Emily @ The Edge of Chaos – Executive Producer Thea J. Kerman

Emily @ the Edge of Chaos interweaves Emily Levine’s live performance with animation, appearances by scientists, and animated characters (John Lithgow as Sir Isaac Newton, Lily Tomlin as Ayn Rand, Leonard Nimoy as Sigmund Freud, Richard Lewis as Aristotle, Matt Groening as Aldo Leopold). Emily @ the Edge of Chaos uses physics, which explains how the universe works, to explain our metaphysics – the story of our values, our institutions, our interactions. Using her own experience and a custom blend of insight and humor, provocation and inspiration, personal story and social  commentary, Emily takes her audience through its own paradigm shift: from the Fear of Change to the EDGE OF CHAOS! Emily Levine, like her film, was one-of-a-kind. She was a television writer and producer (Designing WomenLove & War and Dangerous Minds), a stand-up performer, and an out-of-the box-thinker, whose brilliant TED Talks have been watched by millions. She made this film with Wendy Apple, who produced and directed it. Wendy died in 2017 and Emily continued working on the film until she also passed away in 2019. Executive Producer Thea Kerman joins us to talk about how her friend and colleague, Emily Levine, poured her heart and should into making this film before cancer took her, and how the unexpected death of the director Wendy Apple played into Thea stepping in to guide the film to completion and distribution.

 

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Opening Friday, May 7 nationwide in virtual cinemas through KINO MARQUEE

Featuring the voices of comic luminaries:
Lily Tomlin as Ayn Rand
John Lithgow as Sir Isaac Newton
Leonard Nimoy as Sigmund Freud
Richard Lewis as Aristotle
Matt Groening as Benjamin Franklin…& more!

 

About Emily Levine – Emily graduated cum laude from Harvard, intent on pursuing a career as an Oracle. Unable to find a good Oracle agent, she settled for a career as a stand-up comedian, headlining in comedy clubs and making television appearances on shows such as David Letterman’s Late Night. The LA Times called her “a stand-out as a stand-up.” Newsweek called her “one of the new queens of comedy.” Her mother called her every week. Later, as a television writer and producer, Emily worked on shows such as Designing Women, Love and War and Dangerous Minds. She created and produced pilots for new situation comedies for CBS, NBC, ABC and HBO. In the 90’s, Emily’s career began to suffer as an undiagnosed tumor in her pituitary gland began to wreak havoc. Lacking an explanation for the weird array of symptoms, including brain fog, osteoarthritis, and a curious lack of interest in consumer-driven activity, she could only believe she was going crazy. The relief that accompanied the eventual diagnosis in 2007 – the fact that there was an actual real reason for her decline – led Emily to fall in love with fact-based reality, aka science. Her movie, “Emily @ the Edge of Chaos,” details this journey, using humor, animations, and guest stars to inspire the country with that same love of fact-based reality.  Emily was diagnosed with stage IV lung cancer in 2018 and started a blog, “The Yoy of Dying,” that takes it all on. Emily died on February 3, 2019, but Emily’s daughter Abby continues working to release “Emily @ the Edge of Chaos.”  You can subscribe to Emily’s Universe and continue to follow Emily’s accounts on Twitter, Facebook, and Instagram to stay up-to-date. For more about Emily go to: emilysuniverse.com

About the filmmaker – Thea Kerman, Executive Producer, has over 30 years of experience as an entertainment lawyer. She has provided legal services for narrative films such as Donnie Brasco, The Fisher King, Hook, Hairspray, Warriors of Virtue, Bats and Black Dynamite, documentary films such as The Cutting Edge: The Magic of Film Editing and Queen of Hearts: Audrey Flack and worked with clients and talent such as Akiro Kurasawa, Barry Levinson, Sidney Lumet, Bruce Willis, Richard Gere, Al Pacino, Whitney Houston and Kiss. Prior to establishing her own law firm in 1990 in Los Angeles, Ms. Kerman was the Senior Production Counsel for Tri-Star Pictures and served as General Counsel for the Marvel Comics Group.. She was a co-producer on Dukhtar, a U.S./Pakistani/Norwegian/Indian narrative co-production which had its world premiere at the Toronto Film Festival and was the official Pakistani nominee for Best Foreign Language Film at the 87th annual Academy Awards. She was an executive producer of Doctors of the Dark Side, a feature length documentary, and co-producer of Yellow Rose, an American-Fillipino musical drama.

