The Last Sermon, Director Jack Baxter

THE LAST SERMON begins with a flashback to the horrific 2003 terrorist attack on a Tel Aviv blues bar called Mike’s Place. THE LAST SERMON then takes us straight into today’s headlines when filmmakers Baxter and Faudem – united for life by the tragedy of that terrible night – seek answers about the suicide bombers who almost murdered them. In the aftermath of the infamous April 2003 suicide bombing at Mike’s Place that killed three and injured dozens, including Baxter, the filmmakers made the award-winning documentary BLUES BY THE BEACH (2004). But they didn’t get to tell the entire story at that time. THE LAST SERMON started in Jerusalem. Baxter and Faudem and their film crew traveled to Greece, Macedonia, Serbia, Hungary, Germany, Czech Republic, France, then on to England. At Refugee Camps and  Mosques they interviewed, interacted and challenged Muslims and non-Muslims with the last words of Prophet Muhammad (PBUH): “There is no superiority of an Arab over a non-Arab, or a non-Arab over an Arab, or a White over a Black, or a Black over a White, except by righteousness and piety.” Director and subject Jack Baxter joins us for a conversation on the how the Mike’s Place bombing started him on a personal quest to confront hatred, ignorance and move those he meets to recognize our collective humanity.

 

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For news and updates go to: thelastsermonmovie.com

About the filmmaker – Jack Baxter is a writer, director, producer and freelance journalist from New York City. He produced the controversial and critically acclaimed 1995 documentary “Brother Minister: The Assassination of Malcolm X.” Mr. Baxter and his wife, Executive Producer Fran Strauss-Baxter, are the producers of the award-winning documentary, “Blues by The Beach” (2004). Jack is the co-author of the graphic novel, “Mike’s Place: A True Story of Love, Blues, and Terror in Tel Aviv” (2015) published by Macmillan.

About the filmmaker – Joshua Faudem is an award-winning American-Israeli documentary filmmaker who has shot and directed television programs in Israel, Europe, Canada, and America. Mr. Faudem directed the award-winning documentary “Blues by the Beach” (2004) and is the co-author of the graphic novel “Mike’s Place: A True Story of Love, Blues, and Terror in Tel Aviv.”

Official Selection of the 2020 International Human Rights Film Festival

Winner of the Best Documentary Feature and the Truth Seeker Award at the 2020 Queens World

76 Days, Director Hao Wu

On January 23rd, 2020, China locked down Wuhan, a city of 11 million, to combat the emerging COVID-19 outbreak. Set deep inside the frontlines of the crisis, 76 DAYS tells indelible human stories at the center of this pandemic—from a woman begging in vain to bid a final farewell to her father, a grandpa with dementia searching for his way home, a couple anxious to meet their newborn, to a nurse determined to return personal items to families of the deceased. These raw and intimate stories bear witness to the death and rebirth of a city under a 76-day lockdown, and to the human resilience that persists in times of profound tragedy. MTV Documentary Films is pleased to announce the release of 76 DAYS, a raw and emotional look at the struggles of the people of Wuhan, China, in the earliest days of the COVID-19 outbreak. Directed by New York filmmaker Hao Wu (People’s Republic of Desire) and two China-based journalists, Weixi Chen and Anonymous, who took enormous personal risks to film at four different hospitals. 76 DAYS was directed by Hao Wu, Weixi Chen and Anonymous. Director Hoa Wu joins us for a conversation on the challenges of keeping his crew focused and in-tact while charging into the epicenter of the most devastating and understood pandemic of the last 100 years.

 

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For news, screenings and updates go to: 76daysfilm.com

76 DAYS world-premiered at the 2020 Toronto International Film Festival where it topped IndieWire’s Critics Poll as Best Documentary of the festival. It will be released in over 50 virtual cinemas nationwide (including Film Forum in NY and Laemmle Theaters in LA) beginning Friday, December 4.

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100% on Rotten Tomatoes

“A startling picture from inside Wuhan’s besieged hospitals at the onset of the pandemic” – Screen Daily

“Remarkable” – The Hollywood Reporter

“A potent and horrifying document” ★★★★ – Peter Bradshaw, The Guardian

“Essential viewing for now and the future” – The Playlist

“A tribute to the heroic efforts of the workers it follows” – The Atlantic

A Dog Called Money – Director Seamus Murphy

As imaginative as the creative process it documents, A DOG CALLED MONEY is a uniquely intimate journey through the inspiration, writing and recording of a PJ Harvey record. Writer and musician Harvey and award-winning photographer Seamus Murphy, hatched a collaboration. Seeking first-hand experience of the countries she wanted to write about, Harvey accompanied Murphy on some of his worldwide reporting trips, joining him in Afghanistan, Kosovo, and Washington DC. Harvey collected words, Murphy collected images. Back home, the words become poems, songs, then an album, which is recorded in an unprecedented art experiment in Somerset House, London. In a specially constructed room behind one-way glass, the public – all cameras surrendered – are invited to watch the 5 week process as a live sound-sculpture. Murphy exclusively documents the experiment with the same forensic vision and private access as their travels. Director / photographer Seamus Murphy brilliantly captures encounters with the people and places he and Polly Jean visit, showcasing the humanity at the heart of his work, while also tracing the evolution of their shared experience into her recorded music and ultimately into their impassioned collaboration.

 

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For news and updates go to: abramorama.com/pjharvey-adogcalledmoney

About the filmmaker – Seamus Murphy grew up in Ireland and is based in London. He is the recipient of seven World Press Photo awards for his photographic work in Afghanistan, Gaza, Lebanon, Sierra Leone, Peru and Ireland. He received The World Understanding Award from POYi in the USA for his work from Afghanistan and a film he made based around this work was nominated for an Emmy and won the Liberty in Media Prize in 2011. His work has been published and exhibited widely. He has made films for The New Yorker and Channel 4 Television in the UK.  He is the author of four books including A Darkness Visible: Afghanistan (Saqi Books. 2008) is based on 12 trips to the country between 1994 and 2007 and is a chronicle of Afghanistan’s extraordinary recent history. I Am The Beggar of the World (Farrar Straus Giroux. 2014) offers a rare glimpse into the lives of Afghan women through their anonymous Landay poetry. He has collaborated with musician PJ Harvey on projects for Let England Shake and The Hope Six Demolition Project, for which he won a Q Award for Best Music Film in October 2016. Patti Smith listed Murphy’s film for Harvey’s The Words that Maketh Murder as one of her Top 10 artworks, saying “… this unheralded piece (directed by Seamus Murphy) is a wisp of humanity celebrating the small things. “Murphy and Harvey together published The Hollow of the Hand (Bloomsbury. 2015) a book of his photography and her poetry. An exhibition and live presentation of The Hollow of the Hand work took place at the Royal Festival Hall, London in 2015 and at Les Recontres d’Arles in France in 2016. His latest book The Republic (Allen Lane. 2016) is an immediate and personal portrait of Ireland and was exhibited at The Little Museum in Dublin in 2017. 

