Ernie and Joe: Crisis Cops, Director Jenifer McShane and film subjects Ernie Stevens and Joe Smarro

In the new HBO Documentary Film – ERNIE & JOE: CRISIS COPS, director Jenifer McShane dives into the lives of these incredible officers and their amazing mental health unit officers, trying and succeeding in doing good and truly making an impact. Winner of the Special Jury Award for Empathy in Craft at the 2019 SXSW Film Festival, director Jenifer McShane follows two members Ernie Stevens and Joe Smarro of the San Antonio Police Department’s 10-person Mental Health Unit who are helping to change the way police respond to mental health calls. Their jail diversion work is humane and desperately needed to improve not only the health of the mentally ill, but also of their families. The duo head the special team that looks to treat mental health calls as opposed to the traditional policing tactics. Drawing on their own experiences, each have learned that the old ways of policing and dealing with mental health issues weren’t working. The issues they face as a department are the issues every community and police department in the country faces. The two officers and their colleagues in this unique department provide hope and inspiration at a time when we need it most, and show that great ideas and inspiration can come from any corner of the country.  Director Jenifer McShane and film subjects Ernie Stevens and Joe Smarro join us for a conversation on the trailblazing work being done by themselves and their colleagues as well as the withering and sometimes frustrating challenges that mental health, “crisis cops” deal with in the face of a national mental health epidemic.

 

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For news, theatrical screenings and updates go to: ernieandjoethefilm.com
For screening information go to: hbo.com/documentaries/ernie-and-joe

Social Media:
facebook.com/ernieandjoethefilm
twitter.com/ernieandjoe
instagram.com/ernieandjoethefilm

 

Winner – Special Jury Prize – 2019 SXSW Film Festival
Winner – Grand Jury Prize Documentary – 2019 Independent Film Festival Boston

 

“No story or lecture can replace the power of witnessing this empathy in action, and Ernie & Joe is a moving, important testament to the impact that this unique approach can make on a community.”- Tori Preston, Pajiba

“Impressively intimate” – VARIETY

“One of the Best Films of SXSW 2019” – THE HOLLYWOOD REPORTER

“Should Change the Conversation on Modern Police Work” – GLIDE MAGAZINE

“10 out of 10 STARS” – FILM THREAT 

Atlantics, Director Mati Diop

Winner of the Grand Prix at the 2019 Cannes Film Festival, ATLANTICS marks the feature narrative debut of director Mati Diop. Along the Atlantic coast of Africa, a soon-to-be-inaugurated futuristic tower looms over a suburb of Dakar. Ada, 17, is in love with Souleimane, a young construction worker. But she has been promised to another man. One night, Souleimane and his co-workers disappear at sea. Soon after, they come back to haunt their old neighbourhood by taking possession of the girlfriends they left behind. Some of the workers have come claiming revenge and threaten to burn the tower down if the developer does not pay their wages. But Souleiman has come back for Ada, so they can be together one last time. Director and writer Mati Diop joins us for a conversation on her compelling new film, finding love, and the mythology of a ghost story.

About the filmmaker: Trained in Le Fresnoy (National Studio of Contemporary Arts – a leading and very selective French artistic institution), Mati Diop directed four shorts and a medium-length film which received the “Martin E. Segal – Emerging Artist Award” of the Lincoln Center (USA) in 2016. A THOUSAND SUNS (2013), BIG IN VIETNAM (2011), SNOW CANON (2010) and ATLANTIQUES (2009) were selected and awarded in a wide number of international festivals such as the Venice International Film Festival, the Toronto International Film Festival, the Rotterdam International Film Festival, the Viennale, The Indie Lisboa International Film Festival, and the FID Marseille. They were also programmed in the MoMA and in the Moving Image Museum (USA). As an actress, Mati Diop played in HERMIA Y HELENA by director Matias Piñeiro (2015), FORT BUCHANAN by Benjamin Crotty (2014), SIMON KILLER by Antonio Campos (2012) and 35 SHOTS OF RHUM by Claire Denis (2008).

 

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For news, screenings and updates go to: mk2films.com/en/film/atlantics

Social Media:
facebook.com/mk2films/photos/atlantics-by-mati-diop
twitter.com/hashtag/atlantics
twitter.com/#MatiDiop

 

Grand Prix Winner, Cannes Film Festival 2019
Official Selection, Toronto International Film Festival 2019
Official Selection, New York Film Festival 2019
Mati Diop, Mary Pickford Award Winner, Toronto International Film Festival 2019

 

“This shape-shifting Senegalese drama is pure cinematic poetry. Slipping in and out of modes with a magician’s confidence, Atlantics is mysterious and mythic, with a wizardly use of sound and some unforgettable images.” ★★★★★ The Telegraph – Tim Robey

“A striking work, with a lyrical, richly evocative ghost story. Exquisitely shot by Claire Mathon and lushly scored by Fatima Al Qadiri, the film pulls together some exceedingly strong components.”The Hollywood Reporter – Leslie Felperin

“Constantly intriguing, Atlantics is an intense romance notable for the craft of the filmmaking and Diop’s original approach to complex issues of love, loss and the forces for change that can rise from the ashes of tragedy.”Screen International – Allan Hunter

“A gorgeous, mesmerizing feature directorial debut. Atlantics is an absorbing, otherworldly vision of an alienated seaside life in Dakar.”IndieWire – Eric Kohn

“A romantic and melancholy film, part social commentary, part ghost tale, that works best in its evocation of loss and female solidarity.”Variety – Jay Weissberg

Scandalous: The Untold Story of the National Enquirer, Director Mark Landsman

Sex! Gossip! Scandal! For over 60 years, the National Enquirer has pumped out salacious, shocking stories, stretching the limits of journalism and blurring the lines between truth and fiction. Magnolia Pictures’ SCANDALOUS: The Untold Story of the National Enquirer, charts the thrilling origin story and influence of (in)famous supermarket tabloid the National Enquirer. The paper that former editor-in-chief Steve Coz called “the most perfectly placed piece of propaganda in America.” SCANDALOUS is the sensational true story of the most infamous tabloid in US history, a wild, probing look at how one newspaper’s prescient grasp of its’ readers darkest curiosities led it to massive profits and influence. From its coverage of Elvis’s death, to Monica Lewinsky and the O.J. Simpson murder trial, the National Enquirer rattled the foundations of American culture and politics, sometimes allegedly using payoffs and blackmail to get its scoops. With rare archival footage and revelations as wild as National Enquirer headlines themselves, SCANDALOUS  examines our obsession with the rich, famous and powerful, and the tabloid that has fed those obsessions for generations of Americans. SCANDALOUS: The Untold Story of the National Enquirer will open in select theaters on November 15, and features interviews with former Enquirer reporters and editors, including Iain Calder and Steve Coz, as well as journalists Ken Auletta, Carl Bernstein, and Maggie Haberman. Director Mark Landsman joins us to talk about the history of the supermarket tabloid that made UFO’s and mayhem respectable and in the process changed the way we consume all forms of media.

 

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For news, screenings and updates go to: Scandalousfilm.com

SCANDALOUS: THE UNTOLD STORY OF THE NATIONAL ENQUIRER panel discussion on Friday (11/15) after the 7:10 pm show with director Mark Landsman and former National Enquirer reporters Tony Brenna, Judith Regan and Barbara Sternig. Q&A after the 7:10 pm show on Saturday (11/16) with producers Aengus James and Kristen Vaurio at the Royal.

