Nick Broomfield’s new documentary THE STONES & BRIAN JONES uncovers the true story and legacy of Brian Jones, the founder and creative genius of The Rolling Stones.  As a schoolboy aged 14, Nick Broomfield met Brian Jones, by chance, on a train. Brian was at the height of his success, with the world at his feet, yet just six years later he would be dead. THE STONES & BRIAN JONES looks at the relationships and rivalries within The Rolling Stones in those formative years. It explores the iconoclastic freedom and exuberance of the 60s, a time of social conflict and sexual turmoil which reflects on where we are today. Featuring revealing interviews with all the main players and unseen archive released for the first time, THE STONES & BRIAN JONES explores the creative musical genius of Jones, key to the success of the band, and uncovers how the founder of what became the greatest rock & roll band in the world was left behind in the shadows of history. Director / Producer / Writer / Narrator Nick Broomfield (Aileen Wuornos: The Selling of a Serial Killer, Kurt and Courtney) joins us for a conversation on meeting Brian Jones, connecting with his middle class sensibility, telling much of the story through the women in his life, and Brian’s love of American Blues artist’s and their music.

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For more go to: magpictures.com/thestonesandbrianjones

The Stones and Brian Jones is now available on VOD

About the filmmaker – Nick Broomfield studied Law at Cardiff, and Political Science at Essex University, he then went onto study film at the National Film School, under Professor Colin Young. Nick first got interested aged 15 when discovering his love for photography on a foreign exchange visit in France. “A great way to strike up conversations, and a great excuse to ask questions about the World around you”.  He made his first film ‘Who Cares’ about Slum Clearance in Liverpool, while at university, by borrowing a wind up Bolex camera, and shooting it on short ends. Professor Colin Young at the NFS had a great influence on his work encouraging participant observation, as well as introducing him to the lovely and most talented Joan Churchill. Together Joan and Nick made several films, ‘Juvenille Liaison’, Tattooed Tears’, ‘Soldier Girls’, ‘Lily Tomlin’, and more recently ‘Aileen: The Life and Death of a Serial Killer’. They also have a son together. Nick was originally influenced by the observational style of Fred Wiseman, and Robert Leacock and Pennebaker, before moving on largely by accident to the more idiosyncratic style for which he is better known. While making ‘Driving me Crazy’ in 1988 a film hopelessly out of control, Nick decided to place himself and the producer of the film in the story, as a way of making sense of the event. This experiment led to a sense of greater freedom, from the confines of observational cinema, and led to a more investigative and experimental type of filmmaking. ie ‘The Leader, the Driver and the Drivers Wife’, ‘Aileen Wuornos’, ‘Kurt and Courtney’ and ‘Biggie and Tupac’.  Nick Broomfield is the recipient of the following awards amongst others, Sundance first prize, British Academy Award, Prix Italia, Dupont Peabody Award, Grierson Award, Hague Peace Prize, Amnesty International Doen Award. 

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100% on RottenTomatoes

“A surprisingly poignant study of the Rolling Stones co-founder…” – Sheri Linden, Hollywood Reporter

“Indeed, Broomfield has created the definitive documentary on the early days of the Rolling Stones; even more crucially, he has shown both how the Stones became THE STONES and the cost of that success.” – Christopher Schobert, The Film Stage

“A brilliant exploration of the tortured soul of the founder of the Rolling Stones.” – James Verniere, Boston Herald

“… An absorbing film which aims to restore Jones to his rightful place as a central figure in the story of The Rolling Stones.” – Anita Singh, Daily Telegraph (UK)

“All told, “The Stones and Brian Jones” recaptures a wild time, the price at least one man paid  and some of the collateral damage done in the process.” – Bob Strauss, San Francisco Chronicle

The Hite Report, a groundbreaking study of the intimate experiences of women, remains one of the bestselling books of all time since its publication in 1976. Drawn from anonymous survey responses, the book challenged restrictive conceptions of sex and opened a dialogue in popular culture around women’s pleasure. Its charismatic author, Shere Hite, a feminist sex researcher and former  model, became the public messenger of women’s  secret confessions. With each subsequent bestseller, she engaged television titans in unforgettably explicit debates about sexuality while suffering the backlash her controversial findings provoked. But few remember Shere Hite today. What led to her erasure? Digging into exclusive archives, as well as Hite’s personal journals and the original survey responses, filmmaker Nicole Newnham (Crip Camp, The Revolutionary Optimists) transports viewers back to a time of great societal transformation around sexuality. Her revelatory portrait is a re-discovery of a pioneer who has had an unmistakable influence on current conversations about gender, sexuality, and bodily autonomy, as well as a timely, cautionary tale of what too often happens to women who dare speak out.

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For more go to: ifcfilms.com/the-disappearance-of-shere-hite

About the filmmaker – Nicole Newnham is an Oscar-nominated, Emmy-winning documentary producer and director, five-time Sundance Film Festival alumnus and six-time Emmy nominee. She most recently directed The Disappearance of Shere Hite, which premiered at the 2023 Sundance Film Festival and will be released by IFC films this fall, and two episodes of the Emmy-nominated ESPN landmark Title-1X series 37 Words. Nicole co-directed and produced the 2021 Academy Award-nominated documentary Crip Camp with Jim LeBrecht. The film won the 2020 Sundance Audience Award, the IDA Best Feature Documentary Award, the Independent Spirit Award for Best Documentary Feature, and a Peabody. Nicole has produced two virtual reality films with artist/director Lynette Wallworth that have each won an Emmy for Outstanding New Approaches to Documentary: the breakthrough VR work Collisions (2017) and Awavena (2019). Both films premiered at Sundance New Frontiers and were featured in installation form at the World Economic Forum in Davos. Nicole’s other acclaimed documentaries include, the Emmy-nominated films The Revolutionary Optimists, Sentenced Home and The Rape of Europa. A graduate of Oberlin College and Stanford University’s documentary film graduate program, Nicole lives in Berkeley, CA with her husband, Tom Malarkey, and sons Finn and Blaine.

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100% on RottenTomatoes

“The documentary traces the major events of Hite’s career, marking the importance of her conclusions… as well as the emotional toll constantly defending her work took as her challengers attacked not only the integrity of her research, but her personally.”– Sarah Gopaul, Digital Journal

“[An] absorbing portrait of a complex, at times contradictory woman – shy and flamboyant, unyielding and wounded, a truth-seeker who deserves resurged acknowledgement.” – The Guardian, Adrian Horton

“Combining the delights of an eccentric character study with the tension of a thrilling investigation, “The Disappearance of Shere Hite” restores a forgotten trailblazer in sexuality studies to her rightful place in feminist history.” – Jude Dry, indieWire

“This film speaks with a fiery spark that should empower generations of viewers who share Hite’s hunger for change. And if it irks another generation of men unwilling to accept progress, then so much the better.” – Pat Mullen, POV Magazine

“You are not alone if you simply can’t stop asking yourself, “How on earth did I not know about this woman before?” – Variety, Jessica Kiang

In most US hospitals, alongside medical responses to illness and injury, lesser-known interventions take place every day. Responding to patients, family members and hospital staff who are experiencing spiritual and emotional distress, chaplains sit at bedsides, helping people to deepen connections with themselves, one another, and a world beyond this one. A STILL SMALL VOICE follows Mati, a chaplain completing a year-long residency at New York City’s Mount Sinai Hospital, as she learns to provide spiritual care to people confronting profound life changes. Following his acclaimed 2019 film MIDNIGHT FAMILY, director Luke Lorentzen digs into Mati’s spiritual work as an entry point to explore how we seek meaning in suffering, uncertainty, and grief. Through Mati’s experiences with her patients, her struggle with professional burnout, and her own spiritual questioning, we gain new perspectives on how meaningful connection can be and how painful its absence is. As Mati and her patients take stock of their lives and experiences, space opens up to reflect on our own. The award winning team of Director Luke Lorentzen (Midnight Family, Last Chance U) and Producer Kellen Quinn (In Silico, Brimstone & Glory, Time) join us for a conversation on the incredible work being done chaplains and caregivers to provide a measure of empathy, dignity and spiritual comfort to those facing profound uncertainty.

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For more go to: astillsmallvoicefilm.com

How to watch: astillsmallvoicefilm.com/screenings

Nov. 17 – 24 at the Laemmle Royal in Los Angeles

Sundance Film Festival 2023 – Directing Award U.S. Documentary Competition

About the filmmaker – Luke Lorentzen is an Emmy Award-winning documentary filmmaker and a graduate of Stanford University’s department of Art and Art History. His most recent film, A Still Small Voice, premiered at the 2023 Sundance Film Festival where it won the U.S. Documentary Best Director Award. His previous film, Midnight Family, has won over 35 awards from film festivals and organizations around the world including a Special Jury Award for Cinematography at the Sundance Film Festival, Best Editing from the International Documentary Association, and the Golden Frog for Best Documentary from Camerimage. Midnight Family was shortlisted for the 2020 Best Documentary Oscar and was a New York Times ‘Critics’ Pick’. Luke’s other work as a director and cinematographer includes the Netflix original series, Last Chance U, which won an Emmy for Outstanding Serialized Sports Documentary in 2020. With Kellen Quinn, Luke is a co-founder of the independent production company Hedgehog Films. For more go to: lukelorentzen.com

About the filmmaker – Kellen Quinn is an Oscar-nominated producer whose credits include Garrett Bradley’s Time (Oscar nominated; Sundance 2020 winner of the Directing Award, US Documentary Competition), Luke Lorentzen’s A Still Small Voice (Sundance 2023 winner of the Directing Award, US Documentary Competition) and Midnight Family (shortlisted for Documentary Feature Oscar; Sundance 2019 winner of Special Jury Award for Cinematography, US Documentary Competition), Noah Hutton’s In Silico (DOC NYC 2020), Daniel Hymanson’s So Late So Soon (True/False 2020) and Viktor Jakovleski’s Brimstone & Glory (True/False 2017; aired on POV). Kellen was selected for the Dear Producer Award in 2023 and DOC NYC’s 40 Under 40 class in 2020. In 2017 and 2018, he participated in the Sundance Documentary Creative Producing Lab and Fellowship. In 2016, he was among six producers selected for Impact Partners’ Documentary Producers Fellowship. With Luke Lorentzen, Kellen co-founded the independent production company Hedgehog Films. 

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95% on RottenTomatoes

“Unforgettable. A Still Small Voice is about listening for inner truth and bearing witness.” – The Hollywood Reporter, Sheri Linden

“Lorentzen’s camera sits quietly and nonjudgmentally so that his soft-spoken subjects can explore and express the grandest themes imaginable: what it means to live, and how we learn to die.” – THE WRAP, Elizabeth Weitzman

“One of the most rewarding character studies audiences will see this year. . . . therapeutically moving and a work of radical empathy for turbulent times.” – Pat Mullen, POV Magazine

“The holy water is in a Styrofoam cup. Somewhere, a door slams. It’s human and messy — and it’s divine.” – Amy Nicholson, New York Times

“Carries immeasurable strength from within,” – The Movable Fest

“One of the most profound and rewarding experiences any film offers this year.” – IndieWire, Christian Blauvelt

Director / writer / producer Daniel Brown’s riveting feature film debut, YOUR LUCK DAY takes viewers into the dark soul of humanity and the greedy perversion of the American Dream, winning the lottery. With Christmas cheer in the air, six strangers have converged at a convenience store: a struggling store owner, an overbearing wealthy man, a luckless criminal, an expectant couple, and a trigger happy rookie cop. Together, they witness the wealthy man discover that he is holding a lottery ticket worth $156 million dollars.  At gunpoint the criminal demands the winning ticket. The cop tries to stop the robbery, he shoots first — accidentally killing the wealthy man. In the ensuing confusion, the criminal takes out the cop. The criminal persuades the group to join him in a pact. Money for a cover-up. But they have failed to notice that the cop is still alive. The cop contacts his father, himself an ex-cop, who enlists his former partners, to help save his son and steal the winning ticket for themselves. A showdown is coming. Who will survive? And how far will all of them go to become a millionaire?  Director Daniel Brown and Actor Jessica Garza Penny Dreadful: City of Angels) join us for a conversation on how this complex plot and merciless character study came together for Brown’s first feature length film. And how Garza prepared herself for her character’s wild ride through this brutishly relentless and bloody tale.

