What Would Sophia Loren Do? is a documentary short film that follows Vincenza “Nancy” Kulik, an Italian-American mother and grandmother living in Fort Lee, New Jersey. Nancy has seen her share of tragedy, but she has always been able to stay positive, inspired in part by another Italian mother, the movie star Sophia Loren. Nancy uses the question “What Would Sophia Loren Do?” as a guide to questions big and small. For example, “Would Sophia Loren eat whole wheat pasta?” Nancy thinks not. This phrase can also provide comfort and a source of strength in times of crisis. In 2016, Vincenza’s 51-year-old son died suddenly while undergoing a routine operation. Vincenza was devastated. She would seek solace in the love of her friends and family. But as she describes it, Vincenza also used the example of Sophia’s grace to help her get through the days and find the strength to persevere. For Vincenza, the words “What would Sophia Loren do?” have truly helped her to heal during some of the most difficult times of her life. Through the experiences of these two women we come to understand what it means to face life’s challenges with resilience and to age with courage, grit, and humor. The film debuts on Netflix on January 15 and is already heavily buzzed for the Oscar in the shorts category. There’s particular attention on Sophia this year, given her other Oscar-buzzed performance in The Life Ahead, directed by her son, Eduardo Ponti. Academy Award winning director Ross Kauffman (Born into Brothels, Tigerland) joins us to talk about the connection he shares with Vincenza, professionally and personally, and how her indomitable presence permeates this wonderfully alive story.
Directed, produced, and written by Jeff Kaufman and produced by Marcia S. Ross (Terrence McNally: Every Act of Life) NASRIN is an immersive portrait of one of the world’s most courageous human rights activists and an outspoken leader of Iran’s remarkably resilient women’s rights movement. She is currently in the fifth week of a hunger strike and serving a long sentence in Iran’s notorious Evin Prison. Millions of people from over 200 nations have called for Nasrin’s release including President-elect Joe Biden; journalist Christiane Amanpour; journalist/activist Gloria Steinem; author Margaret Atwood; Canadian Prime Minister Justin Trudeau, former US Secretary of State Hillary Clinton, New York Times columnist Nicholas Kristof, and many others. Secretly filmed in Iran by men and women who risked arrest, NASRIN features interviews with acclaimed filmmaker Jafar Panahi, Nobel Peace laureate Shirin Ebadi, journalist Ann Curry, and Nasrin’s husband and fellow-activist Reza Khandan. NASRIN is narrated by Oscar® winning actress Olivia Colman and also features an original song by Tony Award®-winning composers Lynn Ahrens and Stephen Flaherty and performed by 4-time Grammy® winner Angélique Kidjo. In addition, Washington Post columnist and former political prisoner Jason Rezaian serves as one of the film’s Executive Producers. Director Jeff Kaufman and Producer Marcia S. Ross join us to talk about one of the world’s most courageous woman and about the daily challenges she and other civil and women’s rights activist face in one of the world’s most repressive regimes.
Update on Nasrin: As of today, Nasrin Sotoudeh has been ordered back to prison in Iran. Earlier last month, she was released from prison due to health reasons and the corona -19 virus. Then, she had just ended her 40+ day hunger strike at the end of October in Iran’s notorious Evin Prison. Please join us in telling her story and amplifying her voice for her freedom. Nasrin hashtag #StandUp4NASRIN continues to grow daily.
About the filmmaker – Jeff Kaufman produced, directed, and wrote the documentaries Every Act Of Life (2018 Tribeca premiere, aired June 2019 on American Masters), The State of Marriage, Father Joseph, The Savoy King: Chick Webb and the Music That Changed America, Brush With Life: The Art of Being Edward Biberman, and Education Under Fire, plus a number of short films for Amnesty International, and programs for The Discovery Channel, and The History Channel. He also edited/designed a book based on the film Every Act Of Life, contributed cartoons to The New Yorker, and illustrations to The Los Angeles Times and The New York Times, wrote/illustrated several children’s books, and hosted daily radio shows in Vermont and Los Angeles.
About the filmmaker – Marcia Ross produced the documentaries Every Act Of Life, The State of Marriage, Father Joseph, and The Savoy King. Additionally she has an over 3-decade career as an independent casting director and casting executive, serving 16 years as EVP for Casting at Walt Disney Motion Pictures, and 5 years as VP for Casting and Talent Development at Warner Brothers TV. Some of her film and television credits include Clueless, Cujo, thirtysomething, Murder in Mississippi, 10 Things I Hate About You, The Princess Diaries, Romy and Michele’s High School Reunion, The Lookout, Enchanted, Oblivion, and Parental Guidance. She has received career achievement awards from the Casting Society of America and the Hollywood Film Festival.
HERSELF tells the story of Sandra (Clare Dunne) a single mom looking to escape her abusive partner with her two young children, only to find herself trapped in temporary accommodation. After months of struggling, she draws inspiration from one of her daughter’s bedtime stories and hits upon the idea of self-building an affordable home. She finds an architect who provides her with plans and is offered land by Peggy (Harriet Walter), a woman she cleans for. Aido (Conleth Hill), a building contractor, appears willing to help, too. In order to do so, she must escape the grip of a possessive ex-partner, circumnavigate a broken housing system, and bring together a community of friends who can support her and lend a helping hand. But as her past rears its head in the form of Gary (Ian Lloyd Anderson), her possessive ex, and as bureaucrats fight back against her independent spirit, will Sandra be able to rebuild her life from the ground up? Director Phyllida Lloyd (The Iron Lady, Mama Mia!) joins us to talk about her beautifully rendered story about a young woman who refuses to give up on her girls, her her life and her dreams.
About the filmmaker – Director Phyllida Lloyd studied English and drama at Birmingham University and is now widely known for her award-winning work in theatre, opera and film. Her opera credits include La Bohème, Albert Herring, Carmen and Peter Grimes for Opera North, The Carmelites for English National Opera and Welsh National Opera, The Handmaid’s Tale for Royal Danish Opera and ENO, the Ring cycle and a staged production of Verdi’s Requiem for ENO, Macbeth for Paris Opéra and an award-winning film of Gloriana for BBC2. Her theatre and musical credits include Josephine and I (Bush Theatre/Public Theatre, New York), Mary Stuart (Donmar Warehouse, West End and Broadway; winner of a 2006 South Bank Show Theatre Award), Six Degrees of Separation and Wild East (Royal Court), Henry IV and Julius Caesar (Donmar Warehouse/St Ann’s Warehouse), Pericles, The Duchess of Malfi, What the Butler Saw, The Way of the World and The Prime of Miss Jean Brodie (National Theatre), The Virtuoso and Artists and Admirers (Royal Shakespeare Company) and the global musical hit Mamma Mia!. Lloyd directed the film of Mamma Mia! in 2008, which went on to make over $600 million worldwide. She also directed The Iron Lady in 2011, which went on to win a Best Actress Oscar for its star, Meryl Streep, as well as grossing over $100 million at the box office.
“A stunning, taut performance from actor and co-writer Dunne cuts through a flurry of clumsy good intentions to convince. The film is at its most powerful when it rests on her traumatised face.” – Fionnuala Halligan, Screen International
“With her elegant, restrained and quietly devastating performance as a headstrong yet financially struggling single-mother of two young girls, Clare Dunne is a revelation [in Herself].” – Tomris Laffly, RogerEbert.com
“If there is a lot of “happy coincidence” driving the plot, Dunne gets away with it by constructing this tale of female resilience and community from the ground up, through well-observed moments between mother and daughters.” – Amber Wilkinson, Times (UK)
Heaven’s Gate: The Cult of Cults is a thorough examination of the infamous UFO cult through the eyes of its former members and loved ones. What started in 1975 with the disappearance of 20 people from a small town in Oregon, ended in 1997 with the largest suicide on US soil and changed the face of modern New Age religion forever. This HBO Max four-part docu-series uses never-before-seen footage and first-person accounts to explore the infamous UFO cult that shocked the nation with their out-of-this-world beliefs. Director and Producer Clay Tweel joins us for a rollicking conversation on one of the most sensational and compelling collection of intelligent, engaging, and spiritually inspired people to ever embrace a collection of beliefs, brought to them by former minister and natal nurse, that eventually led them to hitch a ride on an undetectable space ship heading for parts unknown.
In the beginning… The son of a Presbyterian minister and a former soldier, Marshall Applewhite began his foray into biblical prophecy in the early 1970s. After being fired from the University of St. Thomas in Houston, Texas over an alleged relationship with one of his male students, he met Bonnie Nettles, a 44-year-old married nurse with an interest in theosophy and biblical prophecy, in March 1972. According to Applewhite’s writings, the two met in a hospital where she worked while he was visiting a sick friend there. It has been rumored that it was a psychiatric hospital, but Nettles was substituting for another nurse working with premature babies in the nursery. Applewhite later recalled that he felt as though he had known Nettles for a long time and concluded that they had met in a past life. She told him their meeting had been foretold to her by extraterrestrials, persuading him that he had a divine assignment. – (from Wikipedia)
About the filmmaker – Clay Tweel is a native Virginian living in Los Angeles, California. Clay is a documentary director/producer/editor with a passion for telling great character based stories. His works include Make Believe, Print the Legend, Finders Keepers, Out of Omaha and Gleason – the last of which was shortlisted for an Academy Award and named one of the 5 best documentaries of 2016 by the National Board of Review. His features have been distributed by Showtime, Netflix, and Amazon Studios while working closely with companies that include Open Road, The Orchard and Exhibit A. Most recently, Clay executive produced and directed all six episodes of The Innocent Man, a true crime doc series for Netflix based on John Grisham’s only non fiction book. He is currently directing a feature documentary and producing numerous projects under his banner Parkside Films. claytweel.com
About the filmmaker – Shannon Riggs is a producer with a diverse background in film spanning multiple genres and scales. Alongside award winning director Clay Tweel, she produced the Netflix 6 part docu-series, The Innocent Man, and the Academy Award shortlisted documentary Gleason. Recently Shannon produced The Smartest Kids In the World based on Amanda Ripley’s New York Times bestseller, which premiered at DOC NYC in 2018 and was directed by Sundance Grand Jury Prize winner, Tracy Droz Tragos. Shannon was a Sundance Fellow and participant in their 2015 Female Filmmaker Initiative. She is also honored to be a member of Women in Film and actively mentors young filmmakers through various industry programs. She is currently producing a feature documentary and numerous projects under her banner Parkside Films with co-founder and director Clay Tweel.