Social Media:
scandalousfilm.com
twitter.com/scandalousfilm
instagram.com/scandalousfilm

Mark Landsman – twitter.com/markolands

“While watching this entertaining documentary, keep in mind the claim made by journalist Ronan Farrow: The National Enquirer has buried at least 60 super-sleazy stories about our… president.” – Charles Mudede, The Stranger

“The story of the National Enquirer comes to life in Scandalous, a vibrant true Hollywood story that pulls numerous twists and turns.” – Kristen Lopez, Culturess

“”Scandalous” doesn’t break a lot of new ground in style, but it is a fascinating and essential examination of the media we consume and what consumes us.” – Karen M. Peterson, AwardsCircuit.com

“A journalism expose that lives up, or down, to its hype.” – Roger Moore, Movie Nation

Saving Atlantis, Co-directors Justin Smith and David Baker

The problem: The decline of the world’s coral reefs

Coral reefs cover only 0.1 percent of the Earth’s surface, but they’re home to 25 percent of all marine species, and they’re being lost at an alarming rate. Pollution, overfishing and climate change are some of the human-influenced culprits in the dramatic decline of these magnificent natural structures. Coral reefs serve as a linchpin in the global food web. Their decline leads our entire planet in a perilous direction. But research from scientists around the world hints at bright spots where real strides can be made in preservation and protection of these habitats.

The film: SAVING ATLANTIS

Narrated by actor and activist Peter Coyote, SAVING ATLANTIS is a feature-length documentary film by Oregon State University that covers the dramatic decline of the world’s coral reefs and those who are fighting to save them. Following the Global Coral Microbiome Project, a National Science Foundation-funded effort to understand the underlying causes of coral disease, as well as other coral conservation efforts, SAVING ATLANTIS focuses on the plight of an endangered habitat and the people most dramatically impacted by its disappearance. It is an emotional exploration of some of our planet’s greatest natural wonders at a tipping point in their ecological history. Co-directors Justin Smith and David Baker join us to talk about the intense research being done to save this invaluable planetary resource.

 

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For news and updates go to: corals.oregonstate.edu/saving-atlantis

November 12 – The Bygone, Co-directors Graham Phillips and Parker Phillips

The inspiration for Parker Phillips and Graham Phillips debut feature film THE BYGONE was born from the grim effects of the recent oil boom in North Dakota. Beyond the environmental impact of the fracking itself, the boom brought a wave of lawlessness to a region not suited to respond to the flood of tens of thousands of predominantly male workers. Along with the drugs, violence and crime, this wave brought a heightened market for the sex trade, which disproportionately targeted and exploited young Native American women – our country’s most marginalized demographic, made vulnerable by centuries of disenfranchisement, discrimination and sexual victimization. It is compelling that natural resource extraction has once again led explicitly to the disruption of indigenous peoples and their culture, a narrative that echoes the gold rush and is as old as the foundations of America itself. The film explores the tension in this relationship within the modern western landscape, following a North Dakota cowboy and a Lakota girl as they attempt to survive in a land increasingly hostile to the Old West. In shedding light on the lawless shadows of our country, we learn how we have progressed as a Nation and what has remained unchanged, exploring the contemporary status of age-old relationships: East vs. West, Land vs. Industry, Cowboy vs. Indian, and ultimately the Future vs. the Bygone. The co-directors and screenwriters Parker Phillips and Graham Phillips stop by to talk about how their compelling feature film debut weaves together stories of sexual violence, human trafficking, fracking’s impact on America’s declining middle class and the historic abuse of Native Americans.

 

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For news, screenings and updates go to: phillipspictures.com/bygone

Social Media:
twitter.com/grahamphillips
instagram.com/grahamphillips

 

Cold Brook, Director William Fichtner

COLD BROOK follows two men who live in a small college town in upstate New York. They are best friends who work the night shift as museum guards and handymen. Their lives are simple and mostly satisfying, until they are confronted with a supernatural situation. The men are then faced with a dilemma that puts their jobs, marriages, and their futures on the line. COLD BROOK is the directorial debut of William Fichtner (Armageddon, Black Hawk Down, Mom), who co-wrote the film alongside Cain DeVore. Fichtner also stars in Kim Coates (The Client, Black Hawk Down, Sons of Anarchy), Harold Perrineau (Romeo + Juliet, 28 Weeks Later, Sons of Anarchy) Robin Weigart (Concussion, Deadwood) and Mary Lynn Rajskub (Safety Not Guaranteed, The Kings of Summer, Sunshine Cleaning). Director William Fichtner joins us to talk about making a heartwarming, genre bending film in his upstate New York hometown surrounded by many of his closest friends.

 

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For news, screenings and updates go to: vert-ent.com

Social Media:
facebook.com/VertEnt
facebook.com/officialwilliamfichtner
twitter.com/kimfcoates

 

“Cold Brook is an adult fairy tale that embraces its broad interpretations to remind its leading men about what truly matters most.” – Jared Mobarak, The Film Stage

“… Cold Brook succeeds in part by its fantastic cast, but mostly by its focus on simplicity. There’re no grand fights or superfluous moments, just a tale of love that transcends time and mortal existence.” – Douglas Davidson, Elements of Madness

“Are You Ready To Be Different: Part ghost tale, part Bartleby while at the same time a captivating slavery reparations fable, the film flirts with the supernatural even with its heart planted firmly in sobering class and race issues historically and now.” – Prairie Miller, WBAI Radio

“Hard to pin down, but moving nonetheless.” – Frank Scheck, Hollywood Reporter

The Kingmaker, Director Lauren Greenfield

Centered on the indomitable character of former first-lady Imelda Marcos, THE KINGMAKER examines, with intimate access, the Marcos family’s improbable return to power in the Philippines. THE KINGMAKER explores the disturbing legacy of the Marcos regime and chronicles Imelda’s present-day push to help her son, Bongbong, win the vice presidency. To this end, Imelda confidently rewrites her family’s history of corruption, replacing it with a narrative of a matriarch’s extravagant love for her country. In an age when fake news manipulates elections, Imelda’s comeback story serves as a dark fairy tale. Director Lauren Greenfield (Generation Wealth, The Queen of Versailles, Thin) joins us to talk about a powerful political family, led by a single-minded matriarch, determined to return to re-capture the corrupted glory of  her family’s discredited regime.

 

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About the filmmaker, Lauren Greenfield Named by the New York Times as “America’s foremost visual chronicler of the plutocracy,” Emmy Award–winning filmmaker/photographer Lauren Greenfield has produced groundbreaking work on consumerism, youth culture and gender for the last 25 years. Her films Generation Wealth, The Queen of Versailles and Thin and photography books Generation Wealth, Fast Forward and Girl Culture have provoked international dialogue about some of the most important issues of our time. The Queen of Versailles was the opening night film of the 2012 Sundance Film Festival, where it won the Best Documentary Director Award and was named by Vogue as  one  of  the  top  documentaries  of  all time. Her record-breaking Super Bowl ad #LikeAGirl (250+ million views) earned her 14 Cannes Lions and the Most Awarded Director by Ad Age, making her the first woman to top this list. Generation Wealth (Amazon Studios) opened the 2018 Sundance Film Festival, screened at Berlinale and received a Writers Guild nomination. The companion exhibition received The Paris Photography prize, has traveled around the world and opens at the Louisiana Museum of Modern Art (Copenhagen) in Fall 2019. In 2019, Greenfield launched Girl Culture Films to address the lack of diversity of directors in the advertising industry.

