The Price of Freedom – Director Judd Ehrlich

The Price of Freedom is an unflinching look at the gun violence epidemic in America and the role the National Rifle Association, with its outsized political and cultural influence, has played over time. The NRA believes the deaths of innocent Americans are a necessary price to pay for the freedom to own firearms without restrictions. By manipulating the narrative around guns and backing politicians who commit to upholding their agenda, the NRA has cost us far more than we realize. Featuring passionate pleas from President William J. Clinton, Representative Lucy McBath (D-GA) and Senator Chris Murphy (D-CT); NRA Board Member and former NRA President David Keene, and activists on all sides of the issue, The Price of Freedom presents a compelling case for those brave enough to take a stand against the NRA in defense of our communities and collective future. Director Judd Ehrlich joins us for a conversation on how the NRA has abandoned its founding principles of promoting safe and responsible gun ownership through locally-based training programs into a shameless shill for gun manufacturers and more recently into a pernicious, corrosive and ruthlessly divisive political force in American culture and governance.

 

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For news and updates go to: thepriceoffreedommovie.com

In theatres now: thepriceoffreedommovie.com/ Find a theatre

About the filmmaker – Judd Ehrlich – Grand Clio and Emmy Award-winning director and producer is the son of an architect and schoolteacher. He grew up in lower Manhattan and, at fourteen, was the youngest feature reporter at a New York newspaper. Ehrlich’s recent documentaries KEEPERS OF THE GAME and WE COULD BE KING, produced with Tribeca Studios and The Dick’s Sporting Goods Foundation, forged a new model for documentary production and premiered at the Tribeca Film Festival and on ABC television. KEEPERS was a New York Times Critics’ Pick and nominated for a Critics’ Choice Award and KING won an Emmy and Grand Clio Award. Both films are part of the US State Department’s American Film Showcase. Ehrlich was nominated for Emmy Awards for the Tribeca Premiere RUN FOR YOUR LIFE and the PBS broadcast MAYOR OF THE WEST SIDE. His award-winning MAGIC CAMP was optioned for narrative remake and NOTES FROM LIBERIA won several awards. Ehrlich directed two television series for ESPN and a series for The CW Network. He collaborated on the editing of Sundance-winner FAMILY NAME and Ric Burns’ Emmy-winning series, NEW YORK. Ehrlich was an editor and producer at CBS News and directed film programs at BAM, Brooklyn College, JCC Manhattan and the Brooklyn Museum, hosting notables like Darren Aronofsky, Steve Buscemi and Willem Dafoe. Ehrlich is represented by Saville Productions, joining a roster that includes Wim Wenders, Barry Levinson, Oliver Stone and Werner Herzog, and directs content for Bose, Tough Mudder, MLS, Van Cleef & Arpels, Barilla, Atlantic Philanthropies, US Cellular, and the Serena Williams Fund, to name a handful. Before film, Ehrlich was a caseworker in NYC for Project Renewal, Homes for the Homeless and YAI. He lives with his wife and two children in Flatbush, Brooklyn, where his family lived for five generations. Ehrlich is a Vassar College graduate and teaches filmmaking. For more go to: flatbushpictures.com

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“An absorbing, disturbing, and scrupulously well-researched documentary that lays out the nuts and bolts of the National Rifle Association’s history.” – Owen Gleiberman, Variety

“What makes The Price of Freedom a film that should be on your must-see list is the way Ehrlich presents all of this.” – Sabina Dana Plasse, Film Threat

Can You Bring It: Bill T. Jones and the D-Man in the Waters – Co-directed by Rosalynde LeBlanc and Tom Hurwitz

Can You Bring It: Bill T. Jones and D-Man in the Waters is a feature documentary that traces the history and legacy of one of the most important works of art to come out of the age of AIDS – Bill T. Jones’ tour de force ballet “D-Man in the Waters”. In 1989, “D-Man in the Waters” gave physical manifestation to the fear, anger, grief, and hope for salvation that the Bill T. Jones/Arnie Zane Company felt as they were embattled by the AIDS pandemic. As a group of young dancers reconstructs the dance, they learn about this oft forgotten history and  deepen their understanding of the power of art in a time of plague. Bill T. Jones is arguably the most socially, politically and emotionally compelling choreographer alive today. Thirty years ago, he embedded motifs of risk and sacrifice, love, loss and resurrection in the choreography for “D-Man in the Waters”. Through an extraordinary series of interviews, archival material, and uniquely powerful cinematography of movement, this 90-minute, lyrical documentary uses the story of this dance to illustrate the triumph of the human spirit in art and in the community. Today, by learning the dance, a new generation reinvigorates the spirit of a community fighting to survive. Co-directors Rosalynde LeBlanc and Tom Hurwitz join us for a conversation on the history of D-Man in the Waters, why it is just as relevant today, the spirit of discovery for the student dance ensemble featured in the film and the collaboration with the visionary artist Bill T. Jones.

 

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For news and updates go to: d-mandocumentary.com

For the theatrical / virtual release go to: kinolorber.com/can-you-bring-it

Kino Lorber is proud to present CAN YOU BRING IT: BILL T. JONES AND D-MAN IN THE WATERS co-directed by Rosalynde LeBlanc and Tom Hurwitz. The film celebrated its world premiere at DOC NYC and will open in select theaters and virtual cinemas on Friday, July 16th at Film Forum in New York and on Friday, July 23rd at Laemmle’s Royal in Los Angeles, with national rollout to follow.  

About the filmmaker – Rosalynde LeBlanc, Producer and Co-Director danced with the Bill T. Jones/Arnie Zane Company (1993 -1999), and Mikhail Baryshnikov’s White Oak Dance Project (1999 – 2002). She has also worked onscreen with film directors Burt Barr, John Turturro, Gretchen Bender, and Matthew Rolston. She can be seen in the short film, Roz, the PBS Specials, Still/Here, Free to Dance, Dancing in the Light, A Good Man, and in the feature film, Romance and Cigarettes. Ms. LeBlanc Loo is a leading figure in the legacy and pedagogy of Bill T. Jones. She re-stages his work around the country and runs the Jones/Zane Educational Partnership at Loyola Marymount University, where she is an Associate Professor in the Department of Dance. In 2020, her work in dance research and pedagogy was recognized with an honorary induction into the Jesuit Honor Society, Alpha Sigma Nu. 

About the filmmaker – Tom Hurwitz, ASC, Co-Director and Director of Photography – Tom Hurwitz, ASC, a member of the American Society of Cinematographers, is one of America’s most honored documentary cinematographers. Winner of two Emmy Awards, the Sundance and Jerusalem Film Festival Awards for Best Cinematography, Hurwitz has photographed films that have won four academy awards and several more nominations, recently for Dancemaker and Killing in the Name. Mr. Hurwitz’s features and television programs have won dozens of awards, Emmy, Dupont, Peabody, Directors Guild and film festival awards for Best Documentary, over the last 25 years. He recently won Emmy Awards for Best Documentary Specials for the PBS show Jerome Robbins and the PBS series Franklin, as well as Sundance Awards for Queen of Versailles, and Love Free or Die. Other award-winning films and programs that Mr. Hurwitz has photographed include: Studio 54, Cradle of Champions, Joan Didion: The Center Will Not Hold, Nothing Left Unsaid: Gloria Vanderbilt and Anderson Cooper, Valentino: The Last Emperor, Harlan County USA, Wild Man Blues, My Generation, Down and Out in America, The Turandot Project, Liberty, Dolley, Faith and Doubt at Ground Zero, for PBS; and I Have a Dream, for ABC; and Killing in the Name, and Questioning Faith for HBO. In addition, films that he has directed have won the Cine Golden Eagle and have been shown in festivals around the world. Mr. Hurwitz is also a founding member of the faculty of The MFA Program in the Social Documentary Film Program at New York’s School of Visual Arts.

Bill T. Jones, Artistic Director/Co-Founder/Choreographer: Bill T. Jones/Arnie Zane Company; Artistic Director: New York Live Arts
Bill T. Jones is a multi-talented artist, choreographer, dancer, theater director and writer, and Associate Artist for the 2020 Holland Festival. Mr. Jones has received major honors including the Human Rights Campaign’s 2016 Visibility Award, 2013 National Medal of Arts to a 1994 MacArthur “Genius” Award and Kennedy Center Honors in 2010. Mr. Jones was honored with the 2014 Doris Duke Performing Artist Award, recognized as Officier de l’Ordre des Arts et des Lettres by the French government in 2010, inducted into the American Academy of Arts & Sciences in 2009 and named “An Irreplaceable Dance Treasure” by the Dance Heritage Coalition in 2000. His ventures into Broadway theater resulted in a 2010 Tony Award for Best Choreography in the critically acclaimed FELA!, the musical which was co-conceived, co-written, directed and choreographed by Mr. Jones. He also earned a 2007 Tony Award for Best Choreography in Spring Awakening as well as an Obie Award for the show’s 2006 off-Broadway run. His choreography for the off-Broadway production of The Seven earned him a 2006 Lucille Lortel Award. Mr. Jones began his dance training at the State University of New York at Binghamton (SUNY), where he studied classical ballet and modern dance. After living in Amsterdam, Mr. Jones returned to SUNY, where he became co-founder of the American Dance Asylum in 1973. In 1982 he formed the Bill T. Jones/Arnie Zane Company (then called Bill T. Jones/Arnie Zane & Company) with his late partner, Arnie Zane. Mr. Jones is currently Artistic Director of New York Lives Arts, an organization that strives to create a robust framework in support of the nation’s dance and movement-based artists through new approaches to producing, presenting and educating.
For more go to: newyorklivearts.org

