White Noise, Director Daniel Lombroso

The Atlantic’s first feature documentary, WHITE NOISE, is the definitive inside story of the movement that has come to be known as the alt-right. With unprecedented access, WHITE NOISE tracks the rise of far-right nationalism by focusing on the lives of three of its main proponents: Mike Cernovich, a conspiracy theorist and sex blogger turned media entrepreneur; Lauren Southern, an anti-feminist, anti-immigration YouTube star; and Richard Spencer, a white-power ideologue. Directed and shot by Daniel Lombroso in his directorial debut, this film takes the viewer into the terrifying heart of the movement—explosive protests, riotous parties, and the rooms where populist and racist ideologies are refined, weaponized, and injected into the mainstream. Just as the alt-right comes to prominence, infighting tears the movement apart. Spencer and Cernovich clash over the role of white nationalism in conservative politics. Southern struggles to reconcile her leadership role with the sexism and misogyny of her peers. Lawsuits mount and internecine fights erupt, but even as the alt-right fractures, its once-marginalized ideas gain a foothold in mainstream discourse; in Republican politics; in the establishment right-wing press, especially Fox News—and on the world’s biggest social-media platforms. Director Daniel Lombroso joins us to talk about his immersive experience into the world of the white nationalist movement, an ideology  that echos and trades on the tropes of fascism. 

 

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For news, updates and screenings go to: theatlantic.com/white-noise-movie

WHITE NOISE releases on October 21 in the U.S. on iTunes, Amazon Prime Video, and Google Play.

About the filmmaker – Daniel Lombroso is a freelance director and journalist. For five years, he was a staff producer at The Atlantic, where he directed shorts exploring Russian espionage, the Israeli settlement movement, far-right Christian media, and more. Lombroso graduated from McGill University with a degree in political science and lives in New York City.  His debut feature film, WHITE NOISE, based on his four years reporting inside the alt-right, premiered at AFI DOCS in June 2020 to critical acclaim. It is the first-ever feature film by The Atlantic. For more go to: daniellombroso.com

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“Lombroso did his homework, embedding himself with these people for several years, so that he won their trust and became privy to their private lives. “White Noise” is a deadly serious movie, but it is also, in a certain way, a funny one, because it captures the comedy of how much trouble even the influencers of hate now have squaring their lives with their belief systems.  It takes reality to create characters as rivetingly contemptible as these.” – Owen Gleiberman, Variety

“There have been several documentaries made about the ideological conditions that laid the ground for the Trump era, but White Noise may be the most illuminating.” – Stephen Silver, Splice Today

“Lombroso’s strategy is patient, and ruthless. He listens to these racists, spending long periods with them to better understand their lifestyles. We slowly start to see that they all kind of hate and resent each other; these fissures are at the heart of this movement’s moral and intellectual rot.” – Alan Zilberman, Brightest Young Things

“Director Daniel Lombroso takes a very clear-eyed approach to the subject, utilizing unprecedented access to show the movement for what it is – an effort to launch a full-on culture war, driven by people whose anger and media savvy is matched by their opportunism. Despite refraining from overt commentary most of the time, the last couple minutes of White Noise poignantly pull together the results of recent alt-right messaging.” – Mike McGranaghan, The Aisle Seat

TIME, Director Garrett Bradley

Fox Rich is a fighter. The entrepreneur, abolitionist and mother of six boys has spent the last two decades campaigning for the release of her husband, Rob G. Rich, who is serving a 60-year sentence for a robbery they both committed in the early 90’s in a moment of desperation. Combining the video diaries Fox has recorded for Rob over the years with intimate glimpses of her present-day life, TIME director Garrett Bradley paints a mesmerizing portrait of the resilience and radical love necessary to prevail over the endless separations of the country’s prison-industrial complex. Bradley won the U.S. Documentary Directing Award at this year’s Sundance Film Festival, and is the first Black woman to be awarded the prize with TIME, her documentary feature debut. Director and producer Garrett Bradley joins us to talk about her beautifully rendered look into the most intimate moments of a determined matriarch and a family grappling with a life lived under the relentless cloud of uncertainty.

 

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To watch beginning on October 16 go to: amazon.com/TIME-Garrett-Bradley

TIME will open in select theaters on October 9 ahead of its global launch on Amazon Prime Video on October 16.

About the filmmaker – Garrett Bradley works across narrative, documentary, and experimental modes of filmmaking to address themes such as race, class, familial relationships, social justice, southern culture, and the history of film in the United States. Bradley has received numerous prizes which include the 2019 Prix de Rome, and the 2017 Sundance Jury Prize for the short film “Alone,” which was released by The New York Times OpDocs And became an Oscar Contender for short nonfiction filmmaking, included in Academy Shortlist. Bradleys work can be seen across a variety of spaces including her Second Unit Directing work on Ava DuVernays “When They See Us” and the 2019 Whitney Biennial. In December of this 2019, Bradley’s first solo exhibition opened at The Contemporary Arts Museum Houston (CAMH), curated by Rebecca Matalon. In January of 2020, Bradley became the first Black American woman to receive Best Director at the 2020 Sundance Film festival for her first feature length documentary, “Time.” For more go to: garrettabradley.com

Sundance 2020 – Directing Award: U.S. Documentary

The Center for Documentary Studies Filmmaker Award

Full Frame Documentary Film Festival 2020 – The Charles E. Guggenheim Emerging Artist Award

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“A vibrant cubist portrait, alive with shadings of Rich’s vulnerability and the psychic bruises from dealing with an indifferent correctional system, expensive lawyers and unresponsive courts.” – Sheri Linden, Hollywood Reporter

“A formally stunning masterwork of empathy, exhaustion, love, and rage.” – Jordan Raup, The Film Stage

“While gripping from start to finish, there isn’t a minute of “Time” that feels engineered for our entertainment.” – David Ehrlich, indieWire

“Transcendent yet down-to-earth.” – Beandrea July, Hyperallergic

“It’s an enormous achievement to crystallize two decades of both fighting and loving in 81 minutes, as Bradley never takes Rich’s voice away to patronize or preach to the viewer about what we should care about.” – Ella Kemp, WeLoveCinema

Belly of the Beast, Director Erika Cohn

BELLY OF THE BEAST shines a white hot spotlight on the pastoral farmlands surrounding the Central California Women’s Facility (CCWF), the world’s largest women’s prison. For decades CCWF concealed the reproductive and human rights violations transpiring inside its walls. A courageous woman, Kelli Dillon, who was involuntarily sterilized at the CCWF, teams up with a radical lawyer, Cynthia Chandler, to stop these violations. Together they spearhead investigations that uncover a series of statewide crimes, primarily targeting women of color, from inadequate access to healthcare to sexual assault to illegal sterilization. With a team of tenacious heroines, both in and out of prison, they take to the courtroom to fight for reparations. But no one believes them. As additional damning evidence is uncovered by the Center for Investigative Reporting, a media frenzy and series of hearings provide hope for some semblance of justice. Yet, doctors and prison officials contend that the procedures were in each person’s best interest and of an overall social benefit. Invoking the weight of the historic stain and legacy of eugenics, BELLY OF THE BEAST presents a decade long, infuriating contemporary legal drama. Director Erika Cohn (The Judge, When the Voices Fade) joins us for a conversation about her incredible tale that chronicles the rampant abuse of incarcerated women, being coerced by a prison-based culture of medical personnel actively subverting their basic human rights.