For news, theatre screening and updates go to: thekingmakerfilm.com

Social Media:
facebook.com/laurengreenfield
twitter.com/lgreen66
instagram.com/greenfield_lauren

 

OFFICIAL SELECTION – Venice International Film Festival
OFFICIAL SELECTION – Telluride Film Festival
OFFICIAL SELECTION – Toronto International Film Festival

 

“Jaw dropping. Lauren Greenfield proves the perfect person to infiltrate Imelda Marcos’ psyche.”- Peter Debruge, Variety

 “An enraging portrait of entitlement, opulence and corruption. Greenfield shows a knack for illuminating the oddly hypnotic allure of obscene, tacky wealth.” – Tim Grierson, Screen International

 “Eye opening. Lauren Greenfield transforms an absorbing look at the life and legacy of Imelda Marcos into a fascinating documentary about the Marcos family’s troubled history – and the disturbing ways that it’s making a comeback today.” – Eric Kohn, IndieWire

:Marcos innately understands the importance of image, but she seems to have underestimated her inquisitor, who uses well-chosen historic footage and powerfully-edited interviews with other Filipinos to gradually expand the canvas.” – Elizabeth Weitzman, TheWrap

Disco’d, Director Matthew Siretta and Producer Sam Mantell

Between 2015 and 2016, the number of homeless people in Los Angeles County rose 23% to nearly 58,000. DISCO’D is a character-driven portrait of individuals who were living on the street at the time of filming. This riveting, on-the-ground documentary film captures the moment-to-moment uncertainty and endless instability of life on the streets. Immersive and intimate, highlighting issues of displacement, affordable housing, addiction, consumerism, and sanitation, DISCO’D examines the nature and complexities of homelessness. Navigating through the streets with those who live there, DISCO’D tells a story of those affected by homelessness in Los Angeles. We have seen homeless communities sweep into all parts of the city in recent years. Director, / Producer / Editor  Matthew Siretta and Producer / Sound Engineer Sam Mantell join us to talk about his unsettling film that captures the chaos and sheer hopelessness of the men and woman with no where else to go.

Filmmaker(s) statement: “As filmmakers, we tried to explore human connections by examining interpersonal relationships, and self-reflection, while maintaining a firm look at the people who live within this uneasy margin of society. By facilitating a conversation about these individuals’ relationships with themselves, others, and the city that contains them, we can intimately recognize and connect with them in a very real way. From the beginning, our intention was to make a film that felt personal and experiential, with a narrative that emerged from the frame of human behavior. We wanted to focus on the visceral aspects of their stories, relating to them through feeling, expression, action, and reaction. For us, it was important to remain open to discovery, new connections, and interesting juxtapositions. As they share their lives with us, we come to understand what it means to feel “disco’d” on the streets of Los Angeles. We hope this film is a powerful portrayal that can positively impact the ideas and thoughts viewers may have around what it means to experience homelessness in Los Angeles. That said, we hope that you find the film consistent with our efforts, as we’ve attempted to create a meaningful portrait on homelessness in Los Angeles.” – Matthew Siretta and Sam Mantell

 

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For news, screenings and updates go to: discodmovie.com

Social Media:
facebook.com/DiscodMovie
twitter.com/discodmovie
instagram.com/discodmovie
Sam Mantell: twitter.com/slmantell
Matthew Siretta: twitter.com/MATTHEW_SIRETTA

 

“Important doc on LA homeless.” – Sean Baker, @Lilfilm

“Siretta meant to nab his hero Frederick Wiseman as his mentor and he succeeded, so maybe keep an eye peeled.” – Pamela Cohn,  Filmmaker Magazine

“Impressed with the film, particularly as a first-time feature. Raw, accomplished filmmaking. It’s very strong…and some of the characters are extraordinary.” – Jim Kolmar,  SXSW Film Festival

“…A deeply engrossing portrait of Los Angeles homeless life.” – Harry Vaughn,  Sundance Film Festival

“The film provides its subjects the agency to tell their own stories, without judgment or suggestion. The camerawork and editing are sharp and well-suited to the film’s narrative.” – David Wilson,  True/False Film Festival

All-Americans, Director Billy McMillin

THE ALL-AMERICANS takes us into the home to the nation’s largest Latino immigrant population, East Los Angeles, a community that sits squarely in the crossfire of debate about American identity. Yet every November, this community comes together for a distinctly American event, drawing 25,000 proud locals to one of the country’s fiercest high school football rivalry games: The East L.A. Classic. THE ALL-AMERICANS follows four students seeking glory on the field, while grappling with personal obstacles and striving to make sense of their community’s place in today’s America. Director / Producer / Editor / Writer Billy McMillin (Iraq in Fragments, West of Memphis, Mike Wallace is Here) joins us to talk about his feature documentary debut, THE ALL-AMERICANS, and it’s intimate, unvarnished look at young men, often living on the margins, in their dogged pursuit of the American dream.

About the filmmaker: Billy McMillin – Director, Producer, Writer, Editor has spent over a decade as a writer and editor crafting a diverse mix of stories—from war-torn life in Academy Award Nominee Iraq in Fragments, to an epic search for justice in West of Memphis, to a quest for greatness amongst the world’s best 7-year-old golfers in The Short Game. He edited Hulu’s original documentaries Becoming Bond and Too Funny To Fail, and led a team of editors on History & Viceland’s docuseries Hunting ISIS and SundanceTV’s true crime series No One Saw a Thing. Most recently, he edited the all-archival feature documentary Mike Wallace Is Here, which premiered in competition at the 2019 Sundance Film Festival and was released theatrically by Magnolia Pictures this summer. The All-Americans is his feature directorial debut.

 

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For news, screenings and updates go to: allamericansfilm.com

Social Media:

facebook.com/all-americansdoc

twitter.com/allamericansdoc

instagram.com/allamericansfilm

Tags: #TheAllAmericans, #eastla, #eastlosangeles, #eastlaclassic, #eastlaclassic2019

“A winning fly-on-the-wall portrait of Latino Americanness, as reflected in East LA’s greatest high school football rivarly.” – Roger Moore, Movie Nation

Queen of Hearts, Director May el-Toukhy

QUEEN OF HEARTS tells the story of Anne, a brilliant and dedicated lawyer specializing in children and young adults, living what appears to be the picture perfect life with her doctor-husband, Peter, and their twin daughters. When her estranged teenage stepson, Gustav, moves in with them, Anne’s escalating desire leads her down a dangerous rabbit hole which, once exposed, unleashes a sequence of events that threatens to destroy her world. Denmark’s official entry for the 2019 Academy Award for Best Foreign Film, QUEEN OF HEARTS explores the making of a tragic family secret step by step, as the consequences of hubris, lust and lies conspire to create an unimaginable dilemma. With bold and astonishing vision, co-writer/director May el-Toukhy masterfully builds Anne’s world, seducing the viewer into complicity before maneuvering her protagonist onto an unsettling and shocking path. Trine Dyrholm, one of Denmark’s finest dramatic actresses, skillfully inhabits the complicated Anne. In a finely calibrated performance, Dyrholm humanizes Anne’s contradictions and unpredictable behavior, creating an even more disconcerting character. A riveting and provocative film, QUEEN OF HEARTS is a portrait of a woman who manages to lose everything and nothing at the same time. Director and co-screenwriter May el-Toukhy joins us for a lively conversation on her shattering tale of power, family and self-preservation.

 

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For news, screenings and updates go to: bgpics.com/movies/queen-of-hearts

Social Media:
twitter.com/queenofhearts
facebook.com/queenofhearts
instagram.com/queenofhearts
twitter.com/hashtag/mayeltoukhy

 

“Shot in icy blues and whites and among the hard edges of a modernist home, there’s nothing very comfortable about this environment; el-Toukhy doesn’t want us to get cosy.” – Alex Heeney, Seventh Row

“Queen of Hearts is certainly not a comfortable watch, let alone a pleasant one. But it is a fearless, important film whose impact explodes primarily out of the core collaboration between its masterful director and her main actor.” – Alexandra Heller-Nicholas, AWFJ Women on Film

“A challenging sit, especially when Anne’s actions shift from ethically bankrupt to outright despicable, making her one of the most complicated female villains of recent memory.” – Tomris Laffly, RogerEbert.com

“Dyrholm, who remains one of Denmark’s most accomplished contemporary performers, adds another signature performance to her filmography as Anne, a good person who, like everyone, has the capability of doing terrible things.” – Nicholas Bell, IONCINEMA.com

St. Louis Superman, Director Smriti Mundhra and Sami Khan

Bruce Franks Jr. is a 34-year-old battle rapper, Ferguson activist and state representative from St. Louis, Missouri. Known as Superman to his constituents, he is a political figure the likes of which you’ve never seen – full of contradictions and deep insights, who has overcome unspeakable loss to become one of the most exciting and unapologetic young leaders in the country. This short verité documentary follows Bruce at a critical juncture in his life, when he is forced to deal with the mental trauma he’s been carrying for the nearly 30 years since his 9-year-old brother was shot and killed in front of him, in order to find peace and truly fulfill his destiny as a leader for his community.  Co- director Smriti Mundhra  (Sami Khan) join us to talk about how a dynamic and charismatic man from a traumatized community took tragedy and turned into action.