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The Boy from Medellin – Director Matthew Heineman

From Academy Award®-nominated and Emmy-Winning filmmaker Matthew Heineman (Cartel Land, City of Ghosts, A Private War) comes an astonishingly intimate portrait of one of the biggest international music super-stars of our time. THE BOY FROM MEDELLÍN follows J Balvin as he prepares for the most important concert of his career–a sold out stadium show in his hometown of Medellín, Colombia. But as the performance draws ever closer, the streets explode with growing political unrest, forcing the Latin Grammy-winning musician to wrestle with his responsibility as an artist to his country and his legions of fans around the globe. As the public pressure of the approaching concert heightens, behind the scenes, Balvin also continues to deal with the anxiety and depression that has plagued him for years. Shot entirely in the dramatic week leading up to the concert, THE BOY FROM MEDELLÍN gives us unprecedented access to the “Prince of Reggaeton,” and provides an immersive look into one of the most pivotal and emotionally charged moments of his life. Director, producer, cinematographer and editor Matthew Heineman joins us for a conversation on the insanely compressed and tumultuous week of filming, gaining the confidence and comfort of Balvin’s family and friends and capping the shoot by capturing a stadium-size concert, something he had never attempted before.

 

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For more news go to: ourtimeprojects.com/the-boy-from-medellin

Watch at: amazonprime.com/The Boy from Medellin

About the filmmaker – Matthew Heineman is an Academy Award-nominated and Emmy Award-winning filmmaker. The Sundance Film Festival called Heineman “one of the most talented and exciting documentary filmmakers working today”, while Anne Thompson of Indiewire wrote that Heineman is a “respected and gifted filmmaker who combines gonzo fearlessness with empathetic sensitivity.” In 2019, he received a nomination for Outstanding Directorial Achievement of a First Time Feature Film Director from the Directors Guild of America for his narrative debut A Private War — making Heineman and Martin Scorsese the only filmmakers ever nominated for both narrative and documentary DGA Awards. Heineman’s 2015 film Cartel Land, which explores vigilantes taking on Mexican drug cartels, was nominated for an Academy Award for Best Documentary Feature and won three Primetime Emmy Awards, including Exceptional Merit in Documentary Filmmaking and Best Cinematography. For more go to: ourtimeprojects.com

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“It’s not really a concert movie at all; it’s more a study of a performer and a man. I learned a lot about him, and came away appreciating all the complexity of him.” – Christy Lemire, FilmWeek (KPCC – NPR Los Angeles)

“[A]n appealing tag-along portrait of Colombian reggaeton superstar J Balvin at a moment of noteworthy pressure in his Latin Grammy-winning, Coachella-headlining and streaming-dominant pop ascendancy.” – Robert Abele, Los Angeles Times

“Some films make do with stories that present an interesting surface and little more. In The Boy From Medellín, undercurrents run constantly. Depression and anxiety provide two of them, but the most dramatic one flows from politics.” – Joe Morgenstern, Wall Street Journal

“…intimate, open-hearted…Balvin seems to invite Heineman right into the heart of that inner circle, as “The Boy from Medellín” takes a fly-on-the-wall approach that codifies its subject’s authenticity at every turn.” – INDIEWIRE, David Ehrlich

Upheaval – Director Jonathan Gruber

Imprisoned by the Soviets. Orphaned by the Holocaust. Elected Prime Minister. Crowned peacemaker by the Nobel Prize Committee. Disgraced by the Lebanon War. Menachem Begin was a pillar of the State of Israel and a tireless fighter for the Jewish people. He was, at the same time, a controversial leader. Whether he was challenging the British, founding the Likud political party or fighting to end bigotry against Middle Eastern and African Jews in Israeli society, his dedication to his country and his people was boundless. Still, that unwavering commitment could bear untoward consequences. In 1948, as Israel fought for its life as a nation, his role in the tragic Altalena Affair that ended in the deaths of 19 Jews, and at Deir Yassin, where  more than 100 Palestinians died, including women and children, haunted him until  the day he died. As Prime Minister of Israel, he made an historic peace deal with Egypt, and he also gave the go-ahead to bomb Saddam Hussein’s Osirak nuclear reactor. His life is a nuanced and complicated canvas that tells the story of key events and currents in the history of modern Israel and its relationship to its Middle East neighbors. The recent ground-breaking peace agreements between Israel, the United Arab Emirates, Bahrain, Sudan and Morocco make this a propitious time to look back at Begin’s achievements and consider them in a new light. Director Jonathan Gruber stops by for a conversation on one of the most consequential patriots and political leaders in the Israeli history, and a man who was also provided a moral compass for the people he led.

 

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For news and updates go to: upheavalfilm.com

Worldwide Virtual Live Premiere on June 7, 2021 and

Nationwide Watch Now @ Home Cinema Release on June 9, 2021

Director’s Statement   When I was asked to direct UPHEAVAL, I immediately knew that the complexity of Israeli Prime Minister Menachem Begin’s story should be underscored by the need to strike a balance among vastly different political and ideological perspectives. As we see in society today, the gray is often erased in favor of more partisan and oversimplified stances, when, as I see it, there are untold nuances to leadership from which we can learn deeper truths and lessons. This film is a study in the gray. Begin fiercely advocated for Arab-Israeli citizenship but was deemed a radical right-winger for his role infighting for Israel’s independence, as well as expanding Jewish settlements in theWest Bank.He elevated North African and Middle Eastern Jews in Israeli society, helping to counter the discrimination they were facing, and heal so oversaw the rescue of Ethiopian Jews and Vietnamese refugees, welcoming them as immigrants. He sought and achieved peace with Egypt — but also led a tragic and unsuccessful war in Lebanon. Directing the first English-language feature documentary on Prime Minister Begin has been an eye-opening exploration of the heart and mind of one of the most iconic leaders of the 20th century. From his Eastern European roots to becoming an advocate and politician on the world stage, Begin’s humility and modesty belie his courage and resilience. For better or for worse, he stood up for his ideals, and, ultimately, he held himself accountable to them. World leaders today would be wise to learn from someone who did not enrich himself through his position but fought for his values and beliefs on behalf of the people who elected him.  – Jonathan Gruber 

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May 6 – Turner Classic Movies (TCM) Film Festival – May 6 – 9

Turner Classic Movies (TCM)  is a two-time Peabody Award-winning network that presents great films, uncut and commercial-free, from the largest film libraries in the world highlighting the entire spectrum of film history. TCM features the insights from Primetime host Ben Mankiewicz along with hosts Alicia Malone, Dave Karger, Jacqueline Stewart and Eddie Muller, plus interviews with a wide range of special guests and serves as the ultimate movie lover destination. With more than two decades as a leading authority in classic film, TCM offers critically acclaimed series like The Essentials, along with annual programming events like 31 Days of Oscar® and Summer Under the Stars. TCM  also directly connects with  movie fans through events such as the annual TCM Classic Film Festival in Hollywood, the TCM Big Screen Classics series in partnership with Fathom Events, as well as through the TCM Classic Film Tour in New York City and Los Angeles. In addition, TCM produces a wide range of media about classic film, including books and DVDs, and hosts a wealth of material online at tcm.com and through the Watch TCM mobile app. Fans can also enjoy a TCM curated classics experience on HBO Max.

For news, screenings and updates go to: filmfestival.tcm.com

Explore Turner Classic Movies Schedule

View HBO Max Lineup

May 6 – 9 tune in to the TCM network for four fantastic days featuring a curated selection of films reflecting a broad spectrum of the classic movies we love – each surrounded by new interviews, special presentations, archival content, and clips from past TCM Classic Film Festivals.

TCM UNDERGROUND – Tune in every Friday night for TCM Underground, our late-night movie franchise that showcases the best of classic cult favorites and hard-to-find films, from experimental shorts to off-beat comedies. For more discussions around the wild, weird world of cult films and films shown on TCM Underground, check out our web series TCM Slumberground on YouTube!

TCM SLUMBERGROUND is the official monthly pre-show for TCM Underground, a late-night cult movie franchise that airs at 2:00 am EST on Friday nights on Turner Classic Movies. In each episode, TCM Underground programmer Millie De Chirico sits down with a panel of her fellow TCM employees to discuss the upcoming double feature and other cult movie topics.

Other Midnight Films at past TCM Classic Film Festivals include: Boom!, Duck Soup, Eraserhead, Freaks, Gog, Island of Lost Souls, Kentucky Fried Movie,  Night of the Living Dead, Nothing Lasts Forever, Phase IV, Roar, Santo vs. The Evil Brain,The Bride of Frankenstein, The Day of the Triffids, The Mummy, The Student Nurses, The Tingler, The World’s Greatest Sinner and Zardoz.