 

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For news, updates and screenings go to: bellyofthebeastfilm.com

About the filmmaker – Director Erika Cohn is a Peabody and Emmy Award-winning director/producer who Variety recognized as one of 2017’s top documentary filmmakers to watch and was featured in DOC NYC’s 2019 “40 Under 40.” Most recently, Erika completed The Judge, a Peabody Award-winning and Emmy-nominated film about the first woman judge appointed to the Middle East’s Shari’a courts, which premiered at the 2017 Toronto International Film Festival and was broadcast on PBS’ 2018 Independent Lens series. Erika co-directed/produced, In Football We Trust, an Emmy award-winning, feature documentary about young Pacific Islander men pursuing their dreams of playing professional football, which premiered at the 2015 Sundance Film Festival and was broadcast on PBS’ 2016 “Independent Lens” series. She has received numerous accolades for her work, including a Director’s Guild of America award for her fiction short film, When the Voices Fade. Erika grew up attending the Sundance Film Festival as a native Utahn, where she first began her career and later studied at Chapman University (California) and Hebrew University (Jerusalem) where she received degrees in Film Production, Middle East Studies, and Acting Performance. In 2013, Erika founded Idle Wild Films, Inc., which has released three feature documentaries and produced numerous branded content and commercial spots, including Gatorade’s “Win from Within” series, for which she received a 2016 Webby award nomination. Belly of the Beast is her third feature-length documentary. For more about Erika Cohn go to: idlewildfilmsinc.com

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“A harrowing documentary about the practice of forced sterilization.” – Evan Dossey, Midwest Film Journal

“Inside the belly of documentarian Erika Cohn’s Beast lurks a monstrosity more appalling than horror fiction.” – Scott Marks, San Diego Reader

Oleander, Director Kate Hackett

OLEANDER, (Emily Robinson)17, is the star and sole creator of her own provocative, sex-positive YouTube channel. She is also an unwilling student at a Christian abstinence program, led by the poised and charismatic Alissa, (Peri Gilpin) 50s. When Alissa demands that Oleander issue an on-camera apology for mocking her abstinence program online, a fierce battle of wills ensues. Alissa is aided by Kim, (Jennifer Lafleur) 30s, a filmmaker-for-hire who has no allegiance other than to serve her client. Oleander fights desperately for her voice and her beliefs, but will her anti slut-shaming message be able to stand up against the manipulative power of the two adults who seek to suppress her? Director Kate Hackett joins us for a conversation on her thoughtful, sharply focused look at the power of manipulation, respect, trust and sexual agency.

 

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For news, updates and screenings go to: oleandershortfilm.com

About the filmmaker – Kate Hackett is a filmmaker and film editor based in Los Angeles. She is a 2020 Emmy winner for her editing work on the Netflix documentary series “Cheer.” Her work as an editor also includes the Emmy award winning Netflix documentary series “Last Chance U,” and the Sundance documentary feature Half The Picture. She was the 2018 Sundance Institute Sally Menke Editing Fellow. As a screenwriter, she was a 2016 American Zoetrope Screenwriting contest finalist with the screenplay Purify My Heart.

 Best Director – Short Film, The Method Fest 2020

Official Selection of LA Femme International Film Festival 2020*

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Driving While Black, Co-directors Dr. Gretchen Sorin and Ric Burns

DRIVING WHILE BLACK: RACE, SPACE AND MOBILITY IN AMERICA is a ground-breaking, two-hour documentary film by acclaimed historian Dr. Gretchen Sorin and Emmy–winning director Ric Burns. Chronicling the riveting history and personal experiences – at once liberating and challenging, harrowing and inspiring, deeply revealing and profoundly transforming  –  of African Americans on the road from the advent of the automobile through the seismic changes of the 1960s and beyond – DRIVING WHILE BLACK explores the deep background of a recent phrase rooted in realities that have been an indelible part of the African American experience for hundreds of years – told in large part through the stories of the men, women and children who lived through it. The documentary draws upon the wealth of recent scholarship – and based on and inspired in large part by Gretchen Sorin’s recently published study of the way the automobile and highways transformed African American life across the 20th century – the film examines the history of African Americans on the road from the depths of the Depression to the height of the Civil Rights movement and beyond, exploring along the way the deeply embedded dynamics of race, space and mobility in America during one of the most turbulent and transformative periods in American history. Co-directors Gretchen Sorin and Ric Burns join us to talk about the crippling impact of systemic racism and the continuing stain of America’s original sin.

 

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For  more on the story and history behind the the film go to: dwbfilm.com

DRIVING WHILE BLACK will air on PBS on Tuesday, October 13, 2020 at 9:00 p.m. (check local listings).

About the filmmaker – Gretchen Sullivan Sorin, Project Director & Senior Historical Advisor Dr. Gretchen Sullivan Sorin is Distinguished Professor and Director of the Cooperstown Graduate Program. Her dissertation and upcoming book form the basis of the scholarship for this project. Her research explores the role that the automobile played in the lives of African Americans during the Jim Crow era, the way that African Americans expressed middle class American values through car ownership, and how cars helped change deeply entrenched racial etiquette. Sorin received her Ph.D. in history from the University at Albany in 2009. For more on the work of Dr. Gretchen Sorin go to gpmuseumstudies.org

About the filmmaker – Ric Burns is an internationally recognized documentary filmmaker and writer, best known for his eight-part, seventeen and a half hour series, New York: A Documentary Film, which premiered nationally on PBS to wide public and critical acclaim when broadcast in November 1999, September 2001, and September 2003. Burns has been writing, directing and producing historical documentaries for over 25 years, since his collaboration on the PBS series The Civil War, (1990), which he produced with his brother Ken and co-wrote with Geoffrey C. Ward.  Since founding Steeplechase Films in 1989, he has directed some of the most distinguished programs for PBS including Coney Island (1991), The Donner Party (1992), The Way West (1995), Ansel Adams (2002), Eugene O’NeillAndy Warhol (2006), We Shall Remain: Tecumseh’s Vision (2009), Into the Deep: America, Whaling & the World (2010), Death and the Civil War (2012), American Ballet Theatre (2015), Debt of Honor (2015), The Pilgrims (2015), VA: The Human Cost of War (2017), and The Chinese Exclusion Act (2018). His work has won numerous film and television awards including six Emmy Awards, two George Foster Peabody Awards,  two Alfred I. DuPont-Columbia University Awards,  three Writer’s Guild of America Awards for Outstanding Individual Achievement in a Craft: Writing;  the Eric Barnouw Award of the Organization of American Historians, and the D.W. Griffith Award of the National Board of Review. Find out more about Ric Burns and Steeple Chaase Films at: ricburns.com  And dwbfilm.com

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Wine and War: The Untold Story of Wine in the Middle East, Co-directors Mark Ryan and Mark Johnston

In 2013, inspired by the book Wines of Lebanon by Michael Karam, filmmakers Mark Johnston and Mark Ryan set out to change the perceptions of the Middle East – and in particular the tiny nation of Lebanon – by examining an enigmatic and misunderstood part of the world with winemakers who had a story to tell. Co-directors Johnston and Ryan released their first award-winning documentary The Invisible Front, but by then, they were already in Lebanon recording stories of courage, adventure and determination. There, they met Michael Karam, and two became three. Wine and War: The Untold Story of Wine in the Middle East tells the story that starts in the 2nd BC, when the Phoenicians, the ancient Lebanese, with their awesome trading empire gave the gift of wine to the then known world. They were the first wine merchants! In doing so, the Lebanese became the masters of crisis management, a skill personified by Lebanon’s winemakers who for thousands of years have gone about their work in war, famine, occupation and the constant hum of political instability. Co-directors Mark Ryan and Mark Johnston join us to talk about the amazing resilience of the Lebanese people and how wine is such a powerful thread in their shared history.

 

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For news, updates and screenings go to: wineandwar.com

About the filmmaker – Mark Johnston is an executive producer and documentary filmmaker who is known for tackling a full range of near-impossible production challenges with a proven track record of creative development in complex and cross-functional multicultural environments. Mark has invested all his savings to make documentaries. He doesn’t own a home. He literally once moved into a mini van to save money to film a documentary. Mark’s passion for the work takes him to the farthest places on the globe and he always strives to do what he can to help each project realize its full potential. Big budget or big challenge, domestic or around the globe… Mark has done it all with calm collection and inventive problem solving be it feature film documentaries, TV campaigns, brand funded content, animated short films, live event programming, experiential projects, the Lanzarote Iron Man, En Svensk Klassiker, Vasaloppet, and the Stones 100k Ultra Marathon. 

About the filmmaker – Mark Ryan, Director / Producer. Over the past two decades, Mark has been a producer, director, and cinematographer on five continents and the North Pole. Early in his career, Mark was part of a film crew that was the first in thirty years to be given unprecedented access to the Hopi Indians of Arizona. This experience cemented Mark’s desire to sensitively tell the stories of other people. Mark has a number of film credits under his belt including the James Beard Award-winning short films The Scent of Black and Stewards of the Land. He’s also served as a producer on the MTV hit show Pimp My Ride.  A Los Angeles native, Mark is a graduate of the University of Southern California with a BA in Cinema Production. He also holds a post-graduate degree from Central St. Martins School of Fine Art in London.  Today, Mark combines his love for adventure, travel, and hearing the stories of other people with best practices for capturing scenes of film to create stunning imagery for clients around the world.

