakers Nick Quested & Sebastian Junger (Restrepo) and he started his professional career as a cameraman for National Geographic’s film Hell on Earth: The Fall of Syria and the Rise of ISIS. He has since covered the water crisis in Flint, Michigan, drug trafficking and homelessness in Philadelphia. His current project focuses on the Yazidi Genocide in Iraq. Higher Love is his documentary feature directorial debut.

Social Media
higherlovefilm.com
twitter.com/higherlovefilm
twitter.com/HasDoz
instagram.com/higherlovefilm
instagram.com/explore/tags/hasanoswald
@HigherLoveFilm

2020 Slamdance Grand Jury Prize for Best Documentary Feature

“Most stories need a point of view and with that point of view comes a set of morals and beliefs that angle the focus. For a documentary – or any film for that matter – to expel bias, there must be a highly nuanced approach that allows all views, in equal measure, in one space. Hasan Oswald’s HIGHER LOVE achieves just that.” – Take One Cinema

“Americans exist in this condition. Big Pharma aggressively markets addictive, profitable pain meds, and these ubiquitous drugs have seeped down into abandoned places and people. That these people are invisible and unknown is disgusting beyond the pale. Hasan Oswald shows us this life in Higher Love and calls us to action.” – Film Threat

“It is one of the best films of 2020 so far. This may have been the first truly great film I saw for Slamdance. It is a film that haunted me for days after I saw it. It is a tough tough film about what drugs are doing to society.”  – Unseen Films

“What is most interesting about Oswald’s docu-style feature is the way in which horror manifests through the real-life monster of drug addiction and poverty.” – Horror Buzz

Ask No Questions, Director Jason Loftus

In ASK NO QUESTIONS Chinese State TV blames his faith for a fiery public suicide, Chen Ruichang is detained in a Clockwork Orange-style brainwashing facility and forced to accept the government’s account. But Chen, a former insider of the state TV himself, believes it was all a government plot. A CNN reporter smuggled out footage of the event that day, but was then muzzled by Beijing. Now, her eyewitness testimony helps untangle an intricate conspiracy, as Chinese authorities begin pressuring the filmmaker’s family and business associates. The terrifying danger of a government nefariously crafting the narrative & imprisoning its citizens who practice Falun Gong in China in the gripping feature documentary ASK NO QUESTIONS from filmmakers Jason  Loftus (The Bleeding Edge, Human Harvest) and Eric Pedicelli (Black Code, Tin City Voices), which world premieres on Saturday, January 25th. In the vein of a journalistic true crime documentary, painting the scope of the crime, and the depths of the investigation. The story leads into allegations of criminal conduct at a governmental scale. Evidence is credibly presented, shocking, and thorough. Director Jason Loftus stops by for a conversation on the terrifying reach of a totalitarian state power structure and the impact it can have on those who dare challenge it.

 

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For news and updates go to: asknoquestionsfilm.com

About the filmmakers: Director and Producer Jason Loftus is a Peabody Award-winning film producer and four-time Canadian Screen Award nominee. His work spans documentary, docuseries, virtual reality, narrative games, and animation. He is CEO of the Toronto-based Lofty Sky Entertainment and Lofty Sky Pictures. Ask No Questions is Jason’s directorial debut in a documentary feature.

Director and Editor Eric Pedicelli – Eric’s films have highlighted women’s right to education in Ivory Coast, surveillance of activists in Rio de Janeiro, and internet censorship in Iran. He edited Black Code (directed by Nick de Pencier), examining perils faced by activists in the digital age. It premiered at TIFF and earned Eric a Canadian Screen Award nomination for Best Editing. Ask No Questions is his feature documentary directorial debut.

 
Social Media
facebook.com/asknoquestionsdoc
twitter.com/noquestionsdoc
instagram.com/asknoquestionsdoc
twitter.com/jasonloftus#98c7ee

“A few cunningly-placed cameras, a couple of threats, and some psychologically unstable recruits – and voila! – a whole new reality may be formed (in that sense, it’s like a real-life version of Barry Levinson’s satire Wag the Dog)” – Alex Saveliev, Film Threat

““Dissects a dramatic event with clear arguments and reasonable analysis–it is very well done. Darkness must be exposed, and Ask No Questions can play a valuable role.” – Ai Weiwei

“The film is particularly relevant now… a cautionary tale about how hard it can be to come to the truth.” – SF Weekly