Street Gang: How We Got to Sesame Street – Director Marilyn Agrelo

STREET GANG: HOW WE GOT TO SESAME STREET takes audiences inside the minds and hearts of the “Sesame Street” creators, artists, writers, and educators who together established one of the most influential and enduring children’s programs in television history. Inspired by the activism of the late 1960s, socially conscious television executive Joan Ganz Cooney and Sesame Workshop co-founder Lloyd Morrisett conducted a revolutionary experiment: to harness the burgeoning power of television and create an educational, impactful, uplifting and entertaining show that could reach children nationwide, especially those living in urban areas. Cooney recruited trailblazing Muppets creator Jim Henson and acclaimed children’s television writer and director Jon Stone to craft the iconic and beloved world of “Sesame Street.” STREET GANG: HOW WE GOT TO SESAME STREET reintroduces this visionary “gang” of mission-driven artists, writers, and educators that audaciously interpreted radical changes in society and created one of most impactful television programs in history.  With more than 20 interviews with original writers, cast, and crew, and never-before-seen behind the scenes footage, STREET GANG is told from the inside with humor and emotion, weaving together personal narratives and eyewitness accounts. The film explores the original mission of the “gang” that created this cultural phenomenon, now spanning 50-plus years and reaching more than 150 countries. Director Marilyn Agrelo joins us to talk about the enduring legacy of SESAME STREET as well as the beautifully disruptive and groundbreaking approach to connecting with children and in doing so made them into collaborators and the beneficiaries of this illuminating enterprise.

 

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For news and updates go to: streetgangmovie.com

For more news go to: screenmediafilms.net/Street Gang

Official Selection – 2021 Sundance Film Festival

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97% on Rotten Tomatoes 

“Street Gang is a wonderful documentary that would play extraordinarily well whenever it was released, but in this present moment? It feels positively miraculous; a much-needed happy-sad warm blanket indeed.” – Shaun Munro, Flickering Myth

“It’s hard to ask for much more than a doc that captures creatives thoughtfully sneaking the civil revolution as well as basic education into children’s TV and includes a Muppets blooper reel.” – Chris Willman, Variety

“It’s genuinely, enormously inspirational to watch this ragtag band of beatniks and beardos turning sinister Madison Avenue techniques into instruments of learning.” – Sean Burns, Spliced Personality

“Carries tremendous power as an emotional reminder of such a triumphant run, also working beautifully as a reunion with old faces and as an introduction to key behind-the-scenes figures helping to bring inclusion to the masses.” – Brian Orndorf, BrianOrndorf.com

“Street Gang is a loving, emotional tribute to a global brand that tackled racism, education and more with puppets, music through a street that everyone wanted to live on – Sesame Street…” – Carla Renata, The Curvy Film Critic

The Race To Save The World – Director Joe Gantz

Emmy Award winning director Joe Gantz’s compassionate documentary THE RACE TO SAVE THE WORLD is a climate change film like no other. Instead of focusing on paralyzing facts and numbers THE RACE TO SAVE THE WORLD inspiring takes a unique approach by following passionate activists, ages 15-72, who are in the trenches fighting for a livable future. These brave climate warriors put their lives on the line to push for change, regardless of the personal cost. THE RACE TO SAVE THE WORLD brings an urgent and intimate portrait of the protests, arrests, courtroom drama and family turmoil these activists endure as they single-mindedly focus their attention on the goal of creating a more sustainable world for future generations. Drawing on powerful footage and moving interviews, THE RACE TO SAVE THE WORLD is an inspiring call to action, urging each one of us to become climate warriors for a livable future. Director and producer Joe Gantz stops by to talk about the dedicated activist who are willing to push aside a comfortable life of in-action to become everyday heroes push to create a sustainable world, often risking their relationships, careers – and freedoms in the process.

 

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For news and updates go to: theracetosavetheworld.com

Watch virtually or in-person, go to:theracetosavetheworld.com

To get in involved go to: theracetosavetheworld.com

THE RACE TO SAVE THE WORLD opens everywhere on EARTH DAY April 22, 2021 but you can preorder you tickets now. Due to Covid, the film will open in virtual releases unless otherwise Indicated.  You can get a ticket through us or you OR You can support your favorite local movie theater or non-profit so that half the proceeds goes to them. More will be added daily so stay tuned!

About the filmmaker – Joe Gantz is known for work that examines personal stories with honesty, humor, and depth. He calls his film style, “life in progress”, where his small crew fades into the background and lets the story evolve organically.  Joe tries to be present for the pivotal moments as well as the everyday moments, to give insight into each subject’s life and relationships.  The goal is to allow the subjects to be comfortable enough to go about their daily life as if there was no one filming. And the subjects are not performing, because there is no agenda, making for very authentic storytelling.  Taxicab Confessions:  Emmy award-winning HBO documentary series featuring real-life interactions between cab drivers and their passengers that was broadcast for fifteen years. American Winter:  A documentary film about families struggling in the wake of the worst economic crisis since the Great Depression. Ending Disease: The Stem Cell, Anti-Cancer T-Cell, & Antibody Revolution In Medicine, is a film about how regenerative therapies are transforming medicine from a lifetime of treatments to onetime cures for a whole host of debilitating diseases. The Race to Save the World:  uses the same personal approach to emotionally-engage viewers in the urgent fight against catastrophic climate change.

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“The Race to Save the World realistically captures characters who take real risks and the impacts on their loved ones and on themselves.  Implicitly it raises questions about the best way to achieve environmental goals… Gantz’ film spurs us to think about how to be more effective”. – Jim Hansen, Director Climate Science, Awareness and Solutions Program Columbia University Earth Institute

Olympia – Director Harry Mavromichalis

OLYMPIA is a sublimely intimate fly-on-the-wall verité documentary that tells a poignant story of a woman finding her own voice on her own terms to assert a gigantic creative force into the world. Rebelling against her suspicious Greek mother to assert her strong sexual drive, fighting the feeling she was “too ethnic” in Boston, and starting her own theatre company in New Jersey instead of waiting for the phone to ring, Olympia Dukakis models how to live life with blazing courage. Throughout an engrossing story that seamlessly blends past and present, she opens her heart and exposes her truest self to Harry Mavromichalis’ unobtrusive camera. The raw honesty with which Olympia leads us into the core of herself is what makes this film luminary. As fellow actors with whom she has shared the limelight Laura Linney, Diane Ladd, Whoopi Goldberg, and Armistead Maupin all testify, Olympia is “totally open and crazy”, which is what turns out to be the marker of her absolute sanity. OLYMPIA’s intimate portrait of a working class professional, a scholar actor of intuitive power, and a woman beloved around the world, culminates on the steps of the Dukakis’ humble ancestral home in Lesbos, Greece. Through her brutal honesty and sincerity, Olympia compels us to confront our own shortcomings and differences by letting go, and move forward with defiant conviction. Director Harry Mavromichalis takes a page from the Albert Maysles’ school of fly-on-the-wall verité documentary storytelling leaving the viewer with an appreciation of an artist becoming her own woman, on her own terms, primed to share her creative insights with the world.

 

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For news and updates go to: olympiathefilm.com

About the filmmaker – Producer and Director Harry Mavromichalis – OLYMPIA is Harry Mavromichalis’ directorial feature documentary debut and he is currently in post-production for “Yankee Restraint”; a character driven piece that examines the intricacies of a gay relationship spanning decades and tackles issues of love and resentment.  After a long career as a modern dancer with his own dance company in New York, he pursued a Masters in Film Directing from New York University.  He wrote, directed and produced multiple short films, music videos and commercials. Curator of the inaugural LGBTQ Film Festival, Harry was a key organizer of the historic first-ever Pride Parade in Cyprus which attracted over 4,000 attendees.

About Olympia Dukakis – Born June 20, 1931 in Lowell, Massachusetts, the daughter of Greek immigrants, Dukakis earned two degrees from Boston University and worked as a physical therapist while pursuing a stage career. Olympia Dukakis won an Academy Award for her performance in Moonstruck, a role that also earned her a Golden Globe Award, American Comedy Award, and the Los Angeles Film Critics Award for Best Supporting Actress. She has appeared in more than 60 feature and short films, including Steel Magnolias, Cloudburst, Dad, Mr. Holland’s Opus, Working Girl, Look Who’s Talking I, II & III, Mighty Aphrodite, Jeffrey, Away From Her, among many others. Her television include : Big Driver, Sex & Violence, Forgive Me, Bored to Death, Last of the Blond Bombshells, Sinatra (Golden Globe Nominee), Joan of Arc (Emmy Nominee), Tales of the City, More Tales of the City (Emmy Nominee), Further Tales of the City among more than 40 others. She has performed in over 130 productions on and off-Broadway and regionally at theatres including the Public Theater, A.C.T., Shakespeare in the Park, Shakespeare & Co., and the Williamstown Theatre Festival, where she also served as Associate Director. She was a Founding member and Producing Artistic Director of the Whole Theatre in Montclair, NJ, for 19 years; also a founding member of the Actor’s Company and the Charles Playhouse in Boston. She continues to teach acting at NYU and master classes for professional theatre companies, colleges, and universities across the country. She was bestowed the National Arts Club Medal of Honor and her star on the Hollywood Walk of Fame was placed in 2013.

