Far East Deep South – Director Larissa Lam and Producer Baldwin Chiu

As America currently deals with a rash of anti-Asian sentiment, FAR EAST DEEP SOUTH is a deeply moving story that offers a poignant perspective on race relations, immigration and the deep roots of Chinese Americans in our national identity. The award-winning documentary follows Charles Chiu and his family (including his son, producer Baldwin Chiu, and daughter-in-law, director Larissa Lam) as they travel from California to Mississippi to find answers about Charles’ father, K.C. Lou. A retired Air Force reservist, Charles was left behind in China as a baby and is reluctant to discuss his family’s complicated past with his sons, Baldwin and Edwin. The family’s emotional journey to a place they’ve never seen leads to stunning revelations and a crash course on the surprising history of Chinese immigrants in the segregated South. Through encounters with local residents who remember K.C., as well as interviews with historians, Congresswoman Judy Chu and others, the family’s trip becomes a once-in-a-lifetime opportunity for discovery and healing. FAR EAST DEEP SOUTH is based off the award-winning short film, Finding Cleveland. The film presents a very personal and unique perspective on immigration, race and American identity. Director Larissa Lam and producer Baldwin Chiu join us for a conversation on how a family trip and personal film project evolved into a revelatory story and sweeping historical overview of the immigrant Chinese experience and deeply moving family saga.

 

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For news and updates go to: Far East Deep South.com.

FAR EAST DEEP SOUTH premieres on the WORLD Channel documentary series America ReFramed on Tuesday, May 4, 2021, 8:00 p.m. EST (check local listings). It will also be available to stream on WORLDchannel.org, PBS.org and the PBS Video app beginning at time of broadcast on May 4 and throughout May in honor of Asian American Pacific Islander Heritage Month.

About the filmmaker – Larissa Lam, Director, Writer and Producer, is making her feature film directorial debut with the documentary Far East Deep South. The film has won garnered awards at numerous film festivals including CAAMFest, Cinequest, Oxford Film Festival and Seattle Asian American Film Festival. She previously directed the acclaimed short documentary Finding Cleveland, which is the basis for Far East Deep South. She has produced TV shows such as “Top 3” for JCTV, music videos and other short form videos such as “A Day in the Life of an Engineer” for Intel’s Stay With It campaign. She was part of a distinguished group of filmmakers invited to be part of the Smithsonian’s History Film Forum Emerging Filmmakers Lab. In addition to directing Far East Deep South, Lam is an award-winning singer and songwriter who has released four critically acclaimed solo albums, including her most recent, Love and Discovery. Her song, “I Feel Alive” won the Hollywood Music in Media Award for Best Dance Song and was the theme song for a national suicide prevention campaign. Lam began her career as the Chief Financial Officer of NSOUL Records and has written & produced music for TV (The Oprah Winfrey Show, Dr. Oz, E!, TLC), film (Zulu, Gone) and video games (Konami, Square Enix). Lam is passionate about empowering and inspiring others through film, music and speaking engagements. A dynamic speaker, she has spoken on diversity and inclusion, the Asian American experience among other topics at TEDx, Leadercast and numerous universities such as Yale, UCLA and MIT.  For nine years, Lam hosted a talk show on JCTV interviewing prominent authors, humanitarians and celebrities. Currently, she hosts the podcast, “Love, Discovery and Dim Sum“, which she co-hosts with her husband, Baldwin Chiu. She is a native of Diamond Bar, CA and graduated UCLA with a degree in Business Economics.

About the filmmaker – Producer Baldwin Chiu and his family are the subjects of Far East Deep South and he teamed up with his wife, Larissa Lam, to produce the film. The film will make its national broadcast debut on “America Reframed” on World Channel (PBS) in May 2021. His family’s story has previously been featured on NBC News and NPR among other media outlets. He is a graduate of the ACT One film producing program, and he previously produced the award-winning documentary short, Finding Cleveland. He was born in San Francisco and raised in Sacramento, where he later graduated from California State University, Sacramento with a degree in mechanical engineering.

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“Informative and compelling. A poignant American story that lingers with you even after it’s finished.“ – Lauren Tuck, Creative Executive, Harpo Films.

“This documentary, with the feel of family drama, will impact you & even move you to tears.” – Pratibha Kelapure, The Literary Nest

“A gorgeous and moving story that unveils an important part of American history.” – Edward Douglas, The Weekend Warrior

Street Gang: How We Got to Sesame Street – Director Marilyn Agrelo

STREET GANG: HOW WE GOT TO SESAME STREET takes audiences inside the minds and hearts of the “Sesame Street” creators, artists, writers, and educators who together established one of the most influential and enduring children’s programs in television history. Inspired by the activism of the late 1960s, socially conscious television executive Joan Ganz Cooney and Sesame Workshop co-founder Lloyd Morrisett conducted a revolutionary experiment: to harness the burgeoning power of television and create an educational, impactful, uplifting and entertaining show that could reach children nationwide, especially those living in urban areas. Cooney recruited trailblazing Muppets creator Jim Henson and acclaimed children’s television writer and director Jon Stone to craft the iconic and beloved world of “Sesame Street.” STREET GANG: HOW WE GOT TO SESAME STREET reintroduces this visionary “gang” of mission-driven artists, writers, and educators that audaciously interpreted radical changes in society and created one of most impactful television programs in history.  With more than 20 interviews with original writers, cast, and crew, and never-before-seen behind the scenes footage, STREET GANG is told from the inside with humor and emotion, weaving together personal narratives and eyewitness accounts. The film explores the original mission of the “gang” that created this cultural phenomenon, now spanning 50-plus years and reaching more than 150 countries. Director Marilyn Agrelo joins us to talk about the enduring legacy of SESAME STREET as well as the beautifully disruptive and groundbreaking approach to connecting with children and in doing so made them into collaborators and the beneficiaries of this illuminating enterprise.

For news and updates go to: streetgangmovie.com

For more news go to: screenmediafilms.net/Street Gang

Official Selection – 2021 Sundance Film Festival

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97% on Rotten Tomatoes

“Street Gang is a wonderful documentary that would play extraordinarily well whenever it was released, but in this present moment? It feels positively miraculous; a much-needed happy-sad warm blanket indeed.” – Shaun Munro, Flickering Myth

“It’s hard to ask for much more than a doc that captures creatives thoughtfully sneaking the civil revolution as well as basic education into children’s TV and includes a Muppets blooper reel.” – Chris Willman, Variety

“It’s genuinely, enormously inspirational to watch this ragtag band of beatniks and beardos turning sinister Madison Avenue techniques into instruments of learning.” – Sean Burns, Spliced Personality

“Carries tremendous power as an emotional reminder of such a triumphant run, also working beautifully as a reunion with old faces and as an introduction to key behind-the-scenes figures helping to bring inclusion to the masses.” – Brian Orndorf, BrianOrndorf.com

“Street Gang is a loving, emotional tribute to a global brand that tackled racism, education and more with puppets, music through a street that everyone wanted to live on – Sesame Street…” – Carla Renata, The Curvy Film Critic

LOS HERMANOS/THE BROTHERS Co-Directors Marcia Jarmel and Ken Schneider

Part Geo-political saga, part ode to their origin country of Cuba, LOS HERMANOS/THE BROTHERS follows the journeys of virtuoso Afro-Cuban musician brothers, Ilmar and Aldo López-Gavilán, born in Havana in the 70s. At 14, Ilmar outgrew his island teachers and was sent to the U.S.S.R. to study violin. He never lived in Cuba again, ultimately landing as a working chamber violinist in the United States. Younger brother Aldo grew up mentored by Cuba’s impressive jazz and classical pianists, his extraordinary talent achieving renown on the island, but stymied elsewhere by the 60-year-old U.S. embargo. Though they see  each other when family finances and visa restrictions allow, they’ve never had a chance to collaborate musically—something they’ve longed for all their lives. Tracking their parallel lives, poignant reunion, and momentous first performances together on stages across the U.S., LOS HERMANOS / THE BROTHERS is a nuanced, intensely moving view of nations long estranged, through the lens of music and family. Featuring an electrifying, genre-bending score, composed by Cuban Aldo López-Gavilán, performed with his American brother, Ilmar, and with guest appearances by maestro Joshua Bell and the Grammy-winning Harlem Quartet, filmmakers Ken Schneider and Marcia Jarmel take the viewer on a delightful musical tour through Cuba and the US, capturing the artistry behind their music and their deep familial bond.

For news and updates go to: hermanosbrothersfilm.info

Watch Los Hermanos / The Brothers beginning May 14

About the filmmaker – Marcia Jarmel is a veteran documentary director, producer, and impact producer. Prior to founding PatchWorks, Marcia directed and produced THE RETURN OF SARAH’S DAUGHTERS (Women in the Director’s Chair, IDA’s DocuWeek, Cinequest, international public television) and THE F WORD: A SHORT FILM ABOUT “FEMINISM” (Living Room Festival, AFI’s VideoFest, and Brooklyn Art Museum’s Judy Chicago film series). Angela Davis called THE F WORD “an important step toward rekindling discussion of feminism.” Marcia consults on social issue films, including HBO’s Emmy nominated 50 CHILDREN, and the Academy Award nominated LAST DAY OF FREEDOM. Marcia has been a resident at Working Films’ Content+Intent at Mass MoCA, Fledgling Fund’s Reel Education and Reel Impact, SFFilm’s FilmHouse, the Kopkind Colony, and twice a BAVC MediaMaker. She has taught at NYU-Tisch in Havana and Chapman University and served as a juror for the Emmys, BAVC MediaMaker, and many film festivals.