 

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For more go to: wellgousa.com/films/your-lucky-day

About the filmmaker – Based in Seattle, Daniel Brown is an Emmy-nominated director, writer and storyteller. He has cultivated an eclectic approach, drawing inspiration from film, literature, illustration, animation and music. His art film Color TV, No Vacancy, described as, “Disney meets David Lynch” by Vice, received impressive critical buzz. Dan boasts multiple short film awards, and has won acclaim for his music videos for prominent artists such as ODESZA, Portugal. the Man and Jon Bellion. When released online, his short film Your Lucky Day amassed over a million views in a matter of days. Your Lucky Day is Daniel’s feature film debut. 

About the actor – Jessica Garza (Ana Marlene): JESSICA GARZA is best known in her role as ‘Josephina Vega’ in Showtime’s star-studded series, PENNY DREADFUL: CITY OF ANGELS, where she was seen alongside Nathan Lane, Natalie Dormer, Daniel Zovatto and Rory Kinnear. Previously, she starred in the television adaptation of the hugely successful feature Franchise, THE Purge, for USA. Originally from Texas, Jessica’s career launched from her role in the highly acclaimed series, SIX, which starred Walton Goggins and Juan Pablo Raba and was based on the historical ‘Seal Team Six.’ Her other credits include CBS’s PURE GENIUS and CBS’s SUPERGIRL. Jessica currently resides in NYC. 

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88% on RottenTomatoes

“It’s thrilling and suspenseful, with enough twists to keep you guessing, but the pointed commentary is impossible to ignore.” – Sheila O’Malley, RogerEbert.com

“Complex and confronting, Your Lucky Day highlights the downfall of the American dream and system beautifully. A solid script and some excellent elements of suspense ensure that this is one Christmas you won’t forget in a hurry.” – Kat Hughes, THN

“It’s a twisty, thrilling, unbearably tense rollercoaster ride that’s difficult to predict and keeps you on the edge of your seat. For those who enjoy a bit more depth to their action-packed thrills, Brown’s compelling script offers plenty of that, too.” – Stephanie Malone, Morbidly Beautiful

“Brown uses it to craft an intense siege thriller filled with characters making surprising choices and moral concessions. Anchored by Garza’s charismatic, primal turn, Your Lucky Day makes for an impressive debut that’ll leave you on edge.” – Meagan Navarro, Bloody Disgusting

“Writer-director Daniel Brown’s crime drama is deceptively simple with a beer case’s worth of twists, most of which are unpredictable but make perfect character sense as they unfold.” – Bob Strauss, San Francisco Chronicle

Director Molly O’Brien debut short documentary,  THE ONLY GIRL IN THE ORCHESTRA, dives into the remarkable life of her trailblazing double bassist aunt Orin O’Brien.  She never wanted the spotlight, but when Leonard Bernstein hired her in 1966 as the first female musician in the New York Philarmonic, it was inevitable that she would become the focus of much interest and fascination. Now 87 years old and recently retired, Orin looks back on her remarkable life and career, insisting that a fuss should not be made, much preferring to play a supporting role to the family, students, friends, and colleagues that surround her. In the delightful short documentary, THE ONLY GIRL IN THE ORCHESTRA, filmmaker Molly O’Brien beautifully captures her aunt Orin’s prodigious contributions as a musician as well as her unique philosophy that the key to enjoying life is to play second fiddle. Director Molly O’Brien (The Disappearance of Shere Hite), joins us for a conversation on her aunt’s seamless transition into “retirement”, mentoring young musician, her cinematic love letter that captures Orin’s passion, essence and perseverance…bottling it and offering it to audiences as a visual perfume.

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For more go to: onlygirlintheorchestra.com

DOC NYC SCREENINGS: 

Thursday, November 9 at 9:15 PM ET @ IFC Center – World Premiere

Wednesday, November 15 at 9:15 PM ET @ Village East by Angelika

ONLINE SCREENING DATES:

Wednesday, November 8 – Sunday, November 26

About the filmmaker – Molly O’Brien — Head of Documentary, NBC News Studios Molly provides collaborative oversight to NBC News Studios new premium documentary business. Prior to NBC News Studios, Molly was the Executive Producer Special Projects at Abigail Disney’s Fork Films, and the founding producer of Sundance Institute’s Catalyst Initiative. She is an Academy Award shortlisted and a prime-time Emmy award winning producer with over two decades of experience producing documentary series and feature films. Her work has been featured on dozens of streaming and broadcast platforms, and has premiered at the Sundance Film Festival, IDFA, and Full Frame Film Festival among others. In 2015, in collaboration with Kartemquin, O’Brien produced the successful six-month grassroots Indie Caucus campaign that resulted in keeping the non-fiction series’ POV and Independent Lens in prime time on flagship PBS stations across the country. In 2000, O’Brien won a Primetime Emmy Award for Producing Outstanding Non-Fiction Program (American High, FOX), was nominated for the Primetime Emmy in 2001 (American High), and made a 2010 Sundance Institute Creative Producing Fellow (Cesar’s Last Fast, Netflix / Pivot / Univision). Additionally, she was the Supervising Producer for the Unilever branded short, #Selfie which won a Clio Image Award in 2014.

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What if you could rewrite your adolescence? In this high school reunion movie turned inside out, YOU WERE MY FIRST BOYFRIEND, award-winning filmmaker Cecilia Aldarondo embarks on a fantastical quest to reconcile her tortured teen years. She ‘goes back’ in more ways than one, tracking down old foes and friends while also reenacting visceral memories of youthful humiliation and desire. Oscillating between present and past, hallucination and reality, YOU WERE MY FIRST BOYFRIEND, is a hybrid documentary that explores the power of adolescent fantasy, the subtle violence of cultural assimilation, and the fun house mirror of time’s passage. Perhaps we will all learn something about growing older and making peace with what haunts us. Aldarondo is an award-winning documentary filmmaker from the Puerto Rican diaspora whose previous titles include MEMORIES OF A PENITENT HEART and LANDFALL.  She takes viewers on a journey through the universal and very relatable social hierarchy of her younger years. As an outcast who always wanted to be a part of the ‘in’ crowd, she spent years pining for a boy who didn’t know she existed. With the insight that comes with age, she takes an honest look at who she was, who she was trying to be, and ultimately who she is today. YOU WERE MY FIRST BOYFRIEND is co-directed by Sarah Enid Hagey, a filmmaker, artist, performer, comedy sketch writer, and sound designer who has edited for over twenty years. The film is Sarah’s first feature length directing experience. Co-directors Cecilia Aldarondo and Sarah Enid Hagey join us for a conversation on they went about collaborating on a project that creatively explores the power of adolescent fantasy, and the subtle violence of cultural assimilation in the hope that we all can learn something about growing older and making peace with that which haunts us.

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For more go to: hbo.com/movies/you-were-my-first-boyfriend

The HBO original documentary film will debut on Wednesday, November 8th on HBO and available to stream on MAX 

About the filmmaker – Cecilia Aldarondo is an award-winning documentary director-producer whose work has been supported by the Sundance Institute, Firelight Media, Field of Vision, IFP, the Jerome Foundation, and many others. Her feature documentary Memories of a Penitent Heart had its World Premiere at the 2016 Tribeca Film Festival and will be broadcast on POV in 2017. She is a 2017 Women at Sundance Fellow and was named by Filmmaker Magazine as one of 2015’s ’25 New Faces of Independent Film. For more: blackscracklefilms.com

About the filmmaker – Sarah Enid Hagey is a filmmaker and artist. She is a recipient of the San Francisco Bay Guardian Goldie Award for Best Emerging Filmmaker and a grant from the National Board of Review of Motion Pictures. Her work has screened internationally at institutions including The Yerba Buena Center for the Arts and MoMA Doc Fortnight. Her work can be seen on feature length documentaries including MR. ANGEL (2013), GRIT & GRIND (2014 Berlinale premiere), the Emmy nominated PBS feature LANDSCAPES OF ENCHANTMENT (2010),  ART HOUSE (2013) and narrative films including the much anticipated film. Happy Birthday, Marsha!, as well as many short fiction films. For more: sarahenidhagey.com

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100% on RottenTomatoes

“Despite its title, “You Were My First Boyfriend” is at its most effective when Aldarondo moves beyond teen lust and into the more complicated aspects of her upbringing.” – Claire Shaffer, New York Times

“Emotionally, it works. Watching it, I oscillated between being tickled, disturbed, and challenged. Long after the credits finished, I was left pondering my own adolescence, wondering if the narratives I’ve told myself are true and to what extent.” – Cristina Escobar, LatinaMedia.Co

“You Were My First Boyfriend is a painful and beautiful journey where Cecilia Aldarondo lays her soul bare for all to see. We want to hold the hand of the young woman she was and the wonderfully brave woman she is.” – Nadine Whitney, AWFJ.org

“A perfect film for teens to watch and reflect upon.” – Alan Ng, Film Threat

BELLA is a feature-length documentary about the life, work, influence, and impact of Los Angeles-based dancer, choreographer, and arts activist Bella Lewitzky, who was referred by dance critic Walter Terry as “one of the greatest American dancers of our age.” The film incorporates rare archival footage of Lewitzky’s performances and interviews with Lewitzky’s former students and dancers, and it demonstrates how a “uniquely Californian” artist with vision and tenacity influenced the lives of her fellow citizens. Bella Lewitzky joined Lester Horton’s multi-racial modern dance company in 1934, became his lead dancer, and helped develop the Horton Technique. She formed her own dance company in 1966 and continued to dance at the age of 62. Lewitzky was as famous off stage as on,  thanks to her battles for freedom of expression against the House Un-American Activities Committee in the 1950s and the National Endowment for the Arts in 1990. Director Bridget Murnane (Mia, a Dancer’s Journey, The Ballerina) joins us for a conversation on the indomitable spirit and powerful grace that Bella Lewitsky brought to her dancing, teaching and her life over the course of her illustrious career. BELLA had its World Premiere at the 2022 Madrid International Film Festival and screened at over fifty festivals world-wide, including the Palm Springs International Film Festival. BELLA has won seventeen awards including Best Documentary at Dance Camera West.

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For more go to: bellasfilm.com

BELLA will open at the Laemmle Royal in Los Angeles on November 10

Bella Lewitzky was designated one of America’s Irreplaceable Dance Treasures by the Dance Heritage Coalition and awarded the National Medal of Arts by President Clinton.A special photography exhibit will accompany the film’s theatrical release at the Laemmle Royal: “The Horton Dance Group, 1938” featuring Bella Lewitzky, photographed by Viktor von Pribosic and curated by filmmaker Bridget Murnane. And a reconstruction of Lewitzky’s “Game Plan,” by Walter Kennedy, former Lewitzky dancer/rehearsal director, and Associate Producer of the film, will be performed by the students at California State University, Dominguez Hills Theatre and Dance Department in Carson, CA on November 8-11.  

About the filmmaker – Producer/Director Bridget Murnane has exhibited her work on theatrical, broadcast and cable platforms. She received an MA in Dance and an MFA in Television and Film Production from UCLA, and is a former Professor of Television, Film and Media Studies at California State University, Los Angeles. Bridget produced the feature Odile and Yvette at the Edge of the World, premiering at the Edinburgh Film Festival, and receiving theatrical distribution. Her films have been broadcast on PBS, as well as numerous cable channels. She was the Associate Producer on Mia a Dancer’s Journey, winning a 2015 LA Emmy for Arts, Culture and History, and Cindy, Telly and Golden Mike awards. She was awarded a Pew Fellowship and selected to be a Faculty Fellow by the Television Academy in 2017. In 2019 Bridget received a grant from the Academy of Motion Pictures Arts and Sciences to design and implement the course “Women Making Films” in collaboration with Canon Burbank. Bridget’s recent film, “Bella,” a feature documentary about choreographer/dancer/arts activist Bella Lewitzky, has received 17 awards and screened in over 50 festivals. “Bella” receives its theatrical premiere at the Laemmle Royal, Los Angeles, November 10-16, and will be streamed and broadcast on PBS SoCal in March 2024.