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“It is a pleasure to spend time with Dukakis, who is always not just open to but hungry for revelation, growth, and connection, giving the documentary a deliciously buoyant quality.” – Nell Minow, RogerEbert.com

“Director Harry Mavromichalis, using extreme close-ups that caress the stunning, dramatic topography of [Dukakis’] face, eschews traditional narration and chases after the firebrand as she attends the unveiling of her star on the walk of fame.” – Andrea Simakis,Cleveland Plain Dealer

“Harry Mavromichalis’ Olympia delivers a deeply personal and philosophical documentary, following Oscar-winning actress Olympia Dukakis over the course of several years.” – Grace Williams, Battle Royale With Cheese

“The documentary Olympia is a lot like the Oscar-winning actress Olympia Dukakis herself — opinionated, funny, candid, foul-mouthed, sometimes rambling, but never boring.” – Carla Hay, Culture Mix

Like a House on Fire – Director Jesse Noah Klein

Jesse Noah Klein’s powerful second feature, LIKE A HOUSE ON FIRE, follows Dara (Sarah Sutherland) as she returns home to reconnect with her husband Danny (Jared Abrahamson) and her young daughter, whom she left two years earlier. When she arrives, she discovers that Therese, (Dominique Provost-Chalkley) who is seven months pregnant has taken her place. Compounding Dara’s anxiety, Isabel, (Margaux Vaillancourt) her daughter no longer recognizes her. LIKE A HOUSE ON FIRE tells the story of a woman’s struggle to regain the life she left behind. Director and writer Jesse Noah Klein joins us to talk about how he used his film to take nuanced look at motherhood, trauma, mental health, marriage, identity and what it means to be a family. Under his direction a superb cast, led by Jared Abrahamson (Finding a Family) and a breakout performance by Sarah Sutherland (VEEP, Chronic) LIKE A HOUSE ON FIRE is a compelling tale of struggle and hope.

 

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For news and updates go to: gametheoryfilms.com

Watch: gametheoryfilms.com/likeahouseonfire

Game Theory Films presents LIKE A HOUSE ON FIRE on digital platforms including iTunes/Apple TV, Vimeo on Demand and Amazon Direct. 

About the filmmaker – Jesse Noah Klein is a filmmaker from Montréal. He studied film at The University of Texas at Austin and went on to teach in the United States before returning to his native Canada to teach and make films. His first feature We’re Still Together had its world premiere in competition at the Karlovy Vary International Film Festival, and went on to play at over 20 festivals worldwide. The film won two ACTRA awards as well as Prix Iris nominations at the Québec Cinéma Gala for outstanding male performance for its two leading actors. It is distributed by AZ Films in Canada and by Strand Releasing in the US and abroad. 

About Sarah Sutherland – Upon graduating from New York University’s prestigious Tisch School of the Arts, Sutherland was cast alongside Julia Louis-Dreyfus as her daughter in HBO’s critically acclaimed and award-winning comedy series “Veep”. The political satire follows the life of former Senator Selina Meyer (Julia Louis-Dreyfus) and all that entails being the Vice President of the United States. Sutherland and the cast have been nominated 3 times in the category of Outstanding Performance by an Ensemble in a Comedy Series. Up next Sutherland has a leading role in the indie film “Like a House on Fire” and will co-star with Adam Brody in “Kid Detective.” Other credits include the features “Chronic” opposite Tim Roth, “What They Had” with Michael Shannon and Hilary Swank, and television appearances in HBO’s “The Newsroom” and “Tim and Eric’s Bedtime Stories” on Adult Swim.

SOCIAL MEDIA
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“Sutherland…makes the subtle shades of pain ache and Dara’s mystery well worth exploring in a story that feels too real to distance yourself from.” – Roger Moore, Movie Nation

“Klein could have written [Danny and Thérèse] very differently and pushed Dara to a much darker place as a result, but he chose to embrace hope instead.” – Jared Mobarak, The Film Stage

“Sarah Sutherland is outstanding and does a great job and is the film’s standout. An emotional story that sometimes relies too much on heart wrenching moments.” – Nathaniel Muir, AIPT

“If you’re looking for a low-key, character-driven, existential little drama, you and Klein’s film will get on like a house on fire.” – Alex Saveliev, Film Threat

Queen of Hearts: Audrey Flack, Director Deborah Shaffer

Octogenarian artist Audrey Flack has always been a trailblazer. QUEEN OF HEARTS: AUDREY FLACK, a documentary from Oscar® and Emmy® Award-winning director  Deborah Shaffer (The Wobblies, To Be Heard) and co-director/editor Rachel Reichman (Hitchcock/Truffaut, A Letter to Elia), is an intimate portrait of her life and work, as she returns to her canvas for the first time in decades, revealing her longtime struggles as an artist and mother to find her rightful place in the art world. At 88 years-old, Audrey Flack holds a unique place in the history of contemporary art in America. Feminist, rebel, mother, painter, sculptor and teacher, Audrey’s often controversial 40-year career evolved from abstract expressionism in the 1950s to photorealism in the 1970s. One of the first women ever included in the famed Janson’s History of Art, Audrey continues to create, explore, and inspire with her unique style and indomitable spirit. QUEEN OF HEARTS follows Flack as she takes her work in a brand new direction and reveals her long-term struggles as the mother of a child with autism. Flack has something deep and genuine to communicate to the world. Director Deborah Shaffer joins us for a conversation on getting to know her endlessly fascinating, multi-talented subject who is still testing, still experimenting, still searching.

 

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For news and updates go to: audreyflackfilm.com

About the filmmaker – Academy Award winning filmmaker Deborah Shaffer began making social issue documentaries as a member of the Newsreel collective the ‘70’s. She co-founded Pandora Films, one of the first women’s film companies, which produced several shorts. Her first feature documentary, The Wobblies, premiered at the New York Film Festival in 1979. During the 80’s Shaffer focused on human rights in Central America and Latin America, directing many films including  Witness to War: Dr. Charlie Clements which won the Academy Award for Short Documentary in 1985, and Fire From the Mountain and Dance of Hope which both played at the Sundance Film Festival. Shaffer directed one of the first post-September 11 films, From the Ashes: 10 Artists  followed by From the Ashes: Epilogue, which premiered at the Sundance and Tribeca Film Festivals. She is also the Executive Producer of the Academy Award-nominated short Asylum, and has directed numerous acclaimed public television programs on women and the arts. She directed and produced To Be Heard, which won awards at numerous festivals and aired nationwide on PBS. She has been awarded a Guggenheim Fellowship, and the Irene Diamond Lifetime Achievement Award by the Human Rights Watch Film Festival.

Social Media
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“a thoroughly engaging documentary portrait of an artist…[and] the perfect introduction to its subject, comprehensive in its detail and captivating in its approach.” – Christopher Reed, Hammer to Nail

“…what’s refreshing about Deborah Shaffer and Rachel Reichman’s look is how intimate and personal it feels, grounding a remarkable woman in a very personable and extraordinary light.”-Tynan Yanaga, Film Inquiry

“…she has been an incredible photorealist, armed with a convincing spray brush. Now, the artist finally gets her due in this documentary about her life.” – Nadja Sayej, Forbes

Us Kids, Director Kim A. Snyder

From Kim A. Snyder, director of the Peabody Award-winning documentary  Newtown, comes Us Kids, an insightful, rousing coming-of-age story of a generation of youth leaders determined to take the reins and fight for justice at a most critical time in our nation’s history. Sparked by the plague of gun violence ravaging their schools, Us Kids, chronicles the March For Our Lives movement from the point of view of Emma González, David Hogg, Samantha Fuentes and the expansive coalition of teenage activists involved over the course of several years as they pull off the largest youth protest in American history and set out across the country to build an inclusive and unprecedented youth movement that addresses racial justice, a growing public health crisis, and shocks a political system into change. Director Kim A. Snyder joins us for a conversation on the historic progress made by the reluctant activists who dramatically change the perception that young people should “wait there turn” in terms of affecting the course of politics in America and the world.

 

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For news, updates and screenings go to: uskidsfilm.com

Get Involved – US KIDS is kicking off its launch with the just-announced Vote With Us Virtual Rally, a national GOTV campaign with the focus to educate, motivate & mobilize young people and communities of color to vote early. The event will take place on Saturday, October 24, at 3 p.m. ET/Noon PT, streaming at www.votewith.us and simulcast across YouTube and more. Ahead of its theatrical release on October 30, never-before-seen clips from the film will be shown throughout the rally, alongside performances, appearances and support by the film’s subjects, Lisa Bonet, Sherry Cola, Common, Andra Day, Candice Dupree, Emma González, David Hogg, Vic Mensa, Renee Montgomery, Mark Ruffalo, and Bria Smith.