86% on Rotten Tomatoes
“Heaven’s Gate: Cult of Cults is a thoughtful assessment of the mechanisms of how otherwise smart, savvy people are attracted to fringe beliefs. It takes a story that is larger than life and brings it solidly back to earth.” – Ashlie D. Stevens, Salon.com
ASSASSINS documents the bizarre, international plot, ripped from the headlines story of Kim Jong-nam—the half-brother of North Korea’s leader Kim Jong-un assassination in the bustling departures hub of Malaysia’s international airport. The spectacularly brazen murder happened in broad daylight, filmed entirely by security cameras. Footage showed two young women approaching Jong-nam from behind, covering his eyes with their hands, and pressing VX—the most lethal nerve gas on earth—into his eyes. He stumbled away and was dead within an hour. But if the murder was extreme, the story behind what came next was even more bizarre: The two women who killed Jong-nam claimed they had simply been hired to pull a video prank and had no idea what they were really doing. The Malaysian government scoffed, arrested and imprisoned the women and put them on trial for murder, facing execution. But was their outlandish story actually the truth? And would anyone believe them? ASSASSINS the latest film from director Ryan White (Ask Dr. Ruth, The Case Against 8), travels from the sanctums of Pyongyang to the rice fields of Indonesia and Vietnam to the courtrooms of Kuala Lumpur to tell an extraordinary tale of manipulation and subterfuge in the age of social media. A masterful investigation that offers an unprecedented look at the real story of Kim Jong-nam’s murder, ASSASSINS Director Ryan White stops by to discuss the wildly improbable tale of a calculating dictator, a nefarious plot, a very public murder, and two women fighting for their lives.
100% on Rotten Tomatoes
“It’s a Kafka-esque and sometimes darkly comic tale of deception and exploitation that makes for a smartly assembled and eminently topical film that arrives at a crucial juncture in world affairs…” – Justin Lowe, Hollywood Reporter
“Director Ryan White masterfully breaks down the complex mechanics of North Korean politics and the Malaysian justice system in a fascinating thriller.” – Ian Thomas Malone
Tandem Pictures is a leader in conceiving and implementing eco-sustainable filmmaking practices in the indie film space, with all of their productions following Environmental Media Association standards and the Producers Guild’s Green Best Practices. They’re also an advocate for how these practices – from using hybrid vehicles on set, to having the sound and camera teams use rechargeable batteries, to composting and using metal straws – can and should be adopted industry-wide. Female owned and operated, it is Tandem’s mission is to bring female talent and narratives to the forefront. They embrace female-centric storytelling, and pride themselves on the fact that the casts and crews of their films are composed of underserved and underrepresented minority groups, LGBTQIA, and women. tandempictures.com
ABOUT TANDEM PICTURES Since 2010, TANDEM PICTURES has elevated and given a platform to misrepresented and underrepresented ideas. We are filmmakers, driven by justice and representation for both people and the planet. We strive to not only tell stories, but to share learnings with the industry in order to grow positive filming practices across our community. Past films include acclaimed festival films THE SURROGATE, BLOODSTRIPE, THE EYES OF MY MOTHER, THE SLEEPWALKER, WILDLIKE, GHOST TEAM and more. tandempictures.com
JULIE CHRISTEAS – Tandem Pictures – Founder, Chief Executive Officer Julie’s recent films include BLACK BEAR (Sundance 2020) starring Aubrey Plaza, Christopher Abbott and Sarah Gadon which will be released later this year by eOne/Momentum and THE SURROGATE (SXSW 2020/Monument Releasing) . She also executive produced the cult horror favorite THE EYES OF MY MOTHER (Sundance 2016/Magnet Releasing), MONOGAMY (Best NY Narrative, Tribeca Film Festival 2010), the feature doc DUKALE’S DREAM starring Hugh Jackman, and GHOST TEAM starring Jon Heder, David Krumholtz, Justin Long, Amy Sedaris and Melonie Diaz. Previously she produced BLOOD STRIPE (Jury Prize for Best Narrative Film, LA Film Festival 2016), WILDLIKE starring Bruce Greenwood and Brian Geraghty (HIFF), and THE SLEEPWALKER starring Christopher Abbott and Brady Corbet (Sundance 2014/IFC).
JONATHAN BLITSTEIN – Tandem Pictures – Co-owner, Chief Operating Officer Jonathan’s most recently produced the acclaimed films THE SURROGATE, and BLACK BEAR (SUNDANCE, EOne/Universal release) starring Aubrey Plaza. Prior to Tandem he worked in production and branded entertainment for Vudu, Sony and Disney, supporting Fortune 500 Brands such as Walmart, Sprint and Covergirl. At Oracle (formerly CrowdTwist), he initiated the creation of Marvel Studios’ first nationwide fan loyalty program Marvel Insider. In his early career, he made two micro-budget feature films LET THEM CHIRP AWHILE and ANOTHER KIND which both premiered at the Woodstock Film Festival which were distributed on Netflix and VOD. Early career roles include marketing arthouse films such as Park Chan Wook’s OLD BOY, and Noah Baumbach’s SQUID AND THE WHALE.
If future generations look back at what it was truly like to be both human and alive in the late 20th century, they will be hard put to find a more powerful and enlightening testament than the songs of Shane McGowan. In a world where music has become increasingly sanitized and unable to venture beneath the surface clichés of human emotion, Shane’s songs stand out in ever greater relief. A cinematic exploration of Shane MacGowan’s story, Julien Temple’s film CROCK OF GOLD details Shane’s explosive existence, from his salad days, growing up in Ireland, to time spent on the mean streets of London and embracing the punk scene. To forming the Pogues and the conquering the known universe, we discover MacGowan’s passions, his humor and deep knowledge of music, history, spirituality & popular culture. For this is Shane’s story. A vision of the world through the eyes of the great punk poet himself and an intimate cast of close friends and family members, all channeled through director Julien Temple’s inimitable and eternally vibrant lens. Director Julien Temple joins us for an enlightening conversation on MacGowan’s unusual childhood living on a farm without electricity, his collaboration with Johnny Depp and his respect and admiration for an artist that has stay faithful to his love of music and his country, no matter the cost.
Director’s Statement – In a world where music has become increasingly sanitized and unable to venture beneath the surface clichés of human emotion, none has bared their soul like Shane McGowan. His unique ability to plumb the dark recesses of the human soul, while in the very same breath celebrating its capacity to find healing transcendence, in both love and the sublime mysteries of existence, goes a long way to making sense of who we actually are. His work is raw, unflinching and unashamed, reflecting all the many places Shane inhabits – the invisible world, hedonism, alcoholism, God, redemption and romance, in all their respective grit and glory. And so, here, via the inventions of the Pogues and the Popes, via the hits, the flops, the fallouts of fame. Via the triumphs and the disasters. Via the love, the hate. Via the bodily abuse and miraculous survival against the odds. And above all else, via the songs… Shane’s incomparable songs, we join Shane, in this film, in his never-ending search for that elusive ‘Crock of Gold’… – Julien Temple
About the filmmaker – Julien Temple became established as one of the early pioneers of music videos, directing such diverse talents as; Rolling Stones, Sex Pistols, David Bowie, Kinks, Neil Young, Tom Petty, Janet Jackson, Jimi Hendrix, Pete Doherty and many more. He has directed feature films including the musicals ‘Absolute Beginners’ and ‘Earth Girls Are Easy’. Other directing credits ‘Pandaemonium’, selected as the Gala film at the Toronto Film Festival 2000 and winner of the Evening Standard best British actor award for Linus Roache. Temple’s feature documentary about the Sex Pistols ‘The Filth & The Fury’ screened in official selection at both the Sundance and Berlin Film Festivals 2001. In 2005 he directed ‘Glastonbury’, a vivid chronicle of the past thirty years of the music festival. ‘The Future Is Unwritten’, a film to celebrate the life of Joe Strummer, premiered at Sundance in 2007. His recent films include ‘Oil City Confidential’ a documentary about the forgotten precursors of punk, Dr. Feelgood, which won the main prize at the 2009 Turin Film Festival, ‘Imaginary Man’ a film about songwriter Ray Davies for BBC One Imagine and ‘Kinkdom Come’ about his brother Day Davies. Temple’s feature documentary ‘Requiem For Detroit’ won a Grierson Award for Best Historical Documentary 2010. He is currently working with producer Jeremy Thomas to develop ‘You Really Got Me – The Kinks’, the story of Ray and Dave Davies, the brilliant love hate sibling creative force behind the legendary band.