About the filmmaker – Ken Schneider is a Peabody Award winner who believes in the power of film to affect hearts and minds. For nearly 30 years, Ken has produced, directed and edited documentaries in English and Spanish, focusing on war and peace, human rights, artists’ lives, American history, contemporary social issues, and Cuba. His work has appeared on PBS’s series American Masters, POV, Independent Lens, Frontline, Voces, and on HBO, Al-Jazeera, Showtime, and on television and in film festivals worldwide. Ken co-edited the Oscar-nominated REGRET TO INFORM and has edited over 35 feature length documentaries that have won Primetime and Documentary Emmys, three Peabodys, a Columbia-Dupont, IDA (International Documentary Association) awards, an Indie Spirit award, and top awards at Sundance. Ken edits in English and Spanish and has a personal connection to Cuba, where his Vienna-born father was sheltered during the Holocaust. Ken has taught at NYU-Tisch, Chapman University, and San Francisco City College, and lectured at the SF Art Institute, University of San Francisco, and Harvard. He has been a panelist for the National Endowment for Humanities, Emmys, and various film festivals.

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PatchWorks Films, co-founded by husband and wife team Marcia Jarmel and Ken Schneider, makes documentaries raising nuanced questions about critical contemporary issues. PatchWorks’ films have broadcast and screened worldwide and have each been used in robust engagement campaigns. Their most recent feature, HAVANA CURVEBALL screened in six countries, winning Best Documentary awards at the Boston and Seattle Children’s Film Festival, a special jury award at the Olympia Festival in Greece and a spot on School Library Journal’s “Best of 2014” list. Their previous feature, SPEAKING IN TONGUES, aired on PBS, won the Audience Award at the San Francisco Film Festival, and continues to be a catalyst for changing language education worldwide. Previous films include BORN IN THE U.S.A., which aired on Independent Lens and was hailed as the “best film on childbirth” by the World Health Organization, and several shorts. LOS HERMANOS/THE BROTHERS is their 9th collaboration, their 4th in Cuba. Clips and information on all PatchWorks’ features and shorts can be found at patchworksfilms.net.

“I cannot overstate the pleasure and excitement this film provides. It is a must-see.”- Marin Post

“an exhilarating and perceptive dive into the magical and confounded lives of two Cuban-born brothers” – ARThound

“Here is a purely celebratory film that at the same time biopsies political expedience and nationalism” – Woodstock FIlm Festival

“A remarkable film about a family ensnared in geopolitics” – San Francisco Chronicle

A Love Song for Latasha, Director Sophia Nahli Allison

Sophia Nahli Allison’s A LOVE SONG FOR LATASHA righteous rebuttal to the injustice surrounding the shooting death of 15-year-old Latasha Harlins at a South Central Los Angeles store that became a flashpoint for the city’s 1992 civil uprising. As the Black community expressed its profound pain in the streets, Latasha’s friends and family privately mourned the loss of a vibrant child whose full story was never in the headlines. Three decades later, A LOVE SONG FOR LATASHA removes Latasha from the context of her death and rebuilds an archive of a promising life lost. Oral history and memories from Latasha’s best friend and cousin converge in a dreamlike portrait that shows the impact one brief but brilliant life can have. Sophia Nahli Allison grew up in South Central Los Angeles and recalls experiencing the 1992 L.A. riots as a four year-old girl. Though Latasha’s death was a catalyst for the riots, Sophia wanted to make a film about Latasha’s life so she would be remembered beyond the trauma of a Black body, beyond a statistic, a newspaper headline, or an inaccurate Wikipedia page. Director, producer, cinematographer and editor Sophia Nahli Allison stops by to talk about how a Latasha’s legacy should not be judged in terms of longevity or her tragic end, but on the lasting impact that Latasha’s kindness, bravery and encouragement continues to have on people’s lives.

 

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For news and updates go to: alovesongforlatasha.com

Available on netflix.com/Latasha

2021 Oscar® nominee – Best Documentary Short 

The Latasha Harlins story continues… Earlier this year, a mural created by artist Victoria Cassinova and dedicated to the life and legacy of Latasha Harlins debuted on what would have been her 45th birthday. Located at the Algin Sutton Recreation Center in South LA, the mural stands at the front of the building where Latasha and her friends spent time throughout their childhood and teenage years. The art is based on a portrait of Latasha meant to represent her innocence and youth. The words to the left of her face are a poem Latasha wrote, it is also spoken in the film. The phrase “We Queens” is something Latasha often said to her friends to remind them of their power and importance. Latasha’s full name is a focal point. Watch a video of the mural’s creation that can be downloaded here.

The Latasha Harlins story continues… Earlier this year, a mural created by artist Victoria Cassinova and dedicated to the life and legacy of Latasha Harlins debuted on what would have been her 45th birthday. Located at the Algin Sutton Recreation Center in South LA, the mural stands at the front of the building where Latasha and her friends spent time throughout their childhood and teenage years. The art is based on a portrait of Latasha meant to represent her innocence and youth. The words to the left of her face are a poem Latasha wrote, it is also spoken in the film. The phrase “We Queens” is something Latasha often said to her friends to remind them of their power and importance. Latasha’s full name is a focal point. Watch a video of the mural’s creation that can be downloaded here.

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“Allison’s experimental style, lush palette, fast-paced editing and tender close-ups on Latasha’s cousins and friends, all now 40-something Black women like me, recreate the loss of Latasha’s innocence.” – The New York Times

“If you’ve seen anything of Latasha’s life, it’s likely the final seconds of her existence. Allison instead creates a brief, stirring portrait of the fifteen years that preceded them.” – Esquire 

“The 15-minute film gives new meaning to the notion of “short and sweet” and in it, Allison manages to paint a picture of a life not lived.  A Love Song for Latasha is a mesmerizing piece of work that takes an unconventional route to storytelling.” – The Grio

“This documentary is an invitation to rethink how Black life and death are documented in a society where the media glamorizes violence against Black bodies. This work is especially crucial during these a time when Black death is at the forefront of daily coverage, and it challenges us to remember the Black womxn, trans men, and non-binary folx we’ve lost and to reimagine the rich and nuanced lives they lived.” – Vice

The Place That Makes Us – Director Karla Murthy

Filmed over the course of three years, THE PLACE THAT MAKES US, is an intimate and inspiring portrait of Youngstown Ohio, a quintessential post-industrial American city, seen through the efforts of a new generation of residents who have chosen not to abandon their hometown, as so many have, but to stay, rebuild and make a life for themselves. Unlike their parents, haunted and traumatized by watching their way of life crumble around them, these young leaders and community activists grew up in the remains. Unbeholden to the memory of Youngstown’s heyday, they are able to envision a new future. Interweaving archival footage and home movies of a prosperous but forgone past, this film is a poetic testimony to the profound resilience and dedication it takes to change a community. THE PLACE THAT MAKES US, directed by Emmy-nominated producer, Karla Murthy, will be premiering on America Reframed WORLD Channel and PBS apps on March 30th. Director Karla Murthy joins us to talk about how she crafted a hopeful meditation on the meaning of the American dream today among the industrial ruins of America, and how a new generation is rebuilding their home while reconnecting with their roots.

 

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For news and updates go to: greenefortproductions.com

Host your own screening by contacting: screenings@collectiveeye.org

NATIONAL BROADCAST PREMIERE March 30th |  8pm EST  America ReFramed on the WORLD Channel via your PBS Station as well as streaming on all PBS Platforms

About the filmmaker – Karla Murthy, Director and Producer is an Emmy Award-nominated producer. She began her career working for the veteran journalist Bill Moyers.  For over 15 years, she has been a producer, cameraperson and correspondent for several news programs on PBS. Her work was described by the Columbia Journalism Review as “compelling, informative and compassionate.” Her directorial debut, the feature documentary The Place That Makes Us has won numerous film festival awards and will make its national broadcast premiere on America ReFramed in Spring 2021. Karla is of Filipino and South Asian descent. She grew up in Texas studying classical piano and graduated from Oberlin College with a degree in Religion and Computer Science. She is an alum of the Third World Newsreel Workshop, the Documentary Institute at Antioch College in Ohio, and is based in New York City. To find out more go to: karlamurthy.net

La Llorona – Director Jayro Bustamante

Ripped from the pages of Guatemala’s recent wrenching history, LA LLORONA follows the story of a fictional and indignant retired general, Enrique, as he is being forced to face his murderous past at his own trial for the genocidal massacre of thousands of Mayans decades ago. As a horde of angry protestors threatens to invade their opulent home, the women of the house – his haute wife, conflicted daughter, and precocious granddaughter – weigh their responsibility to shield the erratic, senile Enrique against the devastating truths behind being publicly revealed and the increasing sense that a wrathful supernatural force is targeting them for his crimes. Meanwhile, much of the family’s domestic staff flees, leaving only loyal housekeeper Valeriana until a mysterious young indigenous maid arrives. A tale of horror and magical realism, the film reimagines the iconic Latin American fable as an urgent metaphor of Guatemala’s recent history and tears open the country’s unhealed political wounds to grieve a seldom discussed crime against humanity. LA LLORONA marks Jayro Bustamante’s third feature and demonstrates his continued efforts to highlight social inequality in his native Guatemala with deft sensitivity and visual richness. The Silver Bear-winning director, writer, producer and editor, Jayro Bustamante (Temblores, Ixcanul) joins us to talk about his tale of horror and fantasy, ripe with suspense, and an urgent metaphor of Guatemalan recent history and its unhealed political wounds, 

 

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For news and updates go to: filmfactoryentertainment.com/la-llorona

LA LLORONA will make its U.S. theatrical premiere this Friday, March 5 as part of the programming at the IFC Center, which is reopening following one year of closures of New York City movie theaters. 

LA LLORONA is Guatemala’s Official Oscar® entry for Best International Feature Film, and one of the 15 films shortlisted being considered for the final five films in the running for the Academy Award.