About the filmmaker – Kim Snyder’s most recent feature documentary, Us Kids premiered in the U.S. Documentary Competition at the 2020 Sundance competition. Prior, she directed the Peabody award-winning documentary Newtown, which premiered in the US Competition at the 2016 Sundance Film Festival.  Newtown screened at premiere festivals worldwide and was theatrically released followed by a national broadcast on PBS’s Independent Lens and Netflix.  Her most recent short, Lessons from a School Shooting: Notes from Dunblane, premiered at the 2018 Tribeca Film Festival and was awarded Best Documentary Short followed by the DocDispatch Award at the 2018 Sheffield DocFest and a Grierson Award nomination.  Lessons… is a Netflix Original and is streaming in 196 countries. Snyder’s prior works include the feature documentary, Welcome to Shelbyville, nationally broadcast on PBS’s Independent Lens in 2011, and over a dozen short documentaries. Kim’s award-winning directorial debut feature documentary, I Remember Me was theatrically distributed by Zeitgeist Films. In 1994, she associate-produced the Academy Award-winning short film Trevor. Kim graduated with a Masters in International Affairs from the Johns Hopkins School of Advanced International Studies and resides in New York City.

Social Media
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“A potent testimony to the impact of citizen protest” – Dennis Harvey, VARIETY 

“A galvanizing reminder that change is only possible if we believe in it.” – David Ehrlich, INDIEWIRE

“A timely picture that chronicles this movement with the emotional gut punch and importance it requires” – John Fink, The Film Stage

“A compassionate portrait, eager to let its subjects speak for themselves.” Hollywood Reporter

White Noise, Director Daniel Lombroso

The Atlantic’s first feature documentary, WHITE NOISE, is the definitive inside story of the movement that has come to be known as the alt-right. With unprecedented access, WHITE NOISE tracks the rise of far-right nationalism by focusing on the lives of three of its main proponents: Mike Cernovich, a conspiracy theorist and sex blogger turned media entrepreneur; Lauren Southern, an anti-feminist, anti-immigration YouTube star; and Richard Spencer, a white-power ideologue. Directed and shot by Daniel Lombroso in his directorial debut, this film takes the viewer into the terrifying heart of the movement—explosive protests, riotous parties, and the rooms where populist and racist ideologies are refined, weaponized, and injected into the mainstream. Just as the alt-right comes to prominence, infighting tears the movement apart. Spencer and Cernovich clash over the role of white nationalism in conservative politics. Southern struggles to reconcile her leadership role with the sexism and misogyny of her peers. Lawsuits mount and internecine fights erupt, but even as the alt-right fractures, its once-marginalized ideas gain a foothold in mainstream discourse; in Republican politics; in the establishment right-wing press, especially Fox News—and on the world’s biggest social-media platforms. Director Daniel Lombroso joins us to talk about his immersive experience into the world of the white nationalist movement, an ideology  that echos and trades on the tropes of fascism. 

 

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For news, updates and screenings go to: theatlantic.com/white-noise-movie

WHITE NOISE releases on October 21 in the U.S. on iTunes, Amazon Prime Video, and Google Play.

About the filmmaker – Daniel Lombroso is a freelance director and journalist. For five years, he was a staff producer at The Atlantic, where he directed shorts exploring Russian espionage, the Israeli settlement movement, far-right Christian media, and more. Lombroso graduated from McGill University with a degree in political science and lives in New York City.  His debut feature film, WHITE NOISE, based on his four years reporting inside the alt-right, premiered at AFI DOCS in June 2020 to critical acclaim. It is the first-ever feature film by The Atlantic. For more go to: daniellombroso.com

Social Media
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“Lombroso did his homework, embedding himself with these people for several years, so that he won their trust and became privy to their private lives. “White Noise” is a deadly serious movie, but it is also, in a certain way, a funny one, because it captures the comedy of how much trouble even the influencers of hate now have squaring their lives with their belief systems.  It takes reality to create characters as rivetingly contemptible as these.” – Owen Gleiberman, Variety

“There have been several documentaries made about the ideological conditions that laid the ground for the Trump era, but White Noise may be the most illuminating.” – Stephen Silver, Splice Today

“Lombroso’s strategy is patient, and ruthless. He listens to these racists, spending long periods with them to better understand their lifestyles. We slowly start to see that they all kind of hate and resent each other; these fissures are at the heart of this movement’s moral and intellectual rot.” – Alan Zilberman, Brightest Young Things

“Director Daniel Lombroso takes a very clear-eyed approach to the subject, utilizing unprecedented access to show the movement for what it is – an effort to launch a full-on culture war, driven by people whose anger and media savvy is matched by their opportunism. Despite refraining from overt commentary most of the time, the last couple minutes of White Noise poignantly pull together the results of recent alt-right messaging.” – Mike McGranaghan, The Aisle Seat

The Way I See It – Director Dawn Porter

Inspired by a New York Times No. 1 bestseller, The Way I See It is an unprecedented look  behind the scenes at two of the most iconic presidents in American history, Barack Obama and Ronald Reagan, as seen through the eyes of renowned photographer Pete Souza. As official White House photographer, Souza was an eyewitness to the unique and tremendous responsibilities of the most powerful person on Earth. Award-winning filmmaker Dawn Porter’s The Way I See It also reveals how Souza transforms from a respected photojournalist to a searing commentator on the issues we face as a country and a people. The Way I See It also traces Souza’s fearless public transformation from chronicler of history to critic of an administration he believes is destroying the legacy of empathy, honor and hope that he witnessed during his 13 years at the White House. Inspired by his two bestselling books, Obama: An Intimate Portrait and Shade: A Tale of Two Presidents, and featuring more than 400 of his photos, the film is an emotional and stirring reminder of America’s pledge of a government for and by the people. Director Dawn Porter joins us for a conversation about the personal journey of an accomplished photojournalist turned activist and when it comes to the most powerful person in the world, why judgement, perspective, honor, and empathy matter.

 

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For news, screenings and updates go to: focusfeatures.com/the-way-i-see-it

Check out the future of voting at: headcount.org

In select theaters Friday, September 18th

MSNBC Films premiere Friday, October 9th, 10:00pm EDT

About the filmmaker – Dawn Porter (Director, Producer) is an award-winning documentary filmmaker whose work has appeared on HBO, PBS, Discovery and Netflix, among others. A two-time Sundance Film Festival director, Porter may be best known for her film Trapped, which explored laws regulating abortion clinics in the American South. The film won the Special Jury Award for Social Impact Filmmaking at Sundance in 2016, in addition to a Peabody and numerous other awards. Porter’s 2013 documentary Gideon’s Army premiered on HBO and won Best Editing at Sundance. Gideon’s Army was nominated for both an Independent Spirit Award and an Emmy Award, and is part of the U.S. Department of State’s American Film Showcase. More recently, Porter completed John Lewis: Good Trouble, a feature documentary about the late congressman that will be distributed by Magnolia Pictures and CNN Films. Porter has been commissioned to make films for the Center for Investigative Reporting, Time and Essence magazines, The New York Times Op Docs and Amazon. Her work has received generous support from the MacArthur Foundation, the Ford Foundation, Tribeca Film Institute, Sundance Film Institute, Chicken & Egg Pictures and other esteemed organizations. The filmmaker is a member of the Academy of Motion Picture Arts and Sciences, the Academy of Television Arts & Sciences, and the Directors Guild of America. 

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“If you’ve seen Dawn Porter’s John Lewis documentary, you’ll fall in love with this candid look behind the scenes with a former White House photographer in her new documentary The Way I See It.” – Carolyn Mauricette, View From The Dark

“It’s effective because it gives us momentary relief and validates our rage while asking once again for us to have hope and to keep moving ahead.” – Allyson Johnson, The Young Folks

“Chief White House Photographer Pete Souza and the makers of The Way I See It kindly remind us what decency looked like not so long ago.” – Brigid Presecky, Impressionist Media

“Filmmaker Porter delivers a blisteringly-paced documentary that is, virtually from start to finish, nothing short of fascinating…” – David Nusair, Reel Film Reviews

Herb Alpert Is… Director John Scheinfeld

With his trumpet he turned the Tijuana Brass into gold, earning 15 gold and 14 platinum records; He has won nine Grammys Awards between 1966 and 2014, and received the National Medal of Arts from President Barack Obama in 2012. Herb co-founded the indie label, A & M Records with his business partner, Jerry Moss, which recorded artists as varied as Carole King, Cat Stevens, The Carpenters, Janet Jackson, Peter Frampton, Joe Cocker, Quincy Jones, Sergio Mendes, and The Police. A&M would go on to become one of the most successful independent labels in history. He has shown his striking work as an abstract painter and sculptor, worldwide. And through the Herb Alpert Foundation, he has given significant philanthropic support of educational programs in the arts nationwide, from the Harlem School of the Arts and Los Angeles City College to CalArts and UCLA. John Scheinfeld’s documentary Herb Alpert is… profiles the artist, now 85, mostly from the perspective of colleagues like Questlove, Paul Williams, Sting, and Bill Moyers. In their words, the shy, unassuming trumpeter is a musical, artistic and philanthropic heavyweight. Director John Scheinfeld stops by to talk about many facets of Alpert’s personal and public life that make him the compelling and warm-hearted person he is.