About the filmmakers: Smriti Mundhras A SUITABLE GIRL  premiered at Tribeca in 2017 and won the Albert Maysles Award for Best New Documentary Director. KHOYASami Khan’s feature debut, was selected for the Tribeca Film Institute’s Tribeca All Access® fellowship.

 

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Social Media:
twitter.com/smritimundhra
facebook.com/smriti.mundhra
facebook.com/SamiKhan
twitter.com/samikhanfilm

 

Awards Shortlists:

Cinema Eye Honors – Short Listed – Best Short

DOC NYC – Best Shorts Short List

WINNER AUDIENCE AWARD – BEST SHORT DOC  – 2019 HOT DOCS FILM FESTIVAL – 2019 AFI DOCS FILM FESTIVAL – 2019 TRAVERSE CITY FILM FESTIVAL

WINNER – SPECIAL JURY AWARD  – 2019 TRIBECA FILM FESTIVAL

WINNER – BEST SHORT DOC  – 2019 BIG SKY DOCUMENTARY FILM FESTIVAL

WINNER – BEST DOCUMENTARY – HEARTLAND FILM’S 2019 INDYSHORTS FILM FESTIVAL

“Thank you Mr. Mundhra. The film is powerful and simple.” – Lapacazo Sandoval, Los Angeles Sentinel

Gay Chorus Deep South, Director David Charles Rodrigues

The documentary Gay Chorus Deep South chronicles one community’s response to a wave of discriminatory anti-LGBTQ laws in Southern states and the divisive 2016 election. The San Francisco Gay Men’s Chorus embarks on a tour of the American Deep South. Led by Gay Chorus conductor Dr. Tim Seelig and joined by The Oakland Interfaith Gospel Choir, the tour brings a message of music, love, and acceptance to communities and individuals confronting intolerance. Over 300 singers travelled from Mississippi to Tennessee through the Carolinas and over the bridge in Selma. They  performed in churches, community centers, and concert halls in hopes of uniting us in a time of difference. The journey also challenges Tim and other Chorus members who fled the South to confront their own fears, pain, and prejudices on a journey towards reconciliation. The conversations and connections that emerge offer a glimpse of a less divided America, where the things that divide us – faith, politics, sexual identity – are set aside by the soaring power of music and humanity. Director David Charles Rodrigues joins us to talk about the expectations and realities that comes with traveling to communities with the hope of changing hearts and minds.

 

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For news, screenings and updates go to: gaychorusdeepsouth.com

Social Media:

facebook.com/gaychorusdeepsouth

twitter.com/gcds_film

instagram.com/gaychorusdeepsouth

WINNER AUDIENCE AWARD – BEST DOCUMENTARY – 2019 TRIBECA FILM FESTIVAL

WINNER AUDIENCE AWARD – BERKSHIRE INTERNATIONAL FILM FESTIVAL

WINNER AUDIENCE AWARD – TOP 5 NONFICTION FAVORITES – 2019 TRAVERSE CITY FILM FESTIVAL

“Successfully harnessing the power of both music and message, documentary Gay Chorus Deep South draws its strength not only from its subject, but also the effective way in which it it presents its arguments.” – Nikki Baughan, Screen International

“What makes the film especially compelling, though, are the all-too-human narratives involving those who were at one time badly victimized because of their sexual orientation; they want to forgive, but may never be able to.” – Phil Guie, Film-Forward.com

“There’s a lesson here that applies to more than just LGBT political causes: To heal the country and move on, we must reach across the divide and listen to one another.” – Peter Debruge, Variety

“With good folks like this, from both sides of the aisle, there is hope for humanity yet.” – Christopher Llewellyn Reed, Hammer to Nail

Making Waves: The Art of Cinematic Sound, Director Midge Costin

Making Waves: The Art of Cinematic Sound reveals the hidden power of sound in cinema . . . and our lives. Few have “ears to hear” or comprehend the emotional storytelling impact sound plays in so-called visual media. Francis Ford Coppola and George Lucas have both declared  “sound is 50% of the movie,” with Steven Spielberg noting, “Our ears lead our eyes to where the story lives.” Through film clips, interviews and archival footage–an enlightening and nostalgic look at many of Hollywood’s biggest box office hits–the film captures the history, impact and unique creative process of this overlooked art form and the artists behind it. Filled with insights from legendary directors–including George Lucas, Steven Spielberg, Barbra Streisand, Robert Redford, David Lynch, Ang Lee, Sofia Coppola and Ryan Coogler, among others–who share revealing stories about the award-winning work their sound collaborators help to create. In Making Waves, we witness the wild creativity of some of the industry’s most-respected key sound designers–including Oscar winners Walter Murch (Apocalypse Now), Ben Burtt (Star Wars), Gary Rydstrom (Saving Private Ryan) and Lora Hirschberg (Inception); and Oscar-nominees Cece Hall (Top Gun), Anna Behlmer (Braveheart) and Bobbi Banks (Selma)–who, in pursuing their art and desire to push the medium, are the very people who will go down in the history of cinema as developing sound into the immersive storytelling force it is today. Audiences will discover many unsung collaborators for the key creative artists they are, in a domain that has for too long been characterized as “technical.” Director Midge Costin joins us to evangelize on the power and glory of sound and the visionaries who have pioneered a new frontier in cinema.

 

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For news, screenings and updates go to: MakingWavesMovie.com

Social Media:

facebook.com/makingwavesmovie

twitter.com/makingwavesmov

instagram.com/makingwavesmov

100% on Rotten Tomatoes

“Accessible, illuminating and entertaining, it’s a documentary of huge value, something that will enhance not just your understanding but your future experience of film.” – Emma Simmonds, The List

“A practically perfect primer for anyone interested in the history and craft of filmmaking, answering most of the pertinent, baseline questions while leaving plenty of room for supplemental research.” – William Bibbiani, TheWrap

“Provides an exhaustive history of the medium right before our ears and eyes, jumping quickly from decade to decade and bringing it all together as a comprehensive cinematic dissertation of aural complexity.” – John Fink, The Film Stage

“Making Waves will likely inspire viewers to seek out their favorite films and experience them with fresh ears.” – John DeFore, Hollywood Reporter

November 1 – Return to Mount Kennedy, Director Eric Becker

The story behind RETURN TO MOUNT KENNEDY begins and ends with Bobby Kennedy becoming the first human to stand atop a lonely peak in the Canadian Yukon that had just been named to honor his assassinated brother, JFK. His climbing guide was Jim Whittaker, a mountain icon who at 28 had become the first American to summit Mt. Everest. From that solemn trek,Jim—the shy outdoorsman and eventual CEO of REI—and RFK ignited a friendship over their shared love of wilderness. In the following years their lives would intertwine, both men having a profound effect on the other. But their shared path would end with an assassin’s bullet. In June of 1968, Jim would look on as Bobby was taken off life support. 50 years later, Jim’s son Bobby Whittaker— a legend of the grunge scene— decides that he and his brother Leif must ascend the mountain. Leif, the experienced alpinist, will guide Bobby, as they test their relationship on dangerous ground. When they are joined by RFK’s son Christopher Kennedy their trio is complete. Mt. Kennedy’s long shadow has loomed in all of their lives for decades. Now, half a century after their fathers’ climb, three sons will forge their own paths and find a vantage point above the shadows. Like their fathers before them, the trio bring out the best in each other. Confronting deeply emotional memories from a tumultuous era of American history, Bobby, Chris, and Leif finally understand why they were so driven to go there and why they must continue to do good in the world. Director Eric Becker joins us to talk about the deeply personal story of a family and the unlikely bond between two men who lived lives of purpose and integrity.