95% on Rotten Tomatoes
“Crock of Gold” isn’t intended as a lament for an artist derailed by his worst impulses, though. Instead, it’s a celebration of what MacGowan accomplished at his peak, as well as an explanation of the experiences that informed his music. – Noel Murray, Los Angeles Times
“Bold and crass, insightful and fascinating. Director Julien Temple makes clear that this is a complex artist, with a multi-faceted personality, who has changed greatly over the years.” – Deirdre Molumby, entertainment.ie
“The director Julien Temple – who has excellent documentaries on the Sex Pistols, Joe Strummer and other galvanic musicians under his belt – is very good at this sort of thing.” – Glenn Kenny, New York Times
A CRIME ON THE BAYOU is the third film in director Nancy Buirski’s trilogy profiling brave individuals who fought for justice in and around the Civil Rights era, following The Loving Story and The Rape of Recy Taylor. The story begins in 1966 in Plaquemines Parish, a swampy strip of land south of New Orleans. After months of clashes, the public schools have been integrated by court order. But we are in the land of the white separatist despot, Leander Perez, who rules Plaquemines like his fiefdom, making sure that segregation sticks regardless of federal laws desegregating schools and mandating voting rights. A 19-year old Black fisherman, Gary Duncan, tries to break up a fight between white and Black teenagers outside a newly integrated school. He lays his hand on a white boy’s arm and the boy recoils, as if bitten by snake. That night, police arrest Gary Duncan for assault on a minor. With the help of a young attorney, Richard Sobol, Duncan bravely stands up to Perez. Systemic racism and pervasive anti-Semitism meet their match in decisive courtroom battles, including the U.S. Supreme Court; hate is vanquished by a powerful friendship that will last a lifetime. With the rise of white nationalism in the U.S. and abroad, there is no more important story to tell today. The roots and the mechanics of hate groups are in full display in this dramatic story of a crime on the bayou. Together this trilogy demonstrates that regular people standing up for their values are the root of human progress. Mildred Loving, Recy Taylor and Gary Duncan did not set out to change history. But they remind us that anyone can. A CRIME ON THE BAYOU Executive Producer is John Legend. Director Nancy Buirski joins us to talk about the her searing indictment of the systemic racism that is responsible for the hideously unjust incarceration of Gary Duncan and thousands of others as well as how it continues to this day.
“You must also study and learn the lessons of history because humanity has been involved in this soul-wrenching, existential struggle for a very long time.” – Civil Rights leader and colleague of Martin Luther King Jr., friend John Lewis
About the filmmakers – Nancy Buirski is Director/Producer/Writer of THE RAPE OF RECY TAYLOR (2017); World Premiere, Venice Film Festival; North American Premiere, New York Film Festival. Awarded the prestigious Human Rights Nights Special Prize for Human Rights at the 74° Venice Biennale. Nominated for the NAACP Image Award and Peabody Award. TV broadcast on STARZ/HULU. Buirski is Director/Producer/Writer of BY SIDNEY LUMET (2015; American Masters); World Premiere at Cannes Film Festival. She is Director/Producer/Writer of AFTERNOON OF A FAUN (2013; American Masters); World Premiere, New York Film Festival, International Premiere, 64th Berlinale, record-breaking U.S Theatrical release with Kino Lorber. She is Director/Producer/Writer of the Oscar shortlisted, Peabody and Emmy Award-winning THE LOVING STORY (2011; HBO) and a Producer of LOVING by Jeff Nichols. Buirski will direct TANNY, a narrative version of AFTERNOON OF A FAUN and ENDANGERED, an animated feature based on award-winning novel of the same name by Eliot Schrefer.
Octogenarian artist Audrey Flack has always been a trailblazer. QUEEN OF HEARTS: AUDREY FLACK, a documentary from Oscar® and Emmy® Award-winning director Deborah Shaffer (The Wobblies, To Be Heard) and co-director/editor Rachel Reichman (Hitchcock/Truffaut, A Letter to Elia), is an intimate portrait of her life and work, as she returns to her canvas for the first time in decades, revealing her longtime struggles as an artist and mother to find her rightful place in the art world. At 88 years-old, Audrey Flack holds a unique place in the history of contemporary art in America. Feminist, rebel, mother, painter, sculptor and teacher, Audrey’s often controversial 40-year career evolved from abstract expressionism in the 1950s to photorealism in the 1970s. One of the first women ever included in the famed Janson’s History of Art, Audrey continues to create, explore, and inspire with her unique style and indomitable spirit. QUEEN OF HEARTS follows Flack as she takes her work in a brand new direction and reveals her long-term struggles as the mother of a child with autism. Flack has something deep and genuine to communicate to the world. Director Deborah Shaffer joins us for a conversation on getting to know her endlessly fascinating, multi-talented subject who is still testing, still experimenting, still searching.
About the filmmaker – Academy Award winning filmmaker Deborah Shaffer began making social issue documentaries as a member of the Newsreel collective the ‘70’s. She co-founded Pandora Films, one of the first women’s film companies, which produced several shorts. Her first feature documentary, The Wobblies, premiered at the New York Film Festival in 1979. During the 80’s Shaffer focused on human rights in Central America and Latin America, directing many films including Witness to War: Dr. Charlie Clements which won the Academy Award for Short Documentary in 1985, and Fire From the Mountain and Dance of Hope which both played at the Sundance Film Festival. Shaffer directed one of the first post-September 11 films, From the Ashes: 10 Artists followed by From the Ashes: Epilogue, which premiered at the Sundance and Tribeca Film Festivals. She is also the Executive Producer of the Academy Award-nominated short Asylum, and has directed numerous acclaimed public television programs on women and the arts. She directed and produced To Be Heard, which won awards at numerous festivals and aired nationwide on PBS. She has been awarded a Guggenheim Fellowship, and the Irene Diamond Lifetime Achievement Award by the Human Rights Watch Film Festival.
“a thoroughly engaging documentary portrait of an artist…[and] the perfect introduction to its subject, comprehensive in its detail and captivating in its approach.” – Christopher Reed, Hammer to Nail
“…what’s refreshing about Deborah Shaffer and Rachel Reichman’s look is how intimate and personal it feels, grounding a remarkable woman in a very personable and extraordinary light.”-Tynan Yanaga, Film Inquiry
“…she has been an incredible photorealist, armed with a convincing spray brush. Now, the artist finally gets her due in this documentary about her life.” – Nadja Sayej, Forbes
Oscar winning Director Ron Howard’s gripping new documentary. Rebuilding Paradise, movingly recounts and expands on the devastating events of Nov. 8, 2018. A tragedy that began with a spark from a transmission line in Northern California, coupled with climate-impacted conditions, quickly grew into a devastating firestorm that engulfed the picturesque city of Paradise, California. By the time the Camp Fire was extinguished, it had killed 85 people, displaced 50,000 residents and destroyed 95% of local structures. It was the deadliest U.S. fire in 100 years — and the worst ever in California’s history. As residents faced the damage to their lives, to their homes and to more than 150,000 acres in and around their 141-year-old town, they did something amazing: They worked together to heal. The community members went on to forge a bond stronger than what they had before the catastrophe, even as their hope and spirit were challenged by continued adversity: relocations, financial crises, government hurdles, water poisoning, grief and PTSD. From the moment the crisis began, The Camp Fire and its overwhelming aftermath became a de facto lesson in what we all must do: protect our environment, help our neighbors, plan for future dangers and remember to preserve the traditions that unite us — just as these resilient citizens did when they began the important task of REBUILDING PARADISE. Producer Sara Bernstein joins us for a conversation on how the production team, led by Oscar-winning director Ron Howard gained the confidence and trust of families scarred by one of the most devastating fires in California as well as documenting the resiliency and character of the people rebuilding Paradise.
About the filmmaker – Sara Bernstein is an award-winning producer and Executive Vice President at Imagine Documentaries the newly launched documentary division of Ron Howard and Brian Grazer’s, Imagine Entertainment. Recent feature films she has executive produced include Once Were Brothers: Robbie Robertson and the Band (2019) and Dads (2019) which premiered at the Toronto International Film Festival. The Ron Howard-directed documentary film, Rebuilding Paradise (2020), for National Geographic Films, D.Wade: Life Unexpected (2020) for ESPN Films and the documentary feature film on legendary chef Julia Child, Julia (2021) directed by Academy Award nominees Julie Cohen and Betsy West. Prior to joining Imagine, Bernstein was Senior Vice President, HBO Documentary Films over seeing nonfiction development and production for HBO. Credits include Academy Award-winner Citizenfour (2014), Academy Award-winner Music by Prudence (2010), Academy Award nominees Burma VJ: Reporting from a Closed Country (2008), Iraq In Fragments (2006), The Children of Leningradsky (2005), Poster Girl (2010). Emmy-nominated The Inventor: Out for Blood in Silicon Valley (2019), Emmy-nominated The Case Against Adnan Syed (2019), Judd Apatow’s Emmy-winning The Zen Diaries of Garry Shandling (2018), Emmy winners Going Clear: Scientology and the Prison of Belief (2015), White Light, Black Rain: The Destruction of Hiroshima and Nagasaki (2007) and Mea Maxima Culpa: Silence in the House of God (2012). Emmy-nominated The Case Against 8 (2014), Mapplethorpe: Look At The Pictures (2016), Chris Hegedus & D.A. Pennebaker’s Emmy-nominated Unlocking The Cage (2016); Beware the Slenderman (2016), I Love You Now Die (2019) and Mommy Dead and Dearest (2017). Bernstein has garnered 10 Emmy wins, 29 Emmy nominations and 11 Peabody Awards. Documentaries she has supervised have garnered 2 Oscars and 13 Oscar nominations.
92% on Rotten Tomatoes
“Mr. Howard wants us to know that greater challenges lie ahead… Yet his documentary also dramatizes the resilience and resourcefulness we can bring to bear in meeting them. Calamity, the film says, isn’t destiny.” – Joe Morgenstern, Wall Street Journal
From Kim A. Snyder, director of the Peabody Award-winning documentary Newtown, comes Us Kids, an insightful, rousing coming-of-age story of a generation of youth leaders determined to take the reins and fight for justice at a most critical time in our nation’s history. Sparked by the plague of gun violence ravaging their schools, Us Kids, chronicles the March For Our Lives movement from the point of view of Emma González, David Hogg, Samantha Fuentes and the expansive coalition of teenage activists involved over the course of several years as they pull off the largest youth protest in American history and set out across the country to build an inclusive and unprecedented youth movement that addresses racial justice, a growing public health crisis, and shocks a political system into change. Director Kim A. Snyder joins us for a conversation on the historic progress made by the reluctant activists who dramatically change the perception that young people should “wait there turn” in terms of affecting the course of politics in America and the world.