“It shows the terrifying height of ‘fake news’ and presents a lot of difficult but timely questions about media, governmental authority, censorship, and freedom of the press.” – rocketminer.com

“A wicked trip down the rabbit hole… Without a doubt, Ask No Questions is a must see.” – Unseen Films

“Like an ice bath with each revealed truth being another shred of ice raising the hairs on the back of your neck.” – Slug Magazine

Slamdance Film Festival – Bastards’ Road, Director Brian Morrison

BASTARDS’ ROAD tells the story of the many combat veterans, like Jon Hancock who are navigating the complicated transition back to civilian life. After years of struggling, Jon decided to take an epic journey across the country – on foot. Walking nearly 6,000 miles alone, Jon confronts the demons that had overtaken his life. Visiting his fellow 2/4 Marines – known as the The Magnificent Bastards – and families of their fallen along the way, Jon finds a mission greater than his own redemption. Veterans everywhere are struggling with PTSD. They are taking their own lives at an alarming rate – 50% higher than non-veterans. With remarkable honesty, insight and humor, Jon’s journey is uniquely positive. It’s about changing the ways one relates to traumatic memories. It’s about beginning the healing process. Director Brian Morrison joins us to talk about the raw emotions and the deep pain of men and woman who have done what their country asked them to do.

 

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For news and updates go to: bastardsroad.com

Social Media
facebook.com/bastardsroad
instagram.com/bastardsroadmovie

 

Competition Documentary Feature Film
Premiere: Sunday, January 26th at 1pm in the Ballroom Screening Room
Second Screening: Thursday, January 30th at 6pm in the Gallery Screening Room

 

Slamdance Film Festival Headquarters
Treasure Mountain Inn
255 Main St.
Park City, UT

 

Veteran Suicide Statistics

More than 60,000 Veterans died by suicide from 2008-2017.
The suicide rate for Veterans is 50% higher than it is for non-veterans.
The suicide rate among Veterans aged 18-34 increased 76% from 2005-2017.

DIRECTOR’S STATEMENT – Why would somebody walk that far, for so long? That’s what I asked myself after seeing a news story on TV about somebody I went to high school with. I didn’t know him back then, but we shared many mutual friends. When I first contacted Jon on his walk I knew nothing about what he’d been through. The military was a foreign world to me. None of my family or friends had served. All I had to go on was that he was a Marine and had PTSD. But I was immediately drawn to his story and we quickly took steps to organize a trip for me to follow him for a few days. Over the course of the last 8 months of Jon’s walk, I was able to make a handful of trips to capture pieces of his journey. We became great friends. Most days it was just him and I, but I was lucky enough to meet many guys Jon served with, as well as several Gold Star families of their fallen. It was eye-opening to see Jon’s transformation in their presence. He smiled brighter, laughed harder and cried less. It’s like they kept the best versions of themselves for each other. I learned about the tremendous weight they carry day after day, the scars of war that will never heal, the lost brothers whose ultimate sacrifices they never stop thinking about. But I also learned about strength and selflessness that goes way beyond what most of us as civilians can comprehend. Together, they reminded each other how important it is that they are still here. – Brian Morrison

Slamdance Film Festival, Co-founder and President Peter Baxter

It all began when a group of cheerful, subversive filmmakers weren’t accepted into the Sundance Film Festival. Unwilling to take “no” for an answer, they instead started their own event – Slamdance: Anarchy in Utah. 26 years later, Slamdance has become a year-round organization fostering the development of unique and innovative filmmakers. The organization now consists of the Film Festival, Screenplay Competition and Slamdance Studios. It has also created Slamdance On The Road, a traveling theatrical showcase that brings popular Slamdance films to audiences that otherwise would not have the opportunity to see them. Dan Mirvish, Jon Fitzgerald, Shane Kuhn and Peter Baxter are the founding forefathers who, along with co-conspirator Paul Rachman, fought for truly independent filmmakers by giving them a voice in 1995 at the very first Slamdance Film Festival. Since then, the festival takes place every January in the breathtakingly stunning, snow-capped mountains of Park City, Utah at the exact same time as the Sundance Film Festival, to provide a more authentic representation of independent filmmaking. Up-and-coming writers, directors and producers, alongside seasoned veterans and film lovers, converge for the weeklong celebration of independent cinema, realizing that Slamdance is a great place to find those next, great, visionary films. Slamdance lives and bleeds by its mantra By Filmmakers For Filmmakers. No other film festival in the world is entirely run and organized by the creative force that can only be found in filmmakers. Slamdance adamantly supports self-governance amongst independents, and exists to deliver what filmmakers go to festivals for – a chance to show their work and a platform to launch their careers. The festival has earned a solid reputation for premiering films by first-time writers and directors working within the creative confines of limited budgets. Co-founder and President Peter Baxter joins us to talk about this year’s Slamdance, the groundbreaking films and the innovative new distribution and digital initiatives being launched by Slamdance.