SOCIAL MEDIA
facebook.com/emily.oracle

“Witty, whimsical, deeply thoughtful and, most of all, COMPLETELY HILARIOUS.” – Lily Tomlin

“Go see Emily Levine at the risk of BLOWING YOUR MIND, SPLITTING YOUR SIDES, and exiting a better person.” – Norman Lear

“If you don’t get Emily Levine’s smart comedy, you’re an IDIOT!” – Matt Groening

May 6 – Turner Classic Movies (TCM) Film Festival – May 6 – 9

Turner Classic Movies (TCM)  is a two-time Peabody Award-winning network that presents great films, uncut and commercial-free, from the largest film libraries in the world highlighting the entire spectrum of film history. TCM features the insights from Primetime host Ben Mankiewicz along with hosts Alicia Malone, Dave Karger, Jacqueline Stewart and Eddie Muller, plus interviews with a wide range of special guests and serves as the ultimate movie lover destination. With more than two decades as a leading authority in classic film, TCM offers critically acclaimed series like The Essentials, along with annual programming events like 31 Days of Oscar® and Summer Under the Stars. TCM  also directly connects with  movie fans through events such as the annual TCM Classic Film Festival in Hollywood, the TCM Big Screen Classics series in partnership with Fathom Events, as well as through the TCM Classic Film Tour in New York City and Los Angeles. In addition, TCM produces a wide range of media about classic film, including books and DVDs, and hosts a wealth of material online at tcm.com and through the Watch TCM mobile app. Fans can also enjoy a TCM curated classics experience on HBO Max.

For news, screenings and updates go to: filmfestival.tcm.com

Explore Turner Classic Movies Schedule

View HBO Max Lineup

May 6 – 9 tune in to the TCM network for four fantastic days featuring a curated selection of films reflecting a broad spectrum of the classic movies we love – each surrounded by new interviews, special presentations, archival content, and clips from past TCM Classic Film Festivals.

TCM UNDERGROUND – Tune in every Friday night for TCM Underground, our late-night movie franchise that showcases the best of classic cult favorites and hard-to-find films, from experimental shorts to off-beat comedies. For more discussions around the wild, weird world of cult films and films shown on TCM Underground, check out our web series TCM Slumberground on YouTube!

TCM SLUMBERGROUND is the official monthly pre-show for TCM Underground, a late-night cult movie franchise that airs at 2:00 am EST on Friday nights on Turner Classic Movies. In each episode, TCM Underground programmer Millie De Chirico sits down with a panel of her fellow TCM employees to discuss the upcoming double feature and other cult movie topics.

Other Midnight Films at past TCM Classic Film Festivals include: Boom!, Duck Soup, Eraserhead, Freaks, Gog, Island of Lost Souls, Kentucky Fried Movie,  Night of the Living Dead, Nothing Lasts Forever, Phase IV, Roar, Santo vs. The Evil Brain,The Bride of Frankenstein, The Day of the Triffids, The Mummy, The Student Nurses, The Tingler, The World’s Greatest Sinner and Zardoz.

The L.A. Rebellion – Director Charles Burnett & Director Billy Woodberry @ 2021 TCM Film Festival

In the late 1960s, in the aftermath of the Watts Uprising and against the backdrop of the continuing Civil Rights Movement and the escalating Vietnam War, a group of African and African-American students entered the UCLA School of Theater, Film and Television, as part of an Ethno-Communications initiative designed to be responsive to communities of color (also including Asian, Chicano and Native American communities).  Now referred to as the “L.A. Rebellion,” these mostly unheralded artists created a unique cinematic landscape, as—over the course of two decades—students arrived, mentored one another and passed the torch to the next group. Beyond the films themselves, what makes the L.A. Rebellion movement a discovery worthy of a place in film history is the vitality of its filmmakers, their utopian vision of a better society, their sensitivity to children and gender issues, their willingness to question any and all received wisdom, their identification with the liberation movements in the Third World, and their expression of Black pride and dignity. As part of the 2021 TCM (Turner Classic Movies) Film Festival is spotlighting two of the L.A. Rebellion’s leading lights, Charles Burnett and Billy Woodberry in the festival’s Special Collections section. Charles Burnett and Billy Woodberry join us for a conversation on their recollections the birth of the L.A. Rebellion and the inspiration for their life altering decision to become filmmakers.