Get Involved – US KIDS is kicking off its launch with the just-announced Vote With Us Virtual Rally, a national GOTV campaign with the focus to educate, motivate & mobilize young people and communities of color to vote early. The event will take place on Saturday, October 24, at 3 p.m. ET/Noon PT, streaming at www.votewith.us and simulcast across YouTube and more. Ahead of its theatrical release on October 30, never-before-seen clips from the film will be shown throughout the rally, alongside performances, appearances and support by the film’s subjects, Lisa Bonet, Sherry Cola, Common, Andra Day, Candice Dupree, Emma González, David Hogg, Vic Mensa, Renee Montgomery, Mark Ruffalo, and Bria Smith.
About the filmmaker – Kim Snyder’s most recent feature documentary, Us Kids premiered in the U.S. Documentary Competition at the 2020 Sundance competition. Prior, she directed the Peabody award-winning documentary Newtown, which premiered in the US Competition at the 2016 Sundance Film Festival. Newtown screened at premiere festivals worldwide and was theatrically released followed by a national broadcast on PBS’s Independent Lens and Netflix. Her most recent short, Lessons from a School Shooting: Notes from Dunblane, premiered at the 2018 Tribeca Film Festival and was awarded Best Documentary Short followed by the DocDispatch Award at the 2018 Sheffield DocFest and a Grierson Award nomination. Lessons… is a Netflix Original and is streaming in 196 countries. Snyder’s prior works include the feature documentary, Welcome to Shelbyville, nationally broadcast on PBS’s Independent Lens in 2011, and over a dozen short documentaries. Kim’s award-winning directorial debut feature documentary, I Remember Me was theatrically distributed by Zeitgeist Films. In 1994, she associate-produced the Academy Award-winning short film Trevor. Kim graduated with a Masters in International Affairs from the Johns Hopkins School of Advanced International Studies and resides in New York City.
“A potent testimony to the impact of citizen protest” – Dennis Harvey, VARIETY
“A galvanizing reminder that change is only possible if we believe in it.” – David Ehrlich, INDIEWIRE
“A timely picture that chronicles this movement with the emotional gut punch and importance it requires” – John Fink, The Film Stage
“A compassionate portrait, eager to let its subjects speak for themselves.” Hollywood Reporter
Fox Rich is a fighter. The entrepreneur, abolitionist and mother of six boys has spent the last two decades campaigning for the release of her husband, Rob G. Rich, who is serving a 60-year sentence for a robbery they both committed in the early 90’s in a moment of desperation. Combining the video diaries Fox has recorded for Rob over the years with intimate glimpses of her present-day life, TIME director Garrett Bradley paints a mesmerizing portrait of the resilience and radical love necessary to prevail over the endless separations of the country’s prison-industrial complex. Bradley won the U.S. Documentary Directing Award at this year’s Sundance Film Festival, and is the first Black woman to be awarded the prize with TIME, her documentary feature debut. Director and producer Garrett Bradley joins us to talk about her beautifully rendered look into the most intimate moments of a determined matriarch and a family grappling with a life lived under the relentless cloud of uncertainty.
TIME will open in select theaters on October 9 ahead of its global launch on Amazon Prime Video on October 16.
About the filmmaker – Garrett Bradley works across narrative, documentary, and experimental modes of filmmaking to address themes such as race, class, familial relationships, social justice, southern culture, and the history of film in the United States. Bradley has received numerous prizes which include the 2019 Prix de Rome, and the 2017 Sundance Jury Prize for the short film “Alone,” which was released by The New York Times OpDocs And became an Oscar Contender for short nonfiction filmmaking, included in Academy Shortlist. Bradleys work can be seen across a variety of spaces including her Second Unit Directing work on Ava DuVernays “When They See Us” and the 2019 Whitney Biennial. In December of this 2019, Bradley’s first solo exhibition opened at The Contemporary Arts Museum Houston (CAMH), curated by Rebecca Matalon. In January of 2020, Bradley became the first Black American woman to receive Best Director at the 2020 Sundance Film festival for her first feature length documentary, “Time.” For more go to: garrettabradley.com
Sundance 2020 – Directing Award: U.S. Documentary
The Center for Documentary Studies Filmmaker Award
Full Frame Documentary Film Festival 2020 – The Charles E. Guggenheim Emerging Artist Award
“A vibrant cubist portrait, alive with shadings of Rich’s vulnerability and the psychic bruises from dealing with an indifferent correctional system, expensive lawyers and unresponsive courts.” – Sheri Linden, Hollywood Reporter
“It’s an enormous achievement to crystallize two decades of both fighting and loving in 81 minutes, as Bradley never takes Rich’s voice away to patronize or preach to the viewer about what we should care about.” – Ella Kemp, WeLoveCinema
BELLY OF THE BEAST shines a white hot spotlight on the pastoral farmlands surrounding the Central California Women’s Facility (CCWF), the world’s largest women’s prison. For decades CCWF concealed the reproductive and human rights violations transpiring inside its walls. A courageous woman, Kelli Dillon, who was involuntarily sterilized at the CCWF, teams up with a radical lawyer, Cynthia Chandler, to stop these violations. Together they spearhead investigations that uncover a series of statewide crimes, primarily targeting women of color, from inadequate access to healthcare to sexual assault to illegal sterilization. With a team of tenacious heroines, both in and out of prison, they take to the courtroom to fight for reparations. But no one believes them. As additional damning evidence is uncovered by the Center for Investigative Reporting, a media frenzy and series of hearings provide hope for some semblance of justice. Yet, doctors and prison officials contend that the procedures were in each person’s best interest and of an overall social benefit. Invoking the weight of the historic stain and legacy of eugenics, BELLY OF THE BEAST presents a decade long, infuriating contemporary legal drama. Director Erika Cohn (The Judge, When the Voices Fade) joins us for a conversation about her incredible tale that chronicles the rampant abuse of incarcerated women, being coerced by a prison-based culture of medical personnel actively subverting their basic human rights.
About the filmmaker – Director Erika Cohn is a Peabody and Emmy Award-winning director/producer who Variety recognized as one of 2017’s top documentary filmmakers to watch and was featured in DOC NYC’s 2019 “40 Under 40.” Most recently, Erika completed The Judge, a Peabody Award-winning and Emmy-nominated film about the first woman judge appointed to the Middle East’s Shari’a courts, which premiered at the 2017 Toronto International Film Festival and was broadcast on PBS’ 2018 Independent Lens series. Erika co-directed/produced, In Football We Trust, an Emmy award-winning, feature documentary about young Pacific Islander men pursuing their dreams of playing professional football, which premiered at the 2015 Sundance Film Festival and was broadcast on PBS’ 2016 “Independent Lens” series. She has received numerous accolades for her work, including a Director’s Guild of America award for her fiction short film, When the Voices Fade. Erika grew up attending the Sundance Film Festival as a native Utahn, where she first began her career and later studied at Chapman University (California) and Hebrew University (Jerusalem) where she received degrees in Film Production, Middle East Studies, and Acting Performance. In 2013, Erika founded Idle Wild Films, Inc., which has released three feature documentaries and produced numerous branded content and commercial spots, including Gatorade’s “Win from Within” series, for which she received a 2016 Webby award nomination. Belly of the Beast is her third feature-length documentary. For more about Erika Cohn go to: idlewildfilmsinc.com
DRIVING WHILE BLACK: RACE, SPACE AND MOBILITY IN AMERICA is a ground-breaking, two-hour documentary film by acclaimed historian Dr. Gretchen Sorin and Emmy–winning director Ric Burns. Chronicling the riveting history and personal experiences – at once liberating and challenging, harrowing and inspiring, deeply revealing and profoundly transforming – of African Americans on the road from the advent of the automobile through the seismic changes of the 1960s and beyond – DRIVING WHILE BLACK explores the deep background of a recent phrase rooted in realities that have been an indelible part of the African American experience for hundreds of years – told in large part through the stories of the men, women and children who lived through it. The documentary draws upon the wealth of recent scholarship – and based on and inspired in large part by Gretchen Sorin’s recently published study of the way the automobile and highways transformed African American life across the 20th century – the film examines the history of African Americans on the road from the depths of the Depression to the height of the Civil Rights movement and beyond, exploring along the way the deeply embedded dynamics of race, space and mobility in America during one of the most turbulent and transformative periods in American history. Co-directors Gretchen Sorin and Ric Burns join us to talk about the crippling impact of systemic racism and the continuing stain of America’s original sin.