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“It’s fascinating to see the creative process laid bare in such a way, and the film confirms Harvey’s position as a vital and relevant artist who thrives through collaboration and experimentation.” – Jamie Healy, Radio Times

“Murphy has an unerring eye for poetic compositions that emphasise faces, isolated soldiers and civilians in battle zones, and anomalous juxtapositions of vulnerable non-combatants and military personnel.” – Graham Fuller, Sight and Sound

“As a peek inside the artistic process, Murphy’s film succeeds: it’s the type of demystification that only serves to make the endeavour more remarkable.” – Hilary A White, Sunday Independent (Ireland)

“[A] stunning ode to director Seamus Murphy’s métier and PJ Harvey’s collaborative genius.” – June Butler, Film Ireland Magazine

Sky Blossom – Director Richard Liu

Director Richard Lui’s SKY BLOSSOM is a raw, uplifting window into 24.5 million children and millennials stepping forward as frontline heroes. Caring for family with tough medical conditions, they stay at home doing things often seen only in hospitals. They are cheerleaders, work part time, and go to college – but also live double lives – quietly growing up as America’s next greatest generation. The filmmaker, veteran journalist and award-winning CNN/MSNBC news anchor Richard Lui says the interviews were so honest they genuinely surprised him, as they revealed insights into the lives of young people across America. Troops used to look up and say, “Here come the Sky Blossoms”-paratroopers rushing to their aid. Today, there is a new generation answering that call. These are their stories. First-time director and MSNBC news anchor Richard Liu joins us for a conversation on the reason he began the project, the exploration of these families courage and determination and the historic and spiritual meaning behind the film’s title. 

 

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For news, screenings and updates go to: skyblossom.com

For information on resources available go to: skyblossom.com/resources

Watch during the Virtual Theatre release at: /skyblossom.com/watch-film

Director’s statement – My life changed when my dad was diagnosed with Alzheimer’s. I stepped back from my work as a cable news anchor, changing to work part-time on weekends. I began a weekly commute from my work in New York and my family in San Francisco. My parents come from military families, and this experience has only brought us closer together. With Sky Blossom, I wanted to show the power of caring for others. To tell stories of positivity despite pain. – Richard Liu

About the Film – Sky Blossom is an Academy Award qualifying film salute to 2020. Filmed over three years, it is a raw, uplifting window into 24.5 million children and millennials stepping forward as frontline heroes. Caring for family with tough medical conditions, they stay at home doing things often seen only in hospitals. They are cheerleaders, work part time, and go to college – but also live double lives – quietly growing up as America’s next greatest generation.

What’s In a Name? – During the Second World War, troops used to look up and say, “Here come the Sky Blossoms” — paratroopers rushing to their aid. Today, there is a new generation answering that call. These are their stories.

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No Ordinary Man – Co-director Chase Joynt (Aisling Chin-Yee) and Writer Amos Mac

In the documentary film No Ordinary Man The legacy of Billy Tipton, a 20th-century American jazz musician and trans icon, is brought to life by a diverse group of contemporary trans artists. Revered jazz musician Billy Tipton — born Dorothy Lucille Tipton — gained fame throughout the United States in the 1940s and ’50s. His trans identity was not known throughout the echelons of the jazz and pop worlds, and it wasn’t revealed publicly until after his death in 1989. For decades, Tipton was portrayed as an ambitious woman “passing” as a man in pursuit of a music career at a time when the industry was dominated by men and trans representation was virtually non-existent. Since then, he has become a foundational icon of trans-masculinity. Co-directors Aisling Chin-Yee and Chase Joynt’s examine the disgraceful media scrutiny and questions of legitimacy his family endured after his death. This thoughtful, timely documentary embraces the challenge of bringing Tipton’s words to life, reimagining his narrative through a diverse group of contemporary trans performers as they collectively paint a portrait of an unlikely hero. NO ORDINARY MAN explores the life and legacy of American jazz musician and trans icon Billy Tipton as told through the eyes of today’s leading voices in the trans community. NO ORDINARY MAN features Marquise Vilsón, Scott Turner Schofield, Susan Stryker, C. Riley Snorton, and Thomas Page McBee, among others. Co-director Chase Joynt (Aisling Chin-Yee) and Writer Amos Mac join us to talk about the life and the times of an artist, husband and father hiding in plain sight and how Billy Tipton’s story informs and imbues today’s trans community.

 

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For news, screenings and updates go to: chasejoynt.com/no-ordinary-man

About the filmmaker – (Co-director) Chase Joynt is a transgender moving-image artist and writer whose films have won jury and audience awards internationally. His latest short film, Framing Agnes, premiered at the 2019 Tribeca Film Festival, won the Audience Award at Outfest in Los Angeles, and is being developed into a feature film with support from Telefilm Canada’s Talent to Watch program. Awarded the EP Canada/Canada Film Capital Award for Emerging Canadian Artist, Joynt’s first book You Only Live Twice (co-authored with Mike Hoolboom) was a 2017 Lambda Literary Award Finalist and named one of the best books of the year by The Globe and Mail and CBC. 

About the filmmaker (Writer) Amos Mac is an out transgender writer staffed on the upcoming drama series Gossip Girl (HBO Max, 2021). Previously he’s worked on shows including Amazon’s Transparent and VICELAND’s Gaycation. From 2009-2019, Amos was a founding editor of Original Plumbing; the first print magazine in America dedicated to trans male culture. Informational and humorous, OP provided ten years of artful documentation of trans masculine community. The official book, Original Plumbing: The Best of Ten Years of Trans Male Culture, was released in 2019 by the Feminist Press.

About the filmmaker – (Co-director) Aisling Chin-Yee is a cisgender, award-winning producer, writer, and director based in Montreal, Canada. Aisling was named one of Canada’s Rising Film Stars by Now Magazine 2019. Her feature film directorial debut, The Rest of Us, starring Heather Graham (Boogie Nights, The Hangover), and Sophie Nélisse (The Book Thief) premiered at the Toronto International Film Festival 2019. Aisling also produced the award winning feature films, Rhymes for Young Ghouls, Last Woman Standing , and The Saver among others. In 2017, she co-founded the #AfterMeToo movement alongside Mia Kirshner and Freya Ravensbergen. In 2018 she was selected in the inaugural cohort of professionals in the 50 Women Can Change the World in Media and Entertainment in Hollywood. In 2019, Aisling received the TIFF Canning Fellowship. 

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100% on Rotten Tomatoes

“The film contains interviews with a number of trans artists who find Tipton especially meaningful in their lives; the moment when Tipton’s son discovers that his father is important to many people is worth the price of admission.” – Alissa Wilkinson, Vox

“Tender, topical and well-crafted, No Ordinary Man is no ordinary film.” – Brad Wheeler, Globe and Mail

“No Ordinary Man isn’t so much a documentary of musician Billy Tipton but a major contribution to the history of trans-masculinity.” – Danielle Solzman, Solzy at the Movies

“It’s moving and empowering, a reminder of how far we’ve come and how far we have to go.” – Brian Tallerico, RogerEbert.com

Gay Chorus Deep South, Director David Charles Rodrigues

UPDATE: MTV Documentary Films’ Gay Chorus Deep South directed by David Charles Rodrigues premieres Sunday, December 20 at 9:00PM ET/PT on Pop, Logo and Pluto

The documentary Gay Chorus Deep South chronicles one community’s response to a wave of discriminatory anti-LGBTQ laws in Southern states and the divisive 2016 election. The San Francisco Gay Men’s Chorus embarks on a tour of the American Deep South. Led by Gay Chorus conductor Dr. Tim Seelig and joined by The Oakland Interfaith Gospel Choir, the tour brings a message of music, love, and acceptance to communities and individuals confronting intolerance. Over 300 singers travelled from Mississippi to Tennessee through the Carolinas and over the bridge in Selma. They  performed in churches, community centers, and concert halls in hopes of uniting us in a time of difference. The journey also challenges Tim and other Chorus members who fled the South to confront their own fears, pain, and prejudices on a journey towards reconciliation. The conversations and connections that emerge offer a glimpse of a less divided America, where the things that divide us – faith, politics, sexual identity – are set aside by the soaring power of music and humanity. Director David Charles Rodrigues joins us to talk about the expectations and realities that comes with traveling to communities with the hope of changing hearts and minds.