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“Informative, absorbing bio-doc about work on stage and off of dancer/choreographer Bella Lewitzky. With an amazing array of dance and archival clips, from early performances in ’30s through her company’s final curtain call in ’97, primary voice is hers.” – Nora Lee Mandel, Maven’s Nest

“Although seen entirely through her eyes, suffering no contrary opinions, it is wonderful to renew an acquaintance with one of the most important dancers of the 20th century.” – Neely Swanson, Easy Reader (California)

Co-directors Michele Stephenson & Joe Brewster’s insightful and entertaining Going to Mars: The Nikki Giovanni Project pushes the boundaries of biographical documentary film to reveal the enduring influence of one of America’s greatest living artists and social commentators. Combining parallel cinematic story editing with visually innovative treatments of her poetry, along with intimate vérité, rich archival footage, and Giovanni’s own captivating contemporary performances, Going to Mars recounts the story of the artist and her works of resistance through the tumultuous historical periods in which she lived—from the Civil Rights Movement, to the Black Arts Movement, to present-day Black Lives Matter. Co-directors Michele Stephenson and Joe Brewster join us for a conversation on the life and times of a poet / author / philosopher who has, over the course 50 years,  articulated the brazen truth about race, sex, patriarchy, social revolution and the nature of love and their hyper-cinematic approach to telling Nikki’s story.

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For more go to: hbo.com/going-to-mars-the-nikki-giovanni-project

About the filmmaker – As co-founding member of the Rada Film Group, filmmaker, artist and author, Michèle Stephenson pulls from her Panamanian and Haitian roots and international experience as a human rights attorney to tell compelling, deeply personal stories in a variety of media that resonate beyond the margins. Her work has appeared on a variety of broadcast and web platforms, including PBS, Showtime and MTV. Her most recent film,American Promise,was nominated for three Emmys including Best Documentary and Best News Coverage of a Contemporary Issue. The film also won the Jury Prize at Sundance, and was selected for the New York Film Festivals’ Main Slate Program. Her collaborative film series with New York Times Op-Docs, A Conversation on Race, won the 2016 Online Journalism Award for Commentary. Stephenson was awarded the Chicken & Egg Pictures Filmmaker Breakthrough Award and is a 2016 Guggenheim Fellow. Her community engagement accomplishments include the PUMA BritDoc Impact Award for a Film with the Greatest Impact on Society, and she is a Skoll Sundance Storytellers of Change Fellow. Her recent book, Promises Kept, written along withco-authors Joe Brewster and Hilary Beard, won an NAACP Image Award forOutstandingLiterary Work.

About the filmmaker – Joe Brewster is a Harvard-trained psychiatrist who uses his psychological training as the foundation in approaching the themes and stories he tackles as an artist and filmmaker.As co-founder of the Rada Film Group, Brewster has created stories using installation, narrative, documentary and print mediums that have garnered support from critics and audiences internationally. He is a recipient of fellowships and grants from the Sundance Institute, the Tribeca Film Institute, BAVC, MacArthur Foundation, and most recently the John Simon Guggenheim Foundation. Brewster is a Spirit Award and three-time Emmy Award nominee.His documentary film American Promisewas awarded the U.S. Documentary Special Jury Award for Achievement in Filmmaking at Sundance and the African American Film Critics’ Association Award. Brewster’s outreach accomplishments include a Revere Award and the 2013 NAACP Image Award for the best selling companion book Promises Keptand a BritDoc Prize for developing one of the most innovative documentary outreach campaigns in 2014.

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95% on RottenTomatoes

“Directors Joe Brewster and Michèle Stephenson have crafted an eloquent and engaging portrait…” – Lisa Kennedy, Variety

“Nikki Giovanni is a national treasure. Whether you are familiar or not, audiences now have a chance to get to know and love her like those of us who have adored her for decades and counting.” – Carla Renata, The Curvy Film Critic

“An inventive, imaginative documentary, charting her life and times but also exploring her values, beliefs and unique perspective on the experiences of African-American women.” – Allan Hunter, Screen International

“The Nikki Giovanni Project breaks the traditional documentary format and presents a raw, sensitive, and lyrical portrait of its subject.” – Sheri Flanders, Chicago Reader

Award-winning filmmaker Christopher Kahunahana feature film debut, WAIKIKI,  focuses on the spiraling plight of Native Hawaiian hula dancer, Kea. While escaping her abusive boyfriend she crashes her beat-up van into a mysterious homeless man. From there Kea finds herself flung into a surrealistic journey of self-exploration and enlightenment. Director Christopher Kahunahana’s eagerly awaited feature debut breaks down the enduring, stereotypical image of paradise we have of Waikiki to reveal a vulnerable and authentic  portrait of indigeneity. Leaving behind the touristic image of paradise and island culture, WAIKIKI tackles the often-unspeakable generational trauma of postcolonial cultures through mixing of genre conventions, experimental storytelling, and perspectives. Director, writer, producer and co-editor Christopher Kahunahana stops by to talk about the history of Hawaii, from pre-colonial times to the present, the impact of American sugar interests and the path to statehood. We also discuss the challenges of making a feature film in Waikiki, the beautifully calibrated performance from his lead actor Danielle Zalopany, and the support of his entire cast and crew.

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For more go to: waikikithemovie.com

About the filmmaker – Christopher Kahunahana is an award-winning Hawaiian filmmaker and Sundance Institute Feature Film and Native Lab Alumni. He is the writer, producer, and director of WAIKIKI which premiered at the Urban World Film Festival 2020 and opened The Smithsonian’s Mother Tongue Film Festival. WAIKIKI has been recognized with multiple awards including a Grand Jury Award for Best US Narrative Feature at The Los Angeles Asian Pacific Film Festival, Best Feature Grand Prize at Flickers Rhode Island International Film Festival, and Best Made in Hawaii Feature Film at the Hawaii International Film Festival. In 2020 Kahunahana has been a panelist for the American Film Market “Changing the Narrative: Diversity, Equity and Inclusion in Film”, The Geena Davis Institute “Gender in Media AAPI representation”, and the American International Film Festival NY “A Paradise Lost: Hollywood’s Effect on Hawai’i”. He has also served on the selection and advisory committee for GOLD HOUSE FUTURES a partnership with CAPE, Netflix, and Tribecca Studios. His short LĀHAINĀ NOON, is presently streaming on the Criterion Channel, and his 360° film PIKO is being exhibited in the Honolulu Museum of Arts. He is currently writing AIMAN, a near-future sci-fi centered on Oceanic climate refugees.

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AWARDS

Best North American Narrative Feature, Grand Jury Award, Los Angeles Asian Pacific Film Festival

Best Feature Grand Prize, Flickers Rhode Island International Film Festival

Best Narrative Feature, Philadelphia Asian American Film Festival

Best Hawaiʻi Feature Film, Jury Award, Hawai’i International Film Festival

Jury Award Honorable Mention, Bentonville Film Festival

Audience Award, Best Feature, Boston Asian American Film Festival

Indie Vision Breakthrough Performance Award, Twin Cities Film Festival

Best Hawaiʻi Film, Hawaii Film Critics Society

Best Cinematography, Special Jury Award, Los Angeles Asian Pacific Film Festival

Best Cinematography, Jury Award, Hawai’i International Film Festival

Best Music in a Feature Film, BMI Film Festival Awards

86% on RottenTomatoes

“A Lynchian look at the dark side of paradise.” — Nathaniel Miur, AIPT

“Utterly remarkable for its raw energy…a combination of beauty, pain, and longing…a star-making performance.” — Jason Sanders, Filmmaker Magazine

“A hauntingly beautiful film that depicts the complicated and intertwined sides of paradise, both darkness and light…” — Chris Lee, Variety

“Zalopany’s riveting performance has desperation, manipulation, narcissism and panic folded into it.” – Roger Moore, Movie Nation

“Pulls you in.” – Stephen Saito, Moveable Fest

“Kahunahana’s splendid debut feature…demonstrates that he is a remarkably accomplished visualist…never less than fascinating…” —  Christian Gallichio, The Film Stage

A suspenseful, riveting portrait of the lengths people will go to gain freedom, BEYOND UTOPIA  follows various individuals as they attempt to flee North Korea, one of the most oppressive places  on Earth, a land they grew up believing was a paradise. At the film’s core are a mother desperate to reunite with the child she was forced to leave behind; a family of five — including small children and an elderly grandmother — embarking on a treacherous journey across the Yalu River and into the hostile mountains of China; and a man of God on a mission to help these desperate souls. Leaving their homeland is fraught with danger — severe punishment if caught and possibly even execution — as well as potential exploitation by unscrupulous brokers. Family members who remain behind also may face retribution. Yet these individuals are driven to take the risk. Gripping, visceral, and urgent, BEYOND UTOPIA embeds the viewer with these family members as they attempt their perilous escape, palpably conveying life-or-death stakes. The result is a singular, illuminating, and unforgettable experience.  Director / Editor Madeleine Gavin joins us for a conversation on how she was able to plug herself into the network of incredibly brave people, those willing to risk the consequences of escaping from North Korea and those willing to risk their lives helping them, putting herself in harms way and whether she fears retribution for her spectacularly compelling work.

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For more go to: releasing.dogwoof.com/beyond-utopia

Where to watch, go to: beyondutopiadoc.com/find-a-theater

About the filmmakers – Madeleine Gavin has edited award-winning narrative and documentary films that have premiered at Sundance, Toronto, Berlinale, and Cannes, among others. Madeleine directed and edited the Netflix Original Documentary, City of Joy, centered around a revolutionary center in eastern Democratic Republic of Congo. She is in production on a film that follows an indomitable group of octogenarians in New York City who, while facing debilitating illnesses, are finding transcendence through their relationship with an irascible, larger-than-life music coach. Madeleine is a member of The Academy of Motion Picture Arts and Sciences. 

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100% on RottenTomatoes

“At all events, it’s an outstanding documentary.” – Peter Bradshaw, Guardian

“Unforgiving, high-stakes and clear-eyed about the devastatingly brainwashing powers of elongated oppression, Beyond Utopia will be talked about well into the awards season with its extraordinary vision.” – Tomris Laffly, Harper’s Bazaar

“’Beyond Utopia’ is a staggering achievement, the sort of nonfiction project that takes unfathomable guts and skill.” – Lena Wilson, The Playlist

“Instantly essential.” – Brian Tallerico, RogerEbert.com

“Nothing is a recreation in Beyond Utopia. Instead, every image in this stark and urgent documentary is real, often gathered in mortal danger.” – Danny Leigh, Financial Times

In their second collaboration, co-directors Ben Proudfoot & Kris Bowers’ THE LAST REPAIR SHOP introduces us to the Los Angeles Unified School District’s instrument repair facility for all of the LAUSD student musician. Led by the charming general manager, Steve Bagmanyan, the film introduces a technician from each department: Dana Atkinson, in the strings division, who takes us to his personal breaking point as a young man confronting his sexuality; Paty Moreno, in charge of brass and the sole woman in the shop, who chronicles her pursuit of the American dream as a Mexican immigrant and single mother; Duane Michaels, a quirky, self-described hillbilly who fixes the woodwind instruments and shares the rip-roaring tale of how his $20 fiddle took him on tour with Elvis; and finally Steve himself, who learned to tune pianos in  America after surviving a harrowing escape from ethnic persecution in Azerbaijan in the late 1980s, a conflict again in the headlines today. THE LAST REPAIR SHOP blends the unexpectedly intimate personal histories of the repair people with emotional, firsthand accounts from the actual student musicians for whom their instruments made all the difference. Porche, 9, shares how her beloved violin helps her cope with her family’s health problems; college-bound Manuel, 18, states that his enormous sousaphone diverted him from the pitfalls of growing up as a low-income kid from Boyle Heights; Ismerai, 15, whose alto sax brought her much-needed discipline and calm; and the bookish Amanda, 17, brought to tears by her profound connection with the piano. Co-director Kris Bowers joins us to talk about the impact the LAUSD has had on his own musical journey, the joy of discovering the amazing stories told by the technicians and the students in the film and the enduring power of music to heal, empower and inspire.