 

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For news, screenings and updates go to: mtkennedy.com

Return to Mount Kennedy screening at the Los Feliz Theatre in Los Angeles, on Tuesday November 5, followed by a Q&A with Director Eric Becker

Social Media:

facebook.com/mtkennedyfilm

twitter.com/mtkennedyfilm

instagram.com/mtkennedyfilm

The Riot Act, Director Devon Parks

At the turn of the 1900’s, two years after a quiet murder involving an out-of-town stage actor and a local doctor’s daughter, an esteemed Opera House welcomes a progressive Vaudevillian troupe from the East for its first performances since the tragedy; and along with it, a veiled actress with a curious intent. With tensions still thick surrounding past events, this mysterious performer discovers she isn’t the only one seeking revenge: someone or something has been “haunting” the assailant already. When the two conspirers uncover each other’s secrets, they decide their dual efforts will be more successful in subduing their enemy. THE RIOT ACT is a multi-award winning independent film that deftly immerses audiences in a layered tale of a caste system on the brink of violence where humanity and love are expendable in the eyes of society in the early 1900’s.  Following a wildly successful festival and theatrical run, the film will be available to audiences everywhere on October 8th, 2019. The feature film directorial debut from auteur writer / director Devon Parks (Step Into: Miss Laura’s, The Help), THE RIOT ACT stars Lauren Sweetser (True Detective, Winter’s Bone), Brett Cullen (Joker, 42, Dark Knight Rises), Connor Price (Cinderella Man), Micah Hauptman (Homeland, Rust Creek), Brandon Keener (Traffic, The Purge: Anarchy) and Travis Joe Dixon (NCIS, Blackish).  Director and writer Devon Parks joins us to talk about his intriguing mystery period piece, the he orchestrates from a very talented group of actors.

 

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For news, screenings and updates go to: riotactmovie.com

Social Media:

facebook.com/theriotactmovie

instagram.com/riotactfilm

“Murder, betrayal, revenge—“The Riot Act” has it all, and the why’s and when’s and where’s come trickling in so the audience has to stay on its toes to catch it all.” – Marie Asner, Phantom Tollbooth

“Despite the fact that it is a low budget film Parks has not allowed that to limit his story or the way he wants it told.” – Carey-Ann Pawsey, Orca Sound

“Parks succeeds in delivering a period mystery that feels authentically of the time.” – Jonathan W. Hickman, Daily Film Fix

“While there are a few narrative implausibilities, they never derail the story, and while the story takes on a bit more thematically then it can ultimately deliver, it is generally preferable that a film’s reach exceeds its grasp.” – Dan Jardine, Cinemania

“A troupe that claims to offer “high-end vaudeville” arrives, not only to seriously heat up plot possibilities, but prove that Parks might have a real future at the movies.” – John Urbancich, Your Movies (cleveland.com)

Independent Lens, Executive Producer Lois Vossen

The acclaimed PBS documentary series Independent Lens, recently honored with two Peabody Awards, a Primetime Emmy nomination and 12 News & Documentary Emmy nominations, returns for a new season on Monday, October 28.This year’s premiere is Made in Boise, an engrossing look at the complex and controversial world of gestational surrogacy told through the stories of four women carrying babies for gay men and infertile couples in the conservative heartland of Idaho — the unofficial “surrogacy capital” of the United States. Also on the fall schedule is Decade of Fire, which travels back to the 1970s when the South Bronx was burning, to showcase the dedicated citizens who outlasted the flames and saved their community; The Interpreters, a moving look at the Afghan and Iraqi interpreters who risked their lives aiding American troops and who now struggle to find safety and security for themselves and their families; Conscience Point, which unearths the deep clash of values between the Native American Shinnecock of Long Island and their affluent Hamptons neighbors; and Attla, the rousing story of Alaska Native George Attla, who with one good leg and a determined mindset went on to become a champion dogsled racer. Other highlights of the Winter/Spring 2020 slate include Always in Season, a harrowing look at the history of lynching and the 2014 case of Lennon Lacy, a North Carolina teen who died under unexplained circumstances; Bedlam, a psychiatrist’s chronicle of what mental illness means in the U.S. today, interwoven with the story of how the system tragically failed his own sister; and Rewind, a devastating, autobiographical documentary about the far-reaching consequences of multigenerational child sexual abuse. Independent Lens Executive Producer Lois Vossen joins us to talk about the fundamental principles to support filmmakers telling stories about their communities and commitment to showcase thought-provoking documentaries about the issues that divide us and the ideals and beliefs that bind us together.

 

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For news, updates and screenings go to: pbs.org/independentlens

Social Media:
facebook.com/independentlens
twitter.com/independentlens
instagram.com/independentlens

 

Independent Lens upcoming schedule:

Made in Boise by Beth Aala (Monday, October 28) Go inside the lives of four surrogates and the intended parents whose children they carry. As the number of surrogate births surge across the country, a surprising epicenter of the movement is Boise, Idaho, where hundreds of women are choosing to be surrogates. For gay couples, single men, and those who struggle with infertility, this booming industry is often the last resort to biological parenthood. The film follows the four women as they navigate the rigors of pregnancy and the mixed feelings of their own families, who struggle to understand their choice to risk the physical and emotional complications of carrying babies for someone else.

Decade of Fire by Vivian Vázquez Irizarry, Gretchen Hildebran and Julia Steele Allen (Monday, November 4) In the 1970s, the Bronx was on fire and close to a quarter-million people were displaced when their close-knit, multiethnic neighborhood burned. While the abandonment of landlords and dwindling support from government officials led to the devastation, Black and Puerto Rican residents were blamed. Now, Bronx-born Vivian Vázquez Irizarry explores the truth about the borough’s untold history and reveals how her community chose to resist, remain and rebuild.

The Interpreters by Andrés Caballero and Sofian Khan (Monday, November 11) More than 50,000 local interpreters helped protect U.S. troops on the ground in Iraq and Afghanistan, enabling soldiers to communicate with the local population. But those who took the job were often considered traitors. In the aftermath of war, some have been able to leave their home countries and reach safety, while others still languish in hiding and fear for their lives.

Conscience Point by Treva Wurmfeld (Monday, November 18) In Long Island’s Hamptons, one of the wealthiest areas in the nation and an epicenter of the luxury property boom, a clash of values is taking place. The original inhabitants of the beautiful peninsula — the Shinnecock Indian Nation — find themselves squeezed onto a tiny, impoverished reservation. Over hundreds of years they have seen their ancient burial grounds plowed up for the widening of roads, mega-mansions, and ultra-exclusive golf courses like the Shinnecock Hills Golf Club. Now Shinnecock activists and long-standing residents, including farmers and fishing communities, are taking a stand against a never-ending tide of wealthy transplants, overdevelopment, pollution, congested highways and skyrocketing property taxes.

Attla by Catharine Axley (Monday, December 16) The inspiring but little-known story of legendary Alaska Native dogsled champion George Attla, who — with one good leg and fierce determination — rose to international fame. In the final chapter of his life, Attla emerges from retirement to mentor his 20-year-old grandnephew. With their sights set on reviving proud cultural traditions, the pair embark on a journey to compete in the world’s largest dogsled sprint race, one that has seen a steep decline in Native competitors.