 

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For news, screenings and updates go to: gaychorusdeepsouth.com

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WINNER AUDIENCE AWARD – BEST DOCUMENTARY – 2019 TRIBECA FILM FESTIVAL

WINNER AUDIENCE AWARD – BERKSHIRE INTERNATIONAL FILM FESTIVAL

WINNER AUDIENCE AWARD – TOP 5 NONFICTION FAVORITES – 2019 TRAVERSE CITY FILM FESTIVAL

“Successfully harnessing the power of both music and message, documentary Gay Chorus Deep South draws its strength not only from its subject, but also the effective way in which it it presents its arguments.” – Nikki Baughan, Screen International

“What makes the film especially compelling, though, are the all-too-human narratives involving those who were at one time badly victimized because of their sexual orientation; they want to forgive, but may never be able to.” – Phil Guie, Film-Forward.com

“There’s a lesson here that applies to more than just LGBT political causes: To heal the country and move on, we must reach across the divide and listen to one another.” – Peter Debruge, Variety

“With good folks like this, from both sides of the aisle, there is hope for humanity yet.” – Christopher Llewellyn Reed, Hammer to Nail

Music Got Me Here – Director Susan Koch

From award-winning director Susan Koch’s comes new feature documentary, MUSIC GOT ME HERE. The film follows the against-all-odds, true-life journey of Forrest Allen – a story of the power of music to heal and transform lives, often in miraculous ways. A snowboard accident leaves Forrest Allen, age 18, trapped inside himself, unable to speak or walk for almost two years. Tom Sweitzer, an eccentric music therapist with a troubled childhood who credits music with saving his own life, is determined to help Forrest find his voice. He dresses up in costumes and makes up silly songs.  For months, Forrest doesn’t even acknowledge him. Then, one day Forrest painstakingly types with one finger on his Dynavox: “Please help me find my voice”. Tom begins by teaching Forrest to breathe…then hum. After many months of painstaking practice, the hums turn into Forrest’s first two words. Director and writer Susan Koch joins us to talk about her uplifting tale of overcoming hardship, physical, spiritual and psychological as well as underscoring the pre-cognitive connective that humans share and with it our brains can be rewired to overcome trauma.

 

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For news, screenings and updates go to: musicgotmehere.com

Winner of the Best Social Impact Award at the Greenwich International Film Festival,MUSIC GOT ME HERE was filmed over the course of five years and features interviews with renowned soprano and music therapy advocate Renee Fleming and National Institutes of Health Director Dr. Francis Collins. MUSIC GOT ME HERE, is currently screening at Laemmle Virtual Cinema.

About the Director – Emmy and Peabody award-winning filmmaker Susan Koch’s films and non-fiction television shows have appeared on ABC, NBC, PBS, HBO, Showtime, MTV, ESPN, The Discovery Channel, National Geographic, CNN, and American Movie Classics. Koch’s documentary Kicking It, about homeless soccer players who compete in an international tournament, premiered at the Sundance and Tribeca Film Festivals and was broadcast on ESPN. Koch’s other films include the award-winning documentaries Reel Models:  First Women of Film (AMC), Mario’s Story (Showtime), City at Peace (HBO) and The Other City (Showtime). Koch is the Executive Director of the Middleburg Film Festival, located in Middleburg, Virginia, outside Washington, D.C.

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King of Knives – Producer / Actor Gene Pope

KING OF KNIVES tells the story of Frank and Kathy who are baby boomer parents and Sadie & Kaitlin, their millennial daughters. Frank is screaming towards a mid-life crisis. Kathy pretends she’s happy and doesn’t drink that much wine. Sadie is the good child; convinced her first and only boyfriend is the one to marry. Kaitlin is the rebel, the entertainer; the truth teller who will not filter how she’s feeling. Over three days, with much drama and humor, this crap-happy family careens and skids straight towards a fateful anniversary. On the way, they realize they are more alike than they know. KING OF KNIVES, co-written by Lindsay Joy & Gene Pope and directed Jon Delgado, has earned critical acclaim from audiences who have been lucky enough to see the film.  It has also won awards from numerous festivals including “Best Narrative Feature Film” at the Williamsburg International Film & Music Competition, “Best Feature & Lead Actress” at the Milan World Cinema Festival, and seven Platinum awards including “Winner Narrative Feature” at the International Independent Film Awards. Producer and lead actor Gene Pope joins us for a lively conversation on his own mid-life reckoning that inspired the film, his role in front of and behind the camera, what his theatre background brought to the project and working with a cast that includes Mel Harris.

 

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For news and updates got to: kingofknivesthemovie.com

KING OF KNIVES is a Gravitas Ventures release that is available on VOD and Digital platforms including iTunes, Amazon, Apple TV, Google Play, Fandango Now and all major cable/satellite platforms on Tuesday, December 1.

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“Gentle but incisive, mournful but also hopeful, and at times quite humorous, this dramedy may not leave deep cuts, but its blade shines nevertheless.” – Alex Saveliev, Film Threat

“A well told story that is helped by its strong performances. This mix of comedy and drama can be erratic at times, but the movie is an engaging watch.” – Nathaniel Muir, AIPT

GATHER – Director Sanjay Rawal

Award winning filmmaker Sanjay Rawal’s latest documentary, GATHER, is a powerful portrait of Indigenous Americans reclaiming sovereignty over their decimated ancestral food systemswhile battling against the historical trauma brought on by centuries of genocide.  The early American economy was solely based on extracting money from the land. This nascent economy needed labor, but it mainly needed land. Stolen native land fueled American capitalism while slavery drove the economy. Native bodies were impediments because they occupied land the American economy needed, thus the genocide of thousands of indigenous people.  After a century of stealing land, the American government began an active program to destroy Native food systems to subjugate Natives. In doing so, they destroyed tens of thousands of years of deep knowledge of the food space. Native Americans are now fighting to re-establish their right to their lands and their food traditions – this fight for food is as important as the fight against pipelines.  As the pandemic continues to disproportionately affect Indian Country (IC), the common narrative is to blame poverty.  In reality, IC is ravaged due to inadequate infrastructure, lack of health systems and environmental racism – directly driven by government disregard of legal and treaty obligations. Director Sanjay Rawal (Food Chains) talks with us about how the US government continues to neglect these communities and perpetuate its long-term genocide and the efforts of the Native American people’s to fight back.

 

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For news, updates and screenings go to: gather.film

Gather is now available to stream on iTunes (US/UK/Canada)Amazon (US/UK) and Vimeo-on-Demand (rest of the world).

About the filmmaker – A James Beard Award winning filmmaker, Sanjay  Rawal made FOOD CHAINS (EP Eva Longoria, Eric Schlosser) which chronicled the battle of the Coalition of Immokalee Workers, a small group of Oaxacan and Chiapan indigenous farmworkers in Florida, against the largest agribusiness conglomerates in the world. The film was released theatrically in a number of countries (Screen Media in the US) and won numerous awards – including citations from the US Conference of Mayors, the Clinton Global Initiative and the White House. The film was also a Winner (shared) of the 2016 BritDoc Impact award and several festival prizes. Sanjay’s last film 3100: RUN AND BECOME won several festival prizes, had a robust theatrical release in the US in 2018 and is opening in traditional theatrical engagements across Europe and Australia in 2020 and 2021.

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100% on Rotten Tomatoes

“Rawal covers a substantial amount of ground and deftly balances the dense material without losing sight of the mission driving the bigger story: Healing from generational trauma sometimes starts with just one person.” – Lovia Gyarkye,

“Docu on food sovereignty has positive messages, role models.” – Brian Costello, Common Sense Media

“The stunning cinematography accentuates every aspect of the story, the beauty of our land, and the need to understand the gifts we have all been given to live a life of truth about our pasts and create a new path for the future.” – Pamela Powell, Reel Honest Reviews

“Rawal’s movie offers a fascinating, visually striking glimpse of just how the seeds of oppression and racism can thrive for generations.” – Rob Rector, Film Threat

 

MAYOR, Director David Osit

MAYOR is a real-life political saga following Musa Hadid, the Christian mayor of Ramallah, during his second term in office. His immediate goals: repave the sidewalks, attract more tourism, and plan the city’s Christmas celebrations. His ultimate mission: to end the occupation of Palestine. Rich with detailed observation and a surprising amount of humor, MAYOR offers a portrait of dignity amidst the madness and absurdity of endless occupation while posing a question: how do you run a city when you don’t have a country?  MAYOR, director, producer, editor, cinematographer, David Osit joins us to talk about a most remarkable public servant, who spends much of his days greeting members of his community, visiting schools, meetings with staff on branding issues for Ramallah and having lunch with a grateful, but insistent constituent.