2021 National Board of Review WINNER – Best Foreign Language Film
2021 Satellite Awards WINNER – Best Film, International
2021 Critics Choice Awards Nominee – Best Foreign Language Film

97% on Rotten Tomatoes

“Bustamante’s La Llorona is a bold assertion of the embedded prejudice against indigenous populations in his home country of Guatemala while also asserting that women and children in particular bore the brunt of the violence.” – Natalia Keogan, Paste Magazine

“Smart and elegant. The real horror lies not in the supernatural but in the savage acts of men.” – Carolina Miranda, Los Angeles Times

“Bustamante’s reimagining of the famous folkloric figure is a reminder that in the right hands, horror can be turned into something with almost indescribably enormous ideological potency.” – Alexandra Heller-Nicholas, AWFJ Women on Film

“Bustamante’s latest travels into the dark recesses of the human condition to shine a brightly shimmering spotlight on vile evils that should never be locked away and forgotten.” Sara Michelle Fetters, MovieFreak.com

“La Llorona is a beautifully conceived and constructed piece which cleverly utilises ghost story tropes, imagery and sound effects to enhance the impact of its real-life inspired revelations.” – Emma Simmonds, The List

The People vs. Agent Orange – Co-directors Alan Adelson & Kate Taverna

As the latest film from filmmakers Alan Adelson and Kate Taverna lays bares the dioxin-based defoliant, insecticide, Agent Orange catastrophe did not end with the Vietnam War. Today, the world over, a primary chemical of the toxic defoliant controls weeds in farming, forestry, parks, even on children’s playgrounds. Agent Orange wreaks havoc on the human genome, causing deformed births and deadly cancers. After decades of struggle and tragic personal losses, two heroic women are leading a worldwide movement to end the plague and hold the manufacturers accountable. In France, Tran To Nga is suing the American chemical industry for poisoning her in Vietnam. In America, Carol Van Strum exposes the continuing use of toxic herbicides in the Pacific Northwest. Incriminating documents disappear. Activists are threatened. A helicopter technician secretly films the contamination of reservoirs, while a massive industrial cover-up goes on. The People vs. Agent Orange co-directors Alan Adelson and Kate Taverna join us for a conversation on the journey of two women, joned together in their mutual pain, resist intimidation and threats, bringing to light the ongoing, intergenerational catastrophe of chemical warfare and toxic herbicides in the hope of bringing the manufacturers and business related perpetrators to justice.

 

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For news and updates go to: javafilms.film/the-people-vs-agent-orange

Jury Award at Eugene Environmental Film Festival 2020

About the filmmakers: Kate Taverna and Alan Adelson produced and co-­directed In Bed with Ulysses as well as Lodz Ghetto, both of these widely acclaimed films had nationwide theatrical releases. Lodz Ghetto was short-listed for the Best Feature Documentary Oscar. Adelson and Taverna also collaborated on Two Villages in Kosovo, In Bed with Ulysses and Agent Orange: La derniere bataille, an adaptation of The People vs. Agent Orange made for Arte in French and German. Alan Adelson works in both film and print: as a page-one investigative reporter for the Wall Street Journal and national magazines he made worldwide headlines exposing the disappearance of enough enriched plutonium to make two Hiroshima-sized bombs. Early in his journalistic career he published investigative articles on the chemical industry. Kate Taverna has edited more than 50 films over her career: Asylum and Killing in the Name were the Academy Award nominees in the Best Short documentary category in 2004 and 2011 respectively. The feature length Pray the Devil Back to Hell won the Best Documentary award at the 2008 Tribeca Film Festival. She’s Beautiful When She’s Angry won the Audience award at the 2014 Boston Independent Film Festival, released theatrically nationwide and was translated into 22 languages andshown globally on Netflix.Her broadcast editing work has been seen on CBS, IFC, A&E, BBC and PBS, among others. 

Films for Humanity is proud to present the US virtual theatrical release of THE PEOPLE vs AGENT ORANGE, a documentary film by Kate Taverna and Alan Adelson. Winner of the Jury Award at the 2020 Eugene Environmental Film Festival, the film will have a virtual release at the New Plaza Cinema in New York, at Laemmle Theaters in Los Angeles and in other cities on March 5, 2021

Black Holes: The Edge of All We Know – Director Peter Galison

In Peter Galison’s thoroughly entertaining and informative new documentary, Black Hole: The Edge of We Know poses and answers an intriguing question, What can black holes teach us about the boundaries of knowledge? These holes in spacetime are the darkest objects and the brightest—the simplest and the most complex. With unprecedented access, Black Hole: The Edge of All We Know follows two powerhouse collaborations. Stephen Hawking anchors one, striving to show that black holes do not annihilate the past. Another group, working in the world’s highest-altitude observatories, creates an earth-sized telescope to capture the first-ever image of a black hole. Interwoven with other dimensions of exploring black holes, these stories bring us to the pinnacle of humanity’s quest to understand the universe. Director Peter Galison (Secrecy) joins us to talk about the world-wide effort of scientists, mathematicians, engineers, students, teachers and physicists to reach new heights of understanding our universe and the opportunity to showcase the more personal and life-affirming side of the late physicist and deep-thinker Stephen Hawking.

 

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 For news, updates and screenings go to blackholefilm.com

Director’s Statement – “I began filming Black Holes | The Edge of All We Know in the spring of 2016, when five colleagues and I launched the Black Hole Initiative, an interdisciplinary center for the study of black holes. Unlike the many fascinating objects in the sky, black holes have come to be central not only to astronomy, but also to mathematics, physics, and philosophy—not to speak of the way they figure in science fiction, in the art world, and in everyday speech. Two of those co-founders (both key figures in the film) are Sheperd Doeleman, the first director of the Event Horizon Telescope (EHT), and Andy Strominger, a long-time collaborator with Stephen Hawking. By April 2016, I had begun working as a physicist/philosopher with the EHT— Alongside the scientific work, during the following years, I filmed what became the first of the three strands of Edge: the EHT’s struggle to make the first image of a black hole. The resulting image was released on 10 April 2019 and seen in the following forty-eight hours by several billion people: the most-viewed scientific image in history. Also from 2016-19, I filmed a parallel effort by Hawking and colleagues, as they undertook to make sense of the (theoretical) threat that black holes pose to the very idea of universal physical law. Finally, philosophers reflect on these most mysterious objects: Is knowledge of the interior of a black hole even to be counted as real? Edge weaves these strands (observation, theory, and philosophy) together, all around the theme of what it is possible to know of these darkest, most elusive and mysterious edges of space and time. The goal of the film is not just to popularize already-achieved science results—it is to bring the audience into the all-too human conduct of science, the dynamics of collaboration, the challenges of observing and theorizing, the tantalizing clues to space and time that can be garnered in the making of science at the absolute forefront of what we can understand.” – Peter Galison

About the filmmaker – Peter Galison is a physicist/historian of science/filmmaker at Harvard University. In 1997, he was named a MacArthur Fellow; with his Event Horizon Telescope colleagues, Galison shared in the 2020 Breakthrough Prize in Fundamental Physics for the first image of a black hole. He is a co-founder of the Black Hole Initiative at Harvard, an interdisciplinary center for the study of these most extreme objects. His documentary film (with Pamela Hogan, 2000) probed the moral-political debates over the H-bomb: Ultimate Weapon: The H-bomb Dilemma. He and Robb Moss co-directed Secrecy (2008), on national security secrecy, which premiered at Sundance. The two also co-directed Containment (2015), about the need to guard radioactive materials and warn the 10,000-year future. Galison partnered (as dramaturg) with South African artist William Kentridge on a multi-screen installation, The Refusal of Time (2012) and an associated chamber opera. He is also the author of several books, including Image and Logic; Objectivity; (with L. Daston), and Einstein’s Clocks, Poincaré’s Maps.

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“Peter Galison’s film does a superb job of conveying the life of science – the passion, the wonder, and the comradery forged by a group of people working together to fathom this strange cosmos we live in” – Alan Lightman, writer/physicist, MIT

““You need to watch this space-time bending doc on Apple TV ASAP”” – Inverse

“…explores the many meanings of black holes and that pioneering photo… a symbol of what humanity is capable of when it aims high and works together.” – space.com

“The experience is akin to that of watching a great artist at work … just a healthy respect and an opportunity to forge a human connection.”- Eye for Film

Hunger Ward – Director Skye Fitzgerald

Filmed from inside two of the most active therapeutic feeding centers in Yemen, HUNGER WARD documents two female health care workers fighting to thwart the spread of starvation against the backdrop of a forgotten war. HUNGER WARD provides an unflinching portrait of Dr. Aida Al Sadeeq and Nurse Mekkia Mahdi as they try to save the lives of hunger-stricken children within a population on the brink of famine. HUNGER WARD is the third installment of Director Skye Fitzgerald’s Humanitarian Trilogy, focused on the global refugee crisis. The first film, 50 FEET FROM SYRIA focused on doctors working on the Syrian border and was Oscar® shortlisted. The second, LIFEBOAT documents search and rescue operations off the coast of Libya and was nominated for an Academy Award® and national Emmy®. Director Skye Fitzgerald (Lifeboat, 50 Feet from Syria, Finding Face) joins us for a conversation on the making of his 2021 Oscar® Shortlisted Hunger Ward documentary, how little American mass media has talked about the ongoing genocidal war against a defenseless civilian population – done with diplomatic,  political backing by the Trump Administration, as well as, intelligence and logistical support from the US military – and what we can do to stop it.