 

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For news, screenings and updates go to: herbalpertis.com

For more on the work and latest news go to: herbalpert.com

About the filmmaker – John Scheinfeld – From pop culture to politics, sports to world religions, Venice and Toronto film festivals to PBS, Emmy®, Grammy® and Writers Guild Award nominee John Scheinfeld is a critically acclaimed documentary filmmaker with a broad range of subjects and productions to his credit. In addition to directing, writing and producing Herb Alpert Is…, Scheinfeld is in post-production on a primetime documentary special about comedy legend Garry Marshall that will air on ABC in the Spring of 2020. Another Scheinfeld feature documentary, Sergio Mendes: In The Key of Joy, had its World Premiere at the Santa Barbara International Film Festival in January 2020 and will be released worldwide on multiple media platforms later in the year. Previously, his feature documentary, Chasing Trane: The John Coltrane Documentary, was an official selection of the Telluride Film Festival and the Toronto International Film Festival before playing on 175 theater screens worldwide during the spring of 2017. In November 2017 it was the season premiere of Independent Lens, the largest showcase for independent documentary film on television. Scheinfeld is best known for two widely acclaimed feature documentaries: The U.S. vs. John Lennon, which tells the true story of the US government’s attempt to silence the beloved musician and iconic advocate for peace and Who Is Harry Nilsson (And Why Is Everybody Talkin’ About Him)?, a compelling yet wildly entertaining documentary about one of the most talented and uncompromising singer-songwriters in pop music history. For more on the work of John Scheinfeld go to: crewneckproductions.com

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“The story of Herb Alpert is a lot more than a snappy greatest hits collection; it’s a deep dive into the agonies and ecstasies that drive profoundly creative people.” – Bill Newcott, The Saturday Evening Post

“This movie will likely go down as the definitive documentary about Alpert and, as such, it’s not a bad way to be remembered.” – James Berardinelli, ReelViews

“This documentary is a joyous celebration of Herb Alpert’s life and career as it examines his roots not only as a musician but as a painter, sculptor, businessman and philanthropist.” – Charles Koplinski, Reel Talk with Chuck and Pam

“You’ll probably come away from Herb Alpert Is… not only admiring the man but wishing you were him.” – Frank Scheck, Hollywood Reporter

Desert One, Director Barbara Kopple, Ambassador John Limbert and Staff Sergeant Taco Sanchez

In 1979, soon after Ayatollah Khomeini took power in Iran and the ousted Shah found shelter in the United States—to the great frustration of Iran’s new leaders—a group of revolutionaries attacked the U.S. Embassy in Tehran and took 52 Americans hostage. They were held captive there for 444 days. President Jimmy Carter announced that he wanted to resolve the situation through diplomatic channels, but later on he planned a secret military rescue mission. DESERT ONE is a fast paced as a thriller from acclaimed director Barbara Kopple. Kopple draws upon a wealth of unearthed archival sources, as well as intimate interviews with President Jimmy Carter, Vice President Walter Mondale, Ted Koppel, former hostages, journalists, and Iranian student revolutionaries who orchestrated the take-over of the American Embassy in Tehran—to meticulously reconstruct this defining period in history when U.S.-Iranian relations were on the brink of disaster. Illustrated with animations and lots of archive footage, the story focuses on the woefully unsuccessful rescue mission and the political wrangling in the background, culminating in Carter’s landslide loss to Ronald Reagan in 1980. Director and Producer Barbara Kopple, Ambassador John Limbert and Staff Sergeant Taco Sanchez joins us to talk about the roller coaster story that includes a game-changing sand storm, equipment failure, a deadly crash and a US President willing to take responsibility for a mission gone wrong. The fallout from the failed mission still hangs heavy over the fractured US-Iranian relationship.

 

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For news, updates and screenings go to: film/desert-one

About the filmmaker: Barbara Kopple is a two-time Academy Award winning filmmaker. A director and producer of narrative films and documentaries, her two most recent projects are the documentaries Miss Sharon Jones! which premiered at Toronto International Film Festival in September 2015, was the opening night film of DOC NYC and tracks the talented and gregarious soul singer of the Grammy-nominated R&B band Sharon Jones & the Dap-Kings during the most challenging year of her life and Shelter which tells a story of vets saving vets, delving into the psychological trauma created by military service, the effects that remain long after active duty, and the difficult road back to a normal life for these women and men. Other recent projects include Hot Type: 150 Years of The Nation which examines America’s oldest continuously published weekly magazine through the eyes of the passionate journalists who have sustained its critical voice and Running from Crazy, which premiered at Sundance in 2013 and received a 2014 Primetime Emmy nomination for Outstanding Documentary or Nonfiction Special. Fight To Live, which through the eyes of terminal patients and their advocates tells the story of the struggles many with rare and orphan diseases face in choosing their preferred therapies through the roadblocks imposed by the current FDA approvals process. A Force of Nature, which celebrates the life and work of journalist and philanthropist Ellen Ratner, following her from her home base in Washington, DC, to hurricane-ravaged Mississippi to war-torn South Sudan; Gun Fight, which explores the place of guns in US culture, profiling victims of gun violence and proponents on both sides of the gun debate; The House of Steinbrenner, part of ESPN’s Emmy nominated “30 for 30” series, which received a 2010 Peabody Award as well as the International Documentary Association Award for Best Continuing Series; and the Emmy-nominated, Woodstock: Now and Then, a look back at the legacy of the historic music festival, 40 years later. Well known for her work on US labor issues, Barbara directed Steamfitters Local Union 638 in 2007 for HBO’s acclaimed Addiction Series. The New York Times likened this short documentary to “crisp tonic with lime.” This program was awarded the Television Academy of Arts and Sciences Governor’s Award.  For more on Barbara Kopple’s films go to: cabincreekfilms.com

 
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“Kopple covers every angle of the story and the history in this gripping documentary that combines incredible archival footage and recordings with interviews of some surviving hostages and members of Delta Force, the unit that attempted the rescue.” – Catherine Springer, AwardsWatch

“You emerge from “Desert One” knowing certain aspects of the Iran-hostage crisis better than you did before. That makes it a worthy film, and an absorbing one.” – Owen Gleiberman, Variety

“A thorough and moving remembrance” – Roger Moore, Movie Nation

“As usual, master documentarian Barbara Kopple is up to the task.” – Cameron Meier, MeierMovies.com

Nena Erb, Editor, Emmy®-nominated (HBO’s Insecure)

Nena Erb, an ACE and Emmy®-winning editor, for her work can be seen on HBO’s Emmy®  nominated and Peabody award-winning series  INSECURE, episode Lowkey Trying directed by Kerry Washington. As both an Asian American and person of color, she is committed to advancing the stories of others. She is thrilled to be a continuing part of the team showing the reality of life for modern women of color in America.  Her work can also be seen on Apple TV’s groundbreaking Little America series. As an immigrant herself, she’s excited to help shape standout episodes for this series this season including The Son, tackling a gay man’s struggle for safety and love as he attempts a harrowing immigration to the United States and The Silence, which charts love among immigrants in a situation where sound/speaking is forbidden. Emmy nominated editor Nena Erb joins us to talk about the career decision that brought her to the editing suite and why mentoring others is her way of helping others “get into the room” where they can have a positive impact on the stories being told.

 

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For the latest on the work of Nena Erb go to: nenaerb.com

To find out more go to: hbo.com/insecure

About the filmmaker: Nena Erb, a gifted ACE and Emmy®-winning editor born in Taipei, Taiwan and based in Los Angeles. Her family immigrated to the US in the late 70’s to live in a democracy and have the right to vote. Raised in an Asian American immigrant family, Nena’s father wanted her to be a doctor and her mother wanted her to be a pianist with the LA Philharmonic.  Nena wanted to be Andy Warhol. After graduating with an art degree, a friend brought her into the entertainment industry and she started working in various capacities in production. It was her stint as an associate producer that gave her the opportunity to work closely with editors. This proved to be a defining moment for her interest in post-production. Since then, Nena has been the editor on productions for HBO, Universal, CBS, Apple, and others.  She is experienced in multiple genres from drama series to feature films, documentaries and comedy.  In 2016, she received an Emmy® award for her work on HBO’s documentary series Project Greenlight.In addition, she has received two ACE Eddie nominations for her work, one for HBO’s Peabody award-winning series INSECURE and the other for CW’s acclaimed seriesCrazy Ex-Girlfriend. Currently, she is editing Little America, an anthology series on America’s immigrants, produced by Kumail Najiani, Emily V. Gordon, Alan Yang, and Lee Eisenberg

Walk Run Cha Cha, Director Laura Nix

WALK RUN CHA-CHA has been nominated for Documentary Short Subject at the 92nd Academy Awards®. Directed by Laura Nix, the film follows Paul and Millie Cao, who lost their youth to the aftermath of the Vietnam War. Forty years later, they have become successful professionals in Southern California-and are rediscovering themselves on the dance floor. WALK RUN CHA CHA is now streaming on New York Times Op-Docs.

About the Filmmaker: Director Laura Nix Laura Nix is an award-winning fiction and nonfiction filmmaker based in Los Angeles. WALK RUN CHA-CHA is adapted from a feature-length documentary in progress. It was produced by Concordia Studio for The New York Times Op-Docs and premiered at the 2019 Tribeca Film Festival. Laura’s work also includes  other work includes her feature documentary INVENTING TOMORROW, about teenagers from around the globe tackling environmental issues through science,  THE YES MEN ARE REVOLTING, a comedy about activism and climate change, the documentary THE LIGHT IN HER EYES, about a Syrian Qur’an school for women and she was a writer on the Emmy-nominated documentary CALIFORNIA STATE OF MIND: THE LEGACY OF PAT BROWN. In 2001, Nix co-founded the production company Automat Pictures, where she produced and/or directed over 100 presentations, including the feature documentary WHETHER YOU LIKE IT OR NOT: THE STORY OF HEDWIG, which played in over a dozen film festivals in the U.S. and worldwide. Previously she was a member of Oscar-winning filmmakers Rob Epstein and Jeffrey Friedman’s production company Telling Pictures, where she was Associate Producer on THE CELLULOID CLOSET.