 

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For news, updates and screenings go to: filmmovement.com/mayor  or: go to: mayorfilm.com

About the filmmaker – DAVID OSIT is an Emmy Award-winning documentary film director, editor and composer. He is an alumnus of the Berlinale Talent Campus and the Sundance Nonfiction Director’s Residency. David graduated from the Center for Middle Eastern and North African Studies at the University of Michigan, and studied Refugee Law at the American University of Cairo. He received his MFA in Social Documentary Film from the School of Visual Arts.

*WINNER – NEXT:WAVE Prize, 2020 CPH:DOX*
*WINNER – Grand Jury Prize, 2020 Full Frame*
*WINNER’S CIRCLE – 2020 DOC NYC*
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100% on Rotten Tomatoes

“Shows the West Bank as we rarely see it. A real-life political saga following Musa Hadid, the Christian mayor of Ramallah, during his second term. Filmed over 18 months, Mayor is aimed at Westerners, particularly Americans.” – Mary McNamara, Los Angeles Times

“THRILLING. The best new film about Israeli-Palestinian conflict is a dark comedy about Ramallah’s mayor. David Osit’s documentary blends black comedy and unnerving suspense for a fascinating look at life under occupation.” – Eric Kohn, IndieWire

“IMPRESSIVE. ENGROSSING…HEARTENING. Mayor is a study in politics both micro and macro, showing what happens when the two come fatefully crashing together.” – Jordan Mintzer, The Hollywood Reporter

“A GRIPPING portrait of Ramallah’s beloved mayor, Musa Hadid, whose job consists of the mundane tasks of running a local government mixed with the extraordinary circumstances of navigating the repercussions of a geopolitical conflict. A sincere tale of a public servant who’s seeking to lead in a world that’s stacked against him.” – Alissa Wilkinson, Vox

The Mystery of D. B. Cooper – Director John Dower

Directed by Emmy-nominated filmmaker John DowerTHE MYSTERY OF D.B. COOPER brings to life the stories of four individuals fervently believed by their family and friends to be “D.B. Cooper,” the mystery man who hijacked a 727 flying out of Seattle, traded the passengers’ lives for $200,000 and four parachutes, lept from the jet over some of Washington state’s roughest terrain, and was never heard from again. ‌ Almost 50 years later, the case continues to confound the FBI and inspire wild speculation as it remains the only unsolved airplane hijacking in United States history.‌ THE MYSTERY OF D.B. COOPER draws from a combination of recreated and archival footage, as well as exclusive interviews with those most connected to the infamous case and its likeliest culprit, and explores how the heist inspired copycat hijackings around the world and elevated Cooper to “legend” status before his plane even touched back down on land. ‌Director John Dower joins us for a lively conversation on the rabid D.B. Cooper cognoscenti who claim that they “know” what happened, the surprisingly strong bond Dower formed with the subjects he met making the film and the enduring and irresistible legend born on Thanksgiving eve, 1971.

 

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For news, and screenings go to: hbo.com/documentaries/the-mystery-of-db-cooper

About the filmmaker – John Dower is one of the country’s leading documentary directors. His feature Thriller in Manila was in competition at Sundance, BAFTA and EMMY nominated, and won a Grierson and a Peabody Award. Bradley Wiggins – A Year In Yellow was also BAFTA nominated in the best director category. As well as his sporting films he has a keen eye for comedy. His music documentary Live Forever was described by The Guardian as, “Sublime … finds that the truth is stranger and funnier than the myths” and his latest theatrical feature My Scientology Movie praised by The Telegraph as “a giddy, Pythonesque delight”, with Variety calling it “riotously funny”. His first documentary short, Ronald, continues that absurd tone and proved a massive hit on the American festival circuit. My Scientology Movie, which he also co-wrote, has topped a million pounds at the UK box office and is on course to be the highest grossing documentary of the year. As well as screening at prestigious festivals such as Sundance, Toronto, Tribeca, LFF, Berlin and Cannes his films have broadcast on HBO, ESPN, Sky, the BBC & Channel 4. Alongside his documentary work, John has directed a number of commercials for numerous leading brands and Agencies worldwide. Recent work includes campaigns for The Co-operative Bank, Not On The High Street and Omega. As well as spots for Sky HD, Aviva, Mars and Vodaphone. pulsefilms.com/director/john-dower/film or johndower.co.uk

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87% on Rotten Tomatoes

“It’s fascinating and a lot of fun, but in a larger sense it speaks to the reason why people get fascinated with a story like this.” – Christy Lemire, FilmWeek

“By the end of The Hijacker Who Vanished: The Mystery of DB Cooper, I felt like saying: “Dammit, I’m DB Cooper.” – Carol Midgley, Times (UK)

“These brilliant characters, some deeply entangled in the story, some distant from it but connected, are believers. This film asks what keeps them believing, and it is a far bigger question than the mystery itself.” – Rebecca Nicholson, Guardian

“Interspersed in the thrilling minute-by-minute drama of the hijacking are the stories of people suspected of being responsible. Sifting the implausible from the probable makes for a fascinating show.” – Suzi Feay, Financial Times

Crazy, Not Insane, Producer Ophelia Harutyunyan

In the latest documentary from Academy Award winning director Alex Gibney Crazy, Not Insane asks the question, Why do we kill? Why do some of us kill, and others resist the temptation? What makes a serial killer? Dr. Dorothy Otnow Lewis, a psychiatrist who’s worked with numerous serial killers, including Ted Bundy, Arthur Shawcross and Joel Rifkin, has been looking to answer these questions for decades. Fascinated by the human brain and its capacity for ruthlessness, she has spent her life investigating the interior lives of violent people. With each case, she came closer to developing a unified field theory of what makes a killer. Along the way – steering away from the conventional wisdom of her colleagues — she explored the world of multiple personality disorder. Producer Ophelia Harutyunyan joins us in conversation on the groundbreaking work on trauma and abuse being done by Dr. Lewis and others, as well as the question of evil and its impact on the dispensation of justice in a secular system of justice.

 

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For news and updates go to: jigsawprods.com/crazy-not-insane

Watch at: hbo.com/documentaries/crazy-not-insane

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92% on Rotten Tomatoes

“An urgent film, it’s filled with chilling detail and propelled by clear-eyed compassion.” – Sheri Linden,Hollywood Reporter

“While the documentary might not convince those who prefer a black-and-white picture of crime and justice, for anybody with an open mind, it’ll definitely make you think.” – Brian Lowry, CNN.com

“A fascinating look at the human mind. Whether you agree or not will be irrelevant next to all the questions this HBO documentary asks.” – Nathaniel Muir, AIPT

“You may not agree with everything Dorothy Lewis says in “Crazy, Not Insane,” but you come out of the movie alive to the place where evil and insanity meet and then fall back apart.” – Owen Gleiberman, Variety

Sound of Metal, Director Darius Marder

The feature film debut of director Darius Marder, Sound of Metal, chronicles the life of Ruben, (Riz Ahmed) an itinerant punk-metal drummer. During a series of adrenaline-fueled one-night gigs, Ruben begins to experience intermittent hearing loss. When a specialist tells him his condition will rapidly worsen, he thinks his music career — and with it his life — is over. His bandmate and girlfriend Lou (Olivia Cooke) checks the recovering heroin addict into a secluded sober house for the deaf in hopes it will prevent a relapse and help him learn to adapt to his new situation. But after being welcomed into a community that accepts him just as he is, Ruben has to choose between his equilibrium and the drive to reclaim the life he once knew. Utilizing startling, innovative sound design techniques, director Darius Marder takes audiences inside Ruben’s experience to vividly recreate his journey into a rarely examined world. Director and screenwriter Darius Marder joins us for a conversation on technical challenge of creating a cinematic language to meet the demands of telling Ruben’s complex story, creating an environment for remarkable performances from Riz Ahmed, Olivia Cooke and Paul Raci and his collaboration with fellow director Derek Cianfrance (The Place Beyond the Pines).