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For more go to: breakwaterstudios.com/films/all/

From Oscar® and Grammy®-nominated and Emmy®-winning filmmaker, musician and LAUSD graduate Kris Bowers (A Concerto is a Conversation, Green Book, King Richard, Queen Charlotte: A Bridgerton Story) and Oscar® winning director Ben Proudfoot (a two-time Oscar® nominee for The Queen of Basketball and A Concerto is a Conversation)

About the filmmaker – Kristopher Bowers (born 1989) is an American composer and pianist who has composed scores for films, video games, television and documentaries including, “Green Book,” Madden NFL, “Dear White People,” and Kobe Bryant’s “Muse.” He has recorded, performed, and collaborated with the likes of Jay-Z, Kanye West, and José James. He won the Thelonious Monk International Jazz Piano Competition in 2011 and a Daytime Emmy Award for Outstanding Music Direction and Composition in 2017 for The Snowy Day. Bowers worked on the score of Ava DuVernay’s Netflix mini-series When They See Us as well as the current Netflix hit Bridgerton. For more go to: krisbowers.com

About the filmmaker – Academy Award® winning director and 2020 Forbes 30 Under 30 entrepreneur Ben Proudfoot is the founder and creative force behind Breakwater Studios. Once a world champion in sleight-of-hand magic, Ben now brings that spirit of wonder to filmmaking, directing or producing more than fifty original short documentaries a year. The Nova Scotia native drives Breakwater’s humanist storytelling across documentary, narrative, and branded mediums.Breakwater produces bespoke branded content for individual, governmental, and corporate clients, including Charles Schwab & Co., LA Phil, Amazon.com, Unity Technology, Kelly Services, and Annapurna Pictures.In addition to a long list of awards and distinctions, festival successes, and placement on television shows, such as Oprah’s Super Soul Sunday, Breakwater won an Emmy for the PBS documentary  Montage: Great Film Composers and the Piano. His original film, That’s My Jazz, had its world premiere at the Tribeca Film Festival and won a James Beard Award. His work has also received eight Vimeo Staff Picks.In 2021, Proudfoot was nominated for the 93rd Academy Awards for his short documentary A Concerto Is a Conversation, a collaboration launched at Sundance with his friend and co-director Kris Bowers and executive produced by Ava DuVernay. Proudfoot’s anthologyAlmost Famous was released with The New York Times to widespread acclaim. The series profiles figures adjacent to history in his signature style of intimate direct address interviews. In 2021, Proudfoot’s The Queen of Basketball, recounts the career of women’s basketball legend Lusia “Lucy” Harris. The film was executive produced by Shaquille O’Neal and Stephen Curry and went on to win the Academy Award for Best Documentary Short. Ben lives in Los Angeles. For more go to: breakwaterstudios.com/team/ben-proudfoot

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FLOYD ABRAMS: SPEAKING FREELY explores America’s dedication to the foundational principles of free speech and free press through the groundbreaking work of attorney Floyd Abrams. A biopic of the First Amendment told through Abrams’ important cases, we reveal how this legal giant helped transform the First Amendment from an oft-ignored principle into a bulwark of American democracy. Floyd Abrams: Speaking Freely follows the 50-year career of preeminent First Amendment lawyer Floyd Abrams. See how his landmark cases—from the Pentagon Papers to Citizens United to Clearview AI—helped define free speech as it is known today. Join Dan Abrams, Ari Melber,  Nina Totenberg and more as they explore how Abrams’ career has shaped major changes in law, public discourse and civic action since the 1960s. Political discourse in the United States is shaped by audacious ideas of what a society should be. But who are the influencers and disrupters of American political thought that have paved the way for the systems that we currently have—and those still to come? Director Yael Melamede joins us for a conversation on the many reasons why Floyd Abramis rightfully regarded as one of the most consequential advocates for this battered Anerican civil right. as well as how we came to this moment where free speech issues have never felt more complicated and urgent, and where the nation is wondering anew: what price are we willing to pay for free speech?

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For more about the film go to: speakingfreelyfilm.com

For more go to: pbs.org/americanmasters

About the filmmaker – Yael Melamede (Director) – Yael Melamede is the co-founder of SALTY Features, an independent production company based in New York City whose goal is to create media that is thought-provoking, vital, and enhances the world. Melamede’s documentary credits include PAY OR DIE (2023), 1341 FRAMES OF LOVE AND WAR (2022), the Jigsaw Productions/Amblin Entertainment six-part series WHY WE HATE (2019), WHEN I WALK (News & Documentary Emmy Award Winner, 2015), DESERT RUNNERS (2015), INOCENTE (Academy Award Winner, Best Doc Short, 2013), and MY ARCHITECT (Academy Award Nominee, 2004). Her directorial debut was (DIS)HONESTY—THE TRUTH ABOUT LIES (2015). Yael was an architect before becoming a filmmaker and is a member of the Academy of Motion Picture Arts & Sciences.For more go to: saltyfeatures.com

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“Few people have done as much to shape the first amendment as it exists today.” – Jameel Jaffer

“If there were the history of defense of the first amendment in modern times, there probably wouldn’t be a chapter about Floyd Abrams, it would be part one.” – Nina Totenberg

Westermann: Memorial to the Idea of Man If He Was an Idea is a 3-D documentary film about the life and work of artist and marine H.C. (“Cliff”) Westermann. As a veteran of World War II and the Korean War who struggled with the ramifications of modern warfare, Westermann’s dramatic personal history can be traced through his beguiling, surreal artworks. Westermann: Memorial to the Idea of a Man If He Was an Idea explores the themes of Westermann’s life and work, including resiliency, hope, and humor. Westermann used art as a means of processing the trauma of war, and in spite of these horrors, he adopted an empathic and hopeful spirit that  courses through his artwork and relationships,  becoming an inspiration to many young artists. The film features featuring interviews with Ed Ruscha, Frank Gehry, William T. Wiley, Billy Al Bengston, and other artist-pals. The film is executive produced by the internationally acclaimed artist, KAWS, along with award-winning documentary producer Caryn Capotosto. Westermann features music by legendary artists Laurie Anderson (with the Kronos Quartet) and Terry Allen. MacArthur “Genius Grant” winner Tomeka Reid composed the original score. Director Leslie Buchbinder joins us for a conversation on enlisting Academy Award nominated actor Ed Harris to voice the writings of Westermann, the enduring influence that H.C. Westerman had on his chosen pursuit of sculptor as well as his philosophical approach to art and work ethic that continues impact other accomplished artists.

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For more go to: pentimentiproductions.org/hc-westermann

About the filmmaker – Leslie Buchbinder is a Chicago-based writer, director, and founder/Artistic Director of Pentimenti Productions, an arts non-profit dedicated to producing, supporting, and exhibiting films about art and artists. Prior to film-making, Buchbinder was a professional dancer in companies in Chicago and San Francisco, then pivoted to a career in international arts public relations in NYC and Chicago, where she established her own company working with local and international museums. Her directorial debut was the award-winning, critically acclaimed Hairy Who & The Chicago Imagists, a 2014 documentary chronicling the history and impact of an iconoclastic group of young artists from the School of the Art Institute, often referred to as Chicago’s answer to Pop Art. Buchbinder’s second feature, Westermann: Memorial to the Idea of Man If He Was an Idea, is being released in 2023.

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In 2018, a shocking event made headlines around the world: a young American missionary, John Chau, was killed by arrows while attempting to contact one of the world’s most isolated Indigenous peoples on remote North Sentinel Island. From Emmy winning directors Amanda McBaine and Jesse Moss (“Boys State”) with Oscar winning producer Simon Chinn and Emmy-winning producer Jonathan Chinn of Lightbox, comes National Geographic Documentary Films’ THE MISSION, which uncovers the gripping story beyond the headlines. Through exclusive interviews and with unprecedented access to Chau’s secret plans, personal diaries, and video archives, THE MISSION examines the mythology of exploration that inspired him, the evangelical community that supported his quest, and reveals his own father’s heartbreak as Chau’s youthful thirst for adventure became a fatal obsession. Co-directors Amanda McBaine and Jesse Moss (Mayor Pete, The Bandit, The Overnighters) join us for a conversation on their approach to telling a story fraught with questions regarding our collective perceptions on indigenous culture, the consequences of religious zealotry, and where does one’s selfless devotion end and a blinding messiah complex begin.

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For more go to: nationalgeographic.com/the-mission

About the filmmakers – Amanda McBaine and Jesse Moss have been filmmaking partners for 20 years. They directed “Boys State,” which won the Grand Jury Prize at the 2020 Sundance Film Festival and was released by Apple Original Films and A24. The film won the 2021 Primetime Emmy Award for Best Nonfiction Film and received DGA and Emmy nominations for Outstanding Directorial Achievement. Their previous film, “The Overnighters,” won the Special Jury Prize for Intuitive Filmmaking at the 2014 Sundance Film Festival and was distributed by Drafthouse Films and Netflix. “Boys State” and “The Overnighters” were both shortlisted for the Academy Award® for Feature Documentary. Jesse also directed “The Family,” a five-part series for Netflix, as well as the “Payday” episode of the Netflix series “Dirty Money.” Their recent film about Pete Buttigieg’s campaign for president, “Mayor Pete,” was released by Amazon Studios. Upcoming projects include “Girls State” for Apple and, as producers, an independent film about the reintroduction of wild bears in the French Pyrénées.

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92% on RottenTomatoes

“There’s something wonderfully Herzogian about “The Mission,” a philosophical quest in which wild ambition goes hand in hand with folly at the very limits of so-called civilization.”

“It’s a troubling, smart, must-see documentary.” – Alissa Wilkinson, Vox

“It’s a challenging investigation of the line between madness and faith that leaves so much to think about.” – Daniel Howat, Next Best Picture

“a riveting narrative … [that] proves most enticing when it questions romanticized narratives about unexplored lands. … In showing the seductive power of certain stories … The Mission crafts a tale that’s hard to forget.“ – Peter Debruge, Variety

“This is a marvelous documentary. Absolutely marvelous.” – Amy Nicholson, FilmWeek (KPCC – NPR Los Angeles)

PERIODICAL, Director Lina Lyte Piloplyte and Executive Producer Amanda Spain’s new feature documentary from XTR and MSNBC Films, tells the unexpected story of the human body by exploring the marvel and mystery of the menstrual cycle, from first period to last. But this is not your middle school sex-ed class. Bringing you stories from soccer champion Megan Rapinoe who reveals how members of the U.S. Soccer team track their cycles when training for the Women’s World Cup (which they won), to scientists who are discovering the power and possibilities of stem cells found in period blood, to young activists flipping the bill on period tax one state at a time, we uncover the shocking truths, challenge taboos, and celebrate the untapped potential of this special nutrient-dense blood. Through innovative mixed media storytelling, “Periodical” is for everyone who wants to know more about the menstrual cycle, and especially for those who don’t. In our era of social media-empowered feminism, after centuries of societal-enforced stigma, menstruation has finally begun to bleed out into the mainstream. We’re finally using red liquid instead of blue in period product ads, seeing beauty influencers use their period blood for facials on social media, and even the most daring period scenes are being depicted on tv — but we still know alarmingly little when it comes to menstruation. Director Lina Lyte Plioplyte and Executive Producer Amanda Spain join us to talk about the long over-do recognition that menstruation, should never be a reason for shame, discrimination or become a barrier to a full life.   

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For more go to: happyperiod.org

Bloody. Beautiful. Normal. “Periodical” airs Sunday, Nov. 19 at 10 p.m. ET on MSNBC and is streaming on Peacock.

Periodical at the Los Feliz 3 – October 14, 15, & 18

About the filmmaker – Lina Lyte Plioplyte’s passion for moving images started while studying journalism in Lithuania and later at the University of Colorado Boulder. The best film school has been New York city, where Lina established herself in 2008 making films for NYLON magazine and fashion brands. For the past 10 years, Lina has been working as a freelance director & cinematographer, making numerous documentaries, commercials, travel content and short films that have been shown on MTV, PBS, Venice Biennale, and various film festivals, including Hot Docs, MIFF and IDFA. Lina’s directorial debut was Advanced Style, a feature documentary about stylishly eternal women of the certain age, currently streaming on Amazon, after a successful run on Netflix. Her second feature Periodical, a feature documentary about the science, mystery and politics of menstrual cycle, will air on MSNBC and Peacock. Lina’s cinematography, acknowledged with an Emmy, champions the natural light and intimacy with those she films. Her goal as a storyteller is to bring more balance into the world and to remember the mystery and awe. Understanding both camera and the story makes Lina a skillful collaborator in crafting documentaries. She believes in integral filmmaking, by hiring women and minorities, mentoring young filmmakers, and making her film sets plastic-free. Lina Lyte Plioplyte is an Emmy, Clio and a Silver Lion winning director/Director of Photography.

About the filmmaker – Executive Producer Amanda Spain recently joined MSNBC Films as the Vice President of Longform Acquisitions. Revitalized under MSNBC President Rashida Jones and Amanda Spain, MSNBC Films, distributes a slate of dynamic documentaries, including Memory Box: Echoes of 9/11 which premiered at the Toronto International Film Festival, Civil War, Four Seasons Total Documentary, award-winning In the Dark of the Valley, and Paper & Glue a project by acclaimed French artist JR. Before joining MSNBC Films she was the Director of Non-Fiction for Blumhouse Television. Other recent credits – Executive Producer Pray Away, Exposure and In the Dark of the Valley, Producer – Television Event, On the Divide, After Antarctica, and Krimes. In addition to her most recent credits, Amanda produced the audience favorite and award-winning documentary Bathtubs Over Broadway, which was nabbed by Focus Features, as well as a number of films, shorts, and series for numerous outlets including Netflix, ESPN, A&E, PBS, MTV, Discovery, and the Sundance Channel. She was a 2016-2017 Sundance Producing Fellow and is a current member of the Producers Guild of America (PGA), the Academy of Television Arts & Sciences (ATAS), and the Documentary Producers Alliance (DPA). 