 
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This Is Not a Movie: Robert Fisk and the Politics of Truth, Director Yung Chang

Yung Chang’s This is Not a Movie is a fascinating documentary portrait of world-acclaimed British born Beirut-based foreign correspondent Robert Fisk. Fisk’s work is as vital as ever in an era of “fake news,” politicized facts, and the rise of ethno-nationalist politics. A Middle East correspondent for The Independent, Fisk holds more international journalism awards than any other foreign correspondent. For more than 40 years, journalist Robert Fisk has reported on some of the most violent and divisive conflicts in the world. Director Yung Chang (Up the Yangtze, The Fruit Hunters) captures Fisk in relentless action—feet on the ground, notebook in hand, as he travels into landscapes devastated by war, ferreting out the facts and firing reports back home to reach an audience of millions. Director Yung Chang stops by to talk about Robert Fisk’s dedicated work ethic, stamina and desire to talk with all sides of a story and why, in a time of disinformation and deceit by the powerful, his voice, his pen and his reporting have made him one of journalism’s most reliable sources of information and truth.

 

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For news, updates and screenings go to: kimstim.com/film/this-is-not-a-movie

For more about Yung Chang’s work go to: yungfilms.com

Watch This Is Not a Movie on virtual cinema at laemmle.com/film/not-movie

About the filmmaker – Yung Chang is the director of Up the Yangtze (2007), China Heavyweight (2012), and The Fruit Hunters (2012). He is currently completing a screenplay for his first dramatic feature, Eggplant. In 2015, Chang was selected to participate in the prestigious Sundance Labs for Eggplant. Chang was the Spotlight Artist for the 2019 Reel Asian Int’l Film Festival where a live script reading of Eggplant was performed to a sold-out audience by talented actors from Kim’s Convenience, The Handmaid’s Tale and Locke & Key.  Chang’s award-winning short, Gatekeeper, qualified for the 2016 Oscars and is distributed by Field of Vision, Laura Poitras’ curated online film unit. His latest feature documentary, This is Not a Movie is about Robert Fisk, the iconoclastic Middle East correspondent. The film is co-produced by the National Film Board of Canada, currently on the festival circuit, World Premiered at TIFF 2019 . A graduate of the Meisner acting technique from the Neighborhood Playhouse School of the Theatre in NYC and Concordia University’s Mel Hoppenheim School of Cinema in Montreal, Chang brings emotional depth and cinematic realism into his work. Chang is the recipient of the Don Haig Award, the Yolande and Pierre Perrault Award, and the Guggenheim Emerging Artist Award. He is a member of the Directors Guild of Canada. In 2013, he was invited to become a member of the Academy of Motion Picture Arts and Sciences, the organization behind the Academy Awards. For more about Yung Chang’s work go to: yungfilms.com

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“[The film] provides a comprehensive portrait of a man who has become essential reading.” – Hollywood Reporter

“[A] laudatory, engaging profile of [Robert Fisk]…” – Globe and Mail

“In This Is Not a Movie, Fisk’s life history is paired with a director up to the task of presenting the facts in a compelling, cogent manner.” – Hammer to Nail

“It is as fascinating to watch Fisk talk about the media landscape as it is to read his inimitable writings on the Middle East.” – Cineuropa

“Fisk’s story is a compelling reminder of just how real the news can be.”- POV Magazine

InterReflections, Director Peter Joseph

InterReflections explores deep social issues. In three timelines our main story takes us into the future when ecological crisis and inequality has destabilized society. John Taylor, a defected government intelligence agent turned revolutionary leader, is captured by his former colleague and nemesis, Simon Devoe. Simon leads a government spy agency, encouraging John to join him to avoid punishment. Simon humors John as they debate ideas about humanity, seeing no possibility of John’s escape. But John has a secret. Our second timeline follows a woman in modern day, experiencing life as a horror show, reflecting issues such as racism and environmental destruction. Fired from her job, she sets about finding another. Her journey transforms her. Timeline three takes place 100 years forward as four academics of this future talk about the way things used to be in the early 21st century. They speak of “The Great Transition,” a dramatic global revolution that changed everything for the better. Director Peter Joseph (The New Human Rights Movement, The Zeitgeist Movement) joins us for a conversation about his genre-shattering approach to filmmaking and what his film’s vision says about the world we live in.

 

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For news, screenings and updates go to: interreflectionsmovie.com

InterReflections will arrive online in various VOD outlets on Oct 6th 2020. This page will be updated at that time with both access to the online services and available DVD/Blu-ray.

About the filmmaker – Peter Joseph is an American musician, filmmaker, author and activist. His most recent media work is the live action film InterReflections, to be released on Oct 6th 2020. Other notable credits included the award-winning “Zeitgeist Film Series”, the Culture in Decline web series and his book The New Human Rights Movement, published in 2017 by BenBella books. He is also host of the podcast Revolution Now! started in 2020. In 2009, he founded  “The Zeitgeist Movement”, a global, nonprofit sustainability advocacy group and has been on the Advisory Board/Steering Committee for “Project-Peace on Earth“ since 2013. He also founded and curates the Annual Zeitgeist Media Festival for the arts and periodically works with UN working groups including UNFUCA and The World Academy. Joseph has given talks around the world, including the UK, Canada, GermanyAmerica, Brazil & Israel. He was a featured speaker at the 2011 Leaders Causing Leaders Conference [Lecture Here] and his work has been profiled in the New York Times, Vice, The Huffington Post, The Marker, Free Speech TV, The Young TurksThe Examiner and many other media outlets. He has participated in multiple TEDx Events, has worked with The Global Summit  and is also a frequent social critic on the news network Russia Today. He has appeared on the Joe Rogan Experience Podcast, Thom Hartmann’s The Big Picture, Watching The Hawks, BoomBust, Redacted Tonight with Lee Camp, The David Pakman show, Christopher Ryans “Tangentially Speaking” podcast, Telesur’s Empire Files with Abby Martin, The Jimmy Dore Show and others.

 
Social Media
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PUSH, Director Fredrik Gertten & Subject Leilani Farha

Fredrik Gertten’s latest documentary, PUSH, is a searing indictment of the systemic corruption that continues to drive the world’s affordable housing toward the edge of collapse. All of which is happening while many of the world’s largest financial and real estate institutions are facilitating a tidal wave of dark money from organized crime, human trafficking, illicit drugs trade and illegal tax “shelters” into the legitimate world of finance. Housing prices are skyrocketing in cities around the world. Incomes are not. PUSH sheds light on a new kind of faceless landlord, our increasingly unliveable cities and an escalating crisis that has an effect on us all. This is not gentrification, it’s a different kind of monster. PUSH follows Leilani Farha, the former UN Special Rapporteur on Adequate Housing, as she’s travels the globe, trying to understand who’s being pushed out of the city and why. Director Fredrik Gertten and film subject Leilani Farha join us for a spirited conversation on the state of the world’s housing stock and how homeownership, real estate and high finance has been such a determinate factor on our society, both past and present.

 

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For news, screenings and updates go to: pushthefilm.com

About the subject – Leilani Farha has a background in advocacy for the homeless and for three years Leilani was the UN Special Rapporteur on Adequate Housing, with the right to hold governments accountable if they don’t meet the human rights obligations in the UN Human Rights Charter. She believes that if we really want to make change to ensure people can live in the city.then we have to be able to hold someone responsible for what is going on. Currently Leilani is the Global Director for Make the Shift, a worldwide movement to secure the human right to housing. 

About the filmmaker – Fredrik Gertten is an award-winning Swedish director and journalist. His latest works BECOMING ZLATAN (2016), BIKES VS CARS (2015), BIG BOYS GONE BANANAS!* (2012) and BANANAS!* (2009) have met audiences in over 100 countries and screened at leading festivals. In 1994, Fredrik founded the production company WG Film. He previously worked as a foreign correspondent and columnist for radio, TV and press in Africa, Latin America, Asia and around Europe. Today he combines filmmaking with a role as a creative producer at WG Film – one of Sweden’s most prominent documentary production companies, famous for local stories with a global understanding and impact. In October 2017 Fredrik was named Honorary Doctor at Malmö University’s Faculty of Culture and Society for his work as a documentary filmmaker. 

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#UNFIT: The Psychology of Donald Trump, Director Dan Partland

In his thoroughly documented and clarion call to action, Dan Partland’s latest documentary, #UNFIT: The Psychology of Donald Trump, provides a platform for a number of prominent mental health professionals to present their observations on camera as part of their ethical “Duty to Warn” the public of imminent danger presented by President Donald Trump. After years of empirical observation these leading mental health professionals, discuss DSM-5 disorders, their danger, and the doctor’s own Duty to Warn, They introduce the syndrome known as malignant narcissism and explain how it is responsible for some of history’s cruelest kinds of inhumanity.  They liken it symptoms to the behavior of the most powerful human being on earth, a man with the capacity to launch several thousand nuclear weapons on his command, Donald Trump. Medical doctors and mental health professionals go on camera, on the record, for the record – it’s an eye-opening discussion, analysis, and science-based examination of the behavior, psyche, condition, and stability of President Donald Trump. #UNFIT also examines Trump’s effect on our citizenry, culture, and institutions. Director Dan Partland joins us for a spirited conversation on Trump’s constant perversion of truth, his appeal to tribalism, and the way he has undermined the pillars of civil society, a free press, and an independent judiciary.