 

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Check out Special Collections at: filmfestival.tcm.com/on-hbomax

About the filmmaker – Charles Burnett is a writer-director whose work has received extensive honors. Born in Vicksburg, Mississippi, his family soon moved to the Watts neighborhood of Los Angeles. Burnett studied creative writing at UCLA before entering the University’s graduate film program. His thesis project, Killer of Sheep (1977), won accolades at film festivals and a critical devotion; in 1990, it was among the first titles named to the Library of Congress’ National Film Registry. European financing allowed Burnett to shoot his second feature, My Brother’s Wedding (1983), but a rushed debut prevented the filmmaker from completing his final cut until 2007. In 1988, Burnett was awarded the prestigious John D. and Catherine T. MacArthur (“genius grant”) Fellowship and shortly thereafter Burnett became the first African American recipient of the National Society of Film Critics’ best screenplay award, for To Sleep with Anger (1990). Burnett made the highly acclaimed “Nightjohn” in 1996 for the Disney Channel; his subsequent television works include “Oprah Winfrey Presents: The Wedding” (1998), “Selma, Lord, Selma” (1999), an episode of the seven-part series “Martin Scorsese Presents The Blues” (2003) and “Nat Turner: A Troublesome Property” (2003), which was shown on the PBS series “Independent Lens.” Burnett has been awarded grants from the Guggenheim Foundation, the Rockefeller Foundation, the National Endowment for the Arts and the J. P. Getty Foundation. In 2011, the Museum of Modern Art showcased his work with a month-long retrospective.

To Sleep with Anger – Writer and Director Charles Burnett – A slow-burning masterwork of the early 1990s, this third feature by Charles Burnett is a singular piece of American mythmaking. In a towering performance, Danny Glover plays the enigmatic southern drifter Harry, a devilish charmer who turns up out of the blue on the South Central Los Angeles doorstep of his old friends. In short order, Harry’s presence seems to cast a chaotic spell on what appeared to be a peaceful household, exposing  smoldering tensions between parents and children, tradition and change, virtue and temptation. Interweaving evocative strains of gospel and blues with rich, poetic-realist images, To Sleep with Anger is a sublimely stirring film from an autonomous artistic sensibility, a portrait of family resilience steeped in the traditions of African American mysticism and folklore.

About the filmmaker – Billy Woodberry  Born in Dallas in 1950, Billy Woodberry is one of the founders of the L.A. Rebellion film movement. His first feature film Bless Their Little Hearts (1983) is a pioneer and essential work of this movement, influenced by Italian neo-realism and the work of Third Cinema filmmakers. The film was awarded with an OCIC and Interfilm awards at the Berlin International Film Festival and was added to the National Film Registry of the Library of Congress in 2013. His latest feature film And when I die, I won’t stay dead (2015) about the beat poet Bob Kaufman was the opening film of MoMA’s Doc Fortnight in 2016.  Woodberry has appeared in Charles Burnett’s “When It Rains” (1995) and provided narration for Thom Andersen’s Red HOLLYWOOD” (1996) and James Benning’s “Four Corners”(1998).  His work has been screened at Cannes and Berlin Film Festivals, the Museum of Modern Art (MoMA), Harvard Film Archive, Camera Austria Symposium, Human Rights Watch Film Festival, Tate Modern and Centre Pompidou. He received his MFA degree from UCLA in 1982 where he also taught at the School of Theater, Film and Television. Since 1989 Billy Woodberry is a faculty member of the School of Film/Video and the School of Art at the California Institute of the Arts. 

Bless Their Little Hearts – Director / Producer / Editor Billy Woodberry – A key masterpiece of the L.A Rebellion, Bless Their Little Hearts distills the social concerns and aesthetics of that trailblazing movement in African American cinema. Billy Woodberry’s film showcases his attentive eye, sensitivity to the nuances of community and family, and the power of the blues. Searching for steady work, Charlie Banks (Nate Hardman) views his chronic unemployment as a kind of spiritual trial. But day work and selling a few catfish can’t sustain a family of five. While his wife, Andais (Kaycee Moore), works to support them with dignity, Charlie finds comfort for his wounded sense of manhood in an affair that threatens his marriage and family.  At the heart of this devastatingly beautiful film is the couple’s agonizing confrontation – shot in one continuous ten-minute take – that ranks as “one of the great domestic cataclysms of modern movies.” (Richard Brody, The New Yorker) Named to the National Film Registry, Bless Their Little Hearts features contributions by two iconic American artists: Charles Burnett (Killer of Sheep, To Sleep With Anger), who wrote and shot the film, and Kaycee Moore (Daughters of the Dust), whose powerful performance as Andais Banks remains a revelation. Film restoration by Ross Lipman with Billy Woodberry at UCLA Film & Television Archive. 2K Digital restoration by Re-Kino, Warsaw. English captions and Spanish subtitles.