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100% on RottenTomatoes

“Whether you feel pretty in the know or that you have some holes in your knowledge, this is a must-see film that answers questions you may not have realized you needed to ask.” – Sarah Gopaul, Digital Journal

“Covers a lot of ground and can feel overwhelming, but there’s never been another documentary that examines all things period-related as well as (or as entertaining) as this.” – Louisa Moore, Screen Zealots

“Destigmatizing and providing a historical context allows Periodical to serve several masters, both as entertainment and as a genuine teaching tool.” – Alan French, Sunshine State Cineplex

“While women’s rights are being rolled back and an active campaign exists to deny women agency over their bodies, this documentary about how women’s bodies have been perceived, persecuted, legislated, and shamed over the years is timely and vital.” – Stephanie Malone, Morbidly Beautiful

From Signe Baumane, director of Rocks in My Pockets, comes a new award-winning animated feature about a spirited young woman determined to find love in the bewildering world. MY LOVE AFFAIR WITH MARRIAGE follows Zelma on her 23-year quest for perfect love and lasting marriage set against a backdrop of historic events in Eastern Europe. From an early age, songs and fairy tales convince Zelma that Love would solve all her problems as long as she abides by societal expectations of how a girl should act. But as she grows older, something doesn’t seem right with this concept of love: the more she tries to conform, the more her body resists. A story of inner-female rebellion. Told from a woman’s point of view, the film blends historical, biological, societal, and emotional arcs with a lively sense of humor and musical numbers. This animated film for adults tackles the issues of love, gender norms, domestic violence, fantasies and toxic relationships to propel a woman’s journey toward independence and liberation. Director Signe Baumane (Rocks in My Pockets) joins us for a lively conversation on love, identity, marriage, her unique journey to becoming an artist / animator and the joy of having artistic and commercial control over her work.

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For more go to: myloveaffairwithmarriagemovie.com

Opening 10/12 Laemmle Royal in LA & 10/13 Laemmle Glendale

My Love Affair with Marriage screens at Laemmle Royal on Oct 12 (she’ll be there for Q&A), and then film opens for a full week run at Laemmle Glendale on Oct 13 (Signe will do Q&A Oct 13-15).

About the filmmaker – Signe Baumane was born and raised in Latvia when it was still part of the Soviet Union. At age 14, she began publishing short stories. At 16 she won poetry reciting competitions. At 18 she was singing and dancing with the folk group Skandenieki. Signe received a BA in Philosophy from Moscow State University. After graduating she started to work at Riga’s Animated Film Studio as a cel painter and later as a writer, director and designer. Signe directed three animated shorts in Latvia before moving to New York. There she worked for independent animator Bill Plympton as art director and production manager. In 1998, Signe received her U.S. green card as an ‘extraordinary ability alien’ and began making films at her own studio. In 2005 she became a U.S. citizen. As a former philosophy student, Signe is not afraid to reach behind the surface in her stories. As a former performer she enjoys connecting with an audience through surprise and humor. Signe has written, directed and animated 16 shorts and one feature film, many of them with a strong female point of view. She passionately believes that animation is a perfect medium for adult storytelling. Her films collectively have screened at over 560 film festivals including Sundance, Berlin, Venice and Karlovy Vary. Rocks In My Pockets (2014), Signe’s first animated feature film, is based on true events involving five women of Signe’s family, including herself, and their battles with suicide and depression. It played internationally at 150 film festivals, was distributed in the U.S. by Zeitgeist Films, and has been screened by many colleges and mental health organizations. Signe is a Guggenheim Fellow and a New York Foundation of the Arts Fellow in Film.

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85% on Rotten Tomatoes

“Funny, moving, and visually stunning throughout” – RogerEbert.com

“One of the best female resistance films of the year” – HuffPost

“A joyfully exuberant piece of work that manages to conduct some serious examination of human behavior whilst always being nothing less than gloriously entertaining.” – Cineuropa

“A masterclass in human behavior” – Cartoon Brew

“My Love Affair With Marriage is an incredibly detailed animated feature chronicling the life of one young woman, and it also just so happens to be one of the best films of the year.” – Caillou Pettis Movie Reviews

“Both poignant and deeply funny in the way only the best films can be. This animated feature film is a must watch” – Animation for Adults

“An outstanding feminist film that will undoubtedly win over audiences everywhere.“ – ReelNewsDail

“Un voyage fantastique au centre du corps humain” – Le Monde

Does the most widely used weed killer in the world cause cancer? On October 3, 2023, Film Movement and Fathom Events invite audiences to discover for themselves with a special one-night only nationwide theatrical release of INTO THE WEEDS, which follows the story of groundskeeper Lee Johnson and his fight for justice against agrichemical giant Monsanto (now Bayer, which bought the company in 2018), the manufacturer of the weed killer, Roundup. In 2015, the International Agency for Research on Cancer (IARC), a branch of the World Health Organization, classified glyphosate – the active ingredient in Roundup – as “probably carcinogenic to humans.” A year later, Johnson filed a lawsuit claiming that Ranger Pro, a commercial-grade variant of Roundup, was a substantial contributing factor in causing his Non-Hodgkin’s lymphoma. Johnson’s was the first “bellwether case” in a mass tort against Monsanto involving tens of thousands of plaintiffs: gardeners, golfers, farmers, groundskeepers, and ordinary people, following and trusting the instructions on the label. Director Jennifer Baichwal (Manufactured Landscapes, Anthropocene: The Human Epoch) seamlessly blends together interviews, testimonials, trial footage, news coverage, and vérité, the film follows the progression of this groundbreaking lawsuit, while also stepping back to consider the systemic impact of glyphosate-based herbicides on human health, our food systems, and the biodiversity of our planet.

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For more go to: intotheweedsimpact.com

Check out: filmmovement.com/into-the-weeds

The nationwide theatrical event on October 3 opening on more than 600 screens is being supported by the following NGO Official Screening Partners: Environmental Working Group, Friends of the Earth, Re:wild Your Campus, Pesticide Action Network North America, Green America’s Soil & Climate Alliance and the Center for Food Safety.

About the filmmaker – Jennifer Baichwal has been directing and producing documentaries for 25 years. Among other films, installations and lens-based projects, she has made nine features which have played all over the world and won multiple awards nationally and internationally. Let It Come Down: The Life of Paul Bowles won an International Emmy in 1999. The Holier It Gets, a documentary filmed in Canada and India, won Best Cultural and Best Independent Canadian Documentary at Hot Docs, 2000, and won Geminis for best writing, directing, and editing in a documentary series. The True Meaning of Pictures, a meditation on the work of Shelby Lee Adams, won a Gemini for Best Arts Documentary in 2003, and continues to be used widely as a pedagogical tool in photography and film studies throughout North America. Manufactured Landscapes won, among others, TIFF’s Best Canadian Film and Al Gore’s Reel Current Award. It played theatrically in over 15 territories worldwide, after a prolonged and successful run in Canada, and was named as one of 150 Essential Works In Canadian Cinema History by TIFF in 2016. Act of God, about the metaphysical effects of being struck by lightning, opened the Hot Docs Film Festival in May 2009. Payback, an adaptation of Margaret Atwood’s Massey Lectures produced by Ravida Din and the National Film Board, premiered in competition at the Sundance Film Festival in January 2012 and was released in Canada and the U.S. that spring. The feature documentary Watermark, made with Edward Burtynsky and Nicholas de Pencier, premiered at TIFF 2013, was released in Canada by Mongrel Media and won the Toronto Film Critics Association prize for Best Canadian Film in January 2014. It has since been released in eleven countries. Baichwal and de Pencier co-directed Long Time Running, a feature documentary on the Tragically Hip’s 2016 summer tour. The documentary, produced by Banger Films, premiered as a gala at TIFF 2017, was subsequently released by Elevation Pictures, and was broadcast by Bell and Netflix. The Anthropocene Project, Baichwal’s most recent collaboration with de Pencier and Edward Burtynsky, includes a major touring exhibition which debuted simultaneously at the Art Gallery of Ontario and the National Gallery of Canada; an art book published by Steidl; an educational program in partnership with the Royal Canadian Geographical Society and a feature documentary film, Anthropocene: The Human Epoch, that premiered at TIFF 2018, played Sundance and Berlin, then won the Toronto Film Critics Association Prize for Best Canadian Film and a Canadian Screen Award in 2019. Baichwal sits on the board of Swim Drink Fish Canada, and is a member of the Ryerson University School of Image Arts Advisory Council. She has been a Director of the Board of the Toronto International Film Festival since 2016. Into the Weeds is Baichwal’s tenth feature documentary. 

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100% on RottenTomatoes

“Through deft editing and a keen sense of detail, Baichwal manages to compress the case of Johnson vs. Monsanto Company into a superbly paced, tightly wound thriller.” – Barry Hertz, Globe and Mail
“Provides another illustration of coldblooded corporate denialism in the face of widespread harm.” – Dennis Harvey, Variety
“Into the Weeds effectively drives home the message that corporate greed and the lack of regulation makes victims of everyday people.” – Raquel Stecher, Quelle Movies
“Extremely important, essential viewing that affects every one of us.” – Anne Brodie, What She Said
“Into the Weeds is a cautionary environmental story that raises unsettling questions about what’s in the food we eat, and how our farming practices are affecting the biosphere.” – Karen Gordon, Original Cin
“Compulsively watchable….” – Marc Glassman, POV Magazine

Naomi Campbell, Kimora Lee Simmons, Tyra Banks, Tyson Beckford were dazzling, barrier-breaking supermodels of color in the ’90s. But two decades earlier, Bethann Hardison burst onto French and American runways with a defiant strut and sui generis personality. In this intimate and insightful documentary, INVISIBLE BEAUTY, fashion revolutionary and co-director Bethann Hardison looks back on her journey as a pioneering Black model, modeling agent, and activist, shining a light on an untold chapter in the fight for racial diversity. Catalyzing change requires continuous championing, and as the next generation takes the reins, Hardison reflects on her personal journey and the cost of  being a pioneer, as well as the satisfaction of being the first Black woman to own a racially diverse modeling agency, Hardison called out fashion houses around the world (including Prada and Calvin Klein) for the lack of models of color in their shows and the exclusionary casting calls that had become rampant in the industry (“No Blacks, no ethnics”), while profiting from Black consumers. In tandem with Frédéric Tcheng (Halston, Dior and I), Bethann Hardison and her co-director trace her impact on fashion from runway shows in New York and Paris in the ’70s to roundtables about lack of racial diversity in the early 2000s. Interviews with industry players speak to the state of fashion, while friends and family attest to Hardison’s rebellious and ambitious spirit. INVISIBLE BEAUTY is an absorbing record of Hardison’s accomplishments and a rare contemplation on the life of a radical thinker. The co-directors Bethann Hardison and Frederic Tcheng join us for a conversation on the cinematic and personal journey that the film has taken them on.

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For more go to: magpictures.com/invisiblebeauty

Opening 9/22 in Los Angeles at the Laemmle Royal

For all other screenings go to: Magpictures.com

About the filmmaker – Bethann Hardison – former model, advocate, and founder of the modeling and management agency that bears her name – has long been a groundbreaker in the world of fashion. She has helped guide the careers of some of the most prominent models in recent times and through her decades of advocacy work has challenged and helped change common notions of beauty by consistently championing diversity in the fashion industry. For more go to: bethannhardison.com

About the filmmaker – Frédéric Tcheng is a French-born filmmaker. Dior and I, his award-winning directorial debut, premiered at the Tribeca film festival in 2014. Tcheng directed the 2019 documentary Halston, a CNN Films and Amazon Original production. His most recent film Invisible Beauty premiered at the 2023 Sundance Film Festival. Tcheng had previously co-produced and co-edited the 2009 hit documentary Valentino: The Last Emperor, and co-directed the 2011 documentary Diana Vreeland: The Eye Has To Travel.