 

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For news and updates go to: hungerward.org

2021 Oscar® shortlist – Best Documentary (Short form)

About the filmmaker – Member of the Academy of Motion Picture Arts and Sciences (Documentary Branch). Oscar/Emmy/IDA-Nominated Director Skye Fitzgerald is directing The Humanitarian Trilogy: HUNGER WARD (2020) documents the impact of the war and famine in Yemen on children, families, and health care workers. LIFEBOAT (2018) highlights search and rescue operations off the coast of Libya and was nominated for an Academy Award® and national Emmy® award. 50 FEET FROM SYRIA (2015) focuses on doctors working on the Syrian border and was voted onto the Oscar® shortlist. Fitzgerald was also inducted as an honorary member into SAMS (Syrian American Medical Society) for his work with Syrian refugees and named a Distinguished Alumnus at his alma mater EOU for documentary work. As a Fulbright Research Scholar Fitzgerald directed the film Bombhunters and has since worked with the Sundance Institute, the U.S. Institute of Peace, the State Department, the Paul Robeson Fund and Mountainfilm. As a Director of Photography, Fitzgerald lenses work for major clients including Dateline, VICE, Mercy Corps, CNN, the Discovery, Travel, History and Animal Planet Channels. For more on Skye Fitzgerald go to: spinfilm.org

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Critical reactions to Skye Fitzgerald’s work:

“…a rare look inside the human impact of the war in Yemen” – Jane Ferguson – PBS NewsHour

“Once you see it, you won’t forget it.” – Sarah Larson – THE NEW YORKER 

“Fitzgerald has sought to harness this art-form to draw attention those who are struggling to obtain their most basic, fundamental human freedoms. LIFEBOAT…is vitally important.” – US HUMAN RIGHTS COMMISSION 

“…deftly addresses the most critical humanitarian issue of our time and those who are doing something about it.” – Michael Brody – Programmer Crested Butte FF  

“…visually brutal…a harrowing package.”  – VARIETY  

17 Blocks – Director Davy Rothbart

In 1999, filmmaker Davy Rothbart met Emmanuel Sanford-Durant and his older brother, Smurf, during a pickup basketball game in Southeast Washington, D.C. Davy began filming their lives, and soon the two brothers and other family members began to use the camera themselves. The result is 17 BLOCKS. Made in a unique collaboration with filmmaker and journalist Davy Rothbart, the film focuses on four generations of the Sanford Family, including Emmanuel, a promising student, his brother Smurf, his sister Denice, an aspiring cop, and his mother Cheryl, who must conquer her own demons for her family to prosper. Spanning two decades, 17 BLOCKS illuminates a nation’s ongoing crisis through one family’s raw, stirring, and deeply personal saga. Made from more than 1,000 hours of footage, it all starts on the street where they lived in 1999, 17 blocks behind the U.S. Capitol. Director Davy Rothbart joins us to talk about his profoundly moving gut punch of a film about the lives of a family fighting against the chaos and cruelty of embedded racism, broken social institutions and pervasive violence, all of it happening a little more than a stones throw from the lawmakers who step over their dead bodies on their way to “work”. God help us if you are not moved by this film.

 

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For news, screenings and updates go to: 17blocksfilm.com

In Virtual Cinemas Starting February 19th, 2021 

Director Davy Rothbart’s team has partnered with organizations like Everytown for Gun Safety and Black Lives Matter D.C. on screenings, and for the film’s national release, presented by MTV Documentary Films. Its national virtual release is set for February 19, 2021, streaming from nearly 100 theaters across the U.S., and viewable on computers, tablets, mobile devices, AppleTV, and Roku.

About the filmmaker – Davy Rothbart is an Emmy Award-winning filmmaker, bestselling author and journalist, frequent contributor to public radio’s This American Life , and the creator of Found Magazine. Rothbart’s film MEDORA, about a resilient high-school basketball team in a dwindling Indiana town, based on the NewYork Times story by Pulitzer Prize winner John Branch, was Executive Produced by Steve Buscemi and Stanley Tucci, and premiered at the 2013 SXSW Film Festival. MEDORA later aired on the acclaimed PBS series Independent Lens and won an Emmy Award.  Rothbart previously directed two documentaries about the activist band Rise Against, which became best-selling DVDs in the U.S., Canada, Germany, and Sweden. A separate short film featuring Rise Against’s song “Make It Stop” was created for Dan Savage’s It Gets Better project and later won an MTV Music Video Award.  Rothbart’s radio stories featured on This American Life have reached more than 20 million listeners, and his books FOUND and My Heart Is An Idiot have debuted on The New York Times Bestseller List. He has made multiple appearances on The Late Show With David Letterman , been featured on ABC’s 20/20, Last Call with Carson Daly, MSNBC, and NPR’s All Things Considered, and been profiled in The New Yorker and The New York Times. A native of Ann Arbor, Michigan, Rothbart now lives in Los Angeles, California. 

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“An essential viewing doc about race & class in America… A documentary with Cinema Verite sensibilities and no qualms whatsoever about the honest presentation of its subjects, 17 BLOCKS is both heartbreaking and inspiring.” – Warren Cantrell, The Playlist 

“RAW AND IMMEDIATE… packs a potent emotional punch.” – Frank Scheck, Hollywood Reporter 

“A remarkably raw and heartfelt piece of filmmaking… At its best, 17 BLOCKS  reminded me of the deep humanism of Steve James’ work.” – Brian Tallerico, RogerEbert.com

“More than just a singular achievement in documentary filmmaking, “17 Blocks” is the result of the Sanford family’s profound act of bravery. – Mark Keizer, Variety

“An absolutely devastating, powerful, and deeply moving film.“ – Tim Cogshell, FilmWeek (KPCC – NPR Los Angeles)

“There’s a searing honesty and immediacy about the footage.” – Amber Wilkinson, Eye for Film

Riding the Rails, Co-director Michael Uys (Lexy Lovell)

RIDING THE RAILS recalls the poignant and little-known story of teen hobos during the 1930s, a time of desperation and bitter hardship. These young itinerant Americans were all searching for a better life; what they found was a mixture of freedom, camaraderie, misery, and loneliness. RIDING THE RAILS interweaves the evocative stories of ten men and women who left home in their youth. Producers Michael Uys and Lexy Lovell placed notices in national publications in search of individuals who rode the rails as teenagers. Three thousand people, now in their 70s and 80s, responded. Uys and Lovell selected a handful to tell their stories on camera. “Some hadn’t spoken of their experiences in sixty years. They poured their hearts out to us,” says Uys. “They were just kids then and when they look back, it’s with a blend of nostalgia and pain.” RIDING THE RAILS vividly combines the clear-eyed memories of witnesses with archival footage of teens riding atop speeding trains and newsreel interviews with lean-bodied kids full of bravado. RIDING THE RAILS features a rich soundtrack of American folk tunes of the time, including songs by Woody Guthrie, Elizabeth Cotten, Doc Watson, and Jimmie Rodgers. RIDING THE RAILS co-director and co-producer Michael Uys joins us to talk about a misunderstood era in our nation’s history, and his recollection on the making of a still relevant documentary classic. 

 

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For more go to: pbs.org/wgbh/americanexperience/films/rails

For more about the film go to: ridingtherails-themovie.com

For more about Michael Uys go to: erroluys.com

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“I think it’s wonderful. I really think it’s very moving and beautiful, and I think it’s important. Riding the Rails is a natural. I’m astonished that it hasn’t been done through all these years. It’s one of the vital, terribly unreported sagas of the thirties. With today’s homeless kids, it’s a contemporary story of overwhelming importance. The analogy may awaken a public conscience that has been too long asleep. I thank you for making this movie. It’s terrific.” – Studs Terkel

“Excellent! Not only fascinating history, but it is poignant and evocative on an emotional level as well.” – Kenneth Turan,  Los Angeles Times

“Moving and informative, this is a winning documentary… From the sad and stirring folk songs on the sound track to the unforgettable faces and stories, Riding the Rails is a historical journey well worth taking.” – David Hunter,  The Hollywood Reporter

“As straightforward as a stretch of prairieland track, Riding the Rails succeeds on all counts. These stories — the sharecropper’s son who was a financial burden to his family, the French boy beaten by his parents, the kid who wanted to see America and play the guitar, the girl who stormed out of the house after a fight with her dad — are fascinating character studies. Taken as a whole, they depict a time when rampant poverty and desperation forced thousands of youths into the itinerant life, begging for change and food, sleeping in hobo encampments and hoping for a better tomorrow.” – Steven Rea,  The Philadelphia Inquirer

Women in Blue – Director Deirdre Fishel

Filmed from 2017-2020, WOMEN IN BLUE follows Minneapolis’ first female police chief Janeé Harteau, as she works to reform the Minneapolis Police Department by getting rid of bad cops, retraining the rest, diversifying the ranks and promoting women—who statistically use less force than their male counterparts—into every rank of leadership. WOMEN IN BLUE focuses on four women in Harteau’s department, each trying to redefine what it means to protect and serve. After a high-profile, officer-involved shooting forces Chief Harteau to resign, the new, male chief selects only men as his top brass. The women left behind continue to fight to police differently and to rebuild community trust. WOMEN IN BLUE offers an unprecedented view into the inner workings of the MPD, chronicling a department—and a community—grappling with racism and a troubled history of police misconduct long before an MPD officer killed George Floyd in May of 2020. The film reveals the limitations of police reform through incremental change and asks questions that apply well beyond the city of Minneapolis. Could increased gender equity and more women —especially Black women — contribute to greater public safety? Director Deirdre Fishel joins us to talk about some of the many reason that law enforcement is at a critical juncture, how women can be agents of reform in more effective but often aren’t allowed to and the impact that the Floyd murder had on the project.