About the filmmaker – Gretchen Sullivan Sorin, Project Director & Senior Historical Advisor Dr. Gretchen Sullivan Sorin is Distinguished Professor and Director of the Cooperstown Graduate Program. Her dissertation and upcoming book form the basis of the scholarship for this project. Her research explores the role that the automobile played in the lives of African Americans during the Jim Crow era, the way that African Americans expressed middle class American values through car ownership, and how cars helped change deeply entrenched racial etiquette. Sorin received her Ph.D. in history from the University at Albany in 2009. For more on the work of Dr. Gretchen Sorin go to gpmuseumstudies.org
About the filmmaker – Ric Burns is an internationally recognized documentary filmmaker and writer, best known for his eight-part, seventeen and a half hour series, New York: A Documentary Film, which premiered nationally on PBS to wide public and critical acclaim when broadcast in November 1999, September 2001, and September 2003. Burns has been writing, directing and producing historical documentaries for over 25 years, since his collaboration on the PBS series The Civil War, (1990), which he produced with his brother Ken and co-wrote with Geoffrey C. Ward. Since founding Steeplechase Films in 1989, he has directed some of the most distinguished programs for PBS including Coney Island (1991), The Donner Party (1992), The Way West (1995), Ansel Adams (2002), Eugene O’Neill, Andy Warhol (2006), We Shall Remain: Tecumseh’s Vision (2009), Into the Deep: America, Whaling & the World (2010), Death and the Civil War (2012), American Ballet Theatre (2015), Debt of Honor (2015), The Pilgrims (2015), VA: The Human Cost of War (2017), and The Chinese Exclusion Act (2018). His work has won numerous film and television awards including six Emmy Awards, two George Foster Peabody Awards, two Alfred I. DuPont-Columbia University Awards, three Writer’s Guild of America Awards for Outstanding Individual Achievement in a Craft: Writing; the Eric Barnouw Award of the Organization of American Historians, and the D.W. Griffith Award of the National Board of Review. Find out more about Ric Burns and Steeple Chaase Films at: ricburns.com And dwbfilm.com
With his trumpet he turned the Tijuana Brass into gold, earning 15 gold and 14 platinum records; He has won nine Grammys Awards between 1966 and 2014, and received the National Medal of Arts from President Barack Obama in 2012. Herb co-founded the indie label, A & M Records with his business partner, Jerry Moss, which recorded artists as varied as Carole King, Cat Stevens, The Carpenters, Janet Jackson, Peter Frampton, Joe Cocker, Quincy Jones, Sergio Mendes, and The Police. A&M would go on to become one of the most successful independent labels in history. He has shown his striking work as an abstract painter and sculptor, worldwide. And through the Herb Alpert Foundation, he has given significant philanthropic support of educational programs in the arts nationwide, from the Harlem School of the Arts and Los Angeles City College to CalArts and UCLA. John Scheinfeld’s documentary Herb Alpert is… profiles the artist, now 85, mostly from the perspective of colleagues like Questlove, Paul Williams, Sting, and Bill Moyers. In their words, the shy, unassuming trumpeter is a musical, artistic and philanthropic heavyweight. Director John Scheinfeld stops by to talk about many facets of Alpert’s personal and public life that make him the compelling and warm-hearted person he is.
About the filmmaker – John Scheinfeld – From pop culture to politics, sports to world religions, Venice and Toronto film festivals to PBS, Emmy®, Grammy® and Writers Guild Award nominee John Scheinfeld is a critically acclaimed documentary filmmaker with a broad range of subjects and productions to his credit. In addition to directing, writing and producing Herb Alpert Is…, Scheinfeld is in post-production on a primetime documentary special about comedy legend Garry Marshall that will air on ABC in the Spring of 2020. Another Scheinfeld feature documentary, Sergio Mendes: In The Key of Joy, had its World Premiere at the Santa Barbara International Film Festival in January 2020 and will be released worldwide on multiple media platforms later in the year. Previously, his feature documentary, Chasing Trane: The John Coltrane Documentary, was an official selection of the Telluride Film Festival and the Toronto International Film Festival before playing on 175 theater screens worldwide during the spring of 2017. In November 2017 it was the season premiere of Independent Lens, the largest showcase for independent documentary film on television. Scheinfeld is best known for two widely acclaimed feature documentaries: The U.S. vs. John Lennon, which tells the true story of the US government’s attempt to silence the beloved musician and iconic advocate for peace and Who Is Harry Nilsson (And Why Is Everybody Talkin’ About Him)?, a compelling yet wildly entertaining documentary about one of the most talented and uncompromising singer-songwriters in pop music history. For more on the work of John Scheinfeld go to: crewneckproductions.com
“The story of Herb Alpert is a lot more than a snappy greatest hits collection; it’s a deep dive into the agonies and ecstasies that drive profoundly creative people.” – Bill Newcott, The Saturday Evening Post
“This documentary is a joyous celebration of Herb Alpert’s life and career as it examines his roots not only as a musician but as a painter, sculptor, businessman and philanthropist.” – Charles Koplinski, Reel Talk with Chuck and Pam
In Central America, a caravan of migrants seeking a better life heads north to the United States, as narco-traffickers — part of the cause for the caravan — move drugs and money back and forth across the same border. From Academy Award-nominated director Sebastian Junger and Emmy-winning producer Nick Quested, BLOOD ON THE WALL explores the depths of corruption plaguing Mexico and Central America and the policies of the past that have made it impossible for everyday people to find justice. Filmed in 2018 and 2019, just as the caravans made international news, BLOOD ON THE WALL is both intimate and wide-ranging as it follows a 17-year-old journeying from Honduras, a mother and daughter and their family trying to make the life-threatening trek easier for their kids, and smugglers and traffickers who reveal what set them on their own path. Using the same on-the-ground journalism and granular point of view that co-directors Sebastian Junger and Nick Quested used in Hell on Earth: The Fall of Syria and the Rise of ISIS, Korengal, and the Oscar-nominated Restrepo, BLOOD ON THE WALL brings the humanity of the migrants to the forefront and untangles how politics, the drug trade, violence, and the desire for safety result in unbelievable anguish happening in plain sight. Co-director Nick Quested joins us to talk about the extraordinarily violent and unstable circumstance these immigrants navigate and the palpable sense of cynical betrayal that the US and Mexico deploy against them.
About the filmmaker – Co-director Nick Quested is executive director and owner of Goldcrest Films, where he has built one of the premiere documentary brands in the world, winning two Emmys for his work. Quested has served as a producer on over 35 films, including Sebastian Junger’s The Last Patrol, Korengal, and the PGA- and twice Emmy-nominated Which Way Is the Front Line From Here?; the Oscar-nominated Restrepo; and National Geographic Doc Films’ duPont Award-winning Hell on Earth: The Fall of Syria and the Rise of ISIS. Quested is also an award-winning music video director, working with such artists as Dr. Dre, Nas, Puffy, Sting, Master P, Cash Money, and Trick Daddy. His credits include “Stretch and Bobbito: Radio That Changed Lives,” “Rubble Kings,” “Pussy Riot: A Punk Prayer,” “Smash and Grab: The Story of the Pink Panthers,” “Stolen Seas,” “The List,” “Tell Spring Not to Come This Year,” and “Doin’ It in the Park: Pick-Up Basketball, NYC.”
ALL IN: THE FIGHT FOR DEMOCRACY is a riveting examination of voter suppression in the United States of America. The film weaves rich archival storytelling with the personal experiences of experts, activists, and would-be voters deprived of their rights. Current activism as well as historical insight expose what corrupted our democracy from the moment it was founded. Every time we the people take a step toward a more just and equal nation — granting rights to the disenfranchised, from women’s suffrage to desegregation — new forces and obstacles emerge that require us to fight for the right to vote once again. Stacey Abrams, the former Minority Leader of the Georgia House of Representatives and the first female African-American major-party gubernatorial nominee, offers an insider’s look at the patchwork of laws and barriers designed to hinder voting. Many U.S citizens remain unaware of this dangerous threat to their basic right to wield their power and raise their voices at the polls.ALL IN: THE FIGHT FOR DEMOCRACY explores fundamental questions: Who gets to participate in our democracy, and who is pushed aside? How can we all fight back? Voting is the cog that makes the machinery of democracy work — and if the machinery breaks for some, it will eventually break for all. Co-directors Liz Garbus (Nothing Left Unsaid, I’lll Be Gone in the Dark, Lost Girls) and Lisa Cortes (The Apollo, The Remix: Hip Hop X Fashion, The Woodsman) join us to talk about how incredibly important voting rights are in determining the outcome of our elections and out quickly they can be taken away.
About the filmmaker – Liz Garbus is a two-time Academy Award®-Nominee, two-time Emmy Winner, Peabody Winner, Grammy Nominee, DGA Nominee, BAFTA-nominated director. LOST GIRLS (Netflix, 2020) is Garbus’ narrative feature debut, starring Amy Ryan, Gabriel Byrne, and Thomasin McKenzie. When Mari Gilbert’s daughter disappears, police inaction drives her own investigation into the gated Long Island community where Shannan was last seen. Her search brings attention to over a dozen murdered sex workers Mari will not let the world forget. LOST GIRLS will premiere at the 2020 Sundance Film Festival and then will be released in theaters and on Netflix.For more on the work of Liz Garbus go to: storysyndicate.com/work
About the filmmaker – Lisa Cortes Executive producer After graduating she went into the music business where she worked with Russell Simmons and Rick Rubin, the founders of Def Jam. Cortes then joined the staff at Mercury Records. After leaving the music industry, Cortes turned her interests to film. She enrolled at the School of Visual Arts in New York and later the New York Film Academy. A producer and close friend, Lee Daniels, was producing Monster’s Ball and Cortes and Daniels together subsequently collaborated on movies such as Woodsman (2004), Shadowboxer (2005), Tennessee (2008), and Precious (2009). Cortes founded her own company, Cortes Films in 2010. Cortes Films has produced two films Happy Birthday to a Beautiful Woman: a Portrait of My Mother, a film about Mickalene Thomas’ mother and her struggle with aging and kidney disease, and Kwaku Ananse a film about West African fables of Kwaku Ananse and a young woman named, Nyan Koronhwea, attending her estranged father’s funeral while trying to come to terms with her father’s double life.
100% on Rotten Tomatoes
“Voter suppression is broken down within an inch of its life with this informative, no holds barred documentary from Liz Garbus and Stacey Abrams. Our vote has never counted more and been more crucial. Don’t let you democracy be robbed!” – Carla Renata, The Curvy Film Critic
“Stacy Abrams’ urgent, powerful , and compelling documentary about voter rights and the attempt to suppress them could and should have a real world impact this election season.” – Pete Hammond, Deadline Hollywood Daily
BUOYANCY is the story of a Cambodian teenager sold into forced labor on a Thai fishing boat is a passionate testimony against social injustice and a moving coming-of-age tale about a boy whose humanity is put to the test. Spirited 14-year-old Chakra works the rice fields with his family. He yearns for independence and seeks out a local broker who can get him paid work in a Thai factory. Without telling his family, Chakra travels to Bangkok to make his fortune. But when he gets there, he and his new friend Kea realize the broker has lied to them. Along with other Cambodians and Burmese, they are sold to a fishing captain as slaves. Chakra and Kea are trapped at sea, trawling fish 22 hours a day, surviving on just a handful of cold rice a day. The captain quickly weeds out those weakened by the conditions or trying to escape, and throws them overboard. The trawler sells its catch and restocks its supplies without going to land, making escape impossible. Chakra looks to Rom Ran to understand what it will take to be free. With hope and humanity dwindling, Chakra decides to take matters into his own hands. Director Rodd Rathjen joins us to talk about shooting at sea, with a cast composed of mostly non-English speaking actor, making his first feature film.