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100% on RottenTomatoes

“Riveting. Hardison’s remarkable and fabulous life serves an inspiring lesson in effecting radical change from within the system.” – Jude Dry, IndieWire

“An appreciative self-portrait of the fashion world maverick, a reflective story of how one woman worked to move her industry’s stubborn needle of progress. (Bethann Hardison’s) charisma… made her a natural leader and problem solver. Warm anecdotes, glittering testimonies and fond memories. An illuminating and sturdy paean to an influential industry leader.” – Lovia Gyarkye, The Hollywood Reporter

“Invisible Beauty is a riveting tale of how to implement and maintain effective change within a system known for its blatant racism.” – Jose Solís, The Film Stage

“It was Hardison’s activism in the industry that cemented her position as a true advocate and icon in fashion. [She] has always been at the forefront of change and representation. [She] is direct and authentic about who she is.” – Kovie Biakolo, Essence Magazine

Dawn Porter’s DEADLOCKED: How America Shaped the Supreme Court is a four-part SHOWTIME documentary series  traces the modern history of the Supreme Court, the people, decisions and confirmation battles that have shaped America. From our right to privacy, to access to the ballot, and all rights protected by the Constitution, the nine unelected justices of the Supreme Court have the final word on issues that shape our democracy and daily lives. The series unfolds during a profoundly consequential year, unlike any in recent memory—the historic confirmation of Ketanji Brown Jackson, the fallout of an unprecedented leak from inside the Court’s chambers, and a Supreme Court, remade by Donald Trump, on the brink of overturning Roe v. Wade. To understand this critical moment and how we got here, we go back to the 1950s, when the Court led by Chief Justice Earl Warren heralded an era of progressive legal decisions that set us upon the zigzagging path we are still walking today, as the Court’s role in American society has become increasingly prominent and bitterly contested. Supreme reveals how much of the country’s story is wrapped up in the Supreme Court’s deliberations, and considers what this means for America’s future. Director and producer Dawn Porter (Gideon’s Army, Spies of Mississippi, The Lady Bird Diaries, Rise Again: Tulsa and the Red Summer) joins us for a conversation on fifty years of a methodical, calculated and concerted effort on the part of the most radical elements of the “conservative” judicial movement have wrought on the integrity and public confidence of the branch of governance that is the “last word” on what is legal and what is illegal in America.

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Watch at: sho.com/deadlocked-how-america-shaped-the-supreme-court

Dawn Porter (THE LADY BIRD DIARIES, JOHN LEWIS: GOOD TROUBLE) will be available for interviews on Tuesday, September 19. Let me know if you’re interested in coverage! DEADLOCKED will stream on Paramount+ with SHOWTIME on Friday, September 22nd and premiere that day at 8 p.m. ET/PT on SHOWTIME.

About the filmmaker – Dawn Porter has emerged in the entertainment industry as a leader in the art of storytelling; directing and producing critically acclaimed films and series. A two-time Sundance film festival director, Porter’s work has been featured on HBO, Netflix, CNN, PBS, MSNBC, ESPN, Discovery, National Geographic, and others. Porter’s recent film, The Lady Bird Diaries, an all-archival documentary about Lady Bird Johnson debuted at the 2023 SXSW Film Festival. Her newest project “Supreme,” is a four-part docuseries, exploring the history of the United States Supreme Court, the justices, decisions, and confirmation battles that have shaped America. Other current projects include the next installment of the historic civil rights documentary series Eyes on the Prize for HBO. Additional credits include  The Me You Can’t See (Apple TV+), Rise Again: Tulsa and the Red Summer  (National Geographic), The Way I See It (Focus Features, MSNBC), John Lewis: Good Trouble (CNN, Magnolia Pictures), 37 Words (ESPN),  Un(re)solved  (Frontline PBS), and Gideon’s Army (HBO).

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Co-directors Adil El Arbi and Bilall Fallah (Bad Boys for Life, Ms. Marvel and Batgirl) deliver their most intimate and personal film, REBEL. The film focuses on Kamal Wasaki (Aboubakr Bensaihi) an idealistic Belgian rapper who after getting busted for drugs in his home country flees to Syria to volunteer to help the victims of the war. Upon his arrival, he is left stranded in Raqqa. Soon after he is kidnapped by ISIS where he is forced to shoot their propaganda videos thanks to his experience shooting his own hip-hop videos. Then one day to prove his loyalty, he is charged to kill a US soldier in front of the camera. When this clip is played on the news his family is reluctantly brought into the story.  While Kamal’s mother Leila (Lubna Azabal) struggles with what drove her eldest son down that path that has branded her an outcast in her community. She starts to notice Kamal’s younger brother Nassim (Amir El Arbi) has become the target of local ISIS recruiters who wish to use his brother and video games to lure in him. REBEL co-directors, co-writers and co-executive producers Adil El Arbi and Bilall Fallah join us for a conversation on the atrocities of war, the path to radicalization, finding the fragmented humanity in people trapped in these conflicts and why it was so important for them as filmmakers and storytellers to intersperse music and theatre into an otherwise scathing cavalcade of inhumanity.

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For more go to: rebelmotionpicture.com

About the filmmakers – Adil El Arbi and Bilall Fallah met during their film studies at the Hogeschool voor Wetenschap en Kunsten in Schaerbeek, Brussels, Belgium. During their studies, the first project that they directed was a short film named Broeders (2011), which was appreciated by critics; their later films, Black (2015) and Patser (2018), also received positive reception.  They directed the first two episodes in the TV series Snowfall, which aired on July 5 and 12 in 2017, as well as Dimitri Vegas & Like Mike‘s music video “When I Grow Up”, which features American rapper Wiz Khalifa. Besides directing Bad Boys for Life, the duo were also attached to direct Beverly Hills Cop IV, the fourth installment of the Beverly Hills Cop film series, in which Eddie Murphy is set to reprise his role. The duo also directed and executive produced Ms. Marvel for Disney+. In May 2021, it was announced that the duo would direct a film based on Batgirl for HBO Max. In April 2022, it was announced that the duo will no longer direct Beverly Hills Cop IV. In August 2022, after Warner Bros. Discovery made the decision to write the film off for tax purposes, it was announced that the movie Batgirl would not be released. With a reported $90 million budget, Batgirl is one of the highest budget movies in history to be produced, but not released. By February 2023, the duo signed on to direct Bad Boys IV.

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89% on RottenTomatoes

“Over the course of its 135-minute sprawl, “Rebel” remains dynamic by weaving a host of standard genre elements into its many subplots.” – Jessica Kiang, Variety

“It’s a movie that must be seen to be believed. This fascinating work proves why it’s essential for cinema to have a diverse range of voices telling the stories, and that’s what brings about these incredible shocks and surprises.’ – Kaleem Aftab, Cineuropa

“Mixes raw emotions with unexpected blasts of artful expression that keeps viewers invested in material that would otherwise be extraordinarily difficult to watch.” – Brian Orndorf, Blu-ray.com

“A harrowing depiction of the insidious nature of militant fanaticism, Rebel tells its story with verve, sympathy, and a sense of style that’s as unapologetic as its horrifyingly logical plot.” – Mark Dujsik, Mark Reviews Movies

The San Quentin Prison Marathon has an unconventional route: 105 dizzying laps around a crowded prison yard. Director Christine Yoo deeply empathetic documentary,  26.2 TO LIFE, tells the story of incarcerated men who are members of the 1000 Mile Club, the prison’s long distance running club. They train all year for 26.2 mile long marathon race, all of which takes place inside the walls of the infamous San Quentin Men’s Prison mile race. For the men who take their places at the starting line on a cool, sunny November morning, completing the marathon means more than entrée into an elite group of athletes. It’s a chance to be defined by more than their crimes. Cheering them on are a small staff of volunteer coaches, veteran marathoners who train with the runners throughout the year. The bonds they forge on the track create a community that transcends prison politics and extends beyond the prison walls as members are released. 26.2 TO LIFE is a story of transformation and second chances. The film offers a rare glimpse into a world out of bounds, as the men navigating life sentences seek redemption and freedom…or something like it. Director Christine Yoo takes us inside the walls, physical and psychological of the men, who readily acknowledge the mistakes and crimes they have committed, work to define the remainder of their lives as positive and worthwhile.

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For more go to: sanquentinmarathon.com

*Winner: Audience Choice Award – Santa Barbara Festival 2023*
*Winner: Reel Women Direct Award – Cleveland International Film Festival 2023*
*Winner: Audience Award for Best Feature – SF Documentary Film Festival (DocFest) 2023*

*Independent Film Festival of Boston – Grand Jury Prize

Seattle International Film Festival – Winner Golden Space Needle Award

*Runner Up: Audience Award – DOC NYC 2022* 

About the filmmaker – Christine Yoo is a director, producer, writer, volunteer at San Quentin State Prison and co-founder of the San Quentin Film Festival. As a producer, she has worked on nonfiction series for National Geographic, History, Oxygen and PBS for Revelations Entertainment, S.M.A.C., The Story Lab, Dick Wolf Films, Shed Media and Prometheus. Her independent work focuses on under-served voices and has been sponsored by Sundance, The Marshall Project, Rogovy Foundation, LGMobile, Hyundai, Korean Air and she is a Logan Nonfiction Fellow. Yoo directed and produced the documentary short, A Conversation At Claudia’s, a special project for the Museum of Modern Art (MoMA PS1), co-wrote the cult anime series Afro Samurai, starring Samuel L. Jackson, and directed, produced and co-wrote the award-winning Korean-American rom-com Wedding Palace, starring Brian Tee and S. Korean actress Kang Hy-jung (Oldboy) in her English language debut. 26.2 TO LIFE is Yoo’s first feature documentary. 

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80% on RottenTomatoes

“The film’s leads—a father, a former track star, and a journalist—are not glorified but humanized, and their captivating stories are told with the unflinching conviction that their lives could use more than loaned running shoes.” – Sam Machkovech, The Stranger

“Hopefully, 26.2 to Life will change some hearts and minds of lawmakers.” – Jason Delgado, Film Threat

“Though not specifically political in nature, Yoo’s film may just change a few minds regarding the purpose of prison as a rehabilitative tool rather than a punitive one.” – Douglas Davidson, Elements of Madness

“Christine Yoo’s hopeful nonfiction feature strikes the right balance in telling the stories of San Quentin inmates who are participating in the prison-supported 1,000 Mile running club.” – Randy Myers, San Jose Mercury News

In snowbound Tokamachi, Japan, teenaged Akio Sakurai took refuge in his room, escaping to another world with a pair of headphones and a pile of Led Zeppelin records. Moving to Tokyo, Akio worked as a kimono salesman by day, but by night became “Mr. Jimmy,” adopting the guitar chops and persona of Jimmy Page. For 30 years, Akio recreated vintage Zeppelin concerts note-for-note in small Tokyo clubs, until the real Jimmy Page stopped by one night and Akio’s life changed forever. Inspired by Mr. Page’s ovation, Akio quits his “salary man” job, leaving behind his family to move to Los Angeles and join “Led Zepagain.” Soon cultures clash, and Akio’s idyllic vision of America is met with reality. Until Jason Bonham (son of legendary Led Zeppelin drummer, John Bonham) calls and invites Akio to audition, and later join his  ‘Led Zeppelin Evening’ tour. Director Peter Michael Dowd joins us for a lively conversation on the incredible level of dedication Akio has put into his craft, meticulously fine tuning precision of everything from the amps, frets, cables to the stitching on the “dragon” cape to faithfully replicate the Jimmy Page experience as well as my misspent youth back in 1972, for missing the chance to see the “greatest rock and roll band” at the zenith of their artistic prowess.

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For more go to: mrjimmymovie.com

About the filmmaker – “Mr. Jimmy” is Director, Producer and Editor Peter Michael Dowd follow-up to his short documentary “The King of Size”.  It screened at festivals including the Austin Film Festival, the New Orleans Film Festival, and the Little Rock Film Festival, where it won the World Shorts competition. Previously, Dowd was the Curator of Film at the Museum of the Moving Image and Film Programmer at George Eastman House. He has organized film exhibitions and retrospectives for festivals including the Vienna International Film Festival and Mexico City International Contemporary Film Festival. He has written about film for publications including the New York Sun, Spirit & Flesh, and Moving Image Quarterly, and is based in Los Angeles. His voice is still hoarse from singing/screaming throughout Mr. Page and Mr. Plant’s 1995 performance at Boston Garden.