 

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For news and updates go to: feltfilms.com

Walk Run Cha Cha is now available at nytimes.com/Op-Docs

 

*** 2020 Oscar nomination for Best Documentary (Short) *** 

 

Official Selection – Tribeca Film Festival 2019

Winner – Grand Jury Trống Đồng Award for Best Short – Viet Film Fest 2019

Official Selection – SFFILM Doc Stories 2019

 

Social Media

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https://twitter.com/WalkRunChaCha

@feltfilms

 

“Laura Nix’s WALK RUN CHA-CHA is a moving, poignant portrait of two aging refugees who have endured a great deal, and who now face one of life’s biggest challenges: figuring out how to stay in love. Through them, Nix also evokes the textures, tastes, and sounds of Vietnamese refugee life, and mixes them in with everything that is good about the United States. Ultimately, WALK RUN CHA-CHA is an optimistic film about both love and hope—the hope that our country will continue to believe in welcoming strangers from other lands, who in the end are not that strange at all.” – Viet Thanh Nguyen, Pulitzer Prize-winning author of The Sympathizer

 

Independent Lens, Executive Producer Lois Vossen

The acclaimed PBS documentary series Independent Lens, recently honored with two Peabody Awards, a Primetime Emmy nomination and 12 News & Documentary Emmy nominations, returns for a new season on Monday, October 28.This year’s premiere is Made in Boise, an engrossing look at the complex and controversial world of gestational surrogacy told through the stories of four women carrying babies for gay men and infertile couples in the conservative heartland of Idaho — the unofficial “surrogacy capital” of the United States. Also on the fall schedule is Decade of Fire, which travels back to the 1970s when the South Bronx was burning, to showcase the dedicated citizens who outlasted the flames and saved their community; The Interpreters, a moving look at the Afghan and Iraqi interpreters who risked their lives aiding American troops and who now struggle to find safety and security for themselves and their families; Conscience Point, which unearths the deep clash of values between the Native American Shinnecock of Long Island and their affluent Hamptons neighbors; and Attla, the rousing story of Alaska Native George Attla, who with one good leg and a determined mindset went on to become a champion dogsled racer. Other highlights of the Winter/Spring 2020 slate include Always in Season, a harrowing look at the history of lynching and the 2014 case of Lennon Lacy, a North Carolina teen who died under unexplained circumstances; Bedlam, a psychiatrist’s chronicle of what mental illness means in the U.S. today, interwoven with the story of how the system tragically failed his own sister; and Rewind, a devastating, autobiographical documentary about the far-reaching consequences of multigenerational child sexual abuse. Independent Lens Executive Producer Lois Vossen joins us to talk about the fundamental principles to support filmmakers telling stories about their communities and commitment to showcase thought-provoking documentaries about the issues that divide us and the ideals and beliefs that bind us together.

 

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For news, updates and screenings go to: pbs.org/independentlens

Social Media:
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Independent Lens upcoming schedule:

Made in Boise by Beth Aala (Monday, October 28) Go inside the lives of four surrogates and the intended parents whose children they carry. As the number of surrogate births surge across the country, a surprising epicenter of the movement is Boise, Idaho, where hundreds of women are choosing to be surrogates. For gay couples, single men, and those who struggle with infertility, this booming industry is often the last resort to biological parenthood. The film follows the four women as they navigate the rigors of pregnancy and the mixed feelings of their own families, who struggle to understand their choice to risk the physical and emotional complications of carrying babies for someone else.

Decade of Fire by Vivian Vázquez Irizarry, Gretchen Hildebran and Julia Steele Allen (Monday, November 4) In the 1970s, the Bronx was on fire and close to a quarter-million people were displaced when their close-knit, multiethnic neighborhood burned. While the abandonment of landlords and dwindling support from government officials led to the devastation, Black and Puerto Rican residents were blamed. Now, Bronx-born Vivian Vázquez Irizarry explores the truth about the borough’s untold history and reveals how her community chose to resist, remain and rebuild.

The Interpreters by Andrés Caballero and Sofian Khan (Monday, November 11) More than 50,000 local interpreters helped protect U.S. troops on the ground in Iraq and Afghanistan, enabling soldiers to communicate with the local population. But those who took the job were often considered traitors. In the aftermath of war, some have been able to leave their home countries and reach safety, while others still languish in hiding and fear for their lives.

Conscience Point by Treva Wurmfeld (Monday, November 18) In Long Island’s Hamptons, one of the wealthiest areas in the nation and an epicenter of the luxury property boom, a clash of values is taking place. The original inhabitants of the beautiful peninsula — the Shinnecock Indian Nation — find themselves squeezed onto a tiny, impoverished reservation. Over hundreds of years they have seen their ancient burial grounds plowed up for the widening of roads, mega-mansions, and ultra-exclusive golf courses like the Shinnecock Hills Golf Club. Now Shinnecock activists and long-standing residents, including farmers and fishing communities, are taking a stand against a never-ending tide of wealthy transplants, overdevelopment, pollution, congested highways and skyrocketing property taxes.

Attla by Catharine Axley (Monday, December 16) The inspiring but little-known story of legendary Alaska Native dogsled champion George Attla, who — with one good leg and fierce determination — rose to international fame. In the final chapter of his life, Attla emerges from retirement to mentor his 20-year-old grandnephew. With their sights set on reviving proud cultural traditions, the pair embark on a journey to compete in the world’s largest dogsled sprint race, one that has seen a steep decline in Native competitors.

Linda Ronstadt: The Sound of My Voice, Co-directors Rob Epstein and Jeffrey Friedman

Linda Ronstadt: The Sound of My Voice is a love song to one of the most memorably stunning voices that has ever hit the airwaves, Linda Ronstadt. She burst onto the 1960s folk rock music scene in her early twenties as the lead singer of the Stone Poneys, Ronstadt eventually branched out to begin her decades long career as a solo artist, touring the world selling out stadiums and, at one point, setting the record as the highest paid female artist in rock. Most remarkable to this day is her interest in and willingness to jump into new and challenging styles of music, including opera, jazz, and Mexican folk, excelling fantastically with each. Ronstadt has also been an outspoken political advocate for causes such as same-sex marriage and the inhumane treatment of undocumented immigrants, never shying away from fighting for what she believes both on and off the stage. Oscar-winning directors Rob Epstein and Jeffrey Friedman (The Times of Harvey Milk, The Celluloid Closet, Common Threads: Stories from the Quilt, Howl, Lovelace and End Game) use deep-cut archival footage, and Ronstadt’s own astute recollections, to celebrate an artist whose desire to do justice to the songs that touched her soul made generations of fans fall in love with her – and with the sound of her voice. Co-directors Rob Epstein and Jeffrey Friedman join us to talk about a remarkable singer /artist and an even better person.

 

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For news, screenings and updates go to: lindaronstadtmovie.com

For more on the films of Rob Epstein and Jeffrey Friedman go to: tellingpictures.com

Social Media:

facebook.com/RonstadtMovie

twitter.com/RonstadtMovie

instagram.com/RonstadtMovie

“She shows herself to be one of its indispensable interpreters, as a vocalist and also as a thinker – covering a sprawling landscape with elegance, passion and insight.” – A.O. Scott, New York Times

“It captures the life and career of a rock ‘n’ roll star who never looked back, never apologized, never compromised.” – Owen Gleiberman, Variety

“Astutely chronicling an amazing musical career that ended prematurely due to Parkinson’s disease, Linda Ronstadt: The Sound of My Voice will delight the singer’s old fans and likely make her many new ones as well.” – Frank Scheck, Hollywood Reporter

“An excellent retrospective and celebration of Ronstadt’s trailblazing career.” – Sophia Stewart, Nonfics

Sea of Shadows, Director Richard Ladkani

A looming disaster in one of the most spectacular environments on Earth sparks a rescue mission unlike any other in SEA OF SHADOWS, a riveting new documentary with the intensity of a Hollywood thriller from National Geographic Documentary Films and winner of the Sundance audience award. When Mexican drug cartels and Chinese traffickers join forces to poach the rare totoaba fish in the Sea of Cortez, their deadly methods threaten to destroy virtually all marine life in the region, including the most elusive and endangered whale species on Earth, the vaquita porpoise. SEA OF SHADOWS follows a team of dedicated scientists, high-tech conservationists, investigative journalists and courageous undercover agents as well as the Mexican Navy as they put their lives on the line to save the last remaining vaquitas and bring the vicious international crime syndicate to justice. Director Richard Ladkani (The Ivory Game, The Devil’s Miner) talks about the monumental challenge of saving a highly intelligent mammal from a desperately poor community who see the black market totoaba and the vaquita as a way to spare their family from a life of poverty and degradation.