Australia’s Official Oscar Submission
Ecumenical Jury Prize – Berlinale Panorama
“A terse minimalist thriller… supremely satisfying.” – Paul O’Callaghan, Sight & Sound
“A harrowing edge-of-your-seat adventure tale with social punch.” – Deborah Young, The Hollywood Reporter
“Taut and urgent.” – Jessica Kiang, Variety
“Powerful. A gripping debut.” – Paul Byrnes, Sydney Morning Herald
Bigamy. Identity theft. Fraud. For the last 20 years Richard Scott Smith has used the internet and his dubious charms to prey upon unsuspecting women in search of love — conning them out of their money and their dignity. But now his victims have banded together determined to seek sweet revenge. LOVE FRAUD is a 4-part limited documentary series that follows (in real time) a con-man who is on the loose and the dynamic women determined to put him behind bars. Oscar-nominated directors Heidi Ewing and Rachel Grady take viewers on a bizarre, engrossing ride through the twisted mind of a criminal and the chaos he leaves in his wake. LOVE FRAUD premiered at the 2020 Sundance Film Festival on Day One, marking the first time an episodic series was programmed on opening day in festival history. Co-directors Heidi Ewing and Rachel Grady join us for a conversation on the determination of the women who refused to be victimize by a sociopathic abuser and helped bring about some measure of justice, despite the collective ambivalence of several law enforcement agencies across multiple local and state jurisdictions.
RACHEL GRADY – DIRECTOR, EXECUTIVE PRODUCER – Co-owner of New York’s Loki Films, Grady is the co-director of “Jesus Camp” (Oscar nominee), “The Boys of Baraka” (Emmy nominee) 12th & Delaware (Peabody winner) and DETROPIA (Sundance and Emmy winner). Most recently Grady co-directed “Norman Lear: Just Another Version of You,” which premiered as the opening night film at the 2016 Sundance Film Festival. The film opened theatrically in July 2016 and will be broadcast on PBS October 25th. Most recently, she and co-director Heidi Ewing completed, “One of Us,” a documentary thriller about the ultra-insular Hasidic community of New York City, currently streaming on Netflix. Rachel is a member of the Directors Guild and the Academy of Motion Picture Arts and Sciences. She Resides in Brooklyn, N.Y. For more on the work of Rachel Grady and Heidi Ewing go to: lokifilms.com
HEIDI EWING – DIRECTOR, EXECUTIVE PRODUCER – Co-owner of New York’s Loki Films, Ewing is the co-director of “Jesus Camp” (Oscar nominee), “The Boys of Baraka” (Emmy nominee) 12th & Delaware (Peabody winner) and DETROPIA (Sundance and Emmy winner). Ewing co-directed “Norman Lear: Just Another Version of You,” which premiered as the opening night film at the 2016 Sundance Film Festival. Most recently, she and co-director Rachel Grady completed “One of Us,” a documentary thriller about the ultra-insular Hasidic community of New York City, currently streaming on Netflix. Heidi is a member of the Directors Guild and the Academy of Motion Picture Arts and Sciences. For more on the work of Heidi Ewing and Rachel Grady go to: lokifilms.com
“The work of collage artist Martin O’Neill and the animation by Andrew Griffin help to create an atmosphere of surrealistic fantasy around the hard facts of the case.” – John Anderson, Wall Street Journal
“As twisty and juicy as the story here is, Love Fraud keeps threatening to slip through your fingers, which makes it a bit like Richard Scott Smith, if you’re into that sort of mirroring.” – Dan Fienberg, Hollywood Reporter
EPICENTRO, a richly textured portrait of the resilient people of Cuba directed by renowned documentarian Hubert Sauper (We Come As Friends, Oscar-nominated Darwin’s Nightmare). Winner of the 2020 Sundance Grand Jury Prize for World Cinema Documentary, the film launches in virtual cinemas through Kino Marquee starting Friday, August 28. EPICENTRO is an immersive and metaphorical portrait of post-colonial, “utopian” Cuba, where the 1898 explosion of the USS Maine still resonates. This Big Bang ended Spanish colonial dominance in the Americas and ushered in the era of the American Empire. At the same time and place, a powerful tool of conquest was born: cinema as propaganda. In his latest film, Hubert Sauper explores a century of interventionism and myth-making together with the extraordinary people of Havana—who he calls “young prophets”—to interrogate time, imperialism and cinema itself.
About the filmmaker: Hubert Sauper is an Academy Award–nominated director, cinematographer, writer, and producer living in France. Best known for his documentaries We Come As Friends (2014) and the Academy Award-nominated Darwin’s Nightmare (2004), he has been recognized for his work with more than 50 film awards, among them a European Film Award, a French César, and awards at the Berlin, Venice and Sundance film festivals. Hubert is a visiting professor at several universities, including Harvard, Yale and Columbia.
Winner: Grand Prize, World Documentary – Sundance Film Festival
“A brilliant mixture of historical-poetic analysis and a ground-level journey among the denizens of Havana… The director’s remarkable eye for lived-in detail and for spectacular imagery will mesmerize you.” – Bilge Ebiri, Vulture
“Acclaimed nonfiction filmmaker Hubert Sauper turns his rigorous but compassionate gaze on this fascinating place in Epicentro… Sauper and his co-editor… work the material with a remarkable fluidity and gracefulness that’s consistently engaging and surprising.” – Leslie Felperin, The Hollywood Reporter
“[A] tender portrait of Cuba. Politics, people and the power of cinema are brought together to create a mosaic-like reflection on Cuba’s history… Epicentro shines in Sauper’s many encounters with the people of Cuba.” – Alan Hunter, Screen International
While making a documentary about the Anglo-American coup in Iran in 1953, director Taghi Amirani and editor Walter Murch (Apocalypse Now, Godfather II) discovered extraordinary, never-before-seen archival material that had been hidden for decades. The 16mm footage and documents they uncovered not only allowed them to tell the story of the overthrow of the Iranian government in unprecedented detail, but it also led to explosive revelations about dark secrets buried for 67 years. Working with Ralph Fiennes (The Grand Budapest Hotel, Schindler’s List, The English Patient) to help bring the lost material to life, what begins as a historical documentary about four days in August 1953 turns into a live investigation, taking the filmmakers into uncharted cinematic waters. Ten years in the making, COUP 53 tells the story of the 1953 the Anglo-American coup d’état that overthrew Iran’s government of Prime Minister Mohammad Mossadegh and reinstalled the Shah. The CIA/MI6 covert action was called Operation Ajax. It was all about Iran’s oil and who gets to control and benefit from it. BP was at the heart of this story. Shot in seven countries, featuring participants and first-hand witnesses, and unearthing never seen before archive material, COUP 53 is a politically explosive and cinematically innovative documentary that lifts the lid on secrets buried for over sixty-six years. Director Taghi Armirani and Editor / Writer Walter Murch join us to talk about their own journey to tell the definitive story behind one of the 20th Century’s most consequential geo-political events.
“A MASTERPIECE OF POLITICAL INTERVENTION. Beyond extraordinary.” – Ariel Dorfman, Author and human rights activist
“BREATHTAKING. THE MOST ENTHRALLING AND REVELATORY DOCUMENTARY I’VE SEEN OVER THE PAST YEAR. Remarkable. Taghi Amirani’s passionate and fearless work grew from an impudent home movie into a magnum opus.” – Todd McCarthy, The Hollywood Reporter
“As compelling as a John Le Carré novel or a Costa-Gavras classic.” – Allan Hunter, Screen International
“This is big.” – Werner Herzog, Filmmaker
In 1979, soon after Ayatollah Khomeini took power in Iran and the ousted Shah found shelter in the United States—to the great frustration of Iran’s new leaders—a group of revolutionaries attacked the U.S. Embassy in Tehran and took 52 Americans hostage. They were held captive there for 444 days. President Jimmy Carter announced that he wanted to resolve the situation through diplomatic channels, but later on he planned a secret military rescue mission. DESERT ONE is a fast paced as a thriller from acclaimed director Barbara Kopple. Kopple draws upon a wealth of unearthed archival sources, as well as intimate interviews with President Jimmy Carter, Vice President Walter Mondale, Ted Koppel, former hostages, journalists, and Iranian student revolutionaries who orchestrated the take-over of the American Embassy in Tehran—to meticulously reconstruct this defining period in history when U.S.-Iranian relations were on the brink of disaster. Illustrated with animations and lots of archive footage, the story focuses on the woefully unsuccessful rescue mission and the political wrangling in the background, culminating in Carter’s landslide loss to Ronald Reagan in 1980. Director and Producer Barbara Kopple, Ambassador John Limbert and Staff Sergeant Taco Sanchez joins us to talk about the roller coaster story that includes a game-changing sand storm, equipment failure, a deadly crash and a US President willing to take responsibility for a mission gone wrong. The fallout from the failed mission still hangs heavy over the fractured US-Iranian relationship.