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92% on RottenTomatoes

“Through an exploration of the life of an ex-kimono salesman who has dedicated his life to emulating Jimmy Page, Mr. Jimmy is a unique look at what it means to pay tribute to the things you love.’ – Miyako Pleines, Spectrum Culture

“In our current universe, where followers give themselves over to their entertainment or culture-warrior heroes with undying devotion and zero questioning, his devotion to honoring this particular house of the old is sweet, almost noble.” – David Browne, Rolling Stone

“It is an incredible story and one marvels at the level of detail Sakurai goes to, learning about the ‘texture’ solder in an amp gives to the music or how the wear on a pickup guard might influence things.” – Laura Clifford, Reeling Reviews

“It’s… the very slipperiness of Sakurai’s passion – to humbly become the god he worships – that continually compels.” – Keith Uhlich, Hollywood Reporter

“If you’re a fan of Led Zeppelin or this particular era of classic rock in general, you’ll be sure to enjoy Mr. Jimmy.” – Danielle Solzman, Solzy at the Movies

Director, writer and lead actor, Thomas Salvador’s beguiling new film, THE MOUNTAIN, follows Pierre, a Parisian in his forties, on his emerging quest to break from his daily routine of morning coffee in a run-down apartment, his phones, his keys, and his computer on the train to work. During a business meeting to  demonstrate the capability of a robot to some clients he is distracted by the sight of a mountain. Shortly after his enigmatic encounter with the natural world Pierre begins to act on an unfathomable journey into the unexplored mountainous terrain.  He gears up very cautiously, gets informed and takes the cable car up to the Aiguille du Midi, in the Mont-Blanc Massif, with its spectacular view of the French, Swiss and Italian Alps. Setting up his small tent slightly below, he slowly learns about hiking on the glacier, then climbs the passes with and then without guidance. Days pass, more or less easily and comfortably, in his introspective observation of the environment. Pierre feels good, there, in his place, with the essentials and forms only one meaningful connection with the chef of the Aiguille du Midi restaurant (Louise Bourgoin). But this drastic return to nature soon takes a turn when a mountain wall collapses and attracts his attention to very strange lights… Director, writer and lead actor, Thomas Salvador (VINCENT) stops by to talk about the inherent challenges that come with shooting a feature film on a mountainside, what drew him to make this visually stunning ode to the inexorable pull of nature and how little we understand about the world we live in.

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For more go to: strandreleasing.com/films/the-mountain

An official selection of the Directors’ Fortnight at the 75th Cannes Film Festival.

About the filmmaker – Thomas Salvador is a filmmaker, screenwriter, and actor in his own films. He has directed 6 short films that have been selected and awarded in numerous festivals, including PETITS PAS (Cannes Directors’ Fortnight) and DE SORTIE (Jean Vigo Prize 2006). Hosted at the Villa Medici in Rome, he wrote his first feature film VINCENT, released in 2015 and screened at more than forty festivals in France and abroad. THE MOUNTAIN is his second feature film. 

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“The beautiful cinematography, courtesy of Alexis Kavyrchine … makes the Alps come alive (in every way, as we discover), and the emotional restraint of both Salvador and Bourgoin serve to heighten the eventual catharsis at the end.” – Christopher Llewellyn Reed, Hammer to Nail

“Salvador’s creation is a gorgeous, pensive, humble film…” – Alex Billington, FirstShowing.net

“In a work in which nature, landscape and climate take starring roles, Salvador’s muted performance of a man who is attempting to lose himself in his surroundings feels right.” – Lee Marshall, Screen International

“Although Pierre’s intentions remain debatable, the story becomes a subtle treatise on solitude, ecology and, it would seem, following your bliss.” – Gary Goldstein, Los Angeles Times

Director, producer and writer Donato Rotunno’s third feature film, IO STO BENE (I Am Fine) focuses on the life of Antonio, a man who has spent his whole life away from his home country ofItaly. Antonio is facing down his own mortality when he crosses paths with Leo, a young Italian artist who is trying to make it abroad. The old man and the young woman’s destinies mirror each other. Memories from the past are awoken and end up offering a more peaceful future to the both of them.  This multi-layered film follows Antonio Spinelli growing up with Vito, his cousin of the same age, and their friend Giuseppe. At the end of the 1960s, pushed out of South Italy by a catastrophic economic situation, they decide to leave the country to work abroad. What’s initially supposed to be a short stay to make ends meet will end up determining their individual paths. While Vito works in Belgium and Giuseppe in Germany, Antonio is the only one who goes to a little country called Luxembourg. There, he meets Mady, who becomes his continued support and gives him the strength to be who he really is. Leopoldina prefers to be called Leo. She has finished her graphic design studies and dreams of an artistic career where she could mix graphic design creations and music. She wants to take her future in her own hands and make a living out of her passion. That’s why she decides to leave Italy with her boyfriend and dreams of going on tour all over Europe to perform in clubs as a visual jockey. But they break up and Leo’s boyfriend goes back to Italy, leaving Leo on her own in Luxembourg. She hasn’t told him that she is pregnant. Director and writer Donato Rotunno joins us for a conversation on his affinity for complex stories that illuminate many of the basic truths about love, family, friends and the capricious outcome of the paths we choose to follow.

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For more go to: mpmpremium.com/catalogue/io-sto-bene

About the director – Donato Rotunno was born in Luxembourg in 1966 and graduated from IAD in Belgium in 1992. He founded Tarantula Luxembourg in 1995, through which, to date, he has produced over 30 feature films. His career as a film director started with his graduation film Nebbiolo Rosso and continued with documentaries on specific themes to Luxembourg, including immigration (Terra Mia Terra Nostra, Les Mesures du rectangle), multi cultural society (Blà Blä Blá) ; questionning the role of politics with André et les voix dissidentes, and the relationship between contemporary art and film through Making of a picture,  Landscape with a corpse, Dreams have a language. His first fiction film, In a Dark Place, won the award for best artistic contribution at the Lëtzebuerger Filmpräis in 2007. His second film, Baby(a)lone, an adaptation of the novel Amok by Tullio Forgiarini, was selected in many international film festivals and was chosen to represent Luxembourg at the 88th Academy Awards for Best foreign language film award. Io sto bene is his 3rd feature.

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Award winning Production Designer JUDY BECKER is one of the many gifted artists who have made significant contributions to cinema’s most iconic films.  But their work often flies under the radar, in large part because journalist and critics more often focus their attention on directors and stars rather than that the work of production designers. But these production designer’s sometimes unheralded art consists of nothing less than building the world of a movie, and in the process do a great deal to create those distinct cinematic environments that film lovers wants to visit again and again. Production Designer JUDY BECKER, recent subject of a film retrospective at New York’s Metrograph Theatre, gave all the film lovers who attended an opportunity to better appreciate the painstaking research and crucial creative contribution that goes into the work of a production designer as well as the films that inspired her. Becker 25-year career as a lead production designer includes collaborations with directors Todd Haynes, David O. Russell, and Ang Lee. Production Designer Judy Becker (Carol, American Hustle, We Need to Talk About Kevin) joins us for a conversation on her introduction into the world of production design, the artist who’s work inspired her and how she approaches each new project with the same zeal and attention to detail she brought to her very first project.

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For more go to:instagram.com/beckerdesign2000

About the filmmaker – Judy Becker is a production designer in the film industry. Cited as one of “25 to Watch” in the summer 2002 issue of Filmmaker, Judy Becker came to her career in production design from a background in fine arts, including several years as an “underground” comics artist. She started in the props department and worked her way up to production design in independent films in New York. Notable films to her credit include, Ang Lee’s Brokeback Mountain (2005), Todd Haynes’ I’m Not There (2007), David O. Russell’s The Fighter (2010), Lynne Ramsay’s We Need To Talk Kevin (2011), David O. Russell’s Silver Linings Playbook (2012), Sacha Gervasi’s Hitchcock  (2012) and David O. Russell’s American Hustle (2013), Todd Haynes’s Carol (2015), David O. Russell’s Joy (2015), David O. Russell’s Amsterdam (2022). 

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Nominated for the 2023 “Best Feature” Independent Spirit Award, Ellie Foumbi’s elegant moral thriller and debut feature OUR FATHER, THE DEVIL (“Mon père, le diable”) stars a riveting Babetida Sadjo, (Ritual), as Marie, the head chef at a retirement home in small-town France. Her easy day-to-day life spent caring for residents, hanging out with her co-worker and best friend Nadia (Jennifer Tchiakpe), and teasing a potential new romance is disrupted by the arrival of Father Patrick (former Spirit Award nominee Souleymane Sy Savané, (Goodbye Solo), an African priest whom she recognizes from a terrifying episode in her homeland. As he further endears himself to the residents and staff, Marie is forced to decide how best to deal with this reminder of her troubled past. Writer / Director Ellie Foumbi joins us for a conversation on her intense and fearless dissection of trauma, power, revenge, guilt, and the devils hiding within all of us  and the Oscar-worthy performances by Babetida Sadjo and Souleymane Sy Savané, OUR FATHER, THE DEVIL is a stunning showcase for the impeccable talents of everyone involved.

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2023 Spirit Award Nominee: Best Picture

Tribeca Film Festival, Audience Award Winner: Best Narrative

Sept 1 in Los Angeles at the Laemmle Royal

About the filmmaker – Ellie Foumbi is an award-winning Cameroonian-American filmmaker whose debut film, Our Father, the Devil, went on to win 25 prizes at international film festivals and was nominated for Best Feature at the Independent Spirit Awards. She’s a BAFTA Breakthrough USA Fellow and was named one of 25 New Faces of Independent Film by Filmmaker Magazine. Ellie’s stories often explore pressing social-political issues within the African diaspora through a genre lens, aiming to shine a light on marginalized populations. She holds an MFA from Columbia University’s School of the Arts in Directing.

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100% on RottenTomatoes

“Cutting… the enigmatic drama goes places you almost certainly won’t expect.”  – Michael Nordine, Variety

“Providing a rare treatment of trauma that is both thrilling and intelligent, Our Father, the Devil is profound and deeply moving.” – Richard Propes, The Independent Critic

“This is quite simply the best performance of the year, blowing everything else out of the water.” – Jennie Kermode, Eye For Film

“Ellie Foumbi’s explosive debut can’t be denied; neither can the  performances here, notably the one from Sadjo, who cycles through a juggernaut of raw, intense emotions.” – Randy Myers, San Jose Mercury News

“…An impressive feat of storytelling.” – Stephen Saito, The Moveable Fest

“Defies genre and expectations. it’s not the kind of psychological thriller we’ve come to expect.”  – Sharai Bohannon, Dread Central

In Babak Jalali’s playfully eccentric FREMONT focuses on a beautiful and troubled 20-something Donya, an Afghan translator who used to work with the U.S. government and now has trouble sleeping. Each morning Donya (Anaita Wali Zada) leaves her tight-knit community of Afghan immigrants in Fremont, California. She crosses the Bay to work at a family-run fortune cookie factory in San Francisco. Donya drifts through her routine, struggling to connect with the culture and people of her new, unfamiliar surroundings while processing complicated feelings about her past as a translator for the U.S. government in Afghanistan. Unable to sleep, she finagles  her way into a regular slot with a therapist (Gregg Turkington) who grasps for prospective role models. When an unexpected promotion at work thrusts Donya  into the position to write her own story, she communicates her loneliness and longing through a concise medium: the fortunes inside each cookie. Donya’s koans travel, making a humble social impact and expanding her world far beyond Fremont and her turbulent past, including an encounter with a quiet auto mechanic (Jeremy Allen White) who could stand to see his own world expanded. Tenderly sculpted and lyrically shot in black-and-white, Babak Jalali’s FREMONT is a wry, deadpan vision of the universal longing for home. Babak joins us for a conversation on the moment he knew that casting an unknown actor, Anaita Wali Zada as Donya could carry his film, his instinctual decision, in collaboration with cinematographer Laura Valladao, to go black and white, the calming effect of Gregg Turkington, and the joy of spending in the vibrant Afghan community of Fremont, California. 

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For more go to: musicboxfilms.com/film/fremont

About the filmmaker – Babak Jalali was born in 1978 in Gorgan in northern Iran, but has lived mainly in London since 1986. He has a master’s degree in politics from the University of London as well as a diploma from the London Film School. During his course there he made three short films: A Trip to the Coast (2002), Nadja (2003), and Boxes (2004). His graduation film, Heydar, an Afghan in Teheran, told the story of a young Afghan working for a rich Iranian, spending his free time learning English in order to work as a translator in Afghanistan. The film was short-listed in the Best Short Film category at BAFTA in 2006. That same year Babak Jalali had a residency at the Cannes Festival’s Cinéfondation where he was able to develop his first feature film, Frontier Blues.