 

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For news and updates go to: slamdance.com
Check out the film schedule at slamdance 2020 schedule

 

Slamdance Film Festival – January 24-30 at the Treasure Mountain Hotel in Park City, Utah

 

Social Media:
facebook.com/SlamdanceFilmFestival
twitter.com/Slamdance
instagram.com/slamogram

 

2019 Slamdance Film Festival Spotlight

Spiral Farm, Director Alec Tibaldi

Up a dirt road, nestled in the hills of Southern California lies Spiral Farm, a vibrant and colorful intentional community inspired by the communes of the late 60’s. Its eclectic inhabitants look out for each other, as they work side by side on this completely self sustaining permaculture farm. 17 year-old Anahita (Piper De Palma), has lived on Spiral Farm for as long as she can remember and dreams of one day leaving the safety of Spiral and pursuing a career as a dancer. However, whenever she makes these plans she is always deterred by the thought of leaving Ocean, her eight year old nephew who she cares for and shares a deep bond with. Stifled by her responsibilities to her family and the commune, Anahita has developed what her mother (Amanda Plummer) calls a “bashfulness” when it comes to sexuality. When her mother’s old flame, Maurizio (Cosimo Fusco) arrives for an unexpected visit, he brings along his teenage son, Theo (Teo Halm). Anahita is immediately drawn to him, confused by her newfound feelings. When Theo discovers her passion for dance he encourages her to journey into the city for an audition. Away from the confines of the communes, Anahita discovers that although she lacks the technical skills to be a professional dancer, she may still be able to leave Spiral by going to college in the city changing the course of her life. But will Anahita, who has been so dedicated to others chose to live for herself? Director and writer Alex Tibaldi joins us to talk about his feature film debut and his intimate, moving character study of women in transition, searching for meaningful connections.

Letterboxd.com/film/spiral-farm

Behind the Bullet, Director Heidi Yewman

BEHIND THE BULLET is the directorial debut from author and activist, Heidi Yewman. When her former basketball coach and teacher, Dave Sanders was killed in the Columbine High School massacre along with 12 students, she began profiling the lives of those altered by the impact of gun violence. She is a tireless advocate for gun safety, sitting on the boards of The Brady Campaign to Prevent Gun Violence, Women Donors Network, Stop our Shootings, and Trauma Intervention Program of Portland, OR. In BEHIND THE BULLET will make it’s world debut as a documentary competition selection at the 2019 Slamdance Film Festival, Yewman chronicles an in-depth look at four individuals who have pulled the trigger and the profound impact it’s had on their lives. Every year, almost 40,000 people are shot and killed in America. Each shooting devastates and forever changes the victim’s family and friends. BEHIND THE BULLET explores a side of gun violence that’s rarely talked about – the impact a shooting has on the shooter. Four individuals share how the pull of a trigger, changed them emotionally, physically, psychologically, and spiritually. They describe the conflicting emotions and moral injury that comes after a self-defense, accidental, or unintentional shooting, offering a new and unbiased perspective on gun violence. Director Heidi Yewman joins us to talk about the devastating impacts that guns and the profound impact they have had on four people’s lives.