 

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For news, screenings and updates go to: unfitfilm.com

About the filmmaker Dan Partland director/producer/writer of both documentary films & television for over 20 years. His work has found success in theatrical, art-house, cable, and network outlets and includes some landmark films of the American Independent Cinema. In the 15 years that the Emmys have recognized primetime nonfiction series, Partland’s shows have been nominated for best in class 5 times, and in 3 different sub-genres; Reality, Nonfiction format, and Documentary. Partland has twice won nonfiction series Emmys and in 2011 and 2012 was nominated by the Producers Guild of America for Nonfiction Producer of the Year. In 2001, Partland won an Emmy (Best Non-Fiction Program) for his work on the ground-breaking 13-part doc series American High on Fox. Partland served as the Supervising Producer and a Director of the critically acclaimed show that is widely regarded as one of the progenitors of the current doc series genre. Partland’s work has spanned several nonfiction genres.  He produced and directed How To Raise An Olympian, a winter Olympics special for NBC and was Showrunner for the multi-award-winning CNN archival series The Sixties. Partland was the Executive Producer and Showrunner of A&E’s Intervention for over 150 episodes, garnering countless awards and accolades including the Emmy for best reality series. Partland spent the early days of his career working under Albert Maysles, a founding filmmaker of the cinema verité movement. While on staff at Maysles Films, Partland worked on the dozens of documentary films and television commercials that the legendary company produced during his tenure. Partland is founder and President of DOCSHOP Productions. docshopproductions.com

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#1 Documentary on iTunes and Apple TV

#UNFIT is sharp, cohesive, and illuminating, with alarming insights.— Richard Roeper, Chicago Sun-Times

#UNFIT is an Incisive documentary with freshly perceptive nuances. — Owen Gleiberman, Variety

“Mental-health professionals, bound by ethics to point out danger, discuss how President Donald Trump is uniquely dangerous, a literal menace to society. Nay, not ‘discuss’: they are screaming it.” – MaryAnn Johanson, Flick Filosopher

“With stunning editing and a slew of thorough and reasoned criticism, this could be the nonfiction movie treatment of Trump to beat this year.” – Harvey S. Karten, Shockya.com

Blood on the Wall, Director Nick Quested

In Central America, a caravan of migrants seeking a better life heads north to the United States, as narco-traffickers — part of the cause for the caravan — move drugs and money back and forth across the same border. From Academy Award-nominated director Sebastian Junger and Emmy-winning producer Nick Quested, BLOOD ON THE WALL explores the depths of corruption plaguing Mexico and Central America and the policies of the past that have made it impossible for everyday people to find justice. Filmed in 2018 and 2019, just as the caravans made international news, BLOOD ON THE WALL is both intimate and wide-ranging as it follows a 17-year-old journeying from Honduras, a mother and daughter and their family trying to make the life-threatening trek easier for their kids, and smugglers and traffickers who reveal what set them on their own path. Using the same on-the-ground journalism and granular point of view that co-directors Sebastian Junger and Nick Quested used in Hell on Earth: The Fall of Syria and the Rise of ISIS, Korengal, and the Oscar-nominated Restrepo, BLOOD ON THE WALL brings the humanity of the migrants to the forefront and untangles how politics, the drug trade, violence, and the desire for safety result in unbelievable anguish happening in plain sight. Co-director Nick Quested joins us to talk about the extraordinarily violent and unstable circumstance these immigrants navigate and the palpable sense of cynical betrayal that the US and Mexico deploy against them.

 

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For news, screenings and updates go to: nationalgeographic.com/blood-on-the-wall

For more on sebastianjunger.com

About the filmmaker – Co-director Nick Quested is executive director and owner of Goldcrest Films, where he has built one of the premiere documentary brands in the world, winning two Emmys for his work. Quested has served as a producer on over 35 films, including Sebastian Junger’s The Last Patrol, Korengal, and the PGA- and twice Emmy-nominated Which Way Is the Front Line From Here?; the Oscar-nominated Restrepo; and National Geographic Doc Films’ duPont Award-winning Hell on Earth: The Fall of Syria and the Rise of ISIS. Quested is also an award-winning music video director, working with such artists as Dr. Dre, Nas, Puffy, Sting, Master P, Cash Money, and Trick Daddy. His credits include “Stretch and Bobbito: Radio That Changed Lives,” “Rubble Kings,” “Pussy Riot: A Punk Prayer,” “Smash and Grab: The Story of the Pink Panthers,” “Stolen Seas,” “The List,” “Tell Spring Not to Come This Year,” and “Doin’ It in the Park: Pick-Up Basketball, NYC.”

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“The film’s two brutal narratives – the caravans and the web of narco-trafficking – don’t always coalesce and may have benefited from a longer format.” – Kevin Crust, Los Angeles Times

“A very hard and complicated story to tell. But Junger and Quested are more than up to challenge in Blood on the Wall.” – David Zurawik, Baltimore Sun

Once Upon a River, Director Haroula Rose

Based on the best-selling novel by Bonnie Jo Campbell, ONCE UPON A RIVER is the story of Native American teenager Margo Crane (Kenadi DelaCerna) in 1970s rural Michigan who after enduring a series of traumas and tragedies, sets out on an odyssey on the Stark River in search of her estranged mother. On the water, Margo encounters friends, foes, wonders, and dangers; navigating life on her own, she comes to understand her potential, all while healing the wounds of her past. ONCE UPON A RIVER features newcomer Kenadi DelaCerna, John Ashton (Midnight Run, Gone Baby Gone), Tatanka Means (The Son, Saints & Strangers, Tiger Eyes), Ajuawak Kapashesit (Caleb, Outlander), Sam Straley (Hala,.Chicago P.D.), Coburn Goss (Man of Steel, What Women Want), Lindsay Pulsipher (True Blood, Justified, Hatfields & McCoys), Kenn E. Head (ER, Chicago Fire). Director Haroula Rose joins us for a conversation on her collaboration with author Bonnie Jo Campbell, bringing her background in music into the filmmaking world and bringing the role of Margo to life through the stellar performance of newcomer Kenadi DelaCerna.

 

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For news, screenings and updates go to: filmmovement.com/once-upon-a-river

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“A tender coming-of-age drama with a slice of rural period piece that is both chilling and earnestly moving.”  — THIRD COAST REVIEW

“One of the Most Anticipated American Films” — FILMMAKER MAGAZINE

“There’s a lot to love about ‘Once Upon a River.’ Kenadi DelaCerna shines!” – FILM THREAT

“Stunning! …a tender coming of age drama with a slice of rural period piece.” – The Moveable Fest

Chasing the Present, Film Subject James Sebastiano Jr.

CHASING THE PRESENT is a timely documentary following one man’s world wide journey of self inquiry as he explores the root cause of his lifelong battle with mental health issues. A materially successful young man, James Sebastiano Jr., riddled with anxiety, embarks on a world-wide journey of self-inquiry. From the streets of NY, to the stillness of the Ganges, and deep into the jungles of Peru, he immerses himself in meditation, self-inquiry, and plant medicine to find the root cause of the problem and learn how to finally find freedom from his crippling anxiety.  Along the way, he finds answers to why a person who seemingly has it all can continue to suffer from debilitating panic attacks, recognizing the beauty and power that lies within each of us, if we are willing to go there. CHASING THE PRESENT features Featuring James Sebastiano Jr., Russell Brand, Alex Grey, Graham Hancock, Gary Weber, Rupert Spira, Sharon Salzberg, Joseph Goldstein, Matthew Watherston, Jose Sanchez, James Sebastiano Sr., Jordan Sebastiano, Zelda Hall, Josh Korda, Vijeth Kumar. CHASING THE PRESENT subject James Sebastiano joins us to talk about the physical, psychological and spiritual journey he and director Mark Waters shared over the three plus years that this passion project took them on and why their experiences and the lessons learned from people they met will resonate with all that choose to join them.