May 6 – 9 tune in to the TCM network for four fantastic days featuring a curated selection of films reflecting a broad spectrum of the classic movies we love – each surrounded by new interviews, special presentations, archival content, and clips from past TCM Classic Film Festivals.

Turner Classic Movies (TCM) is a two-time Peabody Award-winning network that presents great films, uncut and commercial-free, from the largest film libraries in the world highlighting the entire spectrum of film history. TCM features the insights from Primetime host Ben Mankiewicz along with hosts Alicia Malone, Dave Karger, Jacqueline Stewart and Eddie Muller, plus interviews with a wide range of special guests and serves as the ultimate movie lover destination. With more than two decades as a leading authority in classic film, TCM offers critically acclaimed series like The Essentials, along with annual programming events like 31 Days of Oscar® and Summer Under the Stars. TCM also directly connects with movie fans through events such as the annual TCM Classic Film Festival in Hollywood, the TCM Big Screen Classics series in partnership with Fathom Events, as well as through the TCM Classic Film Tour in New York City and Los Angeles. In addition, TCM produces a wide range of media about classic film, including books and DVDs, and hosts a wealth of material online at tcm.com and through the Watch TCM mobile app. Fans can also enjoy a TCM curated classics experience on HBO Max.

For news, screenings and updates go to: filmfestival.tcm.com

Explore Turner Classic Movies Schedule

View HBO Max Lineup

Check out Special Collections at: filmfestival.tcm.com/on-hbomax

The Wake of Light – Director Renji Philp

THE WAKE OF LIGHT tells the story of Mary, (Rome Brooks) a loving, selfless daughter who has spent her entire life caring for her widowed father after he suffered a stroke when she was a little girl. One day Mary meets Cole (Matt Bush, from TV’s “The Goldbergs”), a young man passing through her small town on a cross-country road trip, who falls for Mary and asks her to join him on his journey. Now Mary must choose between her deep-felt responsibility to her father or a chance at love. THE WAKE OF LIGHT has won over 20 Film Festival Awards during its festival run. THE WAKE OF LIGHT is written, directed, and produced by Renji Phillip and stars Rome Brooks and Matt BushDirector Renji Philip (Cheesecake Casserole) joins us for a conversation on his sincere and heartfelt meditation on the choices we make, the power we have to change our destinies. 

 

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For news, screenings, and updates go to: thewakeoflightmovie.com

THE WAKE OF LIGHT will have its virtual theatrical release on January 15, 2021 by Laemmle Theaters. 

THE WAKE OF LIGHT will open on digital platforms on February 15, 2021.

About the filmmaker – Renji Philip is an award-winning writer, director and producer. He was born in Littleton, Colorado, the son of an Indian immigrant. He’s won 6 Best Film awards, 4 Best Director awards and 1 Best Screenplay awards for THE WAKE OF LIGHT. He studied acting at the Stella Adler Conservatory in New York for two years and with Howard Fine (and visiting teacher Uta Hagen) in Los Angeles as a full-scholarship student for four years. His films have been Officially Selected at Palm Springs, Raindance-London, Rhode Island International, Mill Valley, Frame 4 Frame, Mayday, Cinequest, Mill Valley, Methodfest, Winnipeg film festivals. For more go to: axispacificfilmworks.com

SOCIAL MEDIA
facebook.com/thewakeoflightmovie

“THE WAKE OF LIGHT boasts a strong performance from Matt Bush, who elevates the movie.” – Nathaniel Muir, AIPT

“A film of immense CHARM, HUMOR and HOPE” – LOGAN TAYLOR – SXSW

“Beautifully shot and paying homage in part to What’s Eating Gilbert Grape, The Wake of Light may not be the most original storyline but it’s all about the journey on which the film takes its audience and not the destination.” – Joel Fisher, Battle Royale With Cheese