Made in Boise, Director Beth Aala

The latest documentary film from Peabody Award-winning director Beth Aala, Made in Boise, looks at the world of modern day surrogacy. In the idyllic city of Boise, nurses, nail technicians, and stay-at-home mothers are choosing to become paid surrogates for people from around the world. Made in Boise offers a rare glimpse into this mysterious world by intimately following the lives of four surrogates, as they build relationships with the intended parents, prepare for the rigors of pregnancy, and navigate the mixed feelings of their own families, who struggle to understand their choice to risk the physical and emotional complications of carrying babies for someone else. Legal in some states and illegal in others, a number of states, including Idaho, have no laws governing surrogacy on their books at all. As the number of surrogate births surge across the country, Boise has become an epicenter of the movement, with a large population of healthy women of reproductive age and a significant number of Mormon and Catholic communities who value large families. In this “City of Trees” with a population of a little over 200,000, it is estimated that one in 15 mothers will carry a baby for a stranger at some point in her life. For couples who struggle with infertility, for gay couples, and single men, this industry — outlawed in many countries around the world — is often the last resort to biological parenthood. Director Beth Aala (Supermensch: The Legend of Shep Gordon, Rancher, Farmer, Fisherman ) joins us to talk about challenges and rewards of surrogacy for the the women who bear the children and the intended parents.

 

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About the filmmaker: Beth Aala (Director) is a three-time Emmy Award-winning producer and recipient of a Peabody Award for her documentary work at HBO. Beth’s most recent feature documentary, Rancher, Farmer, Fisherman (Sundance, 2017), which she co-directed and produced, is a film about unlikely conservationists based on New York Times  best-selling author Miriam Horn’s book of the same name. Beth also directed and produced Supermensch: The Legend of Shep Gordon (Toronto, 2014) with comedian Mike Myers for A&E IndieFilms. The documentary is an intimate and entertaining portrait of talent manager Shep Gordon, the most famous man you’ve never heardhttps://www.facebook.com/madeinboise/ of. It won a Hollywood Film Award and garnered a 2015 News and Documentary Emmy Awards nomination. Her directorial debut, Pool Party, is the untold story of McCarren Pool-turned-music venue in Williamsburg, Brooklyn, featuring music and performances by the Beastie Boys, the Breeders, M.I.A, Sharon Jones, Yeah Yeah Yeahs, Sonic Youth and Yo La Tengo. It played in festivals around the world.

For more on Made in Boise screening on Independent Lens go to: pbs.org/made-in-boise

For more on the work of Director Beth Aala go to: pinaypictures.org

Additional resources for Made in Boise:

itvs.org/films/made-in-boise

Social Media:

facebook.com/madeinboise

Fantastic Fungi, Director Louie Schwartzberg

Fantastic Fungi, the engaging and informative documentary directed by Louie Schwartzberg, is a consciousness-shifting film that takes us on an immersive journey through time and scale into the magical earth beneath our feet, an underground network that can heal and save our planet.  Through the eyes of renowned scientists and mycologists like Paul Stamets, best-selling authors Michael Pollan, Eugenia Bone, Andrew Weil and others, we become aware of the beauty, intelligence and solutions the fungi kingdom offer us in response to some of our most pressing medical, therapeutic, and environmental challenges. When so many are struggling for connection, inspiration and hope, Fantastic Fungi brings us together as interconnected creators of our world. Directed by the pioneer of time-lapse photography, Louie Schwartzberg (Netflix’s “Moving Art”, Wings of Life for Disneynature, and Mysteries of the Unseen Worlds 3D Imax for Nat Geo still playing in theaters) Narrated by Academy Award-Winner Brie Larson.  Director Louie Schwartzberg joins us to talk about the amazing world of fungus and the burgeoning field of scientific research into the thousands of positive, possibly planet saving benefits that can be realized from the magical spores.

 

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For news, updates and screenings go to: fantasticfungi.com

FANTASTIC FUNGI Q&A’s with director Louie Schwartzberg following the 7:40 pm show on Friday, 10/25 and Saturday, 10/26 at the Monica Film Center.

Social Media:

facebook.com/FungiFilm

twitter.com/FantasticFungi

instagram.com/fantasticfungi

100% on Rotten Tomatoes

“Fantastic Fungi makes the case that the answers to disease, anxiety, depression and global warming might be found underfoot. And they’re tasty to boot.” – Michael J. Casey, Boulder Weekly

“Louie and his team have accomplished an amazing task – with beautiful imagery, celebrating the quality of nature we have now. Fantastic Fungi is a film that serves to be a bridge of understanding to connect these ideas. By investing in these fungal networks we invest in the webs of life. Time is short. We need to bring this knowledge to the forefront of public consciousness.” – PAUL STAMETS

“One of the year’s most mind-blowing, soul-cleansing and yes, immensely entertaining triumphs.” – Matt Fagerholm, RogerEbert.com

“Louie Schwartzberg’s lightly informative, delightfully kooky documentary, “Fantastic Fungi,” offers nothing less than a model for planetary survival.” – Jeannette Catsoulis, New York Times

Diego Maradona, Director Asif Kapadia

In this brilliant followup to his award-winning documentaries (SENNA, AMY) DIEGO MARADONA captures the athletic brilliance and maddening duality of a soccer player widely considered to be best player in the world from the moment he burst onto the scene in his native Argentina. And yet success proved elusive. He failed at Barcelona. He was considered a problem player, too interested in partying. Meanwhile, having never won a major tournament, the ailing Italian football giant SSC Napoli were perennial underachievers. Their fanatical support was unequalled in both passion and size. But how they ached for success… On 5th July 1984, Diego Maradona arrived in Naples for a world-record fee and for seven years all hell broke loose. The world’s most celebrated football genius and the most passionate but dangerous city in Europe were a perfect match for each other. Diego Maradona was blessed on the field and treated like a God off it; the charismatic Argentine loved a fight against the odds and led Naples to their first-ever League title. It was the stuff of dreams. But there was a price… Diego could do as he pleased while performing miracles on the pitch, but as time passed, darker days closed in. Italy turned on him. The third film from the Academy Award-winning & multi-BAFTA-winning team behind SENNA and AMY (director Asif Kapadia, producer James Gay-Rees, editor Chris King, composer Antonio Pinto), and also Paul Martin, DIEGO MARADONA was constructed from over 500 hours of never-before-seen footage from Maradona’s personal archive. DIEGO MARADONA is crafted in the style of SENNA and AMY. It is the definitive feature documentary on the charismatic enigma that is Maradona. In a city where even the devil would need bodyguards, Diego Maradona became a god. Maradona in Naples is the story of his life, the wild and unforgettable story of an unrivalled talent. He was a rebel, cheat, hero and god. This is a story of glory, despair and betrayal, a tale of corruption and, ultimately, of redemption. Director / Producer Asif Kapadia joins us to talk about the enigma of “Diego” and “Maradona.”

 

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For news, updates and screenings go to:hbo.com/documentaries/diego-maradona

For news, updates and screenings go to: diegomaradona.movie

Social Media and tags:

facebook.com/hbodocs

twitter.com/HBODocs

#HBO

#HBODocs

#DiegoMaradona

#HBOSports

Asif Kapadia:

facebook.com/DiegoMaradonaMovie

twitter.com/asifkapadia

twitter.com/MaradonaMovie

instagram.com/diegomaradonamovie

website: diegomaradona.movie

“MESMERIZING… one of the most colorful and fascinating personalities in all of sports, with a life story bordering on the mythic. You may know outlines of the soccer legend’s life, but there’s no way you won’t learn something from DIEGO MARADONA, Asif Kapadia’s absorbing and exhaustive new film.” – Jocelyn Noveck, Associated Press

“a fame-technique movie, measured in crowd roars, off-field revelry, media run-ins, and fan scrums as dizzying accoutrements to success, but also – when Maradona succumbed to scandals surrounding women, an unclaimed son from an affair, cocaine, loyalty, and powerful mob friends – in how those same trappings can suddenly turn vicious, and a hero’s fall can go shockingly unsupported.” – Robert Abele, Los Angeles Times

“[Kapadia] has edited cruddy video footage (some of which appears barely more than camcorder-grade) and photographs into a movie so fluid that it moves like a Hollywood production. He also dispenses with much of the filler common to documentaries… It is exhausting and exhilarating, cheap looking and slick, a documentary for Maradona fans but also for many others besides.” – Ben Kenigsberg, The New York Times