 

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For news, screenings and updates go to: chasingthepresent.com

About the filmmaker – Mark Waters, Producer / Director / Cinematographer. Mark is an award winning-filmmaker specializing in films that explore reality beyond the limits of the current status quo. In 2011 he shot and edited, “Uncommon Ideals”, which was screened at SXSW as one of the top action-sports shorts of the year. In 2015, Mark independently completed his first feature film, “The Salt Trail” – A philosophical, portrayal, of those who fearlessly choose to travel outside the comforts of modern society. His most recent project, “Chasing the Present”, took a unique direction, pushing the boundaries of the documentary form, to frame an extremely important message. “Chasing the Present” evolved into a deeply immersive feature film, exploring the root cause of suffering, the mystery of consciousness and the nature of the self. Instead of chasing these common Ideals, he has been driven by his love for the natural world, traveling to 50 countries, and exploring the beauty, stillness and serenity unfolding in the present moment. His love for life has inspired him to find ways to frame and share his perception of the world, to inspire a fresh perspective. 

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Public Trust, Director David Garrett Byars

One of the most important documentaries of the year, Public Trust is a film that needs to be seen by everyone who enjoys getting out in nature. Although many of us take the 640 million acres of America’s Public Lands for granted, these lands are endangered by powerful forces that are attempting the largest land grab in modern history. By focusing on the eminent destruction of the Boundary Waters Wilderness in Minnesota, the downsizing of Bears Ears National Monument in Utah, and the wholesale appropriation of the Arctic National Wildlife Refuge, director David Garrett Byars enlists a slew of journalists, land historians, tribal leaders, and government whistleblowers to present a highly persuasive argument that is impossible to ignore and vital to hear. Above all else, as Executive Producer Robert Redford tells us,Public Trust is the story of citizens who are fighting back. It’s a much-needed wake-up call for all of us who want to preserve our unique and wild cultural heritage. Director David Garrett Byars joins us to talk about the on-going schemes by the most pernicious corporate interest to steal our heritage and how a growing group of dedicated and non-partisan people from around the country are thwarting them.

 

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For news and updates go to: patagonia.com/films/public-trust

Our public lands are under threat. Join us in the fight to protect them. Text ‘DEFEND’ to 71333.

Public Trust will premiere on Friday September 25 on YouTube Watch it for free for the next 30 days,

About the filmmaker – David Garrett Byars made his directorial debut at the 2017 Tribeca Film Festival with No Man’s Land, a documentary about the 2016 militia occupation of the Malheur National Wildlife Refuge that sparked international headlines. Byars also produced and lensed Massacre River, Suzan Beraza’s film about statelessness in the Dominican Republic.

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100% on Rotten Tomatoes

“If Donald Trump ever stands trial for crimes against the public interest, this film should be entered as evidence.” – Louis Proyect, Counterpunch.org

“Don’t miss it.” – Randy Myers, San Jose Mercury News

“Public Trust is calling for advocacy instead of just interest…and makes the case for why we all should be invested. It’s a beautiful documentary, and an important one.” – Tom Santilli, Movie Show Plus

“The documentary is conventionally structured and sometimes placid, but it has an alarming message.” – Ben Kenigsberg, New York Times

“Public Trust is calling for advocacy instead of just interest…and makes the case for why we all should be invested. It’s a beautiful documentary, and an important one.” – Tom Santilli, Movie Show Plus

All In: The Fight for Democracy, Co-directors Liz Garbus and Lisa Cortes

ALL IN: THE FIGHT FOR DEMOCRACY is a riveting examination of voter suppression in the United States of America. The film weaves rich archival storytelling with the personal experiences of experts, activists, and would-be voters deprived of their rights. Current activism as well as historical insight expose what corrupted our democracy from the moment it was founded. Every time we the people take a step toward a more just and equal nation — granting rights to the disenfranchised, from women’s suffrage to desegregation — new forces and obstacles emerge that require us to fight for the right to vote once again. Stacey Abrams, the former Minority Leader of the Georgia House of Representatives and the first female African-American major-party gubernatorial nominee, offers an insider’s look at the patchwork of laws and barriers designed to hinder voting. Many U.S citizens remain unaware of this dangerous threat to their basic right to wield their power and raise their voices at the polls.ALL IN: THE FIGHT FOR DEMOCRACY explores fundamental questions: Who gets to participate in our democracy, and who is pushed aside? How can we all fight back? Voting is the cog that makes the machinery of democracy work — and if the machinery breaks for some, it will eventually break for all. Co-directors Liz Garbus (Nothing Left Unsaid, I’lll Be Gone in the Dark, Lost Girls) and Lisa Cortes (The Apollo, The Remix: Hip Hop X Fashion, The Woodsman) join us to talk about how incredibly important voting rights are in determining the outcome of our elections and out quickly they can be taken away.

 

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ALL IN: THE FIGHT FOR DEMOCRACY will open in select theaters on September 9th and will be available on Amazon Prime Video on September 18th.

About the filmmaker – Liz Garbus is a two-time Academy Award®-Nominee, two-time Emmy Winner, Peabody Winner, Grammy Nominee, DGA Nominee, BAFTA-nominated director. LOST GIRLS (Netflix, 2020) is Garbus’ narrative feature debut, starring Amy Ryan, Gabriel Byrne, and Thomasin McKenzie. When Mari Gilbert’s daughter disappears, police inaction drives her own investigation into the gated Long Island community where Shannan was last seen. Her search brings attention to over a dozen murdered sex workers Mari will not let the world forget. LOST GIRLS will premiere at the 2020 Sundance Film Festival and then will be released in theaters and on Netflix.For more on the work of Liz Garbus go to: storysyndicate.com/work

About the filmmaker – Lisa Cortes Executive producer After graduating she went into the music business where she worked with Russell Simmons and Rick Rubin, the founders of Def Jam. Cortes then joined the staff at Mercury Records. After leaving the music industry, Cortes turned her interests to film. She enrolled at the School of Visual Arts in New York and later the New York Film Academy. A producer and close friend, Lee Daniels, was producing Monster’s Ball and Cortes and Daniels together subsequently collaborated on movies such as Woodsman (2004), Shadowboxer (2005), Tennessee (2008), and Precious (2009). Cortes founded her own company, Cortes Films in 2010. Cortes Films has produced two films Happy Birthday to a Beautiful Woman: a Portrait of My Mother, a film about Mickalene Thomas’ mother and her struggle with aging and kidney disease, and Kwaku Ananse a film about West African fables of Kwaku Ananse and a young woman named, Nyan Koronhwea, attending her estranged father’s funeral while trying to come to terms with her father’s double life. 

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100% on Rotten Tomatoes

“A documentary of supreme relevance that has the effect, at once chilling and rousing, of a political cautionary tale.” – Owen Gleiberman, Variety

“All In: The Fight for Democracy is a must-watch documentary…” – Danielle Solzman, Solzy at the Movies

“Voter suppression is broken down within an inch of its life with this informative, no holds barred documentary from Liz Garbus and Stacey Abrams. Our vote has never counted more and been more crucial. Don’t let you democracy be robbed!” – Carla Renata, The Curvy Film Critic

“Stacy Abrams’ urgent, powerful , and compelling documentary about voter rights and the attempt to suppress them could and should have a real world impact this election season.” – Pete Hammond, Deadline Hollywood Daily

My Name Is Pedro, Director Lillian LaSalle

First-time director Lillian LaSalle’s award-winning and timely documentary MY NAME IS PEDRO explores what public education meant to South Bronx Latino maverick educator, Pedro Santana, and what he, in turn, meant to public education. MY NAME IS PEDRO is a profound story of how one person actualizes learning and positive change in children, adults, environments and communities through an ‘impact’ ripple effect strategy that he has effortlessly perfected. MY NAME IS PEDRO is also an essential and timely reminder of the importance of great educators that exist within the infrastructure of our country’s public education system. Infectious in his optimism, Santana becomes one of the most influential public-school teachers and then administrators in the New York public school system after turning his troubled Bronx middle school, MS 391, around. He is unapologetic in his commitment to create change for kids, no matter the odds. When a glowing front-page New York Times article catapults him into the spotlight, he is recruited and then accepts a promotion to use his famed ‘out of the box’ and transformative practices to save a corrupt and divided suburban school district. But the political challenges there may simply be too great, even for the infallible Santana. Director Lillian LaSalle joins us to talk about her beautifully rendered story of a man determined to guide and motivate young people to be better students and better people.