“A quiet, contemplative drama of people lost in failed dreams that lives up to some, if not all, of its ambitions.” – Daniel Eagan, Film Legacy

“An illuminating film.” – Matt Brunson, Film Frenzy

“The Wake of Light is what an indie should be.” – Tony Macklin, tonymacklin.net

The rePRO Film Festival and mama.film Co-founders Lela Meadow-Conner, Mallory Martin and Debby Samples

The rePRO Film Festival begins its inaugural run this August 12-16. The virtual film festival is dedicated to exploring women’s reproductive healthcare, awareness, advocacy and bodily integrity in America. The lineup of films includes documentaries and narratives dealing with women’s rights, endometriosis, illegal sterilization, access to abortion, and reproductive justice for women of color, among other topics. rePRO Film Festival, will host five days of features, short films and themed-conversations focused on a range of topics including healthcare access, fertility, pregnancy, sexual education, abortion, and issues related to the gender spectrum. In-festival moderated conversations will include call-to-action messaging on how people can get involved in a corresponding initiative or topic. The conversations, designed to spotlight the creators who dare to tell stories about women’s reproductive rights, and to showcase courageous advocators, will be available online for free globally. All feature films playing the rePRO Film Festival are directed by women, and all filmmakers, including shorts filmmakers, are being paid to screen their films. The pay-what-you-can film ticket proceeds for films at the festival will be converted to donations to be split evenly among five beneficiary non-profit organizations – SisterSong, Endometriosis Foundation of America, Center for Reproductive Rights, URGE and Trust Women. Tickets are on sale online at repromamafilm.org. Tickets are all pay-what-you-can ($5, $10 or $15) with a limited number of complimentary vouchers available upon request to ensure access for all. rePro Film Festival and festival sponsor mama.film founders Lela Meadow-Conner, Mallory Martin and Debby Samples join us to talk about the launch of their deep dive into the issues, challenges and stories that face 49% of the world’s population and the people who love them.

 

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For news, screenings and updates go to: repromamafilm.org

About MAMA.FILM – Through the power of cinema, mama.film (link), a 501c(3) non-profit organization, unites nurturers of all kinds to ignite conversation and to reflect upon our shared human experience. Founded in 2019, in a pop-up microcinema in a shipping container in Wichita, Kansas, mama.film has since been awarded expanded programming to Cleveland, and to a virtual platform. Film selections include stories and topics that amplify and explore the evolving realities of the human condition and that spark dialogue and reflection. mamafilm is committed to representing the realities and complexities of a diverse range of nurturers, across race, class, geography, sexual preference, ability and generation.An emphasis is placed on independent and foreign films that are grounded in authentic storytelling. mamafilm is committed to supporting the work of creators who are  nurturers and caregivers. Initial support for rePRO by mama.film was generously provided by a grant from the George R. Tiller, M.D., Memorial Fund for the Advancement of Women’s Health at the Wichita Community Foundation. Follow @mamafilm1 on Instagram or Twitter for updates, or follow rePRO by mama.film on Facebook for more updates.

Social Media
facebook.com/mamafilm1
twitter.com/MamaFilm1
instagram.com/mamafilm1

A Sister, Director Delphine Girard

A night. A car.  Alie is in trouble. To get by she must make the most important call of her life. An emergency services dispatcher must tap into all her professional skills when she receives a call from a woman in a desperate situation.

About the filmmaker: Born in the heart of the French-Canadian winter, Delphine Girard moved to Belgium a few years later. after starting her studies as an actress, she transferred to the directing department at the iNSaS in Brussels. her graduation film, MONSTRE, won several awards in Belgium and around the world. after leaving the school, she worked on several films as an assistant director, children’s coach or casting director (“Our children” by Joachim Lafosse, “Mothers’ instinct” by Olivier Masset-Depasse) while writing and directing the short film CAVERNE, adapted from a short story by the American author holly Goddard Jones. A SISTER is her second short film. She is currently working on her first feature and a fiction series.

 

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For news and updates go to: A Sister/delphine-girard

Awards:

Jury Prize – Saguenay IFF (Canada)
Grand Prize Rhode Island IFF (USA)
Best International Short Film Sulmona IFF (Italy)
Grand Prize Jury SPASM Festival (Canada)
Best Short Film, Public Prize, Be tv Prize, University of Namur Prize – Namur Film Festival (Belgium) Public Prize & Special mention by press – BSFF (Belgium)