 

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For news and updates go to: behindthebulletfilm.com

“BEHIND THE BULLET is a captivating and honest look at what is going on in our country when it comes to gun control.  It looks at all sides of the issue that sometimes the media does not discuss or cover.  This is a must see film in our current climate.”   — Peter Hammond, Deadline

“Behind The Bullet is just WOW – an amazing insight into what we are dealing with in the U.S.  It’s a refreshing insight and a story that needs to be told.”  — Chris Gardner, The Hollywood Reporter

This Teacher, Actor Kevin Kane (Director Mark Jackson)

THIS TEACHER follows a French Muslim woman (Cesar-winner Hafsia Herzi) as she travels to New York City to visit her childhood best friend from the rough neighborhoods outside of Paris. When the reunion proves disastrous, Hafsia steals her friend’s credit card and identity, and disappears to a remote cabin upstate. Deep in the woods and alone for the first time in her life, she experiences a divine revelation of an existence without borders. But when she discovers that she’s not alone on the property, Hafsia’s sojourn in nature gradually descends into a terrifying study of the intolerance and suspicion she encounters and reflects back to an Islamophobic America. Written and directed by Mark Jackson featuring a score composed from the Grammy nominated Dave Eggar, the film stars: Cesar-winner Hafsia Herzi  (The Secret of the  Grain)  Sarah Kazemy (Circumstance)  Lucy Walters (Power), Kevin Kane (Inside Amy Schumer), and Lev Gorn (The Americans). Jackson’s previous films have won 17 awards including an Independent Spirit Award and a Gotham Nomination.  Jackson is also a Sundance, Cinereach and Skywalker Sound Fellow. Actor Kevin Kane joins us for a conversation on THIS TEACHER’S closing night screening at the 2019 Slamdance Film Festival, intolerance and not being afraid to love.

For news and updates go to: visitfilms.com/This Teacher

Slamdance Film Festival Co-founder Peter Baxter

It all began when a group of cheerful, subversive filmmakers weren’t accepted into the Sundance Film Festival. Unwilling to take “no” for an answer, they instead started their own event – Slamdance: Anarchy in Utah. 24 years later, Slamdance has become a year-round organization fostering the development of unique and innovative filmmakers. The organization now consists of the Film Festival, Screenplay Competition and Slamdance Studios. Dan Mirvish, Jon Fitzgerald, Shane Kuhn and Peter Baxter are the founding forefathers who, along with co-conspirator Paul Rachman, fought for truly independent filmmakers by giving them a voice in 1995 at the very first Slamdance Film Festival. Since then, the festival takes place every January in the breathtakingly stunning, snow-capped mountains of Park City, Utah at the exact same time as the Sundance Film Festival, toprovide a more authentic representation of independent filmmaking.  Up-and-coming writers, directors and producers, alongside seasoned veterans and film lovers, converge for the weeklong celebration of independent cinema, realizing that Slamdance is a great place to find those next, great, visionary films.  Slamdance lives and bleeds by its mantra By Filmmakers For Filmmakers. No other film festival in the world is entirely run and organized by the creative force that can only be found in filmmakers. Slamdance adamantly supports self-governance amongst independents, and exists to deliver what filmmakers go to festivals for – a chance to show their work and a platform to launch their careers. The festival has earned a solid reputation for premiering films by first-time writers and directors working within the creative confines of limited budgets. Co-founder and President Peter Baxter joins us to talk about this year’s Slamdance, the groundbreaking films and the innovative new distribution being launched by Slamdance.

 

Download MP3 Podcast | Open Player in New Window

For news and updates go to: slamdance.com

Check out the film schedule at slamdance 2019 schedule

Slamdance Film Festival will take place January 25-31, 2019 in Park City, Utah

Social Media:

facebook.com/SlamdanceFilmFestival

twitter.com/Slamdance

instagram.com/slamogram

Carrie Lozano, Director IDA Enterprise Documentary Fund

The International Documentary Association (IDA) is dedicated to building and serving the needs of a thriving documentary culture. Through its programs, the IDA provides resources, creates community, and defends rights and freedoms for documentary artists, activists, and journalists. IDA is the only group advocating specifically for the documentary filmmaking community. In many ways, this makes IDA’s advocacy work the most important and relevant work we do. Documentary storytelling expands our understanding of shared human experience, fostering an informed, compassionate, and connected world. The Enterprise Documentary Fund is one of the many logistical and financial programs offered by IDA.