 

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To watch go to: amazon.com/Sound of Metal

About the filmmaker – DARIUS MARDER (Director, Writer) is a writer and director making his narrative feature directorial debut. His film Loot was awarded the Best Documentary Feature prize at the 2008 Los Angeles Film Festival, received five Cinema Eye Honors Award nominations and earned Marder an Independent Spirit Award nomination in the Truer Than Fiction category. Marder then co-wrote The Place Beyond the Pines with Derek Cianfrance and Ben Coccio. The original screenplay won the trio a PEN Literary Award in 2014. The following year Marder and Cianfrance co-adapted S.C. Gwynne’s Pulitzer Prize finalist Empire of the Summer Moon for Warner Bros. The film will go into production in 2021 with Cianfrance directing. 

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97% on Rotten Tomatoes

“As Ruben’s fear and rage begins to open itself to the unknown, the movie reaches toward something profound – finding real, furious power in the spaces between the sound.” – Leah Greenblatt, Entertainment Weekly

“An engrossing deeply affecting, meticulously crafted movie. The tone is straightforward and naturalistic. The camera focuses on intimate connections between the characters. This is a thoughtful, grounded, human scale film.” – Karen Gordon, Original Cin

“The film is profound, frightening, uplifting and, yes, actually breathtaking at times, and you’re not likely to take your hearing for granted anytime soon afterward.” – Brian Truitt, USA Today

“It’s a devastating, poignant, and ultimately hopeful film, especially for a side of humanity that rarely sees itself portrayed on screen.” – David Fontana, Film Inquiry

With ‘Sound of Metal,’ filmmaker Darius Marder crafts one of the most compelling, raw, and unforgettable films of the year.” – Preston Barta, Denton Record-Chronicle

Murder on Middle Beach – Director Madison Hamburg

HBO Documentary Films’ MURDER ON MIDDLE BEACH, a four-part documentary series directed by first-time filmmaker Madison Hamburg, presents Hamburg’s complicated journey as a young man determined to solve an unspeakable crime and the desire to absolve the people he loves, while looking for answers within his fractured family and community. On March 3, 2010, single mother Barbara Hamburg was found violently murdered near her home in the upper middle class enclave of Madison, Connecticut. Investigators speculated her murder appeared to be a crime of passion, but without enough evidence, the case grew cold. Over the course of eight years, Barbara’s son, Madison Hamburg, interviewed his family members and many others, longing to learn more about his mother and gathering evidence in hopes of solving her murder, sending him into a deep web of buried familial secrets, connections to shadowy criminal figures, and the uncovering of years-old resentments in his deceptively serene hometown. While Madison wrestles with troubling revelations about his mother, the most unsettling conflict comes from Madison’s obligation to bring into question those inside his community and members of his own family. Director Madison Hamburg joins us to talk about this deeply personal story of loss, discovery, anxiety and reconciliation.

 

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For news and updates go to: hbo.com/murder-on-middle-beach

MURDER ON MIDDLE BEACH debuts on November 15 on HBO and will be available to stream on HBO Max.

Filmmaker’s Statement – At 18 years old, my worst fears came true when my sister called to tell me that my mother had been murdered, As much as I fought it, her death became a part of my life. Her memory faded and her case went cold, but I couldn’t accept that. Even if it meant sacrificing my own safety and sanity, I made my mother a promise when I started this project, ‘I will never let you be forgotten.’ It is less than what she would have done for me. – Madison Hamburg.

Social Media
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100% on Rotten Tomatoes

“Murder on Middle Beach is one of the most intense and emotional true-crime docuseries ever made.” – John Doyle, Globe and Mail

“Murder on Middle Beach is like watching a surgeon wield a scalpel on his own body, uncovering new layers of infection every time he cuts. It’s hard to say what’s more horrifying — that he keeps carving or that you keep watching.” – Glenn GarvinReason Online

“The emotional foundation of a torn-apart family is what strengthens Murder on Middle Beach but it’s also a fascinating mystery without the personal touch.” – Brian Tallerico, RogerEbert.com

“On the one hand, if anyone has the right to tell this story, it’s Hamburg. And the human toll of his investigation is very close to the surface in Murder On Middle Beach, particularly when his questions get more pointed later on.” – Katie Rife, AV Club

 

RUN, Director Aneesh Chaganty and Producer Sev Ohanian

They say you can never escape a mother’s love… but for Chloe, that’s not a comfort — it’s a threat. Hulu’s latest high profile film project RUN opens the door on something unnatural, even sinister about the relationship between Chloe (newcomer Kiera Allen) and her mom, Diane (Sarah Paulson). Diane has raised her daughter in total isolation, controlling every move she’s made since birth, and there are secrets that Chloe’s only beginning to grasp. From the visionary writers, producers and director of the breakout film Searching, comes a suspense thriller that shows that when mom gets a little too close, you need to RUN. Director Aneesh Chaganty and Producer Sev Ohanian join us for a conversation on the challenges of pulling together a high wire psychological thriller and working with a promising young actor, Kiera Allen on a brilliant film anchored by one of the finest actors working today, Sarah Paulson.

 

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Premiering on HULU November 20

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91% on Rotten Tomatoes

“A perfectly paced, well-edited, and nimbly acted thriller.” – Claudia Puig, FilmWeek

“Run gives its dual leads a slim window for making first impressions and finding bases for their roles, which makes their performances and Chaganty’s direction doubly impressive.” – Andy Crump, Paste Magazine

“It’s also a hell of a lot of fun on a basic B-movie level, thanks to Chaganty’s expert control of tone, his superb crafting of suspense sequences, and excellent work from Paulson and Allen.” – Don Kaye, Den of Geek

“Run showcases the whiplash intensity and cold calculation of Sarah Paulson at her peak, with intense moments that will leave you breathless.” – Jack Wilhelmi, Screen Rant

I AM GRETA, Director Nathan Grossman

In 2018, 15-year-old Swedish climate activist Greta Thunberg held a school strike outside her country’s Parliament building in Stockholm. At first she sat alone, handing out information and answering questions from passersby. Slowly, others began to join her—and within months she had sparked a worldwide movement. I AM GRETA offers a personal and inspiring glimpse inside Greta’s path to becoming an internationally known environmental activist. Shot in the style of cinéma vérité and with support from the Thunberg family, cameras capture Greta’s meetings with government leaders, headline-making public appearances, and global protests. But they also depict Greta’s life outside of the moments visible on news channels worldwide: laughing at home with her family, writing impassioned speeches, and trying to handle the mounting stress of nonstop travel, public scrutiny and becoming the face of the climate change cause. The film culminates with Greta’s arduous two-week journey by sailboat to the UN Climate Action Summit in New York City, where she’s greeted by crowds chanting her name. (Greta stopped flying because of the high emissions caused by air travel.) Today, her #FridaysForFuture movement has organized climate strikes on every continent except Antarctica. As she tells the UN, “The world is waking up, and change is coming whether you like it or not.” Director Nathan Grossman joins us to talk about his filmmaker instinct to document Greta Thunberg’s first days in front of the Swedish Parliament, the remarkable level of trust he had with Greta and her family as he chronicled the tale of a young woman determined to hold the most powerful people in the world accountable for their pathological abuse of Planet Earth.