 

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Premieres February 8 on pbs.org/independentlens/films/women-in-blue

About the filmmaker – Deirdre Fishel is a producer/director of documentaries and dramas that have premiered in competition at Sundance, SXSW, AFI and Full Frame and been broadcast in 35 countries worldwide.  Her most recent documentary  CARE, which looks at the poignant but hidden world of home elder care, was funded by ITVS and the Ford and MacArthur Foundations. It was broadcast on AMERICA REFRAMED and had an extensive impact campaign with support from Bertha BritDocs, AFI DOCS, and the Fledgling Fund. Fishel has devoted the majority of her career to stories about women and is Director of the BFA program in Film/Video at City College.  For more go to: newday.com/filmmaker/Fishel

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“This is an unflinching study of a complex situation, showing gray areas where often only black and white are seen.” – Peter Keough, Boston Globe

“Plays like a spiritual prequel to everything we’ve seen in the past four weeks, and contains some early clues that there was something dreadfully wrong going on in the Minneapolis Police Department.” – Stephen Silver, Splice Today

“This is a timely, compelling look at a group of women who are dedicated to standing out in a male-dominated field.” – Mike McGranaghan, Aisle Seat

Through the Night – Director Loira Limbal

THROUGH THE NIGHT is a cinema vérité portrait of three working mothers whose lives intersect at Dee’s Tots Daycare in New Rochelle, NY: a mother working the overnight shift as a pediatric nurse; another holding down three low-wage jobs to support her two girls; and Deloris “Nunu” Hogan, who for over two decades has cared for the children of parents with nowhere else to turn. A tender portrait of titanic strength, love and selflessness, THROUGH THE NIGHT showcases the multiplicity of “women’s work” – paid, underpaid and unpaid; emotional and physical; domestic and career-oriented – all while negotiating the terms of a dignified existence under the three arrows of racism, sexism and capitalism in America. THROUGH THE NIGHT will open this Friday, December 11th at the Laemmle Virtual Cinema in addition to virtual cinemas around the country. Director Loira Limbal joins us for a conversation on the myriad of issues raised in this deceptively simple meditation of the why and how millions of hard working people in the home of the brave can do all the right things only to find themselves one random event away from the economic abyss that is modern American life. 

 

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For news and updates go to: throughthenightfilm.com

About the filmmaker – Loira Limbal is an Afro-Dominican filmmaker and DJ based in the Bronx. She is the Senior Vice President of Programs at Firelight Media, an organization that provides mentorship, funding and industry access to emerging filmmakers of color. THROUGH THE NIGHT was an official selection of the 2020 Tribeca, AFI Docs, Camden, Hot Springs Documentary, Double Exposure and DOC NYC festivals. Her first film, ESTILO HIP HOP, aired on PBS in 2009. Loira is a Sundance Institute Fellow and a former Ford Foundation Justfilms/Rockwood Fellow. Additionally, she co-produces and helms the popular Brooklyn monthly #APartyCalledRosiePerez. Limbal received a B.A. in History from Brown University and is a graduate of the Third World Newsreel’s Film and Video Production Training Program. She is a Sundance Institute Fellow and a former Ford Foundation Justfilms/Rockwood Fellow.

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100% on Rotten Tomatoes

“This quietly engaging documentary is also subtly political, showing with clear eyes how good people are trying to patch gaps in our society that shouldn’t be there in the the first place.” – Noel Murray, Los Angeles Times

“Through the Night is both celebration and indictment. A sympathetic depiction of “women’s work,” in all its unsung dignity, it’s also a quietly damning portrait of a merciless economy’s effect on working-class mothers… – Sheri Linden, Hollywood Reporter

“Without making it too obvious, Limbal’s documentary shines a light on the unspoken backbone of our economy. – Monica Castillo, Remezcla

‘”Through the Night” won me over though, not because director Loira Limbal has any illusions about objectivity, but because she prefers to step back and show the toll inequality takes on the very people our culture supposedly reveres most – families.” – Andrea Thompson, A Reel of One’s Own

Dear Santa – Director Dana Nachman

From director Dana Nachman (BATKID BEGINS, PICK OF THE LITTER) comes the fanciful and poignant story of Operation Santa. For more than 100 years human elves have been helping Santa respond to the thousands of letters that are written and mailed to him. Through Operation Santa, the United States Postal Service makes it possible for the public to safely adopt these letters and make children’s dreams come true. DEAR SANTA invites audiences along for the magic of this massive endeavor. Traveling the country, much like Santa does on Christmas Eve, the film focuses on select Operation Santa centers: some in metropolitan areas like the massive operation in New York City and others in small towns where the post office is the heart of the community. This is a no Christmas spoiler film and Santa himself has watched the film and can’t wait for the December 4th release! Director Dana Nachman drops down the chimney to talk about her latest, and much needed heart-warming ode to generosity, kindness, and unabashed humanity.

 

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 For news, updates and screeings go to: dearsanta.movie

Learn more about Operation Santa at: uspsoperationsanta.com

About the filmmaker – Director Dana Nachman is a veteran documentary filmmaker and former journalist. Her films have received dozens of awards from top film festivals across the U.S. and around the world. Her recent film PICK OF THE LITTER, which she directed with Don Hardy, premiered at the Slamdance Film Festival, was distributed by IFC Films, and was adapted into an original television series for Disney+ that she also co-directed. Her documentary BATKID BEGINS debuted at Slamdance Film Festival and was distributed by Warner Bros / New Line Cinema. Her film WITCH HUNT debuted at the Toronto International Film Festival and her film LOVE HATE LOVE debuted at the Tribeca Film Festival. She also directed the documentaries THE HUMAN EXPERIMENT, WASHED AWAY and the comedies HOOKED UP 2.0 and THE FINAL SHOW. Her television news work earned her multiple Emmy® awards, an Edward R. Murrow Award, and a regional AP award. Nachman is a member of the Directors Guild of America (DGA).

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“Ultimately, “Dear Santa” is about pulling together, helping neighbors, loving each other and celebrating life and the spirit of giving. It’s a delightful gift at the end of a challenging year.” – G. Allen Johnson, San Francisco Chronicle

“Dear Santa delivers a desperately needed dose of holiday cheer during these troubled times that will leave even the most Grinch-like of viewers bathed in their own tears.” – Frank Scheck, Hollywood Reporter

“Overall, I think this documentary is perfect, even if it is a bit of a Christmas propaganda movie. This is the perfect time for that.” – Lorry Kikta, Film Threat

“Director Dana Nachman juggles the insights of children, the feeling of the season, and the aspirations of people seeking to do good works in several locations across the country in the three weeks of activity ahead of Christmas.” – Douglas Davidson, Elements of Madness

Belly of the Beast, Director Erika Cohn

BELLY OF THE BEAST shines a white hot spotlight on the pastoral farmlands surrounding the Central California Women’s Facility (CCWF), the world’s largest women’s prison. For decades CCWF concealed the reproductive and human rights violations transpiring inside its walls. A courageous woman, Kelli Dillon, who was involuntarily sterilized at the CCWF, teams up with a radical lawyer, Cynthia Chandler, to stop these violations. Together they spearhead investigations that uncover a series of statewide crimes, primarily targeting women of color, from inadequate access to healthcare to sexual assault to illegal sterilization. With a team of tenacious heroines, both in and out of prison, they take to the courtroom to fight for reparations. But no one believes them. As additional damning evidence is uncovered by the Center for Investigative Reporting, a media frenzy and series of hearings provide hope for some semblance of justice. Yet, doctors and prison officials contend that the procedures were in each person’s best interest and of an overall social benefit. Invoking the weight of the historic stain and legacy of eugenics, BELLY OF THE BEAST presents a decade long, infuriating contemporary legal drama. Director Erika Cohn (The Judge, When the Voices Fade) joins us for a conversation about her incredible tale that chronicles the rampant abuse of incarcerated women, being coerced by a prison-based culture of medical personnel actively subverting their basic human rights.

 

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For news, updates and screenings go to: bellyofthebeastfilm.com

About the filmmaker – Director Erika Cohn is a Peabody and Emmy Award-winning director/producer who Variety recognized as one of 2017’s top documentary filmmakers to watch and was featured in DOC NYC’s 2019 “40 Under 40.” Most recently, Erika completed The Judge, a Peabody Award-winning and Emmy-nominated film about the first woman judge appointed to the Middle East’s Shari’a courts, which premiered at the 2017 Toronto International Film Festival and was broadcast on PBS’ 2018 Independent Lens series. Erika co-directed/produced, In Football We Trust, an Emmy award-winning, feature documentary about young Pacific Islander men pursuing their dreams of playing professional football, which premiered at the 2015 Sundance Film Festival and was broadcast on PBS’ 2016 “Independent Lens” series. She has received numerous accolades for her work, including a Director’s Guild of America award for her fiction short film, When the Voices Fade. Erika grew up attending the Sundance Film Festival as a native Utahn, where she first began her career and later studied at Chapman University (California) and Hebrew University (Jerusalem) where she received degrees in Film Production, Middle East Studies, and Acting Performance. In 2013, Erika founded Idle Wild Films, Inc., which has released three feature documentaries and produced numerous branded content and commercial spots, including Gatorade’s “Win from Within” series, for which she received a 2016 Webby award nomination. Belly of the Beast is her third feature-length documentary. For more about Erika Cohn go to: idlewildfilmsinc.com

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“A harrowing documentary about the practice of forced sterilization.” – Evan Dossey, Midwest Film Journal

“Inside the belly of documentarian Erika Cohn’s Beast lurks a monstrosity more appalling than horror fiction.” – Scott Marks, San Diego Reader

Driving While Black, Co-directors Dr. Gretchen Sorin and Ric Burns

DRIVING WHILE BLACK: RACE, SPACE AND MOBILITY IN AMERICA is a ground-breaking, two-hour documentary film by acclaimed historian Dr. Gretchen Sorin and Emmy–winning director Ric Burns. Chronicling the riveting history and personal experiences – at once liberating and challenging, harrowing and inspiring, deeply revealing and profoundly transforming  –  of African Americans on the road from the advent of the automobile through the seismic changes of the 1960s and beyond – DRIVING WHILE BLACK explores the deep background of a recent phrase rooted in realities that have been an indelible part of the African American experience for hundreds of years – told in large part through the stories of the men, women and children who lived through it. The documentary draws upon the wealth of recent scholarship – and based on and inspired in large part by Gretchen Sorin’s recently published study of the way the automobile and highways transformed African American life across the 20th century – the film examines the history of African Americans on the road from the depths of the Depression to the height of the Civil Rights movement and beyond, exploring along the way the deeply embedded dynamics of race, space and mobility in America during one of the most turbulent and transformative periods in American history. Co-directors Gretchen Sorin and Ric Burns join us to talk about the crippling impact of systemic racism and the continuing stain of America’s original sin.