About the Enterprise Documentary Fund: 

In the face of an all-out assault on the press, IDA is committed to standing behind the independent storytellers and watchdogs that make up our community—in large part, through the newly created Enterprise Documentary Fund. Made possible by a generous grant from the John D. and Catherine T. MacArthur Foundation, the fund will disburse $1 million per year for the next four years, in the form of production grants up to $100,000 and development grants up to $15,000. The fund is intended to support primarily mid-career filmmakers producing feature-length, in-depth explorations of original, contemporary stories with a journalistic foundation or that incorporate journalistic practice into the filmmaking process. The mission of the Enterprise Documentary Fund is admittedly ambitious: It seeks to provide valuable resources and support systems (not unlike those in newsrooms) for filmmakers taking on the critical stories of our time. Originally sparked by the findings in “Dangerous Documentaries,” the fund is a response to pleas from filmmakers themselves. In interviews recently conducted by Toni Bell, IDA’s Filmmaker Services Manager, filmmakers reiterated the major findings in “Dangerous Docs”: They want access to information about digital and physical security, research databases, legal and other experts, public relations strategists and mentors. Exercising our rights to free speech and freedom of the press are critical for a healthy democracy. As I write this, these rights are clearly under assault, and we owe it to ourselves and to the public to staunchly call ourselves journalists and artists—they are not mutually exclusive.”Carrie Lozano, Director of the Enterprise Documentary Fund

 

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For news and updates go to: documentary.org

For updates on funding resources go to: documentary.org/funding

Bernard and Huey, Director Dan Mirvish

Directed by Slamdance Film Festival co-founder Dan Mirvish (BETWEEN US) from a long-lost script by Oscar/Pulitzer-winning cartoonist and screenwriter Jules Feiffer (Mike Nichols’ CARNAL KNOWLEDGE, Robert Altman’s POPEYE) based on characters that date back to 1957, BERNARD AND HUEY is the story of roguish Huey (David Koechner, ANCHORMAN) and nebbishy Bernard (Oscar-winner Jim Rash, THE WAY WAY BACK), who are unlikely collegiate friends in late 1980s New York. Years later, a bedraggled Huey crashes at Bernard’s upscale bachelor pad. As the two reconnect, Bernard falls in love with Huey’s estranged daughter Zelda (Mae Whitman, GOOD GIRLS), an aspiring graphic novelist who’s got a seductive new creative partner, Conrad (Eka Darville, JESSICA JONES). Huey slowly gets his mojo back and tries to seduce the various women in Bernard’s life, including his off-again girlfriend Roz (Sasha Alexander, RIZZOLI & ISLES) and colleague, Mona (Nancy Travis, SO I MARRIED AN AXE MURDERER), while reconnecting with his ex-wife  (Bellamy Young, SCANDAL) and brother (Richard Kind, ARGO).  As Bernard and Huey return to their old ways, at least one of them finds himself in danger of marrying a woman old enough to be his wife. An award-winning film that’s screened at over 25 festivals in 5 continents, BERNARD AND HUEY is a particularly timely story of two men behaving badly, and the smart women who rein them in. Director Dan Mirvish joins us for a conversation on getting older, acknowledging that we get older, love, romanced the genius of Jules Feiffer.

 

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For news and updates go to: bernardandhueymovie.com

76% on Rotten Tomatoes

“Devoted Feifferites, not to mention fans of Mr. Rash and Mr. Koechner, who get to flex their muscles nicely here, will be well sated.” – Glenn Kenny, New York Times

“Mirvish has stylishly blended the past and present for a comfortable vibe that makes the film fun and cool despite the ridiculous relationship chaos swirling around.” – Bradley Gibson, Film Threat

“As you might hope for a film with a script from the great Jules Feiffer, Dan Mirvish’s Bernard and Huey bristles with anxious, circuitous, hilarious talk.” – Alan Scherstuhl, Village Voice

“Feiffer’s distinctive writing resonates even decades later.” – Frank Scheck, Hollywood Reporter

Human Affairs, Director Charlie Birns

Friday, January 19, 2018 – Human Affairs, Director Charlie Birns

HUMAN AFFAIRS is a compassionate drama about a young, successful theatre couple in New York City who meet their surrogate mother for the first time, and embark on a startling and intimate weekend of surprises and emotional revelations. Featuring powerful performances from Kerry Condon (Better Call Saul, Three Billboards outside Ebbing, Missouri) and Dominic Fusuma (13 Hours, Focus) and a standout portrayal by young French actress Julie Sokolowski (star of Bruno Dumont’s   Hadewijch) as Genevieve, the film also features David Harbour (Stranger Things). Writer / director / actor Charlie Birns has crafted a nuanced debut feature drama  about embarking on the precarious closeness of surrogacy while bravely searching for a connection.  Featuring exquisite cinematography by Sean Price Williams,  Good Time and Heaven Knows What and with the Safdie Brothers,  Listen Up Philip and Queen of Earth with Alex Ross Perry, the HUMAN AFFAIRS experiments with new modes of cinematic storytelling, employing raw performance, unexpected sound design, editing, narration and the use of still photography to dazzling effect. Director Charlie Burns joins us for a conversation on the challenges and rewards of directing his first feature film and the film’s debut at the 2018 Slamdance Film Festival.