 

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For news, screenings and updates go to: mynameispedro.com

Find out where to watch: mynameispedro.com/screenings

My Name is Pedro is opening: New York (The Maysles Cinema) September 17 – Los Angeles (Laemmle) on October 2.  A multi-city regional expansion on October 9 including: Philadelphia (Film Society), Buffalo (North Park), Baltimore (Senator, The Charles), Vancouver (Kiggins Theater), Tucson (Loft), Cleveland (Cleveland Cinemas), Phoenix (Film Bar), Bellingham (Pickford Center), San Jose (3 Below Outdoor), Winston Salem (Aperture Cinema), Tampa (Tampa Theater) and more.

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Winner: Best Documentary, Golden Door International Film Festival
Winner: Spotlight on Documentary Award, St. Louis International Film Festival 
Winner: Audience Award, Chicago Latino International Film Festival
Winner: Audience Award, Brooklyn Film Festival
Winner: Award of Merit, Impact Docs 
Winner: Honorable Mention, Woodstock Film Festival

“Director Lillian LaSalle takes a narrowly focused story and connects it to larger themes that affect everyone. It’s an emotional journey that hits uncomfortable truths.” – Daniel Eagan, Film Legacy

Buoyancy, Director Rodd Rathjen

BUOYANCY is the story of a Cambodian teenager sold into forced labor on a Thai fishing boat is a passionate testimony against social injustice and a moving coming-of-age tale about a boy whose humanity is put to the test. Spirited 14-year-old Chakra works the rice fields with his family. He yearns for independence and seeks out a local broker who can get him paid work in a Thai factory. Without telling his family, Chakra travels to Bangkok to make his fortune. But when he gets there, he and his new friend Kea realize the broker has lied to them. Along with other Cambodians and Burmese, they are sold to a fishing captain as slaves. Chakra and Kea are trapped at sea, trawling fish 22 hours a day, surviving on just a handful of cold rice a day. The captain quickly weeds out those weakened by the conditions or trying to escape, and throws them overboard. The trawler sells its catch and restocks its supplies without going to land, making escape impossible. Chakra looks to Rom Ran to understand what it will take to be free. With hope and humanity dwindling, Chakra decides to take matters into his own hands. Director Rodd Rathjen joins us to talk about shooting at sea, with a cast composed of mostly non-English speaking actor, making his first feature film.

 

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For news, screenings and updates go to: kinolorber.com/film/buoyancy

Australia’s Official Oscar Submission
Ecumenical Jury Prize – Berlinale Panorama

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“A terse minimalist thriller… supremely satisfying.” – Paul O’Callaghan, Sight & Sound

“A harrowing edge-of-your-seat adventure tale with social punch.” – Deborah Young, The Hollywood Reporter

“Taut and urgent.” – Jessica Kiang, Variety

“Powerful. A gripping debut.” – Paul Byrnes, Sydney Morning Herald

The Social Dilemma, Director Jeff Orlowski

Set in the dark underbelly of Silicon Valley, THE SOCIAL DILEMMA fuses investigative documentary with enlightening narrative drama—think An Inconvenient Truth meets The Matrix. Expert testimony from tech whistle-blowers exposes our disturbing predicament: the services Big Tech provides—search engines, networks, instant information, et cetera—are merely the candy that lures us to bite. Once we’re hooked and coming back for more, the real commodity they sell is their prowess to influence and manipulate us. Technology wizards have masterminded a new form of capitalism, and humanity is now the raw resource feeding the machine. THE SOCIAL DILEMMA focuses on the powerful, hidden artificial intelligence tasked with hijacking our attention is tearing apart social norms, jeopardizing truth and democracy, and putting civilization on a programmed path toward self-destruction. Award-winning filmmaker and environmentalist Jeff Orlowski (Chasing Ice, 2012; Chasing Coral, 2017) disrupts the disrupters by uncorking the invisible story purring from that mobile phone hidden in your pocket. Cunningly entertaining, THE SOCIAL DILEMMA sounds the alarm on surveillance capitalism in hopes of preserving the very fabric of our society before it’s too late. Director Jeff Orlowski joins us to talk about his incredibly relevant and important film.

 

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For news, screenings and updates go to: thesocialdilemma.com

THE SOCIAL DILEMMA is screening on Netflix beginning September 9th.

About the filmmaker: Jeff Orlowski is the director, producer, and cinematographer of Chasing Coral (2017 Sundance Film Festival winner of the Audience Award: U.S. Documentary) and Chasing Ice (2012 Festival winner of the Excellence in Cinematography Award Documentary). Both films screened at the United Nations and Congress and won Emmy Awards. Orlowski was awarded the inaugural Sundance Institute Discovery Impact Fellowship and named a United Nations Environment Programme Champion of the Earth. For more on the work of Jeff Orlowski go to: exposurelabs.com

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“An exemplary explainer, made with wit and clarity.” – Leslie FelperinHollywood Reporter

“[A] densely packed yet lively and entertaining documentary, whose accessibility is heightened by some narrative play-acting.” – Dennis HarveyVariety

“The film will definitely make you more cognizant of your own behavior – not just of how you use the internet, but how the internet uses you.” – David EhrlichindieWire

“The Social Dilemma really hits hard about what happens on the other side of the screen.” – Danielle SolzmanSolzy at the Movies

The Mole Agent, Director Maite Alberdi

In Maite Alberdi’s The Mole Agent Sergio is a Chilean spy. Sort of. At least, Sergio is offered the role of one after a casting session organized by Detective Romulo, a private investigator who needs a credible mole to infiltrate a retirement home. Romulo’s client, the concerned daughter of a resident, suspects her mother is being abused and hires him to find out what is really happening. However, Sergio is 83, not 007, and not an easy trainee when it comes to technology and spying techniques. But he is a keen student, looking for ways to distract himself after recently losing his wife. What could be a better distraction than some undercover spy action? While gathering intelligence, Sergio grows close to several residents and realizes that the menacing truth beneath the surface is not what anyone had suspected. Director Maite Alberdi’s The Mole Agent is a stylish combination of an observational dcumentary and a spy movie, with sleek camerawork and wonderfully watchable characters. It’s a unique meditation on compassion and loneliness that will infiltrate your heart and never let go.

 

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For news and updates go to: cinereach.org/films/the-mole-agent

About the filmmaker – Director Maite Alberdi has developed a particular style that is characterized by an intimate portrait of small worlds, and her renowned personal hallmark has made her one of the most important voices in Latin American documentaries. In 2011 she released her first feature The Lifeguard. Her second film Tea Time won more than 12 international awards and was nominated for Best Ibero-American Film at the Goya Awards in 2016. In that same year, her short film I’m Not From Here premiered, and was later nominated for the European Films Award. Her most recent feature film The Grown Ups received 10 international awards. Additionally, she co-authored the book Documentary Film Theory in Chile 1957-1973. Maite is a Global Shaper, Young Leaders by the World Economic Forum (WEF), and a member of Motion Pictures Arts and Sciences (AMPAS).

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“The most heartwarming spy movie ever made.” – Eric Kohn, IndieWire

“Funny, poignant and finely crafted. A refreshing, beautifully made documentary.” – John DeFore, The Hollywood Reporter

“A perfect movie that will make you laugh and break your heart.” – Jonathan Christian, The Playlist

“There’s no small irony here when it takes the perceived artifice of a movie to get at a reality about aging that most of us would rather not face, but the more Sergio is asked to go undercover in “The Mole Agent,” the deeper it gets for everyone.” – Stephen Saito, Moveable Fest

Starting at Zero (Reimagining Education in America), Director Willa Kammerer

Starting at Zero (Reimagining Education in America) explores the power of investing in high-quality early childhood education so that all children and families have the opportunity to attain the American Dream. The film brings together the voices of policymakers, educators, academics, business leaders, pediatricians, parents, and children. Starting at Zero features five current and past governors who are champions of early childhood education: Governors Steve Bullock of Montana, Kay Ivey of Alabama, and Ralph Northam of Virginia, as well as former Governors Jim Hunt of North Carolina, and Phil Bryant of Mississippi. Starting at Zero examines the latest developmental brain science to demonstrate how essential the earliest years of learning are to maximize human potential. Key features of high-quality early childhood learning environments and experiences are outlined and then brought to life as the film delves into the evolution of Alabama’s #1 nationally ranked state Pre-K program. Director Willa Kammerer joins us to talk about the increasing awareness of early childhood education, why is it so critical to our nation’s current and future success and the long-term societal benefits of a maximizing human potential

 

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For neews, screenings and updates go to: startingatzerofilm.com

About the filmmakers – Willa Kammerer, Director & Co-Producer is a documentary director and producer based in Providence, RI, and runs the creative agency Firestarter Interactive. Willa is committed to using film and storytelling to improve the wellbeing of people and the planet, and has deep experience working with education institutions, nonprofits, and foundations to bring this vision to life. Willa began her career as an intern in public radio, studied radio storytelling at the Salt Institute for Documentary Studies, and holds a B.A. in Italian from Middlebury College, as well as professional certificates from Georgetown University in Social Impact Storytelling and Social Impact Partnership Design. She is also a graduate of Goldman Sachs 10,000 Small Businesses. Starting at Zerois her first feature-length documentary.