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97% on RottenTomatoes

“A drama with a spare, wry tone that belies its earnest and ample substance.” – Richard Brody, The New Yorker

“A cross-cultural comedy that explores the freedom of being lost and the exhilaration of finding oneself” – Mark Olsen, LA Times

“A coolly deadpan comedy. Fremont is reminiscent of Aki Kaurismaki and Jim Jarmusch.” – Amy Taubin, Artforum

“Fremont‘s variation is that its performances are low-key naturalistic rather than hollowed-out deadpan, and it gains a lot from the specificity of its characters and their unglamorous milieus.” Vadim Rizov, Filmmaker Magazine

“The story is suffused with an uncommon blend of radiance and resignation, nowhere more rapturously than in the final shot.” – Anthony Lake, New Yorker

“Honest and hopeful. An ode to the universal beauty and restless pull of human connection.” – Tomris Laffly, Harper’s Bazaar

Set amid the political violence of late-1960s Indonesia, Kamila Andini’s intoxicating film BEFORE, NOW & THEN follows Raden Nana Suhani, a Sundanese woman in the 1960s lost and father and son to the war in West Java. Now the beautiful wife of a wealthy plantation owner, always looked down on her. For Nana, her inner life remains with her deceased first husband, murdered in the civil war a decade prior. A survivor, Nana values her safety and material comforts, but carries out a haunted existence, dreaming of her lost love. Forced to confront her husband’s blatant infidelity, Nana makes an unusual connection with his younger mistress, Ino. The two women, sharing their secrets and desires, discover a newfound freedom and intimacy withheld from them both by the strictures of patriarchal society. Together, these two women seek hope for independence. Director and screenwriter Kamila Andini (Nusa Yang Hilang, Yuni,) joins us for a conversation on how the enveloping stranglehold of patriarchy informs every aspect of these women’s lives, drawing out sublime performances from actors Happy Salma (Nana) and Laura Basuki (Ino), capturing the subversive beauty of a land gripped by violence and upheaval.

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For more go to: filmmovement.com/before-now-then

See in a theatre: filmmovement.com/before-now-then

About the filmmaker – Kamila Andini is a mother and filmmaker based in Jakarta, Indonesia. Concerns with social culture, gender equality and environmental issues led to her passion to make films with a distinctive narrative perspective.Her debut feature film The Mirror Never Lies (2011) recounts the life of sea nomad on the Pacific Ocean off Indonesia. Her second, The Seen and Unseen (2017) portrays a dualistic cinematic universe based on the Balinese philosophical concept of Sekala / Niskala. Both films have screened in over 50 film festivals around the world and received some 30 national and international awards, including the Grand Prix for Best Feature Film, Berlinale Generation Kplus in 2018. She has also directed a number of short films. After Following Diana (2015), Memoria (2016) and Sekar (2019), her short Back Home (2019) formed part of the omnibus production Angel Sign (2019). Recently, she has expanded her directing work into theatre; her debut, based on her second feature ‘The Seen and Unseen’, was staged at the Esplanade Singapore 2018 and Asia Topa Melbourne in 2019. Her most recent theatrical production is the stage and virtual performance monologue, Nusa Yang Hilang (2021). Her third feature, Yuni, (2021) won the Platform Prize at the Toronto International Film Festival. Before, Now & Then is her fourth feature film.

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100% on RottenTomatoes

“Andini captures complex female emotions and relationships in nuanced and fascinating detail, as well as the secrets we all keep, whether in knotted buns or not. Subtly stirring, it’s a sensitively crafted, immersive cinematic experience that lingers on the senses well after the credits roll.” – Sarah Bradbury, The Upcoming

“Aesthetic flourishes… betray Wong Kar-Wai’s influence on Before, Now & Then and elevate it … to the intoxicating sensory experience it is.” – Michael Nordine, Variety 

“Gorgeous, complex, and wonderfully melancholy…highly rewarding to watch” – Jean Henegan, Pop Culture Maniacs

“A precisely calibrated, emotionally nuanced exploration of one woman going through a mid-life crisis in rural Indonesia during the 1960s  that both looks and sounds stunning.” – Leslie Felperin, The Hollywood Reporter

A timely metaphor for failing democracy, Jiří Havelka’s THE OWNERS takes a seriocomic look at the most local form of self-governance: the co-op apartment building meeting. It includes a curious cast of characters, all of whom own apartments in the same building in Prague, as they attempt to tolerate each others’ presence long enough to try and make some important decisions about the building’s future. Mrs. Zahrádková (Teresa Ramba) wants to save the old crumbling building she shares with other apartment owners. She hopes to find supporters for her plan in young newlyweds with their idealistic enthusiasm, who have just moved in and are astonished by the co-owners’ inability to agree on anything. Mrs. Roubíčková (Klára Melíšková) vigilantly controls the proper course of the meeting, not allowing the slightest deviation from the rules; Mrs. Procházková and her proclaimed business partner Mr. Novak are looking for ways to increase the value of their property by subletting the apartment to African students; Mr. Nitranský tries to get a hold of the attic to expand his own flat; and frustrated Mr. Kubát sabotages any and all decisions. Will the neighbors reach an agreement, or will the building become the casualty of their self-centered interests? Director Jiří Havelka (Prague Orgies, Desperate People) joins us for a conversation on his personal connection to the story, pulling together a cast of terrific actors and how striking the right tone to accentuate the dramatic and comedic elements that make THE OWNERS work so beautifully.

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For more go to: bigworldpictures.org/theowners

Opens 8/25/23 Laemmle’s Royal, West Los Angeles, CA

Opens 8/25/23 Gene Siskel Film Center, Chicago, IL

Big World Pictures is proud to present THE OWNERS, a film written and directed by Jiří Havelka. Winner of Best Screenplay and Best Actress award at the 27th Czech Lion Awards and winner of two Czech Film Critics’ Awards, THE OWNERS was based on a play, The Society of Owners, which Havelka also wrote and directed. The film will open at Laemmle Royal in Los Angeles on August 25. 

About the filmmaker – Respected theater director, playwright, actor and and film director Jiří Havelka is also a founding personality of the TV station Óčko. He is also the main creative personality of the Vosto5 theater based on improvisation (Pérák, Proton or the Society of Owners) and also organizes the Festival of Cute Playwrights. He is also one of the founders of the civic association JSAF – the organizer of the International Documentary Film Festival in Jihlava, where he comes from. After graduating from the Jihlava grammar school, he studied directing at the Department of Alternative and Puppet Theater at the DAMU in Prague. Already during his studies he started acting and directing in Prague’s Ypsilonka and in several other theaters, e.g. Dejvické Divadlo. In 2007, he won the Alfréd Radok Award as talent of the year. He appears as an actor in many films, e.g. in the tragicomedies Desperate People (2009) and Tiger Theory (2016), in the comedy Po čem muži touží (2018) or in the tragicomedies Mars (2018) or Prague Orgies (2019). Viewers also know him from the TV series, e.g. Up to the ears (2014- 2017). The Owners is his film debut under which he is signed as a screenwriter and director. 

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100% on RottenTomatoes

“As the frustration of the group gets more intense and the issues get more controversial … it becomes clear that the film is making a larger point about the inability of governments, citizens, human beings, to solve long-term problems.” – Nell Minow, RogerEbert.com

“Comic gold…the script is top-notch, the performances terrific, the timing perfect…If only Hollywood still made them like this!” – American Spectator

“The universality of personalities and intentions is like every HOA Board Meeting – but more amusing because it’s not yours. This lets the audience have the distance to see the human comedy in their interactions for an allegory of any capitalist society.” – Nora Lee Mandel, Maven’s Nest

“It’s a home or condo-owner’s nightmare of sincere, smart and reasonable people outnumbered by obstinate skinflints, greedheads, obstructionists and shortsighted idiots. Sound like any voting/elected bodies you know?” – Roger Moore, Movie Nation

“The film took home three Czech Lions and two Czech Film Critics’ Awards, and with fine performances from the leading cast, sharp dialogue, and painfully relevant political overtones, it’s not difficult to see why..Beneath the dry wit and jaded, world-weary cynicism, and even before we reach the obligatory bittersweet, tragicomic ending, there is some profound allegory at work in Vlastníci, familiar from the brave and subversive Czech comedies of the 1960s, by which, with a choice phrase here, a verbal nod-and-a-wink there, Havelka holds a mirror up to Czech society… and doesn’t reflect its best side.” – Czech Film Review

A lyrical tapestry of a place and people, KING COAL meditates on the complex history and future of the coal industry, the communities it has built, and the myths it has created. Director Elaine McMillion Sheldon reshapes the boundaries of documentary filmmaking in a spectacularly beautiful and deeply moving immersion into Central Appalachia where coal is not just a resource, but a way of life, imagining the ways a community can re-envision itself. Central Appalachia is a place of mountains and myth and Academy Award-nominated and Emmy and Peabody Award-winning documentary filmmaker Elaine McMillion Sheldon knows this well, calling those mountains home. KING COAL has had a profound influence on this community’s identity, but Sheldon dares to consider what future stories might look like out of the shadow of coal, now that relationships to coal are changing. She takes us on an alluring cinematic journey through the past, present, and future of Appalachia. Sheldon’s distinct vision remixes present-day moments of life in a coal-mining town with archival footage and atmospheric invocations of the land to alchemize something new — a rare, nuanced depiction of this community. A young girl learning the story of coal anchors the journey while Sheldon’s poetic voiceover guides us through the experience and an expressive score differentiates the reality of coal from a more imaginative world. This hybrid approach allows our guest, Elaine McMillion Sheldon to explore the act of storytelling itself and is a magical reclamation of the power of stories to shape how a region sees itself. Emerging from the long shadows of the coal mines, KING COAL untangles the pain from the beauty, and illuminates the innately human capacity for change.

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For more go to: kingcoalfilm.com

Los Angeles, CA – August 25 @ Laemmle Glendale

About the filmmaker – Elaine McMillion Sheldon is an Academy Award-nominated and Emmy and Peabody Award-winning documentary filmmaker. She is the director of two Netflix Original Documentaries – “Heroin(e)” and “Recovery Boys” – that explore America’s opioid crisis. “Heroin(e)” was nominated for a 2018 Academy Award and won the 2018 Emmy Award for Outstanding Short Documentary. In 2013, she released “Hollow,” an interactive documentary that examines the future of rural America through the eyes and voices of West Virginians. Hollow received a Peabody, Emmy nomination and 3rd Prize in the World Press Photo Multimedia Awards. Sheldon has appeared on The Daily Show with Trevor Noah, Anthony Bourdain’s CNN Show Parts Unknown and Meet The Press with Chuck Todd. She was recently named a 2018 USA Fellow by United States Artists, one of the “25 New Faces of Independent Film” by Filmmaker Magazine and one of “50 People Changing The South” by Southern Living Magazine. In 2016, Chicken & Egg Pictures awarded her with the inaugural “Breakthrough Filmmaker” award. She’s a founding member of All Y’all Southern Documentary Collective. She has been commissioned by Netflix, Frontline PBS, The Center for Investigative Reporting, The New York Times Op-Docs, TEDWomen, Field of Vision, and The Bitter Southerner.  elainemcmillionsheldon.com

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85% on RottenTomatoes

“Filmmaker Elaine McMillion Sheldon, a native of [West Virginia], has done a breathtakingly expressive job of capturing the strangeness, the beauty and the devastation of her homeland in the poetic, entrancing documentary King Coal.” – Kyle Smith, Wall Street Journal

“harsh, haunted, and spiritual but hopeful still…[told] from the POV of a girl both loyal and inquisitive about the reign of what she calls “King Coal,” the film is an artwork and a tribute told with poetic and visual lyricism.” – Sherin Nicole, Geek Girl Riot

“As a work of cinema, King Coal proves aesthetically stunning, while also holding our attention as cultural anthropology.” – Christopher Llewellyn Reed, Film Festival Today

“Pleasingly difficult to pin down when the narrative truly feels moved by the spirit, the fact that “King Coal” comes alive in the mind full of possibility makes one think the same potential exists on the ground.” – Stephen Saito, Moveable Fest

“Sheldon also locates the beauty, potentiality and sorrow of the region to its surrounding mountain ranges, from forested rolling hills to the mounds of coal on river barges.” – Robert Daniels, New York Times