 

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For  more on the story and history behind the the film go to: dwbfilm.com

DRIVING WHILE BLACK will air on PBS on Tuesday, October 13, 2020 at 9:00 p.m. (check local listings).

About the filmmaker – Gretchen Sullivan Sorin, Project Director & Senior Historical Advisor Dr. Gretchen Sullivan Sorin is Distinguished Professor and Director of the Cooperstown Graduate Program. Her dissertation and upcoming book form the basis of the scholarship for this project. Her research explores the role that the automobile played in the lives of African Americans during the Jim Crow era, the way that African Americans expressed middle class American values through car ownership, and how cars helped change deeply entrenched racial etiquette. Sorin received her Ph.D. in history from the University at Albany in 2009. For more on the work of Dr. Gretchen Sorin go to gpmuseumstudies.org

About the filmmaker – Ric Burns is an internationally recognized documentary filmmaker and writer, best known for his eight-part, seventeen and a half hour series, New York: A Documentary Film, which premiered nationally on PBS to wide public and critical acclaim when broadcast in November 1999, September 2001, and September 2003. Burns has been writing, directing and producing historical documentaries for over 25 years, since his collaboration on the PBS series The Civil War, (1990), which he produced with his brother Ken and co-wrote with Geoffrey C. Ward.  Since founding Steeplechase Films in 1989, he has directed some of the most distinguished programs for PBS including Coney Island (1991), The Donner Party (1992), The Way West (1995), Ansel Adams (2002), Eugene O’NeillAndy Warhol (2006), We Shall Remain: Tecumseh’s Vision (2009), Into the Deep: America, Whaling & the World (2010), Death and the Civil War (2012), American Ballet Theatre (2015), Debt of Honor (2015), The Pilgrims (2015), VA: The Human Cost of War (2017), and The Chinese Exclusion Act (2018). His work has won numerous film and television awards including six Emmy Awards, two George Foster Peabody Awards,  two Alfred I. DuPont-Columbia University Awards,  three Writer’s Guild of America Awards for Outstanding Individual Achievement in a Craft: Writing;  the Eric Barnouw Award of the Organization of American Historians, and the D.W. Griffith Award of the National Board of Review. Find out more about Ric Burns and Steeple Chaase Films at: ricburns.com  And dwbfilm.com

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This Is Not a Movie: Robert Fisk and the Politics of Truth, Director Yung Chang

Yung Chang’s This is Not a Movie is a fascinating documentary portrait of world-acclaimed British born Beirut-based foreign correspondent Robert Fisk. Fisk’s work is as vital as ever in an era of “fake news,” politicized facts, and the rise of ethno-nationalist politics. A Middle East correspondent for The Independent, Fisk holds more international journalism awards than any other foreign correspondent. For more than 40 years, journalist Robert Fisk has reported on some of the most violent and divisive conflicts in the world. Director Yung Chang (Up the Yangtze, The Fruit Hunters) captures Fisk in relentless action—feet on the ground, notebook in hand, as he travels into landscapes devastated by war, ferreting out the facts and firing reports back home to reach an audience of millions. Director Yung Chang stops by to talk about Robert Fisk’s dedicated work ethic, stamina and desire to talk with all sides of a story and why, in a time of disinformation and deceit by the powerful, his voice, his pen and his reporting have made him one of journalism’s most reliable sources of information and truth.

 

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For news, updates and screenings go to: kimstim.com/film/this-is-not-a-movie

For more about Yung Chang’s work go to: yungfilms.com

Watch This Is Not a Movie on virtual cinema at laemmle.com/film/not-movie

About the filmmaker – Yung Chang is the director of Up the Yangtze (2007), China Heavyweight (2012), and The Fruit Hunters (2012). He is currently completing a screenplay for his first dramatic feature, Eggplant. In 2015, Chang was selected to participate in the prestigious Sundance Labs for Eggplant. Chang was the Spotlight Artist for the 2019 Reel Asian Int’l Film Festival where a live script reading of Eggplant was performed to a sold-out audience by talented actors from Kim’s Convenience, The Handmaid’s Tale and Locke & Key.  Chang’s award-winning short, Gatekeeper, qualified for the 2016 Oscars and is distributed by Field of Vision, Laura Poitras’ curated online film unit. His latest feature documentary, This is Not a Movie is about Robert Fisk, the iconoclastic Middle East correspondent. The film is co-produced by the National Film Board of Canada, currently on the festival circuit, World Premiered at TIFF 2019 . A graduate of the Meisner acting technique from the Neighborhood Playhouse School of the Theatre in NYC and Concordia University’s Mel Hoppenheim School of Cinema in Montreal, Chang brings emotional depth and cinematic realism into his work. Chang is the recipient of the Don Haig Award, the Yolande and Pierre Perrault Award, and the Guggenheim Emerging Artist Award. He is a member of the Directors Guild of Canada. In 2013, he was invited to become a member of the Academy of Motion Picture Arts and Sciences, the organization behind the Academy Awards. For more about Yung Chang’s work go to: yungfilms.com

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“[The film] provides a comprehensive portrait of a man who has become essential reading.” – Hollywood Reporter

“[A] laudatory, engaging profile of [Robert Fisk]…” – Globe and Mail

“In This Is Not a Movie, Fisk’s life history is paired with a director up to the task of presenting the facts in a compelling, cogent manner.” – Hammer to Nail

“It is as fascinating to watch Fisk talk about the media landscape as it is to read his inimitable writings on the Middle East.” – Cineuropa

“Fisk’s story is a compelling reminder of just how real the news can be.”- POV Magazine

A Thousand Cuts, Director Ramona S. Diaz

Award-wining filmmaker Ramona S. Diaz’s latest documentary, A THOUSAND CUTS, is a blistering indictment of a free press and democracy are under attack in the Philippines. In the face of journalist Maria Ressa and founder of the on-line news site Rappler is holding the line and fighting back against President Rodrigo Duterte’s escalating threats of assignation and death. Duterte smear tactics and threats against Ressa (discredit journalists/media, spread misinformation, attacks on social media) are similar to what other authoritarian leaders are now using against the press. Duterte’s war on truth and journalism has become a blueprint for other authoritarian regimes around the world. A THOUSAND CUTS spotlights Ressa’s fight for justice in the country is ongoing as she was found guilty of cyber libel last month in a blatant attempt to silence one of the most outspoken critics of the Philippine President. The alarming result is not only an attack on Democracy in the Philippines, but also a warning shot to the rest of the world. Ressa’s lawyer Amal Clooney (also featured in the film) recently penned this Op-Ed  last month underscoring the implications of this trial. Director, Producer, Writer and Co-editor Ramona S. Diaz (Motherland, Imelda) joins us to talk about the suffocating pressure being brought to bear on journalists, her admiration for those who remain committed to a free press and the hope she has for her beloved homeland. 

 

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For news and updates go to: athousandcuts.film

For screenings go to: athousandcuts.film/watch-screenings

Produced by Concordia Studio and Motto Pictures, A THOUSAND CUTS will release nationwide in virtual cinemas on August 7th via PBS Distribution / Frontline PBS.

About the filmmaker Ramona S. Diaz is an award-winning Asian American filmmaker whose films have screened at Sundance, the Berlinale, Tribeca, the Viennale, IDFA, and many other top-tier film festivals. All of Ramona’s feature-length films—Imelda (2004), The Learning (2011), Don’t Stop Believin’: Everyman’s Journey (2012) and, Motherland (2017)—have been broadcast on PBS, on either the POV or Independent Lens series. Motherland won an award at the 2017 Sundance Film Festival and had its international premiere at the 67th Berlin International Film Festival. It was nominated for an Independent Spirit Award for best Documentary, a Peabody Award, and a Gaward Urian Award from the Filipino Film Critics. She has received funding from ITVS, Sundance, CAAM, Tribeca, Catapult Film Fund, Chicken & Egg, MacArthur Foundation, the IDA, Cinereach and Creative Capital, among others. For the past four years, Ramona has been a film envoy for the American Film Showcase, a joint program of the U.S. Department of State and the USC School of Cinematic Arts that brings American films to audiences worldwide. She has conducted master classes and production workshops all over the world. Ramona was awarded a prestigious Guggenheim Fellowship and was inducted into the Academy of Motion Picture Arts & Sciences (AMPAS) in 2016, and in 2017 received a Women at Sundance Fellowship and a Chicken & Egg Pictures Breakthrough Filmmaker Award. She is a current recipient of a United States Artist Fellowship. Ramona is a graduate of Emerson College and holds an MA from Stanford University.