***Accolade Global Film Competition Award of Excellence***
***Film Invasion Los Angeles Audience Choice Award for Outstanding Documentary Film***
 
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The Prison Within, Director Katherin Hervey and Producer Erin Kenway

Katherine Hervey’s emotionally charged new documentary THE PRISON WITHIN exposes the devastating impact untreated trauma has on individuals and communities through the powerful stories of survivors of violent crimes and prisoners incarcerated for murder in San Quentin prison. The prisoners and survivors come together and participate in the Victim Offender Education Group (VOEG)—an innovative restorative justice program enabling prisoners to discover how the trauma they’ve experienced contributed to their criminality and to understand the impact their crimes have on their victims. Together, the prisoners and survivors confront and expose the pain, shame, and rage caused by the extreme trauma they’ve experienced throughout their lives. THE PRISON WITHIN goes beyond why and how the system is inadequate, deftly exposing the torment experienced by people on both sides of prison walls. Through personal stories illustrative of the systemic injustices that perpetuate cycles of violence and trauma, this film lays a path to heal and reconcile our notions of justice. The Prison Within is narrated by Hill Harper (The Good Doctor, Homeland, CSI:NY, Covert Affairs) and author of Letters to an Incarcerated Brother, which speaks to the current mass incarceration crisis. Director Katherin Hervey, a former Los Angeles Public Defender and volunteer prison college instructor, and Producer Erin Kenway, is the first filmmaker to gain access to chronicle these intimate and revealing sessions inside San Quentin Prison.

 

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For news, screenings and updates go to: theprisonwithin.org

THE PRISON WITHIN is now available on all VOD/Digital & Blu-Ray/DVD platforms.

About the filmmakers – Director / Producer / Writer Katherin Hervey is a multimedia artist and activist. She has over a decade of experience in the criminal justice field as both an attorney and prison university educator. Katherin received her Bachelor’s degree in Cross-cultural Communications in America from University of Washington and is a graduate of Vancouver Film School. She also holds a Juris Doctorate degree from Loyola Law School. Prior to law school, she was the Publisher and Editor-In-Chief of Shades of Contradiction, a nationally distributed arts and culture magazine dedicated to promoting critical thinking and creative action. Katherin has produced, directed and art-directed short documentary and narrative films, including “Bob vs. The Incubus” (Best Documentary, Vancouver Film School Festival), and was the Art Director for “Her Urge” (Best Short Film, Sydney Mardi Gras Film Festival and Outstanding Women’s Short, Dallas Out Takes Festival). Katherin is also Co-founder of Raw Love Productions, a multimedia production ensemble dedicated to visual storytelling with social and artistic value. She is currently co-producing The Spirit of a Child, an interactive web documentary based in Ghana, West Africa. The Prison Within is her first feature film.

About the filmmaker – Producer / Writer / Executive Producer Erin Kenway graduated with a Bachelor’s Degree with honors from University of California, Irvine, majoring in both Criminology, Law & Society, and Psychology & Social Behavior. She holds a Juris Doctorate degree from Seattle University School of Law, is admitted to the National Order of the Barristers, and is a certified mediator. Prior to shifting careers to focus full-time on independent filmmaking, she practiced law for over a decade primarily represented economically disadvantaged victims of domestic violence in civil dissolution and child custody cases, and also served on several committees for both the Washington State and King County Bar Associations. She was also a Global Campaign Manager for broadcast, print, digital, and social advertising campaigns for Amazon’s award-winning Brand / Mass Advertising team. She is the co-founder of Tarina Productions, which is currently in development on multiple feature documentaries.

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Feels Good Man, Director Arthur Jones and Giorgio Angelini

In November 2016, a nasty election cycle had exposed a seismic cultural rift, and the country suddenly felt like a much different place. For underground cartoonist Matt Furie, that sensation was even more surreal. Furie’s comic creation Pepe the Frog, conceived more than a decade earlier as a laid-back humanoid amphibian, had unwittingly become a grotesque political pawn. FEELS GOOD MAN is a Frankenstein-meets-Alice-in-Wonderland journey of an artist battling to regain control of his creation, while confronting a disturbing cast of characters who have their own peculiar attachments to Pepe. Now, as Pepe continues to morph around the world – FEELS GOOD MAN offers a vivid, moving portrait of one man, one frog, and the very strange reality we’ve all found ourselves living in. Director Arthur Jones and Producer Giorgio Angelini stop by to talk about their mind-blowing journey into an internet / social media / 4Chan rabbit hole where a hippy-dippy cartoon character becomes an avatar and unfathomable messenger of hatred and bigoted propaganda.

 

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For news, updates and screenings go to: feelsgoodmanfilm.com

To watch Feels Good Man go to: feelsgoodman.watch

For more on Pepe the Frog creator mattfurie.com

About the filmmakers: Arthur Jones – Director / Animator / Writer FEELS GOOD MAN is Jones’s directorial debut, but he’s uniquely suited to tell the story. He’s a cartoonist who came up in the same indie comics scene as the film’s subject, Matt Furie. Jones published a book of his illustrations in 2011: Post-it Note Diaries (Penguin/Plume Paperbacks). Over his career, he’s art directed animation and motion graphics for journalists and documentary filmmakers, working with companies including The New York Times, VICE, The Center for Investigative Reporting and The International Consortium of Journalists. Recently he’s been a part of several documentary features: Seed Money: The Chuck Holmes Story (2015), BUNKER 77 (Amazon Studios, 2017), Owned, A Tale of Two Americas (2018) and Hal (Oscilloscope Films, 2018). Jones is a graduate of the Rhode Island School of Design. For more on the work of Arthur Jones go to: futuresmells.com

Giorgio Angelini: Producer / Writer / Cinematographer came into film from a longer, multi-faceted career in the creative arts. After touring in bands like The Rosebuds and Bishop Allen for much of his 20s, Giorgio enrolled in the Masters of Architecture program at Rice University during the depths of the 2008 real estate collapse. It was during this tumultuous time that the seeds for Giorgio’s directorial debut, OWNED: A Tale of Two Americas began to take shape. Following graduate school, Angelini began working with the boutique architecture firm, Schaum Shieh Architects, where he designed the White Oak Music Hall in Houston, Texas, as well as the headquarters for The Transart Foundation for Art and Anthropology, which won the Architect’s Newspaper’s “Design of the Year” award in 2018. 

WINNER – U.S. Documentary Special Jury Award for Emerging Filmmaker – 2020 Sundance Film Festival
WINNER – Best Feature Documentary – 2020 Lighthouse International Film Festival
Official Selection – 2020 True/False Film Festival
Official Selection – 2020 Big Sky Documentary Festival
Official Selection – Festival Favorites – 2020 SXSW Film Festival

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94% on Rotten Tomatoes

“You’ve just got to see it. It is chilling, hopeful, terrible, and wonderful—and made with care, gorgeous animation, and perfect pacing.”Allen Salkin, Los Angeles Magazine

“An expansive forensic look at the life cycle of an idea, a warp-speed analysis of internet sociology, and a harrowingly modern fable about innocence lost.“ – David Ehrlich, IndieWire

“It’s mesmerizing and kind of trippy, but also makes the film feel like a one-of-a-kind creation in the greater context of the Pepe the Frog legacy…an outstanding documentary.” 9/10 – Alex Billington, FirstShowing

“The most urgent and poignant political documentary of the year.” – Matt Patches, Polygon

Andorra Hustle, Director Eric Merola

Andorra, a tiny, independent country situated between France and Spain in the Pyrenees mountains with a total population of 80,000 people found itself at the center of one of the most convoluted and outrageous bank robberies in modern history: on March 10, 2015, Banca Privada d’Andorra (BPA), a private bank in Andorra, was shut down by Spanish, American, and Andorran governments in Spain’s efforts to destroy the Catalonian Independence Movement thus leaving dozens of innocent civilians facing prison for money laundering crimes that never existed, and scores of innocent families have had their entire life savings stolen from them. The incentive for the Spanish government to destroy BPA was part of Spain’s ongoing “Operation Catalonia”—a covert state-sponsored war-like operation meant to undermine the progress of Catalonia’s efforts to separate from Spain due to generations of  humanitarian and economic repression Madrid has inflicted upon Catalonia. America’s incentive was to protect Spain’s interests, as they are an ally of the United States. Andorra’s incentive appears to be purely economical on behalf of its leadership.  Director Eric Merola, (Burzynski, Second Opinion: Laetrile at Sloan-Kettering, Burzynski: The Cancer Cure Cover-Up, and The God Cells) joins us to talk about this shocking, but true story of an international banking system, and a regulatory oversight regime that is only incidentally concerned with banking integrity or financial criminality.