 

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For news and updates go to: iamgretafilm.com

A Statement from Greta – “I really like the film and I think it gives a realistic image of myself and my daily life. I hope anyone who watches the film can finally understand that we young people aren’t school striking just for fun. We are protesting because we don’t have a choice. A lot has of course happened since I started school striking, but sadly we are still stuck on square one. The changes and the level of awareness needed are nowhere to be seen today. All that we ask for is for our society to treat the climate crisis as a crisis, and give us a safe future. I think the film shows just how far that is from happening right now. It shows that the urgency of the scientific message isn’t getting through.” – Greta Thunberg

About the filmmaker – Nathan Grossman is educated at The Stockholm Academy of Dramatic Arts. He started his career as a stills photographer for Rolling Stone India and later moved into documentary filmmaking, mainly focusing on environmental issues. In 2015 Nathan got the world’s attention for his short film The Toaster Challenge where an athlete tries to generate energy to toast a slice of bread. The video became a global phenomenon with over 15 million views. 2017 Nathan completed his first full-length tv-series for public broadcaster SVT, about the growing meat consumption in Sweden. The show sparked a big discussion about meat consumption in Sweden and got nominated for best factual program of the year. 

Social Media
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twitter.com/nathangrossman
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78% on Rotten Tomatoes

“FASCINATING. A close-up, behind-the-headlines portrait of a passionately committed, media-savvy young woman.” – Caryn James, The Hollywood Reporter

“ABSORBING. An uplifting, inspirational story.” – Lee Marshall, Screen International

“INTIMATE AND URGENT. Thunberg’s very existence has been politicized by both friend and foe, but “I Am Greta” is intent on reminding people that she’s really just a kid who has a big dream.” – Kate Erbland, IndieWire

“[Grossman’s] straightforward yet utterly compelling documentary invites us into the life of a remarkable teenager who is sure to accomplish even more remarkable things in the years to come.” – Andrew Collins, Radio Times

Collective, Director Alexander Nanau

The latest documentary film from award-winning director Alexander Nanau is a verite  look behind the curtain of the pervasive corruption of Romania’s Health Ministry. Collective is a scathing examination of the 2015, a fire at Bucharest’s Colectiv club. A fire that leaves 27 dead and 180 injured. Soon, more burn victims begin dying in hospitals from wounds that were not life-threatening. When a doctor blows the whistle on the misuse and abuse of medical protocols and treatments at the facility specializing in burn victim recovery a team of investigative journalists jump into the fray. One revelation leads to another as the journalists start to uncover vast health care fraud. When a new health minister is appointed, he offers unprecedented access to his efforts to reform the corrupt system but also to the obstacles he faces. Following journalists, whistle-blowers, burn victims, and government officials, Collective is an uncompromising look at the impact of investigative journalism at its best. Collective Director Alexander Nanua joins us for a conversation on his remarkable access to the inner circle of the reform-minded new minister and how naked greed and corruption led to deaths of far too many innocent victims.

 

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For news, updates and screenings go to: collectivemovie.com

About the filmmaker – Alexander Nanau was born in Bucharest, Romania in 1979. His family belongs to the Transylvanian Saxons, a cultural minority of German descent who lived since generations in Romania. 1990 they emigrated to Germany and became German citizens. Nanau studied Film Direction at the renowned DFFB in Berlin. His first feature documentary Peter Zadek inszeniert Peer Gynt was released 2006 in Germany and Austria. In 2007 he was a scholarship holder of the Academy of Arts in Berlin. In 2008/2009 he co-produced with HBO Romania, directed and shot the documentary The World According to Ion B. about a 62 years homeless man who starts a career in the international art world with collages he made over the last 30 years. The documentary was selected for over 40 international film festivals and won the prestigious ‘International Emmy Award’ for Arts Programming in 2010. His third feature documentary Toto and His Sisters, produced together with HBO Europe, premiered at the San Sebastian Film Festival in the ‘New Directors’ section. The film won major awards at the international film festivals in Angers, Zurich, Warsaw, Jihlava, Leipzig and Sarajevo. It was nominated as ‘Best Documentary’ at the European Film Awards 2015 and won the international Cinema Eye Honors’ Spotlight Award 2016.

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99% on Rotten Tomatoes

“Collective gives us a glimpse of the top-the gangster hospital managers and the government functionaries who appointed them, all helping themselves to taxpayer money while providing care that kills.” – Amy Taubin, Artforum

“Collective is a documentary that grows progressively more frightening, infuriating, and illuminating the longer one sits with it.” – Andrew Parker,The Gate

“A documentary pulsing with an urgency that’s impossible to ignore and a furious sense of anger that’s genuinely palpable.” – Doug Jamieson, The Jam Report

Although he is dealing specifically with one instance in Romania, it’s easy to see evidence of greater global malaise reflected here. – Amber Wilkinson, Eye for Film

Last Call – Director Steven Bernstein

The story behind Steven Bernstein’s latest film, LAST CALL, begins in New York City as renowned poet Dylan Thomas’ (Rhys Ifans) began his final tour in 1953 – a tour that was meant to save him from ruin. The Welsh poet’s reputation for heavy drinking and philandering would soon be forgotten as eager audiences are captivated by his poetry lectures. Full of poetry, passion, and an ultimate betrayal, the poet who gave us Do not go gentle into that good night, Under Milkwood, and stories and broadcasts such as A Child’s Christmas in Wales and Portrait of the Artist as a Young Dog, rages, loves and fights against the gathering darkness. One day at the local White Horse Tavern, he drinks 18 double scotches, naming each one after his life experience. Soon his fantasies, his memories, and an uncertain present blend into a wild, surreal farewell to the world. Inspired by the real life of a man who was regarded as one of the twentieth century’s most influential lyrical poets, LAST CALL stars Rhys Ifans (The Fantastic Flitcrofts), two-time Academy Award-nominee John Malkovich (In the Line of Fire, Places in the Heart) as Thomas’s confidant and enabler, Dr. Felton, and in supporting roles, Rodrigo Santoro (Westworld), Romola Garai (Atonement), Tony Hale (Veep), Zosia Mamet (Girls), and Philip Ettinger. Director Steven Bernstein stops by to talk about the enduring legacy of a literary giant, pulling together a stellar collection of actors and how his love of classic TV dramas inspired his vision to work on a black and white cinematic canvas.   

 

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For news and updates go to: kstreetpictures.com

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Ghost of the Republique, Director Jonathan Narducci

GHOSTS OF THE RÉPUBLIQUE follows Aurelien and Nicolas, who, when confronted with France’s conservative surrogacy laws (where surrogacy is illegal), decide to exhaust their last option by traveling to Las Vegas to start a family of their own through international surrogacy. Nicolas and Aurelien’s story is unique in that it is a portrayal of the same-sex experience in creating a biological family through surrogacy, a technology developed in the 1980’s becoming more and more commonplace each year. This technology is one that has not only brought hope to couples who struggle with infertility but also to couples who struggle with equality. But while it is a source of hope for many, surrogacy also raises ethical considerations with various legal implications across the globe. Through the lens of one family, this film demonstrates the extreme lengths many gay couples go to have children, while highlighting the ever-expanding and controversial surrogacy industry. GHOSTS OF THE RÉPUBLIQUE seeks to explore the complexities of the issues, and in particular, asks, what does define family in our modern age? Director Jonathan Narducci joins us for a conversation on the negative impact of uncertainty in denying people their human rights and how this project has change the lives of the people who participated.