 

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http://human-affairs.com/

A clip from Human Affairs: vimeo.com/250217517

Quest, Director Santiago Rizzo

Slamdance Film Festival narrative featureQuest,” starring: Dash Mihok (“Ray Donovan,” “Silver Linings Playbook,” and “Romeo + Juliet”),  and Lou Diamond Phillips (“La Bamba,” “Courage Under Fire,” and “Young Guns”) is included in the Slamdance 2018 Special Screening section. “Quest,” a beloved audience award winner that debuted at the Mill Valley Film Festival this fall, and has continued to win award after award throughout it’s festival journey. Quest’s will debut on Monday, January 22nd, 2018, at the Slamdance Film Festival. This powerful film addresses the brutality of child abuse in a way we haven’t seen before, winning praise from the foster child community, among others who see the plight of this epidemic firsthand. Quest is a story that speaks to the power of love, and it’s ability to reach us even through the darkness and pain that surround us. Based on a true story, the film follows an uncertain friendship between a 12-year-old graffiti addict “ Mills” (Greg Kasyan, in his debut role), who faces abuse from his stepfather (Lou Diamond Phillips), and a devoted teacher & coach named Tim Moellering (Dash Mihok), who believes there is no such thing as a bad kid – only a bad situation. Based on the stories of their lives in the Bay Area of California, the first draft of Quest was written together by first time director Santiago Rizzo, and his mentor & teacher Tim Moellering (whom has sadly since passed away from Pancreatic Cancer before he could see the film made). Director, producer and writer joins us for a conversation on his debut film.

For news and updates go to: quest.film

For more on Director Santiago Rizzo’s story go to: quest.film/filmmaker

 

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SLAMDANCE SPECIAL SCREENINGS

Monday, January 22, 6:30 PM
Wednesday, January 24, 12:30 PM

Treasure Mountain Inn — Ballroom

Awards:

Berkeley Video & Film Festival

Won, Grand Festival Award for Best Film

Mill Valley Film Festival

Won, Audience Award for U.S. Cinema Indie

Napa Valley Film Festival

Won, Audience Award for Favorite Narrative Feature

Won, Audience Award for Favorite Actor

Won, Jury Award for Best Lounge Feature

Oldenburg Film Festival

Won, Seymour Cassel Award for Outstanding Performance by an Actor

Nominated, German Independence Award – Audience Award for Best Film

Roll With Me, Director Lisa France

introducing us to the charismatic Gabriel Cordell. After hitting rock-bottom, this newly sober paraplegic attempts to save his gang-banger (and barely out of rehab) nephew’s life by bringing him along on a record breaking 3,100-mile wheelchair trek across the United States. This intense trip will challenge Gabriel physically and emotionally as he becomes a vision of hope for countless strangers along his journey. Gabriel’s support crew is an unlikely team, that become a family. All of them are from very different backgrounds and each dealing with their own issues – PTSD, homelessness, unemployment, family estrangement and sobriety struggles. What started out as a challenge to push an unmodified wheelchair from California to New York, morphs into a most transcendent journey that fills your heart for long after the movie ends and the screen grows dark. In an age divided, Roll With Me ignites our common humanity and urges us to find our inner hero or heroine. We can be heroes…every single day that we reach outside of ourselves. Director Lisa France joins us to talk about her own journey and the challenges involved with a cross-country trek with 9 people in a small SUV and no film making experience.

For news and updates go to: rollwithmethemovie.com

 

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“Roll With Me” Slamdance Film Festival Premiere & Red Carpet:

Monday, January 22nd 

3:30pm— Red Carpet

4:00pm— Festival Premiere Screening 

5:40pm — Q&A to follow with cast & filmmakers.

*Select tickets for screening still available upon request.

Location: The Ballroom at Treasure Mountain Inn

Awards:

Virginia Film Festival

 Won, Audience Award for Documentary Feature

Woodstock Film Festival

Won, Carpe Diem Andretta Award

Runner Up, Audience Award