 

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For news and updates go to: nationalgeographic.com/films/sea-of-shadows

For screening information go to: nationalgeographic.com/films/sea-of-shadows

Social Media:

facebook.com/seaofshadowsSOS

twitter.com/seaofshadowsSOS

instagram.com/seaofshadows

For more about the filmmaker:

malaikapictures.com

richardladkani.com

“Sea of Shadows is truly horrifying.” Danielle Solzman, Solzy at the Movies

“An environmentally conscious, unabashedly heart-grabbing exposé.” –  Guy Lodge, Variety

“Ladkani has a way with conveying just how big the stakes are and brings them to land.” – Stephen Saito, Moveable Fest

“Sea of Shadows may still raise awareness about the plight of other sea creatures still under threat from illegal nets sweeping the bottom of the ocean, killing everything unfortunate enough to swim in its wake.” – Monica Castillo, Remezcla

Ice on Fire, Director Leila Conners

ICE ON FIRE, an eye-opening documentary that focuses on many never-before-seen solutions designed to slow down our escalating environmental crisis, goes beyond the current climate change narrative and offers hope that we can actually stave off the worst effects of global warming. Eleven years after Conners’ first collaboration with Executive Producer Leonardo DiCaprio on The 11th Hour,which emphasized the problems of climate change, ICE ON FIRE instead focuses on the cutting-edge research behind today’s climate science – and the innovations aimed at reducing carbon in the atmosphere, which could pave the way for a reduction in the global temperature rise and a benefit to the planet’s life systems. ICE ON FIRE emphasizes the importance of an immediate, two-pronged approach to reversing the crisis: reducing carbon emissions through traditional renewable energy sources and new ones, like tidal energy, and implementing “drawdown” measures, focusing on methods for drawing down and sequestering carbon, including direct air capture, sea farms, urban farms, biochar, marine snow, bionic leaves and others. Director Leila Conners joins us to talk about the looming catastrophe and the emerging and encouraging techniques and technologies that can provide a sustainable path forward.

 

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For news and updates go to: www.treemedia.com

Ice on Fire is currently screening at: www.hbo.com

Social Media:

facebook.com/Tree Media Group

https://twitter.com/treemediagroup

youtube.com/channel

“Putting quibbles about pitch and approach aside… as a beginners’ guide to Arctic thaw and its consequences this is pretty exemplary stuff.” – Les;ie Felperin, Hollywood Reporter

“Ice on Fire is a “call to action” documentary. It’s an eye-opener for anyone prone to a stultifying “doomsday mentality” and that is unequivocally a good thing.” – Amy Glynn, Paste

“Should be essential viewing for anyone who plans to carry on living on the planet…” – Wendy Ide, Screen International

The Lavender Scare, Director Josh Howard

THE LAVENDER SCARE is the first documentary film to tell the little-known story of an unrelenting campaign by the federal government to identify and fire all employees suspected of being homosexual. In 1953, President Eisenhower declared gay men and lesbians to be a threat to the security of the country and therefore unfit for government service. His directive triggered the longest witch hunt in American history. Over the next four decades, tens of thousands of government workers would lose their jobs for no reason other than their sexual orientation. But the actions of the government had an unintended effect. They inadvertently helped ignite the gay rights movement. In 1957, after thousands had lost their jobs, a Harvard-trained astronomer named Frank Kameny became the first person to fight his dismissal.  His attempts to regain his job evolved into a lifelong fight for the rights of LGBT people. The Lavender Scare is a compelling story of one man’s fight for justice. And it is a chilling reminder of how easy it can be, during a time of fear and uncertainty, to trample the rights of an entire class of people in the name of patriotism and national security. Director Josh Howard (60 Minutes) joins us to talk about Senator Joseph McCarthy, scare tactics, blind prejudice and the willful destruction of thousands of peoples lives.

 

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For news and updates go to: thelavenderscare.com

The Lavender Scare opens in Los Angeles on June 7 at the Laemmle Music Hall on June 7

Social Media:

facebook.com/Josh-Howard

“Glenn Close’s voice-over is used to try to smooth over jumps forward and backward in time, but keeping all the players here in balance proves difficult for first-time director Josh Howard. – Dan Callahan, The Wrap

“This powerful doc is sadly all too relevant.” – Frank Scheck, Hollywood Reporter

“Thoroughly researched and evidenced, wonderfully detailed, informative and authoritative but always in touch with the human story at its heart. – Jennie Kermode, Eye for Film

“The Lavender Scare is a must watch for everyone in today’s political climate regardless of sexual orientation.” – Beth McDonough, After Ellen

Artifishal, Director Josh Murphy

ARTIFISHAL is a film about wild rivers and wild fish. It explores the high cost – ecological, financial and cultural – of our mistaken belief that engineered solutions can make up for habitat destruction. The film traces the impact of fish hatcheries and farms, and the extraordinary amount of American taxpayer dollars wasted on an industry that hinders wild fish recovery, pollutes our rivers, and contributes to the problem it claims to solve. ARTIFISHAL also dives beneath the surface of the open-water fish farm controversy, as citizens work to stop the damage done to public waters and our remaining wild salmon. Director Josh Murphy joins us for a conversation on the devastating consequences that fish hatcheries are having on the salmon and other native species, the damage being done vital eco-systems and the enormous cost of a failed system.

Call to Action:

Wild salmon and southern resident killer whales are on the brink of extinction. Now a misguided plan to feed the starving whales with hatchery salmon will push both endangered species closer to the edge, while costing taxpayers millions of dollars per year. Hatcheries and over harvest, along with net-pen fish farms and dams, are key contributors to the catastrophic decline of wild Chinook salmon and southern resident killer whales in the Pacific Northwest. Now, Washington state’s Orca Task Force recommendations include a plan to “feed the orcas” with 60 million more hatchery salmon per year. The proposed budget requests up to $87 million dollars to fund this plan for 10 years. Science tells us this won’t work: orcas need larger wild salmon, while adding more hatchery fish further weakens the wild-salmon gene pool. The National Oceanographic and Atmospheric Administration (NOAA) and the Washington Department of Fish and Wildlife (WDFW) have the power to make this change. Patagonia’s petition calls on NOAA Regional Administrator Barry Thom, WDFW Director Kelly Susewind, and our elected decision makers to stop wasting money on failed plans and invest in science-based solutions: reduce hatchery production, remove dams and change how we harvest salmon.

 

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For more on Artifishal go to: patagonia.com/artifishal

For more on Josh Murphy go to: Liarsandthieves.tv/josh-murph

“Exposes the devastating reality of fish farming on the wild salmon population and wider ecosystem.” – Ed Gibbs, Little White Lies

The Serengeti Rules, Director Nicolas Brown

Academy Award-winning Passion Pictures and HHMI Tangled Bank Studios present one of the most important but untold science stories of our time, THE SERENGETI RULES  is a tale with profound implications for the fate of life on our planet. Beginning in the 1960s, a small band of young scientists, Bob Paine, Tony Sinclair, Mary E. Power, John Terborgh, Jim Estes, and Sean B. Carroll headed out into the wilderness, driven by an insatiable curiosity about how nature works. Immersed in some of the most remote and spectacular places on Earth—from the majestic Serengeti to the Amazon jungle; from the Arctic Ocean to Pacific tide pools—they discovered a single set of rules that govern all life. Now in the twilight of their eminent careers, these five unsung heroes of modern ecology share the stories of their adventures, reveal how their pioneering work flipped our view of nature on its head, and give us a chance to reimagine the world as it could and should be. Director Nicolas Brown joins us to talk about the far-reaching implications of the groundbreaking work done by Bob Paine on the importance of “keystone” species and the tremendously important work done by his colleagues since then can lead to a restoration of the natural order and help humanity reverse an ecological catastrophe.

 

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For news and updates go to: theserengetirules.com

Monica Film Center – 1332 2nd Street – 1:10pm | 3:20pm | 5:30pm | 7:50pm | 10:15pm

** THE SERENGETI RULESDr. Jim Estes, Professor of Ecology and Evolutionary Biology, UCSC and subject of the film with Dr John Terborgh, Professor of Environmental Sciences, Duke University also subject of the film will participate in a Q&A moderated by David Guy Elisco, Executive Producer, HHMI Tangled Bank Studios following the 7:50 pm show on Friday, 5/17 at the Monica Film Center.

Social Media:

facebook.com/SerengetiRules

twitter.com/serengetirules

instagram.com/serengetirules

100% on Rottentomatoes

“‘The Serengeti Rules’ celebrates not only the diversity and beauty of the natural world but also recognizes the transformative power of curiosity and knowledge.” – Kimber Myers, Los Angeles Times

“An absolutely riveting documentary about biodiversity and the need for humanity–its gravest threat–to reverse its course and preserve it. Difficult under the likes of Trump and the Koch’s but necessary.” Louis Proyect, counterpunch.com

“The great accomplishment of “The Serengeti Rules” is that it directs the viewer to see beauty in the way an ecologist might.” – Two Bugbee, New York Times

“It’s a film which sounds an alarm, but, unlike most similarly-themed pictures, one which permits a chink of light into the traditionally bleak narrative of man’s impact on the land.” – Wendy Ide, Screen International