 

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For news and updates go to: ghostsoftherepublique.com

Gravitas Ventures is proud to present the US virtual release of GHOSTS OF THE RÉPUBLIQUE a documentary film by Jonathon Narducci.The film will be available on Amazon Prime, iTunes and other platforms starting November 17, 2020.

Director’s Statement – We’ve achieved marriage equality in the US and other countries around the world, but today’s laws are far from clear when it comes to surrogacy, and that’s where things really get interesting…the idea of what a family is, is one of the most coveted values in society, and GHOSTS OF THE RÉPUBLIQUE shows us that the definition of family is constantly changing. – Jonathon Narducci.

A Crime on the Bayou, Director Nancy Buirski

A CRIME ON THE BAYOU is the third film in director Nancy Buirski’s trilogy profiling brave individuals who fought for justice in and around the Civil Rights era, following The Loving Story and The Rape of Recy Taylor. The story begins in 1966 in Plaquemines Parish, a swampy strip of land south of New Orleans. After months of clashes, the public schools have been integrated by court order. But we are in the land of the white separatist despot, Leander Perez, who rules Plaquemines like his fiefdom, making sure that segregation sticks regardless of federal laws desegregating schools and mandating voting rights. A 19-year old Black fisherman, Gary Duncan, tries to break up a fight between white and Black teenagers outside a newly integrated school. He lays his hand on a white boy’s arm and the boy recoils, as if bitten by snake. That night, police arrest Gary Duncan for assault on a minor. With the help of a young attorney, Richard Sobol, Duncan bravely stands up to Perez. Systemic racism and pervasive anti-Semitism meet their match in decisive courtroom battles, including the U.S. Supreme Court; hate is vanquished by a powerful friendship that will last a lifetime. With the rise of white nationalism in the U.S. and abroad, there is no more important story to tell today. The roots and the mechanics of hate groups are in full display in this dramatic story of a crime on the bayou. Together this trilogy demonstrates that regular people standing up for their values are the root of human progress. Mildred Loving, Recy Taylor and Gary Duncan did not set out to change history. But they remind us that anyone can. A CRIME ON THE BAYOU Executive Producer is John Legend. Director Nancy Buirski joins us to talk about the her searing indictment of the systemic racism that is responsible for the hideously unjust incarceration of Gary Duncan and thousands of others as well as how it continues to this day.

 

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For news and updates on A Crime in the Bayou go to: augustafilms.com

“You must also study and learn the lessons of history because humanity has been involved in this soul-wrenching, existential struggle for a very long time.” – Civil Rights leader and colleague of Martin Luther King Jr., friend John Lewis

About the filmmakers – Nancy Buirski is Director/Producer/Writer of THE RAPE OF RECY TAYLOR (2017); World Premiere, Venice Film Festival; North American Premiere, New York Film Festival. Awarded the prestigious Human Rights Nights Special Prize for Human Rights at the 74° Venice Biennale. Nominated for the NAACP Image Award and Peabody Award. TV broadcast on STARZ/HULU. Buirski is Director/Producer/Writer of BY SIDNEY LUMET (2015; American Masters); World Premiere at Cannes Film Festival. She is Director/Producer/Writer of AFTERNOON OF A FAUN (2013; American Masters); World Premiere, New York Film Festival, International Premiere, 64th Berlinale, record-breaking U.S Theatrical release with Kino Lorber. She is Director/Producer/Writer of the Oscar shortlisted, Peabody and Emmy Award-winning THE LOVING STORY (2011; HBO) and a Producer of LOVING by Jeff Nichols. Buirski will direct TANNY, a narrative version of AFTERNOON OF A FAUN and ENDANGERED, an animated feature based on award-winning novel of the same name by Eliot Schrefer.

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Ronnie’s, Director Oliver Murray

RONNIE’S is a love letter to saxophonist Ronnie Scott and the indispensable night club  he and partner Peter King established in 1959. For more than 60 years music giants have walked through the door of a small basement club in London’s Soho. From the beginning of the burgeoning British modern jazz movement, he and King dreamt of opening a club modeled after the swinging jazz scene of New York’s 52nd Street. From its humble beginnings sixty years ago, Ronnie Scott’s would become the cornerstone of the UK jazz scene and one of the most famous jazz clubs in the world. Ronnie Scott was beloved by many, from the great and famous who frequented his club, to the many hard up musicians who were often helped by his warmth and generous spirit. However, Ronnie was as complex and colourful as the music played on his stage. In private Ronnie battled with depression and when his untimely death occurred in 1996 it left the jazz community bereft of a respected and favorite leader. Funny and moving, Ronnie’s features performances by some of greatest musicians of the 20th Century including…Oscar Peterson, Dizzie Gillespie, Roland Kirk, Cleo Lane and John Danforth, Buddy Rich, Sarah Vaughn, Sonny Rollins, Miles Davis, Jimi Hendrix, Ella Fitzgerald, Mary Lou Williams, Van Morrison and Chet Baker, Nina Simone and Ben Webster.

 

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For news and updates go to: olliemurray.com/portfolio/ronnies

Or go to: orofenafilms.com/Ronnies

About the filmmaker – Oliver Murray was born in Oxford, United Kingdom in 1985. He is a writer and director. He studied Fine Art at The Glasgow School of Art and Film & Animation at The Pratt Institute in New York City. His feature film debut ‘The Quiet One’ was released in 2019. His second feature film ‘Ronnie’s’ is scheduled for release in 2020.

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“Such a joyous, visually stunning film – It’s a beautiful piece of work.” – Phil Williams, Times Radio

“An exemplary doc. The founding myths are lively and fascinating. But it’s the study of Ronnie himself, with his depressions and doubts, that provides the depth and soul.” – Jason Solomons

“A subtle portrait of a complicated man, Murray has made an exemplary documentary worthy of its subject.”- Richard Williams, Uncut Magazine, 9/10

“An incredibly important film, It’s beautifully, sensitively and perfectly presented…” – Stephen Fry

“This journey back in time makes for an exhilarating and nostalgic ride.” – The Reviews Hub, 5/5

“It’s a ripping yarn, enlivened by fascinating footage.” – The Wire

“This documentary about the beloved London music venue brings us sterling performers, atmospheric footage, and a sad heart” – The Guardian, 4/5

The Jump, Director Giedrė Žickytė

Giedr Žickyt remarkable documentary, THE JUMP, chronicles the stranger than fiction story of a man determined to free himself from the stifling clutches of a political system that destroyed the lives of millions living behind the Iron Curtain, It’s Thanksgiving Day, 1970. The US coast guard sets out to meet a Soviet vessel anchored just off the shore of Martha’s Vineyard. A one-day conference between the two nations has been set to discuss fishing rights in the Atlantic Ocean. While the talks are in full swing, Lithuanian sailor Simas Kudirka jumps across the icy water onto the American boat in a frantic bid for freedom. To his horror, and to the outcry of the world media, the Americans return him to the Soviets and he is tried for treason. The event sets off a series of protests throughout the US begging for his freedom and all hope seems lost, until new information about Simas’ citizenship surfaces. Through eye-witness reports, rare archival footage and a dramatic first-person re-enactment by now 90-year-old would-be defector Simas Kudirka, director Giedr Žickyt takes us on a stranger-than-fiction journey that became an inspiration for people, pictures and politics, reaching all the way up to the White House. Director Giedr Žickyt joins us to talk about why Simas Kudirka’s story, and the stories of the thousands of migrants from around the globe, both past migrants and those of the future who will be seeking freedom and a promise of a better life. are so near to her heart and to the people of her native land, Lithuania.