“Asif Kapadia has put together an extraordinarily intimate account of [Diego Maradona’s] rise and fall, enriched by grainy but graphic footage recording every phase of his life.” – Sandra Hall, Sydney Morning Herald

The Cave, Director Feras Fayyad

Oscar nominee Feras Fayyad (“Last Men in Aleppo”) delivers an unflinching story of the Syrian war with his powerful new documentary, THE CAVE. For besieged civilians, hope and safety lie underground inside the subterranean hospital known as the Cave, where pediatrician and managing physician Dr. Amani Ballor and her colleagues Samaher and Dr. Alaa have claimed their right to work as equals alongside their male counterparts, doing their jobs in a way that would be unthinkable in the oppressively patriarchal culture that exists above. Following the women as they contend with daily bombardments, chronic supply shortages and the ever-present threat of chemical attacks, THE CAVE paints a stirring portrait of courage, resilience and female solidarity. Director and writer Feras Fayyad stops by to talk about the unbelievable courage of the hospital staff led by Dr. Amani Ballor, and the volunteers as they keep an otherwise harrowing day-to-day nightmare from devolving into soul-destroying chaos.

 

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For news, updates and screenings go to: nationalgeographic.com/films/the-cave

The Cave opens on October 18 at the Laemmle Royal Theatre in Los Angeles

SocialMedia:

facebook.com/natgeodocs

twitter.com/NatGeoDocs

instagram.com/explore/tags/thecavedocumentary

**WINNER – Audience Award – Toronto International Film Festival 2019

**WINNER – Audience Award – Camden International Film Festival 2019

**SPECIAL JURY MENTION – Camden International Film Festival 2019

“Miraculous. A standout. Feras Fayyad’s powerful portrait audaciously puts women’s imperative contribution to survival front and center.” – Tomris Laffly, Variety

“Look no further than The Cave for a portrait of true heroism. Provides astonishingly immediate and gripping footage of the collective effort to survive. The Cave ranks among the best of films to portray the tragedy of the Civil War in Syria and the resilience of the everyday people who keep the spirit of the nation alive.” – Pat Mullen, POV

“Emotionally Moving. Both intensely real and a carefully wrought work of cinema.” – Caryn James, The Hollywood Reporter

“Gripping. Unprecedented. A real-time thriller. Fayyad excels at finding small moments that take on poetic resonance.” – Eric Kohn, IndieWire

On the President’s Orders, Directors James Jones and Olivier Sarbil

ON THE PRESIDENT’S ORDERS tell the searing story of President Rodrigo Duterte’s bloody campaign against drug dealers and addicts in the Philippines, told with unprecedented and intimate access to both sides of the war – the Manila police, and an ordinary family from the slum. Shot in the style of a thriller, this observational film combines the look and feel of a narrative feature film with a real life revelatory journalistic investigation into a campaign of killings. The film uncovers a murky world where crime, drugs and politics meet in a deathly embrace – and reveal that although the police have been publicly ordered to stop extra-judicial killings, the deaths continue. Director / Producer James Jones and Director / Cinematographer Olivier Sarbil join us for a conversation on the challenges of gaining access to the police, the victims of police violence and the draconian drug policy being enforced by a dictatorial, human-rights abusing regime.

 

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About the filmmakers:

Director and Producer – James Jones is an award-winning British director who makes documentary films for international television and theatrical release. His documentaries tackle important issues through powerful personal stories told in a filmic style and narrative. He has made films about police shootings in America, suicide in the military, wars in Ukraine and Gaza, and undercover investigations in Saudi Arabia and North Korea. His background in current affairs investigations means the films still have a hard journalistic edge while using the craft techniques of documentary. His films have won two Emmys, three DuPonts, a Grierson, a Rory Peck, a Frontline Club, a Royal Television Society, a Broadcast Award, two Overseas Press Club of America, two Golden Nymphs, and a Venice TV Award, as well as being nominated five times at the BAFTAs. Recently, he co-directed the Emmy-winning Mosul with Olivier Sarbil.

Cinematographer and Director – Olivier Sarbil is an award-winning French documentary director and Emmy-winning cinematographer based in London. Over the past decade, Olivier has covered conflicts and critical social issues across Asia, the Middle East, Africa, Europe and North America. With strong visual storytelling, Olivier’s films are intimate and human, conveying emotions through beautiful and cinematic imagery. His work has been recognized with awards from a variety of organizations, including, Emmy for Outstanding Cinematography, DuPont, Royal Television Society, One World Media, Overseas Press Club of America, Broadcast Awards, Bayeux-Calvados for war correspondents (twice), Golden Nymph, Rory Peck, Venice TV Award, Frontline Club, Grand Award and Gold Medal at the New York Festivals International TV & Film. His imagery has also garnered a BAFTA Nomination for Best Cinematography.

For news, updates and screenings go to: onthepresidentsorders.com

ON THE PRESIDENT’S ORDERS Q&A with filmmakers James Jones and Olivier Sarbil will participate following the 7:40 pm show on Friday, 10/18  at the Monica FIlm Center

Social Media:

twitter.com/OnThePresident

@oliviersarbil

@jamesjonesfilm

@OnThePresident

“A shockingly alarming investigation produced with the sensibilities of a social realist drama, Sarbil and Jones’ nonfiction warning should petrify U.S. viewers immeasurably.” – Carlos Aguilar, Los Angeles Times

“A wholly cinematic, sensory experience, with straight-ahead reportage electrified by glaring streetlights and a panicked urban wall of sound…” Guy Lodge, Variety

“On the President’s Orders is the disturbing observational documentary we’ve needed about the Philippines drug war, made with finesse and astonishing access.” Musanna Ahmed, Film Inquiry

“A riveting account of the consequences of unfettered demagoguery.” – Justin Lowe, Hollywood Reporter

GIFT, Director Robin McKenna

Inspired by Lewis Hyde’s beloved classic The Gift: Creativity and the Artist in the Modern World, GIFT is a richly cinematic film, interweaving character‐driven stories. On North America’s Pacific Northwest Coast, a young Indigenous artist and carver undertakes the elaborate preparations for a potlatch – to make a name for himself by giving everything away. In Rome, Italy, a factory occupied by migrant families is transformed into a living museum, protected by a barricade of art : a model of resistance, and an invaluable gift.  In the pirate utopia of Burning Man, a mutant bumblebee art car distributes honey in a post-­apocalyptic desert landscape. Meanwhile, in Auckland, New Zealand, artist Lee Mingwei prepares to launch Sonic Blossom – a “transformative gift” of song. GIFT is a tribute to something that can’t be measured or counted, bought or sold. Exploring the parallels between artists’ work and a gift economy, it’s a reflection on the creative process, the reasons we “labour in service of our gifts”, and a celebration of the imagination. Director Robin McKenna joins us to talk about her beautifully meditative film about paying forward human connection and how communities can re-imagine the meaning of wealth and prosperity.

About the filmmaker: Robin McKenna is director, producer and writer of GIFT, a feature-length documentary and crossmedia project inspired by Lewis Hyde’s classic bestseller The Gift. She is currently making Thanadoula, a short animated documentary fairytale about a real-life “death doula”, in co-production with the National Film Board of Canada – and Medicine, a feature-length documentary over a decade in the making, about ayahuasca, medicine and healing, with Dr. Gabor Maté. She directed Genevieve Bujold: ArtVie, a short film tribute to Bujold on 16mm, for the Governor General’s Awards for the Performing Arts in 2018. Robin grew up in Montréal, and began making films with La course destination monde. Her cinematography credits include City of Borders (Berlinale, Hot Docs 2009) and The Take with Naomi Klein and Avi Lewis (AFI Best Documentary 2004).