About the filmmaker: Barbara Kopple is a two-time Academy Award winning filmmaker. A director and producer of narrative films and documentaries, her two most recent projects are the documentaries Miss Sharon Jones! which premiered at Toronto International Film Festival in September 2015, was the opening night film of DOC NYC and tracks the talented and gregarious soul singer of the Grammy-nominated R&B band Sharon Jones & the Dap-Kings during the most challenging year of her life and Shelter which tells a story of vets saving vets, delving into the psychological trauma created by military service, the effects that remain long after active duty, and the difficult road back to a normal life for these women and men. Other recent projects include Hot Type: 150 Years of The Nation which examines America’s oldest continuously published weekly magazine through the eyes of the passionate journalists who have sustained its critical voice and Running from Crazy, which premiered at Sundance in 2013 and received a 2014 Primetime Emmy nomination for Outstanding Documentary or Nonfiction Special. Fight To Live, which through the eyes of terminal patients and their advocates tells the story of the struggles many with rare and orphan diseases face in choosing their preferred therapies through the roadblocks imposed by the current FDA approvals process. A Force of Nature, which celebrates the life and work of journalist and philanthropist Ellen Ratner, following her from her home base in Washington, DC, to hurricane-ravaged Mississippi to war-torn South Sudan; Gun Fight, which explores the place of guns in US culture, profiling victims of gun violence and proponents on both sides of the gun debate; The House of Steinbrenner, part of ESPN’s Emmy nominated “30 for 30” series, which received a 2010 Peabody Award as well as the International Documentary Association Award for Best Continuing Series; and the Emmy-nominated, Woodstock: Now and Then, a look back at the legacy of the historic music festival, 40 years later. Well known for her work on US labor issues, Barbara directed Steamfitters Local Union 638 in 2007 for HBO’s acclaimed Addiction Series. The New York Times likened this short documentary to “crisp tonic with lime.” This program was awarded the Television Academy of Arts and Sciences Governor’s Award. For more on Barbara Kopple’s films go to: cabincreekfilms.com
“Kopple covers every angle of the story and the history in this gripping documentary that combines incredible archival footage and recordings with interviews of some surviving hostages and members of Delta Force, the unit that attempted the rescue.” – Catherine Springer, AwardsWatch
Since 1935 the American Legion has sponsored a program for teenagers to learn about democracy and civil discourse through a week-long engagement in self-governance. The sensational winner of the Grand Jury Prize for documentary at this year’s Sundance Film Festival, “Boys State” is a wildly entertaining and continually revealing immersion into a week-long annual program in which a thousand Texas high school seniors gather for an elaborate mock exercise: building their own state government. Filmmakers Jesse Moss and Amanda McBaine closely track the escalating tensions that arise within a particularly riveting gubernatorial race, training their cameras on unforgettable teenagers like Ben, a Reagan-loving arch-conservative who brims with confidence despite personal setbacks, and Steven, a progressive-minded child of Mexican immigrants who stands by his convictions amidst the sea of red. In the process, they have created a complex portrait of contemporary American masculinity, as well as a microcosm of our often dispiriting national political divisions that nevertheless manages to plant seeds of hope. Co-directors Amanda McBaine and Jesse Moss joins us for a conversation on chronicling the rough and tumble world of 1,000 aspiring politicians and how some of them shattered expectations, emerging as the potential leaders for a more harmonious future.
“The punchiest doc of the year focuses on an annual leadership conference in which teen boys prove they can run a government better than the old farts doing it now. This wake-up call promises a change in the air. And it’s exhilarating.” – Peter Travers, Rolling Stone
“Some of these boys are already as hard-faced and cynical as velociraptors. Some are gentle and sweet natured. Some are even shown changing their minds. It’s an amazing spectacle.” – Peter Bradshaw, Guardian
“This extraordinary portrait of a democratic process in microcosm is both a testament to how Washington, D.C. and the rest of the country could achieve bipartisanship as well as a look at what has led to such a fractured political system.” – Jordan Raup, The Film Stage
From the team that directed the jaw-dropping, award winning documentary on the life and mayoral campaign of former congressman Anthony Wiener (Weiner) comes THE FIGHT. Only days after the 2017 inauguration of Donald Trump, furious Americans gathered at airports across the country in protest of the Muslim ban. But it was the efforts of the American Civil Liberties Union, waging the fight in federal court, that turned the tide, staying the executive order on grounds of unconstitutionality. The ACLU has never granted access to its offices, even as its battles—on the fronts of abortion rights, immigration rights, LGBT rights and voting rights —have become more timely and momentous than ever. Rousing, inspiring and slyly humorous, their THE FIGHT follows four seismically important cases and a handful of magnetic attorneys. These lawyers may not know how to charge a cell phone or operate a stand-up desk but have persuaded Supreme Court Justices, beating back serious encroachments upon our freedoms. An antidote to endless news cycles filled with tweet tantrums, THE FIGHT inspires with the story of front-line warriors in the battle for the American soul. Co-director Eli Despres (Elyse Steinberg and Josh Kriegman) joins us to talk about this entertaining, fast-paced, and highly engaging peek behind the curtain of the self-effacing attorneys and their support team as they scramble to maintain and bolster many of the most substantive constitutional protections under constant assault.
WINNER – U.S. Documentary Special Jury Award forSocial Impact Filmmaking – Sundance 2020
“Inspiring, infuriating, and unbounded. Filled with raw emotion and real world immediacy.” – Kate Erbland, IndieWire
“A celebration of the lawyers on the front lines in the Trump age. Captures the intense emotion of the moment.” – Beandrea July, The Hollywood Reporter
“A gorgeous, enraging, and uplifting film.” – Chris Hayes, MSNBC
Set in Oakland, a city with a deep history of social justice movements, WE ARE THE RADICAL MONARCHS documents the Radical Monarchs – an alternative to the Scout movement for girls of color, aged 8-13. Its members earn badges for completing units on social justice including being an LGBTQ ally, the environment, and disability justice. The group was started by two, fierce, queer women of color, Anayvette Martinez and Marilyn Hollinquest as a way to address and center her daughter’s experience as a young brown girl. Their work is anchored in the belief that adolescent girls of color need dedicated spaces and that the foundation for this innovative work must also be rooted in fierce inter-dependent sisterhood, self-love, and hope. WE ARE THE RADICAL MONARCHS follows the first troop of Radical Monarchs for over three years, until they graduate, and documents the Co-founders struggle to respond to the needs of communities across the US and grow the organization after the viral explosion of interest in the troop’s mission to create and inspire a new generation of social justice activists. Director / Producer Linda Goldstein Knowlton (Somewhere Between, Dream,Girl, Whale Rider, The Shipping News) joins us to talk about the positive role-modeling, the sense of community connection and empowerment that the Radical Monarchs has brought into the lives of these young women of color.
About the filmmaker Linda Goldstein Knowlton (Producer/Director) is an Emmy-nominated filmmaker, working in documentary and scripted feature films, as well as television. In 2016, she Executive Produced the documentary DREAM,GIRL, which premiered at The White House. The film showcases the stories of inspiring and ambitious female entrepreneurs. Goldstein Knowlton directed and produced one of the six, Emmy-nominated documentaries for the PBS MAKERS: Women Who Make America series. The film, WOMEN AND HOLLYWOOD, aired in October, 2014 and includes interviews with Jane Fonda, Shonda Rhimes, Lena Dunham, Ava Duvernay, Glenn Close, Julia Louis-Dreyfus, Alfre Woodard, Hunger Games producer Nina Jacobson, among many other notable women. Prior to that, she produced CODE BLACK, Best Documentary winner at LA Film Festival and the Hamptons International Film Festival, and the basis for the CBS one-hour drama of the same name. Previously she directed and produced SOMEWHERE BETWEEN, which won the Sundance Channel Audience Award at the Hot Docs Film Festival, and was released theatrically in over 80 cities across the US. For her directorial debut, she co-directed THE WORLD ACCORDING TO SESAME STREET, which debuted at the 2006 Sundance Film Festival in competition and aired nationally on PBS. Linda started her career producing feature films, including the award-winning WHALE RIDER and THE SHIPPING NEWS.
In the shadows of the bright lights of Las Vegas, its last call for a beloved dive bar known as the Roaring 20s. That’s the premise, at least; the reality is as unreal as the world the regulars are escaping from. BLOODY NOSE, EMPTY POCKETS is a mosaic of disparate lives, teetering between dignity and debauchery, reckoning with the past as they face an uncertain future, and singing as their ship goes down. Filmmaking duo Bill and Turner Ross return with an elegiac portrait of a tiny world fading away but still warm and beating with the comfort of community. Their beguiling approach to nonfiction storytelling makes for a foggy memory of experience lost in empty shot glasses and puffs of smoke. Bill Ross IV and Turner Ross (45365, Tchoupitoulas, Western, Contemporary Color) join us for a lively conversation on the fiction and non-fiction filmmaking expectations, the logistical and post-production challenges of making this film and the cinematic inspirations that inform Bloody Nose, Empty Pockets.
Renting Bloody Nose, Empty Pockets includes Director Introduction, the Feature Film and Post-Film Q&A with Cast/Crew. Order for July 8th in celebration of National Dive Bar Day! 10% of rental proceeds and 100% of all ‘GIVE’ donations benefit the US Bar Guild Foundation’s Bartender Emergency Assistance Program COVID-19 Relief Fund.