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Winner – Best Documentary – DocEdge 2020

“[This] engrossing, galvanizing film feels more like a political thriller than an off-the-cuff investigation into embattled journalism in the Philippines, but Ressa’s seemingly boundless energy, good humor, and intelligence make her basically a power plant for the manufacture of inspiration in embattled times.” – Jessica Kiang, Variety

“A Thousand Cuts provides an expansive, revealing look at the current Filipino political situation, and it doesn’t feel like it’s warning viewers about what will happen in America, so much as telling us what’s coming next.”- Nick Allen, RogerEbert.com

“Diaz creates a rousing paean to the bravery of Ressa and her colleagues, and a clarion call to action that we should all heed.” – Christopher Llewellyn Reed, Hammer to Nail

“A Thousand Cuts is a must see for those who care about freedom of the press, democracy, and the future of one particular country-our own.” – Max Weiss, Baltimore Magazine

The Killing Floor, Director Bill Duke

Praised by The Village Voice as the most “clear-eyed account of union organizing on film,” THE KILLING FLOOR tells a true story of how a group of black and white slaughterhouse workers attempted to break race barriers to build an interracial union for the first time in the brutal stockyards. Damien Leake (SERPICO, APOCALYPSE NOW) stars as Frank Custer, a young black sharecropper from Mississippi – one of tens of thousands of southern blacks who journeyed to the industrial north during World War One, hoping for more racial equality. When Frank lands a job as a laborer on “the killing floor” in one of Chicago’s giant meatpacking plants., he finds a place seething with racial antagonism and decides to support the union cause. His best friends from the South, distrustful of the white-led union, turn against him. As racial violence explodes in the notorious Chicago Race Riot of 1919, management is able to further divide the workforce to defeat the union, and Frank must forge a new path. Director Bill Duke ( A RAGE IN HARLEM, DEEP COVER) stops by to talk about the challenges of making a sweeping historical film on a PBS budget, bringing together a talent group of mostly unknown African-American actor and the joy of seeing his groundbreaking and newly relevant film restored and revisited.

For news and updates go to: filmmovement.com/the-killing-floor

Watch The Killing Floor: filmmovement.com/in-theaters

About The Killing Floor: The film was shot in 1983 in Chicago, working with local union crews and with many talented Chicago actors. It was made in the midst of the Reagan Era and shortly after the election of Chicago’s first African-American mayor, Harold Washington. Funded by the National Endowment for the Humanities, foundations, corporations and dozens of national and local unions, THE KILLING FLOOR premiered on PBS’ American Playhouse series in 1984 to rave reviews. In 1985 the film was invited to Cannes and won the Sundance Film Festival Special Jury Award. Featuring a screenplay by Obie Award-winner Leslie Lee, based on an original story by producer Elsa Rassbach and directed by Bill Duke (A RAGE IN HARLEM, DEEP COVER), THE KILLING FLOOR. New 4K restoration. Preserved by UCLA Film & Television Archive, laboratory services and DCP by UCLA Film & Television Archive Digital Media Lab, with a special thanks to Elsa Rassbach, Sundance Institute Collection at UCLA Film & Television Archive.

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100% on Rotten Tomatoes

“Rich and revealing, a cry of historical dimensions….” — Variety

 “A classic study in class hate, greed and stubborn idealism.  You won´t forget it.” — Newsday

 “Brilliantly captures the drama of the moment as well as the historical forces that produced it.” — The Journal of American History

“…a particularly brilliant example of a cinema which knows how to use all the resources of fiction, without ever allowing its historical documentary side to be marred.” – La Revue du Cinema

“…fascinatingly recreated period reality, in performances that combine political faith with artistic force….” – London Evening Standard

“A very powerful, very surprising film….” – Le Monde

 “As compelling dramatically as its historical analysis is fascinating …Surprising that a film from the U.S. can be so frank and explicit in its exposure of the class struggle.” — Sight & Sound

Terrence McNally, Every Act Of Life, Director Jeff Kaufman and Producer Marcia Ross


Terrence McNally, Every Act Of Life, tells the story of the groundbreaking life and work of 5-time Tony-winning playwright Terrence McNally: a personal journey through 6-decades of the American theatre, the struggle for LGBT rights, triumph over addiction, the power of the arts to shape society, and finding love and inspiration at all ages. F. Murray Abraham, Audra McDonald, Christine Baranski, Edie Falco, Nathan Lane, Angela Lansbury, Rita Moreno and others weigh in on the pioneering playwright’s influential career, and speak frankly of his struggles as well as his monumental successes. The voices of Dan Bucatinsky, Bryan Cranston and Meryl Streep are also featured. Intimate conversations with the late McNally complete this essential portrait of the four-time Tony winner and 2019 recipient of the Special Tony Award for Lifetime Achievement in the Theatre. Playwright, librettist, scriptwriter and outspoken LGBTQ activist Terrence McNally died of coronavirus complications in April 2020 at age 81. American Masters and the filmmaking team explored McNally’s six-decade career through the intimate and revealing documentary. Director Jeff Kaufman and Producer Marcia Ross join us for a look back at one of the greatest playwrights  in American theatre history.

 

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For news and updates go to: everyactoflife.com

Terrence McNally, Every Act Of Life, will be returning to PBS Streaming on June 1st. 

About the filmmakers: Jeff Kaufman produced, directed, and wrote the documentaries Every Act Of Life (2018 Tribeca premiere, aired June 2019 on American Masters), The State of Marriage, Father Joseph, The Savoy King: Chick Webb and the Music That Changed America, Brush With Life: The Art of Being Edward Biberman, and Education Under Fire, plus a number of short films for Amnesty International, and programs for The Discovery Channel, and The History Channel. He also edited/designed a book based on the film Every Act Of Life, contributed cartoons to The New Yorker, and illustrations to The Los Angeles Times and The New York Times, wrote/illustrated several children’s books, and hosted daily radio shows in Vermont and Los Angeles.

Marcia S. Ross produced the documentaries Every Act Of Life, The State of Marriage, Father Joseph, and The Savoy King. Additionally she has an over 3-decade career as an independent casting director and casting executive, serving 16 years as EVP for Casting at Walt Disney Motion Pictures, and 5 years as VP for Casting and Talent Development at Warner Brothers TV. Some of her film and television credits include Clueless, Cujo, thirtysomething, Murder in Mississippi, 10 Things I Hate About You, The Princess Diaries, Romy and Michele’s High School Reunion, The Lookout, Enchanted, Oblivion, and Parental Guidance. She has received career achievement awards from the Casting Society of America and the Hollywood Film Festival.

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91% on Rotten Tomatoes

McNally’s life has the sweep of an epic novel, except that the novel’s inevitable movie version could never have as much star power as his life did.” – Ren Jender, Village Voice

“It’s a great introductory piece for those new to this area of theatre, and a pleasing chance for others to reflect on one of its greatest talents.” – Jennie Kermode, Eye for Film

“It does true justice to its subject by showing how his influence goes well beyond words, finding his tribe on Broadway and making it feel like home for others.” – Stephen Saito, Moveable Fest

“McNally’s life has the sweep of an epic novel, except that the novel’s inevitable movie version could never have as much star power as his life did.” – Ren Jender, Village Voice

 

Slay the Dragon, Co-directors Barak Goodman and Chris Durrance, Journalist David Daley

After the 2008 election, a secretive, well-funded partisan initiative poured money into state legislative races in key swing states to gain control of their redistricting processes and used high-tech analytics to dramatically skew voting maps based on demographic data. The result is one of the greatest electoral manipulations in U.S. history, one that poses a fundamental threat to our democracy and exacerbates the already polarized atmosphere in Congress and state houses across the country.  Gerrymandering, the practice of redrawing electoral maps to serve the party in power, has been around for centuries. But in today’s hyper-partisan political environment it has been taken to unprecedented extremes, fueled by the elimination of corporate campaign contribution limits and the availability of vast amounts of personal information. The effects of this insidious strategy have continued to bear fruit through the 2018 midterms. But voters, fed up with cynical efforts to sidestep the will of the majority, have begun fighting back. In one example, a grassroots movement led by a young with no political experience gathered hundreds of thousands of signatures to put an anti-gerrymandering initiative on the ballot in Michigan. The new documentary SLAY THE DRAGON shines a light on this timely issue, and follows a handful of citizens’ groups, outraged by what they see as an attack on the core democratic principle that every person’s vote should count equally, as they battle party operatives and an entrenched political establishment to fix a broken system. Co-directors Barak Goodman and Chris Durrance stop by to talk about their approach to tackling a complex issue, and finding the grassroots activists who have shown that there is a way to affect real change despite the overwhelming odds.

 

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For news, screenings and updates go to: slaythedragonfilm.com

Watch Slay the Dragon AND support local Theatres: slaythedragonfilm.com/tickets

To learn more about the filmmakers and their work go to: ark-media.net

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“The most important political film of the year. It may prove to be one of the key political films of the decade. There is no issue more threatening to the future of American democracy than gerrymandering.” – Owen Gleiberman, VARIETY

“Slay the Dragon does an extraordinarily good job of taking a complex issue and connecting the dots, which seems particularly appropriate for a documentary about gerrymandering.” – Brian Lowry, CNN.com

“Outrage is a likely reaction.” – Karen Martin, ARKANSAS DEMOCRAT-GAZETTE

“Shocking. It changes the way you see everything.”- Adrian Horton, THE GUARDIAN

The Rescue List – Co-directors Alyssa Fedele and Zachary Fink

THE RESCUE LIST focuses on a hidden safe-house in the Ghanaian forest, where social workers help two children recover from a childhood enslaved to fishermen on Lake Volta – the largest man-made lake on Earth. But their story takes an unexpected turn when their rescuer embarks on another rescue mission and asks the children for help. THE RESCUE LIST charts the unfolding drama of these rescue operations alongside a stirring portrait of the boys’ recoveries as they prepare to return to their families. The film depicts a moving story of friendship and courage that transcends the trope of victimhood, exploring what it means to love and to survive. Co-directors Alyssa Fedele and Zachary Fink join us for an in-depth conversation on the ground truth about human trafficking in sub-Sahara Africa, gaining the access and the trust of all the people in the film and their own reflections on how witnessing these people’s stories has impacted them.