 

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For news, updates and screenings go to: giftitforwardproject.com/the-film

GIFT opens at the Laemmle Monica Film Center on Friday, October 11. On Saturday, October 12 John Densmore (The Doors) and director Robin McKenna will participate in a Q&A following the 7:45 pm show.

Social Media:

facebook.com/GIFTdocumentary

instagram.com/giftdocumentary

“For many people, Gift will live up to its title.” – Frank Scheck, Hollywood Reporter

“Documentarian Robin McKenna’s intelligent and life affirming documentary Gift will make viewers consider how they give, receive, and create art in a fresh, new light.” – Andrew Parker, The Gate

“A documentary showing how art keeps moving in circles of sharing, giving, and generosity.” – Frederic and Mary Ann Brussat, Spirituality and Practice

Doubting Thomas, Director Will McFadden

Black babies don’t come from white people. Except this one just did. That’s what Jen (Sarah Butler) tells her husband Tom (Will McFadden). He says he believes her. But soon, amidst a constant barrage of questions from everyone, Tom’s doubts and worst fears take hold. Both new parents are scared by the thoughts entering their minds, and scared to share them with each other. Baby Liam seems to love their dear friend Ron (Jamie Hector) – but why does that make it harder for Tom? And why do people keep confusing Ron for Liam’s father? Maybe because they’re both black. By the time a twist is revealed that could explain the baby’s appearance, it may be too late. Before Tom and Jen can accept their child, they’ll have to accept themselves… or face living their lives apart. Starring Will McFadden, Sarah ButlerJamie HectorRob Belushi, Zach Cregger,  James Morrison,  and Melora Walters. Doubting Thomas, winner of Best Screenplay, Best Actor, Audience Award, Best First Feature, will begin its theatrical run in Los Angeles on Friday, October 11th, ahead of its North American VOD / Digital release on October 15th, 2019 through  Gravitas Ventures.  Will McFadden’s  directorial debut, DOUBTING THOMAS brings unconscious racism home in the innocence of a baby. A complex tale that  touches on institutional    racism and assumed privilege, the concept for the film was born from the true story of a black man killed in police custody in a racially charged incident. That man’s son, Joseph Campbell, shares story by credit with McFadden.  Director / Co-writer / Producer and Lead Actor Will McFadden joins us to talk about his thought provoking drama that raises a multitude of questions about the relevance of family history, trust and race.

 

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For news, screenings and updates go to: doubtingthomasmovie.com

Social Media:

facebook.com/doubtingthomasmovie

twitter.com/DoubtingMovie

instagram.com/doubtingthomasmovie

“ONE OF THE BEST WRITTEN MOMENTS OF ANY MOVIE ALL YEAR, WHAT IT SAYS ABOUT RACE, PERCEPTION, AND YOUR TRUE SELF IS SINCERE. 10 OUT OF 10.” – Bobby LePire, Film Threat

“DOUBTING THOMAS IS STELLAR IN ALL ASPECTS THANKS TO THE VISION OF HELMER WILL MCFADDEN AND HIS CAST – BRAVO.” – Jason Coleman, Whysoblu

“DOUBTING THOMAS SHOWS US THAT LOVE KNOWS NO BOUNDS.” – Malie Mason, Movie Ranker

Midnight Traveler, Producers Emelie Mahdavian and Su Kim

In 2015, after Hassan Fazili’s documentary Peace in Afghanistan aired on Afghan national television, the Taliban assassinated the film’s main subject and put a price on Fazili’s head. Fearing for their survival, the Fazili family, Nargis, Zahra, and Fatima fled Kabul for Tajikistan. Yet after 14 months spent submitting asylum applications that were rejected again and again, they were deported back to Afghanistan. It was at this juncture that Fazili picked up his cell phone and hit the record button and with that Midnight Traveler began to take shape. Chronicling every step from inside the action, Fazili, his filmmaker wife, and their young daughters trek across Iran, Turkey, Bulgaria, and Serbia—scurrying through perilous landscapes, huddling in freezing forests, cramming into rattling vehicles. As they endure smugglers, gangs, and refugee camps, the camera witnesses not only the danger and desperation but also the exuberance and tenderness of this irresistible, loving family. For Fazili, framing their story becomes an assertion of control, humanity, and self-expression in a situation where none exists. With its radical subjectivity, visceral footage, and poetic form, Midnight Traveler is a migration story like no other. Producer Su Kim and Producer / writer / editor Emilie Mahdavian join us for a look at at Hassan and his remarkably resilient family as they attempt to overcome institutional and deadly political obstacles in their fight for freedom as seen through the eyes of his children, Zahra and Nargis and wife, Fatima. A fight for freedom that they have to win.

 

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For news and updates go to: midnighttraveler.oscilloscope.net

For news and screening information go to: midnighttravelerfilm.com

Social Media:

facebook.com/oscopelabs

twitter.com/oscopelabs

instagram.com/oscopelabs

*WINNER* SUNDANCE FILM FESTIVAL 2019

World Cinema Documentary Special Jury Award for No Borders

BERLIN INTERNATIONAL FILM FESTIVAL 2019

Prize of the Ecumenical Jury – Special Mention

100% on Rotten Tomatoes 

“Modest but full of urgency, MIDNIGHT TRAVELER uses the power of smart phones to reveal a migrant family’s search for a safe haven. Gretchen Jude’s percussive, electronic score helps hold it all together. [The film] stands as a family’s joint testimony, heartfelt and heartbreaking, particular yet hauntingly representative.” – Caryn James, The Hollywood Reporter

“Has a home-movie quality that’s enormously effective in putting a human face on a global crisis.” – Scott Tobias, Variety

“What makes [the film] so moving, though, is the portrait that Fazili and Hussaini paint of both themselves as full, ungainly people, with flaws and hopes and perfections and their daughters who, in a way, are the stars [of the movie]. A languid, poetic film. [The parents] meditate on family, fear, equality, Islam, and the banality of everyday life. Throughout, though, it is hard not to forget that MIDNIGHT TRAVELER is a film of life or death which the score constantly reminds, and which infuses tensions into the narrative’s nooks and crannies.” – Gary Garrison, The Playlist

“A remarkable achievement…an affecting, essential documentary. The suffering, fear and humiliation that they experience is balanced by moments of warmth and an artist’s magpie eye for unexpected glimpses of beauty…While there have been numerous documentaries which deal with the plight of asylum seekers, there have been few which have shown, with this level of intimacy, the journey of a family from certain danger to an uncertain fate. It’s a film which deserves to be as widely seen as possible.” – Wendy Ide, Screen International

Collisions, Director Richard Levien

COLLISIONS follows the story of a twelve-year-old girl, Itan (Izabella Alvarez), a straight-A-student in San Francisco, who comes home from school to find their family’s furniture up-ended and no trace of her mother, Yoana (Ana de la Reguera), who was detained by Immigration and Custom Enforcement (ICE). Child Protective Services dumps Itan and her six-year-old brother Neto (Jason Garcia) with their estranged uncle Evencio (Jesse Garcia), a big rig truck driver. Itan can’t stand him. He’s arrogant, unreliable, and possibly a criminal. After a desperate search, Itan locates Yoana in an immigration detention center in Arizona and convinces Evencio to take them there. They are propelled onto the road in Evencio’s truck, through the maddening labyrinth of immigration detention. Itan fights to free her mother before she is deported. But her mother keeps slipping from her grasp, as she is transferred from prison to prison. Their journey takes them through the deserts of the southern border, to sprawling truck stops, border patrol offices and secret immigration prisons. Director / Producer / Writer / Editor Richard Levien joins us for a conversation on the inspiration for COLLISIONS, his desire to humanize the tragic stories behind the headlines and the corrosive impact that cruel, politically motivated policies can have on the lives of hardworking peoples lives.

 

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For news, screenings and updates go to: collisionsmovie.com

Opens at Laemmle Music Hall in Los Angeles – October 4

Friday, October 4 – Collisions, Director Richard Levien