About the filmmakers: Bill Ross IV and Turner Ross are an American filmmaking team whose credits include the award-winning films 45365 (2009), TCHOUPITOULAS (2012), WESTERN (2015), and CONTEMPORARY COLOR (2017). Born and raised in Sidney, Ohio, and both graduates of the Savannah College of Art and Design, Bill and Turner Ross began work in the film industry in Los Angeles, with Bill as an editor and filmmaking teacher, and Turner in art departments on studio features. But they soon decided to eschew the day jobs of Hollywood and continue the creative partnership they began as kids by making their own films. In the years since, their films have brought them renown as some of the most innovative and interesting documentary filmmakers working today, with a style all their own and always evolving — pushing the art of presenting uninhibited portraits of and journeys through places, with all the complicated, humanistic, and lyrical truth that that entails. Their work has been supported by the Sundance Institute, the Rooftop Filmmaker’s Fund, Cinereach, the San Francisco Film Society and a generous grant from the late Roger Ebert. They were honored as Ambassadors for the American Film Showcase and as Sundance Documentary Institute Fellows. They were named Decade Filmmakers by Cinema Eye Honors, and in 2018 they became members of the Academy of Motion Pictures Arts & Sciences. When not making their own films, they collaborate with friends and fellow filmmakers such as Benh Zeitlin (BEASTS OF THE SOUTHERN WILD, WENDY), David Lowery (AIN’T THEM BODIES SAINTS, A GHOST STORY), A.J. Schnack (CAUCUS), Robert Greene (BISBEE ’17), Raoul Peck (I AM NOT YOUR NEGRO), and David Byrne. They live and work in New Orleans. According to Metacritic, Bill and Turner Ross are the 6th best reviewed filmmakers of the 21st century. For more go to: rossbros.net
In this searing documentary, WELCOME TO CHECHNYA, Academy Award –nominated director David France (How To Survive A Plague) brings us a terrifying real-life thriller that shadows a group of brave activists risking their lives to confront the ongoing anti-LGBTQ persecution in the repressive and closed Russian republic of Chechnya. In recent years, tens of thousands of LGBTQ people in the republic have suffered detention, torture and sometimes death at the hands of the authorities. But a small network of queer activists have mobilized into action, smuggling people in need out of their communities, securing visas and sheltering them in safe houses. Shot with astonishing access, largely with hidden cameras that keep rolling throughout every moment of escape, and employing a revolutionary face-swapping technique to protect the anonymity of its endangered subjects, WELCOME TO CHECHNYA exposes these under-reported atrocities, while highlighting an extraordinary group of heroic people confronting a brutal system. Director David France joins us for a conversation on the remarkably effective facial technology used by France to protect the identity of the film subjects and on the Russian republic’s pogrom against defenseless people being tortured and killed because of their sexual identity.
Director’s Statement: In my work as a journalist and author over many years, I have focused closely on the stories of outsiders and people who society has pushed to its margins – the disregarded, the ignored, the hated. When I turned to documentary filmmaking, I chose outsider activism as my subject. My first film, HOW TO SURVIVE A PLAGUE, documented the work of early AIDS activists, ordinary people with no training who marshalled the intricate details of virology to change the course of the epidemic. Next, I opened up the story of early gender radicals in THE DEATH AND LIFE OF MARSHA P. JOHNSON, which chronicled not only the founding of the modern LGBTQ movement but also the founding of the first transgender rights organization in 1970. WELCOME TO CHECHNYA completes this trilogy. It follows a group of ordinary humans who have done something extraordinary, and asks the question that has long preoccupied me: What makes a person assume enormous risk and responsibility when others might turn the other way? What does it take, in other words, to be a hero?When I left their underground pipeline for the last time, knowing I could never go back once it became known I was reporting on their work, I wept with gratitude for the work they are doing. And for the opportunity they gave me to witness bravery of the most unvarnished kind: selfless, humane, and entirely queer. – David France
100% on Rotten Tomatoes
“No one has ever found such a deep and humanitarian use of a ‘deep fake’.” – Zep Armentano, El Cinefil
“David France has created a true masterwork of LGBT empathy, working both as a devastating portrait of hate as well as a rallying cry to arms. This is one of the best documentaries of the year.” – Redmond Bacon, Culture Vultures
“Undoubtedly a magnum opus of sorts on human rights documentation” – Jessica Pena, Jumpcut
“Gripping, essential viewing” – Matthew Jacobs, HuffPost
“Welcome to Chechnya is as fearless as its subjects, unafraid to show the violence and emotional torture of these people.” – Brian Tallerico, RogerEbert.com
In the latest collaboration between director Carl Hunter and writer Frank Cottrell-Boyce SOMETIMES ALWAYS NEVER follows a stylish tailor and wayward father, Alan, (Bill Nighy) who is has spent a big chunk of his adult life playing the word game Scrabble. At the expense of his other relationships Alan has spent years searching tirelessly for his missing son, Michael, who stormed out over a game of Scrabble. With a body to identify and his family torn apart, Alan must repair the relationship with his youngest son, Jack (Sam Riley) and identify an online player who he thinks could be Michael, so he can finally move on and reunite his family. A quirky mystery / comedy starring the BAFTA winner Bill Nighy (Love Actually, Shaun of the Dead), SOMETIMES ALWAYS NEVER is a story about redemption, family, and finding the right words. Director Carl Hunter joins us to talk about his on-going work with screenwriter working with Cottrell-Boyce, and the photo that convinced lead actor Bill Nighy to join the project and striking the right visual look for his thoughtful, wryly funny film.
About the filmmaker: Carl Hunter is a director, screenwriter and also the bass player for Liverpool band, The Farm, who had a number 1 LP, Spartacus in 1991, 3 top 10 singles and spent a total of 50 weeks in the official top 40s for both LPs and singles. He has been making films, producing and directing, since the late 1990s and in 2019 he directed his first feature film, Sometimes, Always, Never, starring Bill Nighy and produced by Hurricane Films. In 2007, Carl produced and co-wrote the feature film, ‘Grow Your Own.’ He’s currently developing his next ideas with writer Frank Cottrell-Boyce.
“It’s universally well acted and it’s directed with an inventive, original visual style that matches the audacity of basing a film on Scrabble, by TV director Carl Hunter. The end result is unusual, intriguing and endearing.” – Alexa Dalby, Dog and Wolf
“Screenwriter Frank Cottrell Boyce, who adapted the film from his own short story, has crafted a joy of a script, which seeds its themes as elegantly as Nighy’s character, Alan, a Scrabble-obsessed tailor, wears his suits. – Wendy Ide, Observer (UK)
DISCLOSURE (formerly titled Disclosure: Trans Lives on Screen) is an unprecedented, eye-opening look at transgender depictions in film and television, revealing how Hollywood simultaneously reflects and manufactures our deepest anxieties about gender. Leading trans thinkers and creatives, including Laverne Cox, Lilly Wachowski, Yance Ford, Jen Richards, Mj Rodriguez, Jamie Clayton, and Chaz Bono, share their reactions and resistance to some of Hollywood’s most beloved moments. Grappling with films like A Florida Enchantment (1914), Dog Day Afternoon, The Crying Game, and Boys Don’t Cry, and with shows like The Jeffersons, The L-Word, and Pose, they trace a history that is at once dehumanizing, yet also evolving, complex, and sometimes humorous. What emerges is a fascinating story of dynamic interplay between trans representation on screen, society’s beliefs, and the reality of trans lives. Reframing familiar scenes and iconic characters in a new light, director Sam Feder (Kate Bornstein is a Queer and Pleasant Danger) invites viewers to confront unexamined assumptions, and shows how what once captured the American imagination now elicit new feelings. DISCLOSURE provokes a startling revolution in how we see and understand trans people. Director Sam Feder joins us for a conversation on the prejudice and crippling stereotypes being pushed out by film and television as well as barrier breaking stories being told by filmmakers, writers and artists
Statement from the filmmakers: DISCLOSURE shows audiences that decades-old stereotypes, memes, and tropes in the media both form and reflect our understanding of trans issues. They have shaped the cultural narrative about transgender people, and inform everything from dating and domestic violence, to school policy and national legislation. Since 80% of the population have never met a transgender person, all they know is rooted in media depictions, which are predominantly problematic and have rarely included participation by actual trans people. Disclosure is aimed at that 80%.
“(Disclosure) not only leaves us with the hope that things will improve, but it also shows us how much better the industry is when everyone is included, represented, and respected.” – Norman Gidney, Film Threat
“In making the film, Feder and Cox are rewriting the very history they set out to tell, adding one more title to “positive representation” list. That alone is worth coming out for.” – Jude Dry, indieWire
Francis Ford Coppola protégé Phillip Borsos directs The Grey Fox, an elegiac, low-key tale about real-life bandit Bill Miner that has become a classic of Canadian cinema. Having been released from jail in 1901 following a 33-year prison sentence for robbing stagecoaches, Bill Miner (Richard Farnsworth) finds himself living in a society that has completely changed from the one of his youth. He tries to put his life of crime behind him and settle down in Washington state with his sister, but the quiet life does not suit him. He feels restless but uncertain as to how to proceed next. The answer comes to him when he sees Edward S. Porter’s The Great Train Robbery. Soon, Miner has slipped over the border into Canada and, along with his new partner, Shorty (Wayne Robson), robs the Canadian Pacific Railway Trans-continental Express. Later, while laying low after the crime in a remote corner of British Columbia, he meets the beautiful, strong-willed photographer Kate Flynn (Jackie Burroughs). In writing this script, Borsos reportedly made heavy use of contemporary court documents and testimonies. Producer Peter O’Brian stops by to talk about his collaboration with director Phillip Boros and Richard Farnsworth and The Grey Fox 4K Restoration is being released through Kino Marquee.
Kino Marquee is a new initiative that creates “virtual cinemas” for temporarily closed independent theaters. Local audiences support their community’s theater in these uncertain times by buying a virtual “ticket” to watch the film. Their ticket purchases directly support their local art house as all revenue is being shared between distributor and exhibitor, just as if they bought their ticket at the theater’s box office. Kino Marquee currently works with over 350 art house theaters across the nation.
“Farnsworth is a superb camera subject, with a lulling sexual presence. [Director Phillip] Borsos is an inspired image-maker.” – Pauline Kael, The New Yorker
“One of the loveliest adventures of the year…director Phillip Borsos is able to make this a human story and still keep it exciting as an action picture.” – Roger Ebert, Chicago Sun-Times
“Terrific. Richard Farnsworth is a delight…remarkably appealing with a face the camera adores.” – Vincent Canby, The New York Times
“Fits beautifully between McCabe and Mrs. Miller and Unforgiven, each of them stories about characters coming to term with changing times. There are even echoes of The Irishman, and the newly-refreshed film is ripe for reconsideration.” – Jason Gorber, Slashfilm