 

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To watch The Rescue List on PBS POV go to: therescuelist.com

About the filmmakers:

ALYSSA FEDELE – PRODUCER  //  DIRECTOR  //  EDITOR – Alyssa Fedele is a documentary filmmaker and anthropologist based in San Francisco.  In 2016, She produced and edited The Ride of Their Lives, directed by Steve James, about youth rodeo bull riding. It premiered at Sundance and is distributed by Amazon Studios in the series The New Yorker Presents. Her work has appeared on National Geographic Channel, Amazon Studios, and PBS, and screened at IDFA, SFFILM, and Big Sky Film Festival. Alyssa directed, produced, and edited The Rescue List, which screened at Full Frame and DOC NYC and won awards at BendFilm and Heartland International Film Festival.Alyssa is a former resident at SFFILM’s FilmHouse and she is a recipient of the SFFILM Documentary Film Fund. She has a master’s degree in visual anthropology from the University of Manchester.

ZACHARY FINK – PRODUCER // DIRECTOR // CINEMATOGRAPHER – Zachary Fink is a documentary filmmaker and cinematographer. His immersive observational approach to storytelling is deeply influenced by his academic roots in cultural anthropology and visual ethnography. He recently lensed Rob Epstein and Jeffrey Friedman’s SXSW opening night premiere, State Of Pride, which takes an unflinching look at the diverse expression of Pride 50 years after Stonewall. Last year he spent a month at McMurdo Station in Antarctica where he field directed and shot a forthcoming PBS NOVA series about how science is conducted on the harshest continent. In 2016, Zachary produced  and filmed The Ride Of Their Lives, a short directed by Steve James about youth rodeo bull riding. It premiered at Sundance as part of the Amazon Studios series, The New Yorker Presents. His work has appeared on PBS, HBO, National Geographic Channel, and Discovery Channel, and he has produced and directed projects for Facebook, Apple, Google, and for the Harvard Film Study Center. Zachary has a master’s degree in cultural anthropology and an MFA in film production from California Institute of the Arts. Together with Alyssa Fedele, he runs the production company Collective Hunch.

 

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“The Rescue List isn’t an exposé on the subject in the strictest terms, but by sticking close to those who’ve lived through such nightmares, Fedele and Fink tell the viewer all they need to know about the dangers involved.” – Andrew Parker, The Gate

“Stirring tale of children rescued from modern-day slavery.” – Stephen Farber, Hollywood Reporter

“Saving defenseless kids from the cruelty of Lake Volta must be some of the most challenging work imaginable, but The Rescue List ultimately resonates because of how little it can take to show them their own strength.” – David Ehrlich, indieWire

“Focusing on a rescue-and-rehabilitation organization and several youths it plucks from servitude, this is an involving indictment with enough individual human-interest elements to avoid being too much of a grim screed.” – Dennis Harvey, Variety

Cooked: Survival by Zip Code, Director Judith Helfand

Twenty-five years after the 1995 Chicago heat wave, COOKED: Survival by Zip Code examines the events that led to the deaths of 739 people, mostly Black and in the poorest neighborhoods of the city. The film arrives at a time of growing calls across the country to declare racism a public health crisis and to reinvest in communities ravaged by the long-term impact of structural racism. A recent NYU study found life expectancy differentials as wide as 20-30 years linked to racial and ethnic segregation between neighborhoods in American cities. Adapted from Eric Klinenberg’s ground-breaking book ‘HEAT WAVE: A Social Autopsy of Disaster in Chicago,’ the film is directed and produced by Peabody Award-winning director Judith Helfand (Blue Vinyl, A Healthy Baby Girl, Everything’s Cool), produced by Fenell Doremus (co-producer of Academy Award-nominated Abacus: Small Enough to Jail), and Kartemquin Films, the award-winning Chicago documentary production house behind Minding the Gap and Hoop Dreams. In COOKED, Helfand challenges herself, and ultimately all of us, to respond to the man-made disasters taking place in towns and cities across the country before the next unprecedented “natural” disaster hits. Director Judith Helfand joins us to talk about the systemic racism that makes the neighborhoods of the poorest the most likely location for

Independent Lens: COOKED: Survival by Zip Code will have its national television debut on the PBS television series Independent Lens on Monday, February 3 at 10:00 pm (check local listings), preceding coverage of the Iowa Caucuses. The film will also be available to stream at PBS.org and on the free PBS Video App throughout Black History Month.

 

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For news and updates go to: pbs.org/independentlens

For news, screenings and updates go to: cookedthefilm.com

For more information about Cooked: Survival by Zip Code go to: independentlens/cooked

About Independent Lens – Award-Winning Series
Each week this award-winning series bring you an original documentary film made by one of the best independent filmmakers working today. Independent Lens films have won 19 Emmy Awards16 Peabody Awardsfive duPont-Columbia University Awards, and have received 10 Academy Award nominationsIndependent Lens won the 2013, 2014, 2015 and 2017 International Documentary Association (IDA) Award for Best Continuing Series.

 

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Walk Run Cha Cha, Director Laura Nix

WALK RUN CHA-CHA has been nominated for Documentary Short Subject at the 92nd Academy Awards®. Directed by Laura Nix, the film follows Paul and Millie Cao, who lost their youth to the aftermath of the Vietnam War. Forty years later, they have become successful professionals in Southern California-and are rediscovering themselves on the dance floor. WALK RUN CHA CHA is now streaming on New York Times Op-Docs.

About the Filmmaker: Director Laura Nix Laura Nix is an award-winning fiction and nonfiction filmmaker based in Los Angeles. WALK RUN CHA-CHA is adapted from a feature-length documentary in progress. It was produced by Concordia Studio for The New York Times Op-Docs and premiered at the 2019 Tribeca Film Festival. Laura’s work also includes  other work includes her feature documentary INVENTING TOMORROW, about teenagers from around the globe tackling environmental issues through science,  THE YES MEN ARE REVOLTING, a comedy about activism and climate change, the documentary THE LIGHT IN HER EYES, about a Syrian Qur’an school for women and she was a writer on the Emmy-nominated documentary CALIFORNIA STATE OF MIND: THE LEGACY OF PAT BROWN. In 2001, Nix co-founded the production company Automat Pictures, where she produced and/or directed over 100 presentations, including the feature documentary WHETHER YOU LIKE IT OR NOT: THE STORY OF HEDWIG, which played in over a dozen film festivals in the U.S. and worldwide. Previously she was a member of Oscar-winning filmmakers Rob Epstein and Jeffrey Friedman’s production company Telling Pictures, where she was Associate Producer on THE CELLULOID CLOSET.

 

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For news and updates go to: feltfilms.com

Walk Run Cha Cha is now available at nytimes.com/Op-Docs

 

*** 2020 Oscar nomination for Best Documentary (Short) *** 

 

Official Selection – Tribeca Film Festival 2019

Winner – Grand Jury Trống Đồng Award for Best Short – Viet Film Fest 2019

Official Selection – SFFILM Doc Stories 2019

 

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“Laura Nix’s WALK RUN CHA-CHA is a moving, poignant portrait of two aging refugees who have endured a great deal, and who now face one of life’s biggest challenges: figuring out how to stay in love. Through them, Nix also evokes the textures, tastes, and sounds of Vietnamese refugee life, and mixes them in with everything that is good about the United States. Ultimately, WALK RUN CHA-CHA is an optimistic film about both love and hope—the hope that our country will continue to believe in welcoming strangers from other lands, who in the end are not that strange at all.” – Viet Thanh Nguyen, Pulitzer Prize-winning author of The Sympathizer

 

Scandalous: The Untold Story of the National Enquirer, Director Mark Landsman

Sex! Gossip! Scandal! For over 60 years, the National Enquirer has pumped out salacious, shocking stories, stretching the limits of journalism and blurring the lines between truth and fiction. Magnolia Pictures’ SCANDALOUS: The Untold Story of the National Enquirer, charts the thrilling origin story and influence of (in)famous supermarket tabloid the National Enquirer. The paper that former editor-in-chief Steve Coz called “the most perfectly placed piece of propaganda in America.” SCANDALOUS is the sensational true story of the most infamous tabloid in US history, a wild, probing look at how one newspaper’s prescient grasp of its’ readers darkest curiosities led it to massive profits and influence. From its coverage of Elvis’s death, to Monica Lewinsky and the O.J. Simpson murder trial, the National Enquirer rattled the foundations of American culture and politics, sometimes allegedly using payoffs and blackmail to get its scoops. With rare archival footage and revelations as wild as National Enquirer headlines themselves, SCANDALOUS  examines our obsession with the rich, famous and powerful, and the tabloid that has fed those obsessions for generations of Americans. SCANDALOUS: The Untold Story of the National Enquirer will open in select theaters on November 15, and features interviews with former Enquirer reporters and editors, including Iain Calder and Steve Coz, as well as journalists Ken Auletta, Carl Bernstein, and Maggie Haberman. Director Mark Landsman joins us to talk about the history of the supermarket tabloid that made UFO’s and mayhem respectable and in the process changed the way we consume all forms of media.

 

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For news, screenings and updates go to: Scandalousfilm.com

SCANDALOUS: THE UNTOLD STORY OF THE NATIONAL ENQUIRER panel discussion on Friday (11/15) after the 7:10 pm show with director Mark Landsman and former National Enquirer reporters Tony Brenna, Judith Regan and Barbara Sternig. Q&A after the 7:10 pm show on Saturday (11/16) with producers Aengus James and Kristen Vaurio at the Royal.

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Mark Landsman – twitter.com/markolands

“While watching this entertaining documentary, keep in mind the claim made by journalist Ronan Farrow: The National Enquirer has buried at least 60 super-sleazy stories about our… president.” – Charles Mudede, The Stranger

“The story of the National Enquirer comes to life in Scandalous, a vibrant true Hollywood story that pulls numerous twists and turns.” – Kristen Lopez, Culturess

“”Scandalous” doesn’t break a lot of new ground in style, but it is a fascinating and essential examination of the media we consume and what consumes us.” – Karen M. Peterson, AwardsCircuit.com

“A journalism expose that lives up, or down, to its hype.” – Roger Moore, Movie Nation