 

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For news and updates go to: metfilmsales.com/the-jump

About the filmmaker – Giedrė Žickytė is an award-winning Lithuanian documentary film director and producer and the co-founder of the production company, MOONMAKERS. She graduated with a Master’s degree in Visual Arts from Vilnius Art Academy in 2007. Her films have been selected at numerous international film festivals including IDFA, Hot Docs, Visions du Réel (Sesterce d’or Fondation Goblet Award), Sheffield Doc/Fest (Short Doc Award), IFFR, Camerimage (Golden Frog), DocumentaMadrid (Audience Award), Krakow IFF (European Film Award), etc. Many of her films have been theatrically distributed and broadcast on television internationally. I’M NOT FROM HERE (co-directed with Maite Alberdi) was nominated at the European Film Academy Awards in 2016. MASTER AND TATYANA won 4 “Silver Cranes”, the Lithuanian Film Academy Awards including the awards for Best Director and Best Documentary, and was selected as one of “Ten Documentary Film Talents of 2015” by international film critic Tue Steen Müller. In 2016, she was awarded a St. Christopher’s statue by the Vilnius City Council for merits in cinema artwork. Giedrė produced THE EARTH IS BLUE AS AN ORANGE by Iryna Tsilyk which premiered in Sundance 2020 World Documentary Competition and received the Best Directing Award. Giedrė is a member of the European Film Academy, Lithuanian Filmmakers Union, alumni of Berlinale Talent Campus, Sources2, CPH:DOX LAB, EURODOC and dok.incubator. 

Social Media
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“The story is brilliantly told and rich in surprises, and The Jump is surely one of this year’s unmissable non-fiction titles.” – Cineuropa

Duty Free, Director Sian-Pierre Regis

Director Sian-Pierre Regis’ poignant feature documentary debut, DUTY FREE, takes us into the world of his mom, Rebecca Danigelis, a British immigrant living in Boston, who has been fired from her job as a hotel housekeeper at the age of 75. An experience that has left her financially and emotionally devastated. Her son, Sian-Pierre, is living in New York City, trying to work his way into the competitive world of TV journalism. With his mother’s reality crashing down, Sian-Pierre resolves to leave New York, and the life he expected to lead, to help his mother get back on her feet. As Sian-Pierre looks for ways to support Rebecca, he gives her an adventure spanning two continents that uncovers a surprising family saga, a story that reveals the compromises and injustices placed on single mothers, the persistence of sexism and ageism, and the difficult dance of duty and freedom where the older and younger generations come together. DUTY FREE and the impact campaign inspired by the film examines ageism, the care crisis, and economic insecurity in America. Who will care for and support our moms and dads? Our grandmothers and our grandfathers? Watch our film, raise these questions in your own community, and together let’s point to solutions that work for all generations. Director Sian-Pierre Regis joins us for a conversation about the challenges facing millions of families as they confront the impacts of aging love ones and how we navigate the challenges and embrace the opportunity to better understand a part of the human experience that awaits us all.

 

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For news and updates go to: dutyfreefilm.com

To find out more about the Impact Campaign go to: dutyfreefilm.com

About the filmmaker – Sian-Pierre is currently a Firelight Media Fellow 2018-2020 and a Film Independent Documentary Fellow 2019. He is also an award-winning journalist, on-camera personality, and cultural critic with an undying love for both pop-culture and social responsibility. He has been a contributor for CNN, HLN, MTV and CBS, covering stories of youth political activism and pop-culture. 

Social Media
facebook.com/DutyFreeFilm
twitter.com/sianpierre
instagram.com/dutyfreefilm
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Red Heaven, Co-directors Lauren DeFilippo and Katherine Gorringe

The endlessly intriguing “what if” documentary, RED HEAVEN, pulls back the curtain on what are the practical implications for the astronauts on a mission to colonize Mars. What are the physical, mental and psychological impacts likely to be on these explorers in an isolated and unforgiving environment as they carry out their mission to colonize Mars? RED HEAVEN focuses on a group of six volunteers, Carmel Johnston, Sheyna Gifford, Christiane Heinicke, Tristan Bassingthwaighte, Andrzej Stewart, and Cyprien Verseux as they take part in the ultimate dress rehearsal, living inside a year-long NASA simulation designed to understand the effects of isolation on the human mind. RED HEAVEN asks audiences to look at their own fundamental needs as human beings, what they can and can’t live without, and pose a fundamental question about why humans seem so determined to explore and expand our boundaries. Co-directors Lauren DeFilippo and Katherine Gorringe join us to talk about why they see their film in a different light since the COVID pandemic and how they gained a new understanding for what our subjects went through – living together while separated from the rest of the world, everyday a struggle against the pressures of boredom and isolation.

 

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Director’s Statement – We were finishing up graduate school at Stanford University, studying documentary film, in the heart of Silicon Valley at a time when space exploration and traveling to Mars had reemerged in the public consciousness. It was also the moment when climate change was becoming a more prominent threat to the future of humanity. We wanted to interrogate this new fascination with sending humans to Mars. What does this dream of living on Mars say about our culture, about human beings? We both were contending with how to imagine the future at a time when the Earth is in crisis. We started to research possible stories that spoke to this question and we quickly learned about the Hawai’i Space Exploration Analogue and Simulation, where six people would soon be entering a small dome where they would live isolated from the rest of the world for an entire year as if they were on Mars. These six crew members of HI-SEAS were actually going to act out living on Mars, and they would be actually living in this world for an entire year – that was irresistibly intriguing. We were interested in the complex, human side of the story – the intensity of living in a place that is totally inhospitable to us as a species all the while being completely isolated from everything you’ve ever known. We felt that was the most fascinating part, yet it was being repeatedly overlooked in the race to get to Mars. In a way, RED HEAVEN was our mode of expressing an uncertainty about what the future holds. – Co-directors Lauren DeFilippo and Katherine Gorringe

Director/Producer: RED HEAVEN marks Lauren DeFilippo’s feature-length directorial debut. She is currently in production on two upcoming feature documentaries: Free Money (director/producer), about the world’s largest universal basic income experiment, and Ailey (producer) about visionary dance choreographer, Alvin Ailey. 

Director/Producer/Editor: Katherine Gorringe is a documentary director and editor whose work has been featured at numerous festivals including SXSW, CPH:DOX and Hot Docs. Her recent editing work includes the Emmy-nominated Netflix Original Saving Capitalism, which follows former Secretary of Labor Robert Reich. RED HEAVEN is her feature documentary directorial debut. 

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The Last Out, Co-directors Sami Khan and Michael Gassert

THE LAST OUT tells the story of three talented Cuban athletes, Happy, Carlos, and Victor, leave their families and homes behind as they set off in pursuit of the ultimate dream: a contract with Major League Baseball. Cuban ballplayers are among baseball’s brightest stars but Cuban ball-players can’t just sign out of Cuba – the US Embargo is still in place and only being strengthened under the current administration – so Cubans have to leave their homeland, often under dangerous circumstances and establish residency in a third Country like The Dominican Republic, Haiti or Costa Rica. At the rundown Estadio Antonio Escarre, they have spent the past year training long and hard, thousands of miles away from their families in Cuba. They travel to Costa Rica and train under a seedy sports agent who dangles promises while exploiting their talents. As they navigate immigration and the ulterior motives of handlers, each man finds an unexpected path forward to a better life. Set against the backdrop of the dangerous Central American migrant trail, THE LAST OUT offers a rare window into the dark side of professional sports. THE LAST OUT co-directors Sami Khan and Michael Gassert stop by to talk about their process of following the many twists and turns these young men’s lives take them on and the personal risk they and their team took in chronicling it.

 

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Sami Khan’s most recent film, the short documentary St. Louis Superman (with Smriti Mundhra), was nominated for an Academy Award® and won a Special Jury Prize at Tribeca in 2019. Michael Gassert’s documentary and archival work has been supported by IFP, the Sundance Institute, UNESCO, and the Kennedy Center.