 

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For news and updates go to: andorrahustle.com

Merola Productions is proud to present the VOD release of THE ANDORRA HUSTLE, a documentary film written and directed by the award-winning filmmaker Eric Merola. The film will be available for streaming on Amazon Prime on September 4, 2020. 

To Watch Andorra Hustle go to: amazon.com/Andorra Hustle

About the filmmaker – Eric Merola is an internationally award-winning documentary filmmaker. For the last decade Eric has directed and produced four documentaries exploring disruptive scientific technologies in the space of medical research. All of his documentaries can be viewed on Amazon Prime Video Merola’s 5th documentary, The Andorra Hustle, releases worldwide in English, Spanish, and Catalan on Amazon Prime Video.  Merola’s first documentary, Burzynski: Cancer Is Serious Business was an international success seen by tens of millions of people worldwide. This project was presented on Netflix, PBS, The Documentary Channel, and various international television outlets. The positive reception of the Burzynski story led Merola to produce its sequel, Burzynski: Cancer Is Serious Business, Part II Merola’s third documentary, Second Opinion: Laetrile At Sloan-Kettering tells the story of Ralph W. Moss, PhD, who blew the whistle on the successful laetrile studies conducted for 5 years at Sloan-Kettering Cancer Center in New York City in the 1970s. Today, Eric Merola is most passionate about investigating fetal stem cell therapy, where he spent four years researching and releasing his most recent documentary, The God Cells: A Fetal Stem Cell Journey. Merola continues to follow new patients who seek fetal stem cell treatment and share their stories. Merola feels that fetal stem cells could be the most disruptive technology he’s discovered in the medical research space, potentially replacing nearly every pharmaceutical medication on the market. Eric is also a painter and fine art currently holding a residency at the 18th Street Studios in Santa Monica.

Love Fraud, Co-directors Heidi Ewing and Rachel Grady

Bigamy. Identity theft. Fraud. For the last 20 years Richard Scott Smith has used the internet and his dubious charms to prey upon unsuspecting women in search of love — conning them out of their money and their dignity. But now his victims have banded together determined to seek sweet revenge. LOVE FRAUD is a 4-part limited documentary series that follows (in real time) a con-man who is on the loose and the dynamic women determined to put him behind bars. Oscar-nominated directors Heidi Ewing and Rachel Grady take viewers on a bizarre, engrossing ride through the twisted mind of a criminal and the chaos he leaves in his wake. LOVE FRAUD premiered at the 2020 Sundance Film Festival on Day One, marking the first time an episodic series was programmed on opening day in festival history. Co-directors Heidi Ewing and Rachel Grady join us for a conversation on the determination of the women who refused to be victimize by a sociopathic abuser and helped bring about some measure of justice, despite the collective ambivalence of several law enforcement agencies across multiple local and state jurisdictions.

 

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Watch Love Fraud on Showtime at: sho.com/love-fraud

For more on Love Fraud go to: lokifilms.com/love-fraud

RACHEL GRADY – DIRECTOR, EXECUTIVE PRODUCER –  Co-owner of New York’s Loki Films, Grady is the co-director of “Jesus Camp” (Oscar nominee), “The Boys of Baraka”  (Emmy nominee) 12th & Delaware (Peabody winner) and DETROPIA (Sundance and Emmy winner). Most recently Grady co-directed “Norman Lear: Just Another Version of You,” which premiered as the opening night film at the 2016 Sundance Film Festival. The film opened theatrically in July 2016 and will be broadcast on PBS October 25th. Most recently, she and co-director Heidi Ewing completed, “One of Us,” a documentary thriller about the ultra-insular Hasidic community of New York City, currently streaming on Netflix. Rachel is a member of the Directors Guild and the Academy of Motion Picture Arts and Sciences. She Resides in Brooklyn, N.Y. For more on the work of Rachel Grady and Heidi Ewing go to: lokifilms.com

HEIDI EWING – DIRECTOR, EXECUTIVE PRODUCER – Co-owner of New York’s Loki Films, Ewing is the co-director of “Jesus Camp” (Oscar nominee), “The Boys of Baraka” (Emmy nominee) 12th & Delaware (Peabody winner) and DETROPIA (Sundance and Emmy winner). Ewing co-directed “Norman Lear: Just Another Version of You,” which premiered as the opening night film at the 2016 Sundance Film Festival. Most recently, she and co-director Rachel Grady completed “One of Us,” a documentary thriller about the ultra-insular Hasidic community of New York City, currently streaming on Netflix. Heidi is a member of the Directors Guild and the Academy of Motion Picture Arts and Sciences. For more on the work of Heidi Ewing and Rachel Grady go to: lokifilms.com

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“There’s a fun kind of justice rolling across the American Midwest in this four-part documentary… Stunning graphics add to the slightly hyperreal feel.” – Brad Newsome, Sydney Morning Herald

“The work of collage artist Martin O’Neill and the animation by Andrew Griffin help to create an atmosphere of surrealistic fantasy around the hard facts of the case.” – John Anderson, Wall Street Journal

“As twisty and juicy as the story here is, Love Fraud keeps threatening to slip through your fingers, which makes it a bit like Richard Scott Smith, if you’re into that sort of mirroring.” – Dan Fienberg, Hollywood Reporter

“This is one of the fastest 200 minutes you’ll see all year.” – Brian Tallerico. RogerEbert.com

Song Without a Name, Director Melina León

Based on harrowing true events, SONG WITHOUT A NAME tells the story of Georgina, an indigenous Andean woman whose newborn baby is whisked away moments after its birth in a downtown Lima clinic – and never returned. Stonewalled by a byzantine and indifferent legal system, Georgina approaches journalist Pedro Campas, who uncovers a web of fake clinics and abductions – suggesting a rotting corruption deep within Peruvian society. Set in 1988, in a Peru wracked by political violence and turmoil, Melina León’s heart-wrenching first feature renders Georgina’s story in gorgeous, shadowy black-and-white cinematography. SONG WITHOUT A NAME is a Kafkaesque thriller that unflinchingly depicts real-life, stranger-than fiction tragedies with poetic beauty. A 2019 Cannes Camera d’Or nominee, SONG WITHOUT A NAME, and winner of more than 30 international awards including “Best Film” at the Lima Latin American Film Festival and “Best Film by an Emerging Director” at the Munich Film Festival, the Latin American period piece has garnered raves around the world. Director Melina León joins us to talk about her starkly beautiful film and the heart-wrenching story of loss, and love against the backdrop of political and social upheaval.

 

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For news and updates go to: filmmovement.com/song-without-a-name

Learn more about Virtual Cinema at filmmovement.com/virtual-cinema-guide

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twitter.com/melinaneon
#SongWithoutAName
#MelinaLeón
#CanciónSinNombre
#Takymanasutiuq
#CinePeruano

 

“There are similarities here with Alfonso Cuaron’s Roma which go beyond the striking black and white photography. Both films deal with social hierarchies in Latin American countries which divide the population along racial lines; both feature wrenching depictions of interrupted motherhood.” – Wendy Ide, Screen Daily

“…haunting…. The racism and exclusion addressed here remain pertinent issues. The power of León’s work lies in the way that she explores these themes without ever taking her finger off the pulse of the narrative. “ – Jennie Kermode, Eye for Film

“With gorgeous monochrome visuals and rich musical layers, the film is evidence of a strong new directorial voice, ear and eye. Song Without a Nameis above all an exquisite audiovisual experience. – Stephen Dalton, The Hollywood Reporter

“prompted surface-level comparisons to Alfonso Cuarón’s Roma…but León’s far more modestly scaled Latin American period piece is entirely its own film, meshing vérité-style technique with passages of dark, folkloric reverie, as its characters’ investigation of a single kidnapping spirals into a heady vortex of institutional corruption. León’s world-building remains mesmerizing, steeped as it is in local lore, rituals and haunting traditional music.” – Guy